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L0 Sort NMA KV1 KV6 Composition Date Place
001* L 9/27/1, p. 87 - 001a Andante in C for Piano 1761-01 Early 1761 Salzburg
001b L 9/27/1, p. 87 - 001b Allegro in C for Piano 1761-02 Early 1761 Salzburg
001c A 9/27/1, p. 88 - 001c Allegro in F for Piano 1761-12-11 11 December 1761 Salzburg
001d A 9/27/1, p. 88 - 001d Minuet in F for Piano 1761-12-16 16 December 1761 Salzburg
001e L 9/27/1, p.94 001 001e Minuet in G for Piano 1761-12-30 December 1761 – January 1762 Salzburg
001f L 9/27/1, pp.94–95 001 001f Minuet in C for Piano 1761-12-31 December 1761 – January 1762 Salzburg
002 E 9/27/1, p.90 002 002 Minuet in F for Piano 1762-01 January 1762 Salzburg
003 A 9/27/1, p.91 003 003 Allegro in B♭ for Piano 1762-03-04 4 March 1762 Salzburg
004 A 9/27/1, p.77 004 004 Minuet in F for Piano 1762-05-11 11 May 1762 Salzburg
005 A 9/27/1, p.93 005 005 Minuet in F for Piano 1762-07-05 5 July 1762 Salzburg
005a L 9/27/1, pp.18–20 009aKV2 9a 005a Allegro in C for Piano 1763-07-01 Summer 1763
005b L 9/27/1, pp.95–96; X/30/4, p.1 009bKV2 9b 005b Piece in B♭ for Piano (fragment) 1763-07-02 Summer 1763
006 L 8/23/1–01, pp.2–11 006 006 B01. Sonata in C for Violin and Piano 1763-10-14 1762 – 1764 Salzburg or Paris
007 L 8/23/1–02, pp.12–19 007 007 B02. Sonata in D for Violin and Piano 1763-11-30 1762 – 1764 Salzburg or Paris
008 L 8/23/1–03, pp.20–25 008 008 B03. Sonata in B♭ for Violin and Piano 1763-11-21 1763 – 1764 Paris
009 L 8/23/1–04, pp.26–33 009 009 B04. Sonata in G for Violin and Piano 1763-12-31 1763 – 1764 Paris
010 L 8/22/2–1, pp.2–11 010 010 C01. Sonata in B♭ for Piano, Violin (or Flute) and Violoncello 1764-05-01 1764 London
011 L 8/22/2–2, pp.12–17 011 011 C02. Sonata in G for Piano, Violin (or Flute) and Violoncello 1764-05-02 1764 London
012 L 8/22/2–3, pp.18–25 012 012 C03. Sonata in A for Piano, Violin (or Flute) and Violoncello 1764-05-03 1764 London
013 L 8/22/2–4, pp.26–35 013 013 C04. Sonata in F for Piano, Violin (or Flute) and Violoncello 1764-05-04 1764 London
014 L 8/22/2–5, pp.36–47 014 014 C05. Sonata in C for Piano, Violin (or Flute) and Violoncello 1764-05-05 1764 London
015 L 8/22/2–6, pp.48–55 015 015 C06. Sonata in B♭ for Piano, Violin (or Flute) and Violoncello 1764-05-06 1764 London
016* L 9/27/1, pp. 99–168 - 015a – 15ss 43 Untitled Pieces, »Londoner Skizzenbuch« (“London Sketchbook”) 1764-05-07 1764 London
017* H 4/11/01–011–1, pp.3–20 016 016 S01. Symphony in E♭, No. 1 1764-12 1764 – 1765 London
017a* V X/29/3, p.3–36 A220Anh. 220 016a SA01aSymphony in A minor, “Odense” (very doubtful) — not WA Mozart
018* H 4/11/01–021–2, pp.21–34 019 019 S02. Symphony in D, “No. 4” 1765-02 1765 London
018a* L 4/11/01–031–3, pp.35–48 A223Anh. 223 019a S03. Symphony in F 1765-03 c. 1765 London?
018b* S A222Anh. 222 019b S03a. Symphony in C (doubtful) — lost
019* L 2/7/1–01, pp.3–12 021 019c R01. Aria for tenor and orchestra, “Va, dal furor portata” 1765-04 1765 London
020* L 9/24/2, pp.2–19; X/29/2, pp.186–206 - 019d Sonata in C for Piano Four-hands 1765-05 May 1765 London
021* L 3/9, pp.2–3 020 020 Motet in G minor, “God is Our Refuge” 1765-07 July 1765 London
021a L A206Anh. 206 021a Variations for Piano — lost
022 L 4/11/01–041–4, pp.49–62 022 022 S04. Symphony in B♭, “No. 5” 1765-12 December 1765 The Hague
023 L 2/7/1–02, pp.13–16 023 023 R02. Aria for soprano and orchestra, “Conservati fedele” 1766-01 October 1765, January 1766 The Hague
024 L 9/26, pp.3–8 024 024 V01. 8 Variations in G on “Laat ons Juichen, Batavieren” 1766-01 January 1766 The Hague
025 L 9/26, pp.9–14 025 025 V02. 7 Variations in D on “Willem van Nassau” 1766-02-01 February 1766 Amsterdam
026 L 8/23/1–05, pp.34–39 026 026 B05. Sonata in E♭ for Violin and Piano 1766-02-02 February 1766 The Hague
027 L 8/23/1–06, pp.40–44 027 027 B06. Sonata in G for Violin and Piano 1766-02-03 February 1766 The Hague
028 L 8/23/1–07, pp.45–49 028 028 B07. Sonata in C for Violin and Piano 1766-02-04 February 1766 The Hague
029 L 8/23/1–08, pp.50–53 029 029 B08. Sonata in D for Violin and Piano 1766-02-05 February 1766 The Hague
030 L 8/23/1–09, pp.54–58 030 030 B09. Sonata in F for Violin and Piano 1766-02-06 February 1766 The Hague
031 L 8/23/1–10, pp.59–65 031 031 B10. Sonata in B♭ for Violin and Piano 1766-02-07 February 1766 The Hague
031a L 4/11/01–081–8, pp.115–128 A221Anh. 221 031a-PML45a S05. Symphony in G, “Old Lambach” 1766-03-01 Late 1765 – Early/March 1766 The Hague
032 L 4/12/1–1, pp.3–22 032 032 Gallimathias Musicum (Quodlibet) 1766-03-02 March 1766 The Hague
033 A 1/1/1/6–01, pp.3–5 033 033 Kyrie in F 1766-06-12 12 June 1766 Paris
033a L - 033a Soli for Flute — lost 1766-09 1766
033b L - 033b Piece in F for Piano 1766-10 October 1766 Zurich
033c–h L - 033c–h Various pieces — lost 1766-11 1766
033i L 2/7/1–05, pp.33–46 036 033i R05. Recitative and Aria for tenor and orchestra, “Or che il dover” – “Tali e cotanti sono” 1766-12-01 December 1766 Salzburg
033k* L 2/7/1–03, pp.17–22 078 073b R03. Aria for soprano and orchestra, “Per pietà, bell'idol mio” 1766-12-02 c. 1766
033l* L 2/7/1–04, pp.23–32 079 073d R04. Recitative and Aria for soprano and orchestra, “O temerario Arbace!” – “Per quel paterno amplesso” 1766-12-03 c. 1766
034 H 1/3–01 034 034 “Scande coeli limina” in C, Offertorium in festo S[anc]ti Benedicti 1766-12 possibly end of 1766/early 1767 Kloster Seeon, Bavaria
035 F 1/4/1 035 035 Die Schuldigkeit des ersten Gebotes 1767-01 Early 1767 (before 12 March) Salzburg
036* F 1/4/4–1 042 035a Grabmusik, Cantata 1767-03 1767 (before 7 April?) with additions, 1772 Salzburg
037 L X/28/2, pp.3–44 037 037 P31 A1. Concerto in F for Piano and Orchestra, “No. 1” 1767-04 April 1767 Salzburg
038 A 2/5/01 038 038 O01. Apollo et Hyacinthus 1767-05-13 13 May 1767 Salzburg
039 L X/28/2, pp.45–83 039 039 P32 A2. Concerto in B♭ for Piano and Orchestra, “No. 2” 1767-06 June 1767 Salzburg
040 L X/28/2, pp.84–124 040 040 P33 A3. Concerto in D for Piano and Orchestra, “No. 3” 1767-07 July 1767 Salzburg
041 L X/28/2, pp.125–62 041 041 P34 A4. Concerto in G for Piano and Orchestra, “No. 4” 1767-07 July 1767 Salzburg
042* L 4/11/01–051–5, pp.63–78 076 042a S09. Symphony in F, “No. 43” 1767-09 c. Autumn 1767 Vienna
043 L 4/11/01–061–6, pp.79–94 043 043 S06. Symphony in F, No. 6 1767-10 1767 Olomouc and Vienna
044* L 4/11/01–091–9, pp.129–42 A214Anh. 214 045b S11. Symphony in B♭, “No. 55” 1768-01-01 c. early 1768 Vienna?
045 A 4/11/01–071–7, pp.95–114 045 045 S07. Symphony in D, No. 7 1768-01-16 16 January 1768 Vienna
046* L 2/5/03 050 046b O02. Bastien und Bastienne, Singspiel 1768-09 September – October 1768 Vienna
046c L 2/5/03, p.90 052 046c Klavierauszug von Leopold Mozart zu Bastien und Bastienne, No. 11, “Daphne, deine Rosenwangen” — Leopold Mozart
047* A 8/21 - 046d Sonata in C for Violin and Bass 1768-09-01 1 September 1768 Vienna
048* A 8/21 - 046e Sonata in F for Violin and Bass 1768-09-01 1 September 1768 Vienna
049* H 1/3–02 047 047 “Veni Sancte Spiritus” in C, Offertorium 1768-09 ?Autumn 1768 Vienna
050* H 1/1/1/1–2 139 047a M01. Missa in C minor, »Waisenhausmesse« 1768-09* Autumn 1768 Vienna
051* L 053 047e Song, An die Freude: “Freude, Königin der Weisen” 1768-09* Autumn 1768 Vienna
052* G 1/1/1/1–1 049 047d M02. Missa brevis in G 1768-10 October – November 1768 Vienna
053* B 4/11/01–10 048 048 S08. Symphony in D, No. 8 1768-12-13 13 December 1768 Vienna
054* A 1/1/1/1–3 065 061a M03. Missa brevis in D minor 1769-01-14 14 January 1769 Salzburg
055* A - 061b 7 Minuets 1769-01-26 26 January 1769 Salzburg
056* L 2/7/1–06, pp.47–58 070 061c R06. Recitative and Aria (Licenza) for soprano and orchestra, “A Berenice” – “Sol nascente” 1769-02-28 28 February 1767, or 1769 Salzburg
057* B 2/5/02 051 046a O03. La finta semplice, opera buffa 1769-05-01 1 May 1769 Vienna
062 L 4/12/1, p.63; 4/13/2, p.3 062 062 March in D 1767 1767 Salzburg
063* L 4/12/1–4 100 062a NCassation in D 1769 1769 Salzburg
064* L 4/12/1–2 063 063 NCassation in G 1769 1769 Salzburg
065* L 4/12/1–3 099 063a NCassation in B♭ 1769 1769 Salzburg
066 D 1/1/1/1–4 066 066 M04. Missa in C, »Dominicus-Messe« 1769-10 October 1769 Salzburg
067* F 1/3–03 117 066a = 47b “Benedictus sit Deus” in C, Offertorium 1769-10-31 October/November 1769 Vienna?
068* H 1/3–04 141 066b “Te Deum laudamus” in C 1769-12-01 probably end of 1769 Salzburg
069* L 2/7/1–07, pp.59–64 deest deest R07. Aria for soprano and orchestra, “Cara, se le mie pene” 1769-12-02 c. 1769 Salzburg
069a* S A215Anh. 215 066c S08b. Symphony in D — lost 1769-12-03 c. 1769 Salzburg?
069b* S A217Anh. 217 066d S08c. Symphony in B♭ — lost 1769-12-04 c. 1769 Salzburg?
069c* S A218Anh. 218 066e S08d. Symphony in B♭ — lost 1769-12-05 c. 1769 Salzburg?
L 094 073h Minuet in D for Piano (?) 1769-9 1769 Salzburg
071 L 2/7/4, pp.145–48 071 071 RAria for tenor and orchestra, “Ah, più tremar non voglio” 1769-99Late 1769 – early 1770
073 D 4/11/01–11 073 075a S22. Symphony in C, No. 9 1770-01 Late 1769 – early 1770, or ?early summer 1772 Salzburg or Italy
L - 061g 2 Minuets 1770-02 Early 1770 Salzburg
076* L 2/7/1–08, pp.65–82 088 073c R08. Aria for soprano and orchestra, “Fra cento affanni” 1770-03 February – March 1770 Milan
077 L 2/7/1–09, pp.83–102 077 073e R09. Recitative and Aria for soprano and orchestra, “Misero me!” – “Misero pargoletto” 1770-03 March 1770 Milan
080 A 080 073f D01. Quartet in G for Strings 1770-03-15 15 March 1770 Lodi
080a* B 123 073g Contredanse in B♭ for Orchestra 1770-04-13 13–14 April 1770 Rome
081 L 4/11/02–012–1 081 073l S08e. Symphony in D, “No. 44” (possibly by Leopold Mozart) 1770-04-20 April 1770 (before 1775) Rome?
081a* L 4/11/02–022–2 097 073m S08f. Symphony in D, “No. 47” (attribution uncertain) 1770-04-20 April 1770 Rome?
081b* L 4/11/02–032–3 095 073n S08g. Symphony in D, “No. 45” (attribution uncertain) 1770-04-20 April 1770 Rome?
082 A 2/7/1–10, pp.103–114 082 073o R10. Aria for soprano and orchestra, “Se ardire e speranza” 1770-04-25 25 April 1770 Rome
083 L 2/7/1–11, pp.115–124 083 073p R11. Aria for soprano and orchestra, “Se tutti i mali miei” 1770-04 April – May 1770 Rome
084 L 4/11/02–042–4 084 073q S08h. Symphony in D, No. 11 (attribution uncertain) 1770-07 July 1770 Milan? and Bologna
085 E 1/3–06 085 073s “Miserere” in A minor 1770-07–31 end of July or beginning of August 1770 Bologna
085a* L 1/3–07 122 073t Minuet in E♭ for Orchestra 1770-08 c. August 1770 Bologna
085b* X 044 073u “Cibavit eos ex adipe”, Introitus Antiphon — not WA Mozart
086 B 086 073v “Quaerite primum regnum Dei” in D minor, Antiphon 1770-10-09 9 October 1770 Bologna
086a* L 4/11/02–052–5 074 074 S10. Symphony in G, No. 10 1770 1770 Milan
087 A 2/5/04 087 074a O04. Mitridate, re di Ponto, opera seria 1770-12-26 26 December 1770 Bologna and Milan
L 104 061e 6 Minuets for Orchestra 1771-01 Late 1770 – Early 1771 Salzburg
088* L 2/7/1–12, pp.125–130 - 074b R12. Aria for soprano and orchestra, “Non curo l’affetto” 1771-01 Early 1771 Milan or Pavia
089* H 1/4/2 118 074c Betulia liberata 1771-04 March – July 1771 Italy and Salzburg
090* L 4/11/02–062–6 075 075 S10d. Symphony in F, “No. 42” (attribution uncertain) 1771 Early 1771 Salzburg
108 E 1/3–08 108 074d “Regina coeli” in C 1771-05-1 May 1771 Salzburg
109 D 1/2/1–1 109 074e Litaniae Lauretanae B.M.V. in B♭ 1771-05-2 May 1771 Salzburg
109a* E 1/3–09 072 074f “Inter natos mulierum” in G, Offertorium de S. Joanne Baptista 1771-05–31 May or June 1771 Salzburg
110 L 4/11/02–072–7 110 075b S12. Symphony in G, No. 12 1771-07 July 1771 Salzburg
111 A 2/5/05 111 111 O05. Ascanio in Alba, serenata (festa teatrale) 1771-10-17 17 October 1771 Milan
111a L 4/11/02–082–8 120 111a S12A. Finale of a Symphony in D (“Ascanio in Alba”) 1771-10–31 October – November 1771 Milan
111b L 4/11/02–092–9 096 111b S31e. Symphony in C, “No. 46” (attribution uncertain) 1771-11–01 October – November 1771 Milan?
112 A 4/11/02–10 112 112 S13. Symphony in F, No. 13 1771-11-02 2 November 1771 Milan
113 D 4/12/2–1,2 113 113 NDivertimento in E♭ 1771-11-15 November 1771 Milan
114 A 4/11/02–11 114 114 S14. Symphony in A, No. 14 1771-12-30 30 December 1771 Salzburg
L 4/13/1/1, p.34 105 061f 6 Minuets for 2 Oboes, 2 Horns, Flute (in the Trios), 2 Violins, Violoncello and Bass
L - 073i Canon in A for 4 or 5 voices in 1 1772 1772
H 1/1/1/6–02 089 073k Kyrie in G (Canon for 5 voices in 1) 1772 1772 Salzburg
L - 073r 4 Riddle Canons 1772 1772
L - 073x 14 Canonic Studies 1772 1772
L 1/3–05 143 073a Recitative and Aria for soprano and orchestra in G, “Ergo interest, an quis” – “Quaere superna” 1773-12 Late 1773 Salzburg
Y 116 090a M9Missa brevis in F — probably Leopold Mozart
L X/28/2, pp.165–223 107 107 P30 A5/6/7. 3 Concertos for Piano and Orchestra after J.C. Bach, KV3 21b 1772 1772 Salzburg
L 067 041h Church Sonata in E♭ 1772 1772 Salzburg
L 068 041i Church Sonata in B♭ 1772 1772 Salzburg
L 069 041k Church Sonata in D 1772 1772 Salzburg
L 381 123a Sonata in D for Piano Four-Hands 1772-06* Mid 1772 Salzburg
124 A 4/11/02–12 124 124 S15. Symphony in G, No. 15 1772-02-21 21 February 1772 Salzburg
L 103 061d 19 Minuets for Orchestra 1772-03* Spring – summer 1772 Salzburg
H 1/1/1/6–03 090 090 Kyrie in D minor 1772 1772, probably Summer Salzburg
125 D 1/2/1–2 125 125 Litaniae de venerabili altaris Sacramento in B♭ 1772-03 March 1772 Salzburg
L 4/12/6–1 136 125a NDivertimento in D 1772-03 Early 1772 Salzburg
L 4/12/6–2 137 125b NDivertimento in B♭ 1772-03 Early 1772 Salzburg
L 4/12/6–3 138 125c NDivertimento in F 1772-03 Early 1772 Salzburg
L 149 125d Die großmütige Gelassenheit “Ich hab es längst gesagt” — not WA Mozart? 1772-03
L 150 125e Geheime Liebe. “Was ich in Gedanken küsse” — not WA Mozart? 1772-03
L 151 125f Die Zufriedenheit im niedrigen Stande. “Ich trachte nicht nach solchen Dingen” — not WA Mozart? 1772-03
L 147 125g Song, “Wie unglücklich bin ich nit” 1772-03 c. 1772 Salzburg
126 L 2/5/06 126 126 O06. Il sogno di Scipione, festa teatrale 1772-05 May 1772 Salzburg
127 E 1/3–10 127 127 “Regina coeli” in B♭ 1772-05 May 1772 Salzburg
128 D 4/11/03–1, pp.1–14 128 128 S16. Symphony in C, No. 16 1772-05 May 1772 Salzburg
129 D 4/11/03–2, pp.15–30 129 129 S17. Symphony in G, No. 17 1772-05 May 1772 Salzburg
130 D 4/11/03–3, pp.31–51 130 130 S18. Symphony in F, No. 18 1772-05 May 1772 Salzburg
130a L 164 130a 6 Minuets for Orchestra 1772-06 June 1772 Salzburg
131 L 4/12/2–3 131 131 NDivertimento in D 1772-06 June 1772 Salzburg
132 D 4/11/03–4, pp.52–77 132 132 S19. Symphony in E♭, No. 19 1772-07 July 1772 Salzburg
133 D 4/11/03–5, pp.78–101 133 133 S20. Symphony in D, No. 20 1772-07 July 1772 Salzburg
134 D 4/11/03–6, pp.102–22 134 134 S21. Symphony in A, No. 21 1772-08 August 1772 Salzburg
134a L 155 134a D02. Quartet (Divertimento) in D for Strings 1772-10 October – November 1772 Bozen (Bolzano) and Verona
134b L 156 134b D03. Quartet in G for Strings 1772-11 End 1772 Milan
135 A 2/5/07 135 135 O07. Lucio Silla, opera seria 1772-12-26 26 December 1772 Salzburg and Milan
L 4/11/03–7, pp.123–40 161/163 141a S21B. Symphony in D, “No. 50” (“Il sogno di Scipione”) 1774-01 1773–74 Salzburg
L 205 167A NDivertimento in D 1773 c. 1773 Salzburg
L 290 167AB March in D 1772-06* Summer 1772 Salzburg
157 L 157 157 D04. Quartet in C for Strings 1772-99 End 1772 – early 1773 Milan
158 L 158 158 D05. Quartet (Divertimento) in F for Strings 1772-99 End 1772 – early 1773 Milan
158a E 1/3–11 165 158a “Exsultate, jubilate” in F, Motet for Soprano 1773-01 January 1773 Milan
159 L 159 159 D06. Quartet (Divertimento) in B♭ for Strings 1773-01 Early 1773 Milan
160 L 160 159a D07. Quartet in E♭ for Strings 1773-01 Early 1773 Milan
161* L 186 159a? NDivertimento in B♭ 1773-03 March 1773 Milan
162* A 166 159d NDivertimento in E♭ 1773-03-24 24 March 1773 Salzburg
163* A 4/11/04–2 184 161a S23. Symphony in E♭, “No. 26” 1773-03-30 30 March 1773 Salzburg
164* A 4/11/04–3 199 161b S24. Symphony in G, “No. 27” 1773-04-10 10 (16?) April 1773 Salzburg
165* A 4/11/04–1 162 162 S25. Symphony in C, “No. 22” 1773-04-19 19 (29?) April 1773 Salzburg
166* A 4/11/04–4 181 162b S26. Symphony in D, “No. 23” 1773-05-19 19 May 1773 Salzburg
167 D 1/1/1/2–06 167 167 M06. Missa in C, »Missa in honorem Sanctissimae Trinitatis« 1773-06 June 1773 Salzburg
167a L 4/12/2–4 185 167a NSerenade in D, »Andretter« 1773-07 July – August 1773 Vienna
167b L 4/12/2–4 189 167b March in D 1773-07 July – August 1773 Vienna
L 188 240b NDivertimento in C 1773-06 Mid 1773 Salzburg
168 D 168 168 D08. Quartet in F for Strings 1773-08-01 August 1773 Vienna
169 D 169 169 D09. Quartet in A for Strings 1773-08-02 August 1773 Vienna
170 D 170 170 D10. Quartet in C for Strings 1773-08-03 August 1773 Vienna
171 D 171 171 D11. Quartet in E♭ for Strings 1773-08-04 August 1773 Vienna
172 E 172 172 D12. Quartet in B♭ for Strings 1773-09-01 c. September 1773 Vienna
173 D 173 173 D13. Quartet in D minor for Strings 1773-09-02 September 1773 Vienna
180 L 180 173c V9 6 Variations in G on “Mio caro Adone” 1773-09-15 Autumn 1773 Vienna
182 A 4/11/04–5 182 173dA S27. Symphony in B♭, “No. 24” 1773-10-03 3 October 1773 Salzburg
183 A 4/11/04–6 183 173dB S28. Symphony in G minor, “No. 25” 1773-10-05 5 October 1773 Salzburg
184* L 174 174 E1. Quintet in B♭ for Strings 1773-12-01 December 1773 Salzburg
185* D 5/15/1–1 175 175 P01. Concerto in D for Piano, “No. 5” 1773-12-02 December 1773 Salzburg
185a* L 176 176 16 Minuets for Orchestra 1773-12-03 December 1773 Salzburg
L - 315g 8 Minuets 1773-12 Late 1773 Salzburg
L 144 124a Church Sonata in D 1774 1774 Salzburg
L 145 124b Church Sonata in F 1774 1774 Salzburg
186* A 4/11/05–1 201 186a S29. Symphony in A, No. 29 1774-04-06 6 April 1774 Salzburg
187* A 4/11/05–2 202 186b S30. Symphony in D, No. 30 1774-05-05 5 May 1774 Salzburg
188* L 358 186c Sonata in B♭ for Keyboard Four-Hands 1773-12 Late 1773 – early 1774 Salzburg
189* E 1/2/1–3 195 186d Litaniae Lauretanae B.M.V. in D 1774-05 by ?May 1774 Salzburg
190 A 5/14/2–1 190 186E Concertone in C for Two Violins and Orchestra 1774-05-31 31 May 1774 Salzburg
191 A 5/14/3–4 191 186e Concerto in B♭ for Bassoon and Orchestra 1774-06-04 4 June 1774 Salzburg
192 A 1/1/1/2–07 192 186f M06. Missa brevis in F 1774-06-24 24 June 1774 Salzburg
193 D 1/2/2–1 193 186g Vespera Dixit [Dominus] et Magnificat in C 1774-07 July 1774 Salzburg
194 A 1/1/1/2–08 194 186h M07. Missa brevis in D 1774-08-08 8 August 1774 Salzburg
195* L 179 189a V9 12 Variations in C on a Minuet by Fischer 1774-07-15 Summer 1774 Salzburg
196* L 4/12/3–1 203 189b NSerenade in D, “Colloredo” 1774-08-01 August 1774 Salzburg
197* L 4/12/3–1 237 189c March in D 1774-08-02 August 1774 Salzburg
198* L 279 189d A01. Sonata in C for Piano, No. 1 1775-01-01 Early 1775 Munich
199* L 280 189e A02. Sonata in F for Piano, No. 2 1775-01-02 Early 1775 Munich
200 B 4/11/04–7 200 189k S31. Symphony in C, “No. 28” 1774-11-17 17 (or 12?) November 1774 Salzburg
201* L 281 189f A03. Sonata in B♭ for Piano, No. 3 1775-01-03 Early 1775 Munich
202* L 282 189g A04. Sonata in E♭ for Piano, No. 4 1775-01-04 Early 1775 Munich
203* L 283 189h A05. Sonata in G for Piano, No. 5 1775-01-05 Early 1775 Munich
204* A 2/5/08 196 196 O08. La finta giardiniera, opera buffa 1775-01-13 13 January 1775 Salzburg
205* L 1/1/1/2–09 220 196b M08. Missa brevis in C, »Spatzenmesse« 1775-01-15 1775 – 1776
205a* L 292 196c Duo in B♭ for Bassoon and Cello 1775-01-30 Early 1775 Munich
205b* E 1/3–13 222 205a “Misericordias Domini” in D minor, Offertorium 1775-01-31 January or February 1775 Munich
206* L 284 205b A06. Sonata in D for Piano, No. 6, “Durnitz” 1775-02 February – March 1775 Munich
207 A 5/14/1–1 207 207 Concerto in B♭ for Violin and Orchestra 1775-04-14 14 April 1775 Salzburg
207a H 4/11/05–3 121 207a S31A. Finale of a Symphony in D (“La finta giardiniera”) 1774-12 Late 1774 – early 1775 Salzburg
208 A 2/5/09 208 208 O09. Il re pastore, festa teatrale 1775-04-23 23 April 1775 Salzburg
209 A 2/7/1–13, pp.131–138 209 209 R13. Aria for tenor and orchestra, “Si mostra la sorte” 1775-05-19 19 May 1775 Salzburg
210 L 2/7/1–14, pp.139–146 210 210 R14. Aria buffa for tenor and orchestra, “Con ossequio, con rispetto” 1775-05-31 May 1775 Salzburg
210a L 2/7/1, p.191; 3/8, p.65 152 210a RArie (Kanzonette) für eine Singstimme mit (arrangierter?) Klavierbegleitung, “Ridente la calma”
211 A 5/14/1–2 211 211 Concerto in D for Violin and Orchestra 1775-06-14 14 June 1775 Salzburg
212 L 212 212 Church Sonata in B♭ 1775-07 July 1775 Salzburg
213 L 213 213 NDivertimento in F 1775-07 July 1775 Salzburg
213a A 4/12/3–2 204 213a NSerenade in D 1775-08-05 5 August 1775 Salzburg
213a A 4/11/07–1 204 213a S31B. Symphony redacted from Serenade in D 1775-08-05 5 August 1775 Salzburg
214* L 4/12/3–2 215 213b March in D 1775-08 August 1775 Salzburg
215* A 214 214 March in C 1775-08-20 20 August 1775 Salzburg
216 A 5/14/1–3 216 216 Concerto in G for Violin and Orchestra, »Straßburg« 1775-09-12 12 September 1775 Salzburg
217 A 2/7/1–15, pp.147–160 217 217 R15. Aria for soprano and orchestra, “Voi avete un cor fedele” 1775-10-26 26 October 1775 Salzburg
218 L 5/14/1–4 218 218 Concerto in D for Violin and Orchestra 1775-10-31 October 1775 Salzburg
219 A 5/14/1–5 219 219 Concerto in A for Violin and Orchestra, »Turkish« 1775-12-20 20 December 1775 Salzburg
233* L 5/15/1–3 238 238 P02. Concerto in B♭ for Piano and Orchestra, “No. 6” 1776-01-01 January 1776 Salzburg
234* L 4/12/3–3 239 239 NSerenata notturna in D 1776-01-02 January 1776 Salzburg
234* L 240 240 NDivertimento in B♭ 1776-01-03 January 1776 Salzburg
236* L 252 240a NDivertimento in E♭ 1776-01-04 Early 1776 Salzburg
237* L 241 241 Church Sonata in G 1776-01-05 January 1776 Salzburg
238* L 5/15/1–4,5 242 242 P03. Concerto in F for three pianos, “No. 7”, “Lodron-Konzert” 1776-02 February 1776 Salzburg
239* L 102 213c S31C. Finale of a Symphony in C (“Il re pastore”) 1776-03 c. March 1776 Salzburg
240* D 1/2/1–4 243 243 Litaniae de venerabili altaris Sacramento in E♭ 1776-03 March 1776 Salzburg
241* L 244 244 Church Sonata in F 1776-04 April 1776 Salzburg
242* L 245 245 Church Sonata in D 1776-04 April 1776 Salzburg
243* L 5/15/2–1 246 246 P04. Concerto in C for Piano, “No. 8”, “Lützow-Konzert” 1776-04 April 1776 Salzburg
244* E 1/1/1/2–10 262 246a M09. Missa longa in C 1775-06 June or July 1775 Salzburg
245* L 247 247 NDivertimento in F, “Lodron” 1776-06 June 1776 Salzburg
246* L 248 248 March in F 1776-06 June 1776 Salzburg
247* F 1/3–14 260 248a “Venite populi” in D, Offertorium de venerabili sacramento 1776-06 1776, probably June Salzburg
248* D 4/12/4–1 250 248b NSerenade in D, “Haffner” 1776-06 June 1776 Salzburg
248* D 4/11/07–2 250 248b S31D. Symphony redacted from Serenade in D, “Haffner” 1776-06 June 1776 Salzburg
249 A 249 249 March in D, "Haffner" 1776-07-20 20 July 1776 Salzburg
250* L 101 250a 4 Contredanses, "Serenade" 1776-00 c. early 1776 Salzburg
251 L 251 251 NDivertimento in D 1776-07 July 1776 Salzburg
253 L 253 253 NDivertimento in F 1776-08 August 1776 Salzburg
254 L 254 254 NDivertimento (Trio) in B♭ 1776-08 August 1776 Salzburg
255 L 2/7/2–16, pp.3–14 255 255 R16. Recitative and Aria (Rondo) for alto and orchestra, “Ombra felice!” – “Io ti lascio” 1776-09 September 1776 Salzburg
256 L 2/7/2–17, pp.15–22 256 256 R17. Aria buffa for tenor and orchestra, “Clarice cara mia sposa” 1776-09 September 1776 Salzburg
257 E 1/1/1/3–11 257 257 M12. Missa brevis in C, »Credo« 1776-11 November 1776 Salzburg
258 E 1/1/1/3–12 258 258 M10. Missa brevis in C, »Spaur« (or »Piccolominimesse«) 1775-12 December 1775 Salzburg
259 E 1/1/1/3–13 259 259 M11. Missa brevis in C, »Orgel-Solo« 1775-12 December 1775 or 1776 Salzburg
261 L 5/14/1–6 261 261 Adagio in E for Violin and Orchestra for the Concerto, KV 219 1776 1776 Salzburg
262* L 5/14/1–7 269 261a Rondo concertante in B♭ for Violin and Orchestra 1776 1776 Salzburg
263 L 263 263 Church Sonata in C 1776-12 December 1776 Salzburg
264* L 4/12/5–Anhang 286 269a NNotturno in D for Four Orchestras 1776-12 December 1776 – January 1777 Salzburg
265* L 270 270 NDivertimento in B♭ 1777-01 January 1777 Salzburg
266* L 5/15/2–2 271 271 P05. Concerto in E♭ for Piano, “No. 9”, »Jeunehomme« 1777-01 January 1777 Salzburg
267* L 267 271c 4 Contredanses 1777-02 Early 1777 Salzburg
269* L 274 271d Church Sonata in G 1777-02 1777 Salzburg
270* L 278 271e Church Sonata in C 1777-03 March – April 1777 Salzburg
271* L 266 271f CTrio (Nachtmusik) in B♭ for 2 Violins and Bass 1777-04 Early 1777 Salzburg
272* L 289 271g NDivertimento in E♭ 1777 c. 1777 Salzburg?
273* L 287 271H NDivertimento in B♭, »Zweites Lodronische Nachtmusik«, KV3 271b 1777-06 June 1777 Salzburg
274* L - 271i Concerto in D for Violin and Orchestra (K3: 271a; possibly authentic) 1777 c. 1777—78 Salzburg or Paris?
275* L 2/7/2–18, pp.23–40 272 272 R18. Recitative, Aria and Cavatina for soprano and orchestra, “Ah, lo previdi” – “Ah, t’invola” 1777-08 August 1777 Salzburg
277 H 1/3–15 277 272a “Alma Dei creatoris” in F, Offertorium de B. V. Maria 1777-08 1777, Summer or Autumn Salzburg
280* H 1/1/1/4–14 275 272b M14. Missa brevis in B♭ 1777-09-23 before 23 September 1777 Salzburg
281* A 1/3–16 273 273 “Sancta Maria, mater Dei” in F, Gradual 1777-09-09 9 September 1777 Salzburg
282* L 309 284b A07. Sonata in C for Piano, No. 7 1777-10 October – November 1777 Mannheim
283* L 311 284c A08. Sonata in D for Piano, “No. 9” 1777-11 November 1777 Mannheim
284* L 307 284d RArietta in C, “Oiseaux, si tous les ans” 1777-99 Winter 1777 – 1778 Mannheim
285 A 285 285 Quartet in D for Flute, Violin, Viola and Violoncello 1777-12-25 25 December 1777 Mannheim
286* L - 285a Quartet in G for Flute, Violin, Viola and Violoncello 1778-01 January – February 1778 Mannheim
287* L 5/14/3–1 313 285c Concerto in G for Flute and Orchestra 1778-00 Early 1778 Mannheim
288* L 5/14/3–3 314 271k Concerto in C for Oboe and Orchestra 1778-00 Early 1778 Mannheim
289* L 5/14/3–2 314 285d Concerto in D for Flute (Oboe?) and Orchestra (after Concerto in C for Oboe) 1778-00 Early 1778 Mannheim
L 5/14/3–3 315 285e Andante in C for Flute and Orchestra 1779 c. 1779 – 1780 Salzburg?
L A171Anh. 171 285b Quartet in C for Flute, Violin, Viola and Violoncello 1781 1781 – 1782 Vienna?
L 7/18, p.260 288 246c Fragment eines Divertimento-Satzes in F für Violine, Viola, Baß und zwei Hörner
290* L 8/23/1–11, pp.66–77 301 293a B11. Sonata in G for Violin and Piano 1778-00 Early 1778 Mannheim
291* L 8/23/1–12, pp.78–87 302 293b B12. Sonata in E♭ for Violin and Piano 1778-00 Early 1778 Mannheim
292* L 8/23/1–13, pp.88–97 303 293c B13. Sonata in C for Violin and Piano 1778-00 Early 1778 Mannheim
293* L 8/23/1–15, pp.107–17 305 293d B15. Sonata in A for Violin and Piano 1778-00 Early 1778 Mannheim
294 A 294 294 R19. Recitative and Aria for Soprano, “Alcandro, lo confesso” – “Non sò d’onde viene” 1778-02-24 24 February 1778 Mannheim
295 A 295 295 R20. Aria for Tenor, “Se al labbro mio non credi” 1778-02-27 27 February 1778 Mannheim
295a A 486aKV2 486a 295a R21. Recitative and Aria for Soprano, “Basta, vincesti” – “Ah, non lasciarmi no” 1778-02-27 27 February 1778 Mannheim
295b L 308 295b RArietta, “Dans un bois solitaire” 1777-99 Winter 1777 – 1778 Mannheim
296 A 8/23/1–17, pp.139–53 296 296 B17. Sonata for Violin and Piano in C 1778-03-11 11 March 1778 Mannheim
L 1/1/1/6–07 322 296a Kyrie in E♭ (fragment, ergänzt von Maximilian Stadler) 1779 1778/79
297* L 5/14/6 299 297c Concerto for Flute and Harp in C 1778-04 April 1778 Paris
298* L 354 299a V9 12 Variations for Piano on “Je suis Lindor” 1778-00 Early 1778 Paris
299* L 2/6/2 A010Anh. 10 299b Ballet, Les petits riens 1778-05 May – June 1778 Paris
299a* L 300 300 Gavotte 1778-00 c. early 1778 Paris
300* E 4/11/05–4 297 300a S32. Symphony in D, “No. 31”, »Paris« 1778-06 June 1778 Paris
301* L 316 300b R22. Recitative and Aria for Soprano, “Popoli di Tessaglia” – “Io non chiedo, eterni Dei” 1778-07 July 1778 Paris
302* L 8/23/1–14, pp.98–106 304 300c B14. Sonata in E minor for Violin and Piano 1778-06* Early summer 1778 Paris
303* L 310 300d A09. Sonata in A minor for Piano, “No. 8” 1778-06* Summer 1778 Paris
L 265 300e V9 12 Variations in C on “Ah! vous dirai-je, Maman” 1781 1781 – 1782 Vienna
L 353 300f V9 12 Variations in E♭ on “La belle Françoise” 1781 1781 – 1782 Vienna
L 395 300g Capriccio in C for Keyboard 1777-10 October 1777 Munich
L 330 300h A10. Sonata in C for Piano, No. 10 1781 1781 – 1783 Munich or Vienna
L 331 300i A11. Sonata in A for Piano, No. 11 1781 1781 – 1783 Munich or Vienna
L 332 300k A12. Sonata in F for Piano, No. 12 1781 1781 – 1783 Munich or Vienna
L 8/23/1–16, pp.118–38 306 300l B16. Sonata in D for Violin and Piano 1778-06* Summer 1778 Paris
L 333 315c A13. Sonata in B♭ for Piano, No. 13, »Linz« 1783 1783 – 1784 Linz and Vienna
L 264 315d V99 Variations in C on “Lison dormait” 1778-06* Late summer 1778 Paris
L 5/15/2–3 365 316a P06. Concerto in E♭ for 2 Pianos and Orchestra, “No. 10” 1779 1779 Salzburg
A 1/1/1/4–15 317 317 M14. Missa in C, »Krönungsmesse« (“Coronation”) 1779-03-23 23 March 1779 Salzburg
L 329 317a Church Sonata in C 1779-03-24 c. March 1779 Salzburg
F 1/4/4–2 146 317b R“Kommet her, ihr frechen Sünder” in B♭, Aria (Passionlied) for Soprano 1779-03-27 1779, c. March or April Salzburg
L 328 317c Church Sonata in C 1779-03-29 c. early 1779 Salzburg
L 8/23/1–18, pp.154–70 378 317d B18. Sonata in B♭ for Violin and Piano 1779-00 Early 1779 or 1781 Salzburg or Vienna
A 4/11/06–1 318 318 S33. Symphony (Overture) in G, “No. 32” 1779-04-26 26 April 1779 Salzburg
A 4/11/06–2 319 319 S34. Symphony in B♭, “No. 33” 1779-07-09 9 July 1779 Salzburg
A 4/12/5–2 320 320 NSerenade in D, »Posthorn« 1779-08-03 3 August 1779 Salzburg
A 4/11/07–3 320 320 S34A. Symphony redacted from Serenade in D, »Posthorn« 1779-08-03 3 August 1779 Salzburg
L 4/12/5–1 335 320a Two Marches in D 1779-08 August 1779 Salzburg
L 334 320b NDivertimento in D 1779 1779 – 1780 Salzburg
L 445 320c March in D for Orchestra 1780-06* Summer 1780 Salzburg
L 5/14/2–2 364 320d Sinfonia concertante in E♭ for Violin, Viola and Orchestra 1779 1779 Salzburg
H 1/2/2–2 321 321 Vesperae solennes de Dominica in C 1779 1779 Salzburg
L 1/3–17 276 321b “Regina coeli” in C 1779 c. 1779 Salzburg
L 2/6/1 345 336a Choruses and Entr’actes for “Thamos, König in Ägypten” 1779 1779 Salzburg
L 2/5/10 344 336b O10. Zaïde, Singspiel (fragment) 1779 1779 – 1780 Salzburg
L 343 336c 2 German Hymns 1787-00 c. early 1787 Prague or Vienna
L 224 241a Church Sonata in F 1780-00 Early 1780 Salzburg
L 225 241b Church Sonata in A 1780-00 Early 1780 Salzburg
L 336 336d Church Sonata in C 1780-03 March 1780 Salzburg
D 1/1/1/4–16 337 337 M15. Missa in C (or »Missa aulica«) 1780-03 March 1780 Salzburg
A 4/11/06–3 338 338 S35. Symphony in C, “No. 34” 1780-08-29 29 August 1780 Salzburg
G 1/2/2–3 339 339 Vesperae solennes de confessore in C 1780 1780 Salzburg
L 392 340a Song, “Verdankt sei es dem Glanz” 1781 1781 – 1782 Vienna
L 391 340b Song, An die Einsamkeit: “Sei du mein Trost” 1781 1781 – 1782 Vienna
L 390 340c Song, An die Hoffnung: “Ich wurd' auf meinem Pfad'” 1781 1781 – 1782 Vienna
L 9/24/2, p.142 357 497a & 500a Sonate in G für Klavier zu vier Händen (unvollendet)
A 2/5/11 366 366 O11. Idomeneo, re di Creta, opera seria 1781-01-29-1 29 January 1781 Salzburg and Munich
L 206 - March to Idomeneo
L 362 - March to Idomeneo
A 2/6/2 367 367 Ballet for Idomeneo 1781-01-29-2 29 January 1781 Salzburg and Munich
L 349 367a Song, Die Zufriedenheit: “Was frag ich viel” 1781-01-30 Winter 1780 – 1781 Munich
L 351 367b Song, “Komm, liebe Zither” 1781-01-31 Winter 1780 – 1781 Munich
L 368 368 R23. Recitative and Aria for Soprano, “Ma che vi fece, o stelle” – “Sperai vicino il lido” 1781-01-31 January 1781 (1779–80?) Munich (Salzburg?)
H 1/1/1/6–13 341 368a Kyrie in D minor 1781 c. November 1780 – March 1781 Munich?
L 370 368b Quartet in F for Oboe, Violin, Viola and Violoncello 1781-02 Early 1781 Munich
A 369 369 R24. Recitative and Aria for Soprano, “Misera, dove son!” – “Ah! non son io che parlo” 1781-03-08 8 March 1781 Munich
L 361 370a NSerenade in B♭ for Winds, »Gran Partita« 1781 1781 only, or until 1784 Vienna
L 5/14/5–6 371 371 Rondo in E♭ for Horn and Orchestra (fragment) 1781-03 c. March 1781
A 372 372 B9Allegro in B♭ for Violin and Piano 1781-03-24 24 March 1781 Vienna
L 400 372a Allegro in B♭ for Piano (incomplete; completed by M. Stadler) 1781 1781 Vienna
A 5/14/1–8 373 373 Rondo in C for Violin and Orchestra 1781-04-02 2 April 1781 Vienna
L 8/23/2–19, pp.3–15 379 373a B19. Sonata in G for Violin and Piano 1781-04 April 1781 Vienna
L 374 374 R25. Recitative and Aria for Soprano, “A questo seno deh vieni” – “Or che il cielo a me ti rende” 1781-04 April 1781 Vienna
L 359 374a V912 Variations in G on “La Bergère Célimène” 1781-06 June 1781 Vienna
L 360 374b V96 Variations in G on “Hélas, j'ai perdu mon amant” 1781-06 June 1781 Vienna
L 352 374c V9 8 Variations in F on “Dieu d'amour” 1781-06 June 1781 Vienna
L 8/23/2–20, pp.16–31 376 374d B20. Sonata in F for Violin and Piano 1781-06* Summer 1781 Vienna
L 8/23/2–21, pp.32–47 377 374e B21. Sonata in F for Violin and Piano 1781-06* Summer 1781 Vienna
L 8/23/2–22, pp.48–63 380 374f B22. Sonata in E♭ for Violin and Piano 1781-06* Summer 1781 Vienna
L 375 375 NSerenade in E♭ for Winds 1781-10 October 1781 Vienna
L 448 375a Sonata in D for 2 Pianos 1781-11 November 1781 Vienna
L IX/27/2, p.65 401 375e Fugue in G minor for Organ (fragment) Vienna
L 9/27/2, p.181 153 375f Two fragments of a Fugue in E♭ for Piano
L 363 363 3 Minuets 1782 c. 1782 – 1783 Vienna?
L 5/15/1–2 382 Anh. 209 382 P01a. Rondo in D for Piano and Orchestra 1782-03 March 1782 Vienna
L 229 382a Canon in C minor for 3 voices in 1, “Sie ist dahin” 1782 c. 1782 Vienna?
L 230 382b Canon in C minor for 2 voices in 1, “Selig, selig alle” 1782 c. 1782 Vienna?
L 231 382c Canon in B♭ for 6 voices in 1, “Leck mich im Arsch” 1782 c. 1782 Vienna?
L 233 382d Canon in B♭ for 3 voices in 1, “Leck mir den Arsch fein recht schön sauber” 1782 c. 1782 Vienna?
L 234 382e Canon in G for 3 voices in 1, “Bei der Hitz' im Sommer ess ich” 1782 c. 1782 Vienna?
L 347 382f Canon in D for 6 voices in 1, “Lasst uns ziehn” 1782 c. 1782 Vienna?
L 348 382g Canon in G for 12 voices in 3, “V'amo di core teneramente” 1782 c. 1782 Vienna?
L 2/7/3, pp.203–09 119 382h RAria for soprano, “Der Liebe himmlisches Gefühl” 1782 c. 1782 Vienna?
A 2/7/3–26, pp.3–10 383 383 R26. Aria for soprano and orchestra, “Nehmt meinen Dank, ihr holden Gönner!” 1782-04-10 10 April 1782 Vienna
L 394 383a Prelude and Fugue in C for Piano 1782-00 Early 1782 Vienna
L 408/1 383e March in C for Orchestra 1782 1782 Vienna
L 408/3 383F March in C for Orchestra 1782 1782 Vienna
L 4/11/10–1 409 383f S9Minuet to a Symphony in C 1782-05 ?May 1782 Vienna?
L 2/7/4, pp.150–151 440 383h RAria for Soprano and Orchestra, “In te spero, oh sposo amato”
A 2/5/12 384 384 O12. Die Entführung aus dem Serail, Singspiel 1782-07-16 16 July 1782 Vienna
L 389 384A RAria (Belmonte) “Welch ängstliches Beben”, Duet (Belmonte, Pedrillo) “Alles ruhig, alles stille” 1782-07-31 July 1782 Vienna
L 388 384a NSerenade in C minor for Winds 1782-06 ?July 1782 or late 1783 Vienna
400* D 4/11/06–4 385 385 S36. Symphony in D, No. 35, »Haffner« 1782-07 July 1782 Vienna
401* L 408/2 385a March in D for Orchestra 1782 1782 Vienna
402* L 393 385b Solfeggios for Voice 1782-08 c. August 1782 Vienna
403 L 8/23/2, p.164 403 385c B2Sonata in C for Violin and Piano
404 L 8/23/2, p.152 404 385d B2Andante and Allegretto in C for Violin and Piano
405* L 8/23/2, p.173 402 385e B2Andante and Fugue in A for Violin and Piano
L 8/23/2, p.181; 9/27/2, p.159 396 385f Fragment einer Fantasie in c
407* L 399 385i Suite in C for Piano (Overture, Allemande, Courante, & incomplete Sarabande) 1782-00 Early 1782 Vienna
L 9/27/2, p.181 154 385k Fragment of a Fugue in G minor for Piano
408* L 5/15/3–1 414 385p P07. Concerto in A for Piano and Orchestra, No. 12 1782 1782 Vienna
409* L 5/15/8–3 386 386 P07a. Rondo in A for Piano and Orchestra 1782 1782 – 1783 Vienna
410* L 407 386c Quintet in E♭ for Horn and Strings 1782-12-29 End 1782 Vienna
411* L A025Anh. 25 386d Song, O Calpe! Dir donnert's am Fusse (Gibraltar) 1782-12-30 December 1782 Vienna
412* A 387 387 D14. Quartet in G for Strings, »Spring« 1782-12-31 31 December 1782 Vienna
413 L 5/15/3–2 413 387a P08. Concerto in F for Piano and Orchestra, No. 11 1782 1782 – 1783 Vienna
414* L 5/15/3–3 415 387b P09. Concerto in C for Piano and Orchestra, No. 13 1782 1782 – 1783 Vienna
415* L 397 397 Fantasia No. 3 for Piano in D minor 1782 1782 Vienna
415a* L - 404a C9Arrangements for String Trio of 6 Preludes and Fugues by J.S. and W.F. Bach 1782 1782 Vienna
415b* L X/30/4, p.85 443 404b KV Anh. = KV 443, KV3 385l Fuge (Triosonate) in G (fragment)
415c* L 405 405 D25Arrangements for String Quartet of 5 Fugues by J.S. Bach 1782 1782 Vienna
416 A 2/7/3–27, pp.11–24 416 416 R27. Recitative and Rondo for soprano and orchestra, “Mia speranza adorata” – “Ah non sai qual pena si” 1783-01-08 8 January 1783 Vienna
416b L 435 416b RAria for Tenor, "Mußt' ich auch durch tausend Drachen" 1783-02-01 c. 1783 Vienna?
416c L 433 416c RAria for bass and orchestra (sketch), “Männer suchen stets zu naschen” 1783-02-02 c. 1783 Vienna?
416d L 2/6/2, pp.120–127 446 416d Musik zu einer Faschingspantomime für zwei Violinen, Viola und Baß
417* L 398 416e V96 Variations on “Salve tu, Domine” 1783-03 March 1783 Vienna
417a* L 5/14/3–6 293 416f Concerto for Oboe and Orchestra (fragment)
418* A 5/14/5–1 417 417 H1. Concerto in E♭ for Horn and Orchestra 1783-05-27 27 May 1783 Vienna
419* G 1/1/1/5–17 427 417a M16. Missa (»Große Messe«) in C minor 1782-07 July 1782 – October 1783 Vienna and Salzburg
420* L 421 417b D15. Quartet in D minor for Strings 1783-06-01 June 1783 Vienna
420a* L 2/7/3, pp.210–13 178 417e RAria for Soprano, “Ah, spiegarti, oh Dio” 1783-06-19 c. June 1783 Vienna?
421* A 2/7/3–28, pp.25–36 418 418 R28. Aria for soprano and orchestra, “Vorrei spiegarvi, oh Dio!” 1783-06-20-1 20 June 1783 Vienna
422* L 2/7/3–29, pp.37–50 419 419 R29. Aria for soprano and orchestra, “No, no, che non sei capace” 1783-06-20-2 June 1783 Vienna
423* A 2/7/3–30, pp.51–66 420 420 R30. Aria (Rondo) for tenor and orchestra, “Per pietà, non ricercate” 1783-06-21 21 June 1783 Vienna
424* L 2/7/3–31, pp.67–80 432 421a R31. Recitative and aria for bass and orchestra, “Così dunque tradisci” – “Aspri rimorsi atroci“ 1783-06-22 c. 1783 Vienna?
425* L 428 421b D16. Quartet in E♭ for Strings 1783-06-30 June – July 1783 Vienna
426* L 2/5/13 422 422 O13. L'oca del Cairo, opera buffa (fragment) 1783-10 Late 1783 Salzburg and Vienna
428* L 423 423 Duo in G for Violin and Viola 1783-07-01 c. summer 1783 Salzburg?
429* L 424 424 Duo in B♭ for Violin and Viola 1783-07-02 c. summer 1783 Salzburg?
430 L 2/5/14 430 424a O14. Lo sposo deluso, opera buffa (fragment) 1783-09 Late 1783 Salzburg and Vienna
431* E 4/11/08–1 425 425 S37. Symphony in C, No. 36, »Linz« 1783-10-31 late October – early November 1783 Linz
432* E 444 425a S37A. Introduction in G to Symphony No. 25 by Michael Haydn 1783-11 November 1783, or later? Linz?
433* L 2/7/3–32, pp.81–100 431 425b R32Recitative and Aria for tenor and orchestra, “Misero! O sogno” – “Aura, che intorno spiri“ 1783-12 December 1783 Vienna?
434* A 426 426 Fugue in C minor for Two Keyboards 1783-12-29 29 December 1783 Vienna
436 L 436 436 Notturno for Two Sopranos and Bass, “Ecco quel fiero” 1783 c. 1783 – 1786 Vienna?
437 L 437 437 Notturno for Two Sopranos and Bass, “Mi lagnerò tacendo” 1783 c. 1783 – 1786 Vienna?
438 L 438 438 Notturno for Two Sopranos and Bass, “Se lontan” 1783 c. 1783 – 1786 Vienna?
439 L 439 439 Notturno for Two Sopranos and Bass, “Due pupille” 1783 c. 1783 – 1786 Vienna?
440* L 346 439a Notturno for Two Sopranos and Bass, “Luci care, luci belle” 1783 c. 1783 – 1786 Vienna?
441* L - 439b N5 Divertimenti in B♭ 1783 c. 1783 or later Vienna
444* L 441 441 Trio for Soprano, Tenor and Bass, “Liebes Mandel, wo is's Bandel?” 1783 c. 1783 Vienna
L 8/22/2, pp.235–267 442 442 Drei fragmentarische Triosätze für Klavier, Violine und Violoncello
445* L 5/14/5–2 447 447 H2. Concerto in E♭ for Horn and Orchestra 1784 c. 1784 – 1787 Vienna
446* F 461 448a 6 Minuets for Orchestra 1784-00 Early 1784 Vienna
447* D 462 448b 6 Contredanses for Orchestra 1784-01 January 1784 Vienna
448* F 463 448c 2 Minuets with Contredanses for Orchestra 1784-02 Early 1784 Vienna
449 A 5/15/4–1 449 449 P10. Concerto in E♭ for Piano and Orchestra, "No. 14", "First Ployer" 1784-02-09 9 February 1784 Vienna
450 A 5/15/4–2 450 450 P11. Concerto in B♭ for Piano and Orchestra, “No. 15” 1784-03-15 15 March 1784 Vienna
451 A 5/15/4–3 451 451 P12. Concerto in D for Piano and Orchestra, “No. 16” 1784-03-22 22 March 1784 Vienna
452 A 452 452 Quintet in E♭ for Piano and Winds 1784-03-30 30 March 1784 Vienna
453 A 5/15/5–1 453 453 P13. Concerto in G for Piano and Orchestra, "No. 17", "Second Ployer" 1784-04-12 12 April 1784 Vienna
453a G - 453a Funeral March in C minor for Keyboard 1784-04-15 1784 Vienna
453b L - 453b Exercise Book for Barbara Ployer 1784-04-16
454 A 8/23/2–23, pp.64–81 454 454 B23. Sonata in B♭ for Violin and Piano, for Regina Strinasacchi 1784-04-21 21 April 1784 Vienna
454a F 460 454a V9 8 Variations on “Come un agnello” 1784-06 c. June 1784 Vienna
455 A 455 455 V910 Variations in G on “Unser dummer Pöbel meint” 1784-08-25 25 August 1784 Vienna
456 A 5/15/5–2 456 456 P14. Concerto in B♭ for Piano and Orchestra, No. 18, “Paradis” 1784-09-30 30 September 1784 Vienna
457 A 457 457 A14. Sonata in C minor for Piano, No. 14) 1784-10-14 14 October 1784 Vienna
458 A 458 458 D17. Quartet in B♭ for Strings, »Hunt« 1784-11-09 9 November 1784 Vienna
459 A 5/15/5–3 459 459 P15. Concerto in F for Piano and Orchestra, “No. 19” 1784-12-11 11 December 1784 Vienna
464 A 464 464 D18. Quartet in A for Strings 1785-01-10 10 January 1785 Vienna
465 A 465 465 D19. Quartet in C for Strings, »Dissonant« 1785-01-14 14 January 1785 Vienna
466 A 5/15/6–1 466 466 P16. Concerto in D minor for Piano and Orchestra, “No. 20” 1785-02-10 10 February 1785 Vienna
467 A 5/15/6–2 467 467 P17. Concerto in C for Piano and Orchestra, “No. 21” 1785-03-09 9 March 1785 Vienna
468* L 1/4/4–Anhang 429 468a “Dir, Seele des Weltalls”, Cantata (fragment) 1783 c. 1783 (1785 – 1791?) Vienna
469 A 1/4/3 469 469 Davidde penitente 1785-03-11 11 March 1785 Vienna
470* B 468 468 Song, Lied zur Gesellenreise 1785-03-26 26 March 1785 Vienna
470a* L 470 470 Andante to a violin concerto (incipit only) — lost
470b* D - 470a Instrumentation for a Concerto for Violin by G.B. Viotti 1785-04-25 April 1785 Vienna
471 A 1/4/4–3 471 471 Die Mauererfreude, Cantata 1785-04-20 20 April 1785 Vienna
472 A 472 472 Song, Der Zauberer: Ihr Mädchen, flieht 1785-05-07 7 May 1785 Vienna
473 A 473 473 Song, Die Zufriedenheit: Wie sanft, wie ruhig 1785-05-07 7 May 1785 Vienna
474 A 474 474 Song, Die betrogene Welt: Der reiche Tor 1785-05-07 7 May 1785 Vienna
475 A 475 475 Fantasia for Piano in C minor 1785-05-20 20 May 1785 Vienna
476 A 476 476 Song, Das Veilchen: Ein Veilchen 1785-06-08 8 June 1785 Vienna
477* A 478 478 Quartet in G minor for Piano and Strings 1785-10-16 16 October 1785 Vienna
478* A 2/7/3–33, pp.101–142 479 479 R33. Quartet for soprano, tenor, two basses and orchestra, “Dite almeno in che mancai” 1785-11-05 5 November 1785 Vienna
479* D 4/11/10–2 477 479a Maurerische Trauermusik (Masonic Funeral Music) 1785-11-15 November 1785 Vienna
480 A 2/7/3–34, pp.143–174 480 480 R34. Trio for soprano, tenor, bass and orchestra, “Mandina amabile” 1785-11-21 21 November 1785 Vienna
480b H 434 480b Aria for Tenor, 2 Basses and Orchestra, “Del gran regno delle amazzone” 1785-12 End 1785 Vienna
481 A 8/23/2–24, pp.82–99 481 481 B24. Sonata in E♭ for Violin and Piano 1785-12-12 12 December 1785 Vienna
482 A 5/15/6–3 482 482 P18. Concerto in E♭ for Piano and Orchestra, “No. 22” 1785-12-16 16 December 1785 Vienna
483 E 483 483 Song with Chorus, “Zerfließet heut” 1785-12-26 End 1785 Vienna
484 E 484 484 Song with Chorus, “Ihr unsre neuen Leiter” 1785-12-27 End 1785 Vienna
484a G 411 484a Adagio in B♭ for 2 Clarinets and 3 Basset Horns 1785-12-28 c. end 1785 Vienna?
484d L 410 484d Adagio in F for 2 Basset Horns and Bassoon 1785-12-29 c. end 1785 Vienna?
485 A 485 485 Rondo in D for Keyboard 1786-01-10 10 January 1786 Vienna
486 A 2/5/15 486 486 O15. Der Schauspieldirektor, Singspiel 1786-02-07 7 February 1786 Vienna
488 A 5/15/7–1 488 488 P19. Concerto in A for Piano and Orchestra, “No. 23” 1786-03-02 2 March 1786 Vienna
489 A 489 489 Duet for Soprano and Tenor, “Spiegarti no poss'io” 1786-03-10-1 10 March 1786 Vienna
490 A 490 490 RScena and Rondo for Soprano, “Non più, tutti ascoltai” 1786-03-10-2 10 March 1786 Vienna
491 A 5/15/7–2 491 491 P20. Concerto in C minor for Piano and Orchestra, “No. 24” 1786-03-24 24 March 1786 Vienna
491a 5/15/8, p.195 A062Anh. 62 491a Beginning of a slow movement in E♭ for a Concerto for Piano and Orchestra (KV3 537c) 1786-03-12 March 1786 Vienna
492 A 2/5/16 492 492 O16. Le nozze di Figaro, opera buffa 1786-05-01 1 May 1786 Vienna
493 A 493 493 Quartet in E♭ for Piano and Strings 1786-06-03 3 June 1786 Vienna
494 A 494 494 A15a. Rondo in F for Piano, Sonata No. 15 (3rd movement) 1786-06-10 10 June 1786 Vienna
495 A 5/14/5–3 495 495 H3. Concerto in E♭ for Horn and Orchestra 1786-06-26 26 June 1786 Vienna
496 A 496 496 CTrio in G for Piano, Violin and Violoncello 1786-07-08 8 July 1786 Vienna
496a B 487 496a 12 Duos for Basset Horns 1786-07-27 27 July 1786 Vienna
497 A 497 497 Sonata in F for Piano Four-Hands 1786-08-01 1 August 1786 Vienna
498 A 498 498 Trio in E♭ for Piano, Clarinet and Viola, »Kegelstatt« 1786-08-05 5 August 1786 Vienna
499 A 499 499 D20. Quartet in D for Strings, »Hoffmeister« 1786-08-19 19 August 1786 Vienna
500 A 500 500 V912 Variations in B♭ for Piano 1786-09-12 12 September 1786 Vienna
501 A 501 501 Andante with 5 Variations in G for Piano duet 1786-11-04 4 November 1786 Vienna
502 A 502 502 CTrio in B♭ for Piano, Violin and Violoncello 1786-11-18 18 November 1786 Vienna
503 A 5/15/7–3 503 503 P21. Concerto in C for Piano and Orchestra, “No. 25” 1786-12-04 4 December 1786 Vienna
504 A 4/11/08–2 504 504 S38. Symphony in D, No. 38, »Prague« 1786-12-06 6 December 1786 Vienna
505 A 2/7/3–35, pp.175–200 505 505 R35. Recitativo and Aria (Rondo) for Soprano, “Ch’io mi scordi di te?” – “Non temer, amato bene” 1786-12-26 26 December 1786 Vienna
L 506 506 Song, Lied der Freiheit: “Wer unter eines Madchens Hand” 1785-12-31 c. end 1785 Vienna
L - 506a Studies for Thomas Attwood 1786–01 1785 – 1786 Vienna
L 298 506B-PML298 Quartet for Flute, Violin, Viola and Cello in A 1787-02 1786 – 1787 Vienna
L 507 507 Canon in F for 3 voices in 1, “Heiterkeit und leichtes Blut” 1786-06-04 After 3 June 1786 Vienna
L 508 508 Canon in F for 3 voices in 1, “Auf das Wohl” 1786-06-05 After 3 June 1786 Vienna
L - 508A Canon in C for 3 voices in 1 1786-06-06 After 3 June 1786 Vienna
L - 508a 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1 1786-06-07 After 3 June 1786 Vienna
509 A 509 509 6 German dances for Orchestra 1787-02-06 6 February 1787 Prague
L 232 509a Canon in G for 4 voices in 1, “Lieber Freistadtler, lieber Gaulimauli” 1787-07-05 After 4 July 1787 Vienna
511 A 511 511 Rondo in A minor for Piano 1787-03-11 11 March 1787 Vienna
512 A 2/7/4–36, pp.3–18 512 512 R36. Recitative and Aria for bass and orchestra, “Alcandro, lo confesso” – “Non sò d’onde viene” 1787-03-19 18/19 March 1787 Vienna
513 A 2/7/4–37, pp.19–36 513 513 R37. Aria for bass and orchestra, “Mentre ti lascio, oh figlia” 1787-03-23 23 March 1787 Vienna
514a L 8/19/1, pp.185–89 A080Anh. 80 514a Fragment of a first movement in B♭ for string quintet Vienna
515 A 515 515 E2. Quintet in C for Strings 1787-04-19 19 April 1787 Vienna
515a L 8/19/1, p.190 A087Anh. 87 515a Fragment of a movement (Andante) in F for string quintet Vienna
515b A 228 515b Double canon in F for 4 voices in 2 1787-04-24 24 April 1787 Vienna
515c L 8/19/1, pp.190–94 A079Anh. 79 515c Fragment of a first movement (Allegro moderato) in A minor for string quintet Vienna
516 A 516 516 E3. Quintet in G minor for Strings 1787-05-16 16 May 1787 Vienna
516a L 8/19/1, p.194 A086Anh. 86 516a Fragment of a movement (Rondo?) in G minor for string quintet Vienna
516b L 8/19/1, pp.91–111 406 516b E4. Quintet in C minor for Strings 1788 1788 Vienna
G - 516f Musikalisches Würfelspiel in C 1787-05-17 1787 Vienna
517 A 517 517 Song, Die Alte: “Zu meiner Zeit” 1787-05-18 18 May 1787 Vienna
518 A 518 518 Song, Die Verschweigung: “Sobald Damoetas” 1787-05-20 20 May 1787 Vienna
519 A 519 519 Song, Das Lied der Trennung: “Die Engel Gottes weinen” 1787-05-23 23 May 1787 Vienna
520 A 520 520 Song, Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte: “Erzeugt von heisser Phantasie” 1787-05-25 25 May 1787 Vienna
521 A 521 521 Sonata in C for Piano duet 1787-05-29 29 May 1787 Vienna
522 A 522 522 Ein musikalischer Spaß (A musical joke), Divertimento in F for 2 Horns and Strings 1787-06-14 14 June 1787 Vienna
523 A 523 523 Song, Abendempfindung: “Abend ist's” 1787-06-24 24 June 1787 Vienna
524 A 524 524 Song, An Chloe: “Wenn die Lieb” 1787-06-24 24 June 1787 Vienna
525 A 4/12/6–4 525 525 Eine kleine Nachtmusik in G 1787-08-10 10 August 1787 Vienna
526 A 8/23/2–25, pp.100–21 526 526 B25. Sonata in A for Violin and Piano 1787-08-24 24 August 1787 Vienna
527 A 2/5/17 527 527 O17. Don Giovanni, opera buffa 1787-08-29 29 August 1787 Prague
527 A 4/11/10–3 527 527 Concert version of Overture to Don Giovanni 1787-08-29 29 August 1787 Prague
528 A 2/7/4–38, pp.37–56 528 528 R38. Recitative and Aria for soprano and orchestra, “Bella mia fiamma addio” – “Resta, oh cara” 1787-11-03 3 November 1787 Prague
529 A 529 529 Song, Des kleinen Friedrichs Geburtstag: “Es war einmal” 1787-11-06 6 November 1787 Prague
530 A 530 530 Song, Das Traumbild: “Wo bist du, Bild” 1787-11-06 6 November 1787 Prague
531 A 531 531 Song, Die kleine Spinnerin: “Was spinnst du” 1787-12-11 11 December 1787 Vienna
532 G 532 532 Grazie agl'inganni tuoi (La Libertà a Nice), Sketch/fragment for a vocal trio and instruments 1787-12-21 1787 Vienna
532a* L 1/1/1/6–08 A016Anh. 16 196a Kyrie in G (fragment, mit Ergänzungsversuch von Maximilian Stadler) 1787-12-28 December 1787 – February 1789
532b* L 1/1/1/6–09 323 = Anh. 15 532B-PML Kyrie in C (fragment, ergänzt von Maximilian Stadler) 1787-12-29 December 1787 – February 1789
532c* L 1/1/1/6–10 A020Anh. 20 323a Gloria in C (fragment) 1787-12-30 December 1787 – February 1789
532d* L 1/1/1/6–11 A014Anh. 14 422a Kyrie in D (fragment) 1787-12-31 December 1787 – February 1789
533 A 533 533 A15b. Allegro and Andante in F for Piano, Sonata No. 15 (1st & 2nd movements) 1788-01-03 3 January 1788 Vienna
534 A 534 534 Contredanse for Orchestra, “Das Donnerwetter” 1788-01-14 14 January 1788 Vienna
535 A 535 535 Contredanse for Orchestra, “La Bataille” 1788-01-23 23 January 1788 Vienna
535a F - 535a 3 Contredanses for Orchestra 1788-01-25 c. early 1788 Vienna
536 A 536 536 6 German dances for Orchestra 1788-01-27 27 January 1788 Vienna
537 A 5/15/8–1 537 537 P22. Concerto in D for Piano and Orchestra, “No. 26” (»Coronation«) 1788-02-24 24 February 1788 Vienna
537a 5/15/8, p.197 A057Anh. 57 537a Beginning of a first (?) movement for a Concerto in D for Piano and Orchestra 1788-02-27 February 1788 Vienna
537b 5/15/8, p.198 A061Anh. 61 537b Beginning of a slow (?) movement for a Concerto in D for Piano and Orchestra 1788-02-28 February 1788 Vienna
537d D X/28/Abt. 3-5/2 - 537d RArrangement of Aria for Tenor by Carl Philipp Emanuel Bach „Freundinnen Jesu“ – „Ich folge dir, verklärter Held“ 1788-02-29 February 1788 Vienna
538 A 2/7/4–39, pp.57–78 538 538 R39. Aria for soprano and orchestra, “Ah se in ciel, benigne stelle” 1788-03-04 4 March 1788 Vienna
539 A 2/7/4–40, pp.79–82 539 539 R40. Ein deutsches Kriegslied for bass and orchestra, “Ich möchte wohl der Kaiser sein” 1788-03-05 5 March 1788 Vienna
540 A 540 540 Adagio in B minor for Piano 1788-03-19 19 March 1788 Vienna
540a B 2/5/17, pp.489–93 - 540a RAria for Tenor, “Dalla sua pace” (Don Giovanni, Vienna version) 1788-04-24 24 April 1788 Vienna
540b B 2/5/17, p.495–508 - 540b Duet for Soprano and Bass, “Restati qua – Per queste tue manine” (Don Giovanni, Vienna version) 1788-04-28 28 April 1788 Vienna
540c B 2/5/17, pp.511–23 - 540c RRecitative and Aria for Soprano, “In quali eccessi, o Numi” – “Mi tradì quell’alma ingrata” (Don Giovanni, Vienna version) 1788-04-30 30 April 1788 Vienna
541 D 2/7/4–41, pp.83–90 541 541 R41Arietta for bass and orchestra, “Un bacio di mano” 1788-05 May 1788 Vienna
542 A 542 542 CTrio in E for Piano, Violin and Violoncello 1788-06-22 22 June 1788 Vienna
543 A 4/11/09–1 543 543 S39. Symphony in E♭, No. 39 1788-06-26 26 June 1788 Vienna
544 L 4/13/2, p.85 544 544 Anfang eines kleiner Marsch in D for Flute, Horn, 2 Violins, Viola and Violoncello
545 A 545 545 A16. Sonata in C for Keyboard, No. 16, “Semplice” 1788-06-16 16 June 1788 Vienna
546 A 4/11/10–4 546 546 D24Adagio and Fugue in C minor for Strings 1788-06-26 26 June 1788 Vienna
547 A 8/23/2–26, pp.122–34 547 547 B26. Sonata in F for Violin and Piano 1788-07-10 10 July 1788 Vienna
547a F A135Anh. 135 547a A17. Sonatina in F for Piano 1788-07-12 c. summer 1788 Vienna?
547b D 054 547b V95 (6?) Variations in F for Piano 1788-07-12 July 1788 Vienna
548 A 548 548 CTrio in C for Piano, Violin and Violoncello 1788-07-14 14 July 1788 Vienna
549 A 549 549 Canzonetta for two Sopranos and Bass, “Più non si trovano” 1788-07-16 16 July 1788 Vienna?
550 A 4/11/09–2,3 550 550 S40. Symphony in G minor, No. 40 1788-07-25 25 July 1788 Vienna
551 A 4/11/09–4 551 551 S41. Symphony in C, No. 41, »Jupiter« 1788-08-10 10 August 1788 Vienna
552 A 552 552 Song, Beim Auszug in das Feld: “Dem hohen Kaiser-Worte” 1788-08-11 11 August 1788 Vienna
553 A 553 553 Canon in C for 3 voices in 1, “Alleluia” 1788-09-02-01 2 September 1788 Vienna
554 A 554 554 Canon in F for 4 voices in 1, “Ave Maria” 1788-09-02-02 2 September 1788 Vienna
555 A 555 555 Canon in A minor for 4 voices in 1, “Lacrimoso” 1788-09-02-03 2 September 1788 Vienna
556 A 556 556 Canon in G for 4 voices in 1, “G'rechtelt's enk” 1788-09-02-04 2 September 1788 Vienna
557 A 557 557 Canon in F minor or 4 voices in 1, “Nascoso e il mio sol” 1788-09-02-05 2 September 1788 Vienna
558 A 558 558 Canon in B♭ for 4 voices in 1, “Gehen wir im Prater” 1788-09-02-06 2 September 1788 Vienna
559 A 559 559 Canon in F for 3 voices in 1, “Difficile lectu mihi Mars” 1788-09-02-07 2 September 1788 Vienna
560* A 560a 559a Canon in F for 4 voices in 1, “O du eselhafter Peierl” 1788-09-02-08 2 September 1788 Vienna
560* A 560b 560 Canon in F for 4 voices in 1, “O du eselhafter Martin” 1788-09-02-09 2 September 1788 Vienna
561 A 561 561 Canon in A for 4 voices in 1, “Bona nox, bist a rechta Ox” 1788-09-02-10 2 September 1788 Vienna
562 A 562 562 Canon in A for 3 voices in 1, “Caro bell'idol mio” 1788-09-02-11 2 September 1788 Vienna
562a L - 562a Canon in B♭ for 4 voices in 1 1788-09-02-21 ?1780s Vienna?
562c L A191Anh. 191 562c Canon in C for 4 voices in 1 1788-09-02-23 c. 1780s Vienna?
563 A 563 563 NDivertimento in E♭ for string trio: Violin, Viola and Violoncello 1788-09-27 27 September 1788 Vienna
564 A 564 564 CTrio in G for Piano, Violin and Violoncello 1788-10-27 27 October 1788 Vienna
565 L 565 565 2 Contredanses for Orchestra — lost
566 D X/28/1/1 566 566 Arrangement of Handel's Acis und Galathea 1788-11 November 1788 Vienna
567 A 567 567 6 German dances for Orchestra 1788-12-06 6 December 1788 Vienna
568 A 568 568 12 Minuets for Orchestra 1788-12-24 24 December 1788 Vienna
569 L 569 569 RAria for Soprano (?), “Ohne Zwang, aus eignem Triebe” — lost
570 D 570 570 A18. Sonata in B♭ for Piano, No. 17 1789-02-01 February 1789 Vienna
571 A 571 571 6 German dances for Orchestra 1789-02-21 21 February 1789 Vienna
G A005Anh. 5 571a Quartet for Soprano, two Tenors and Bass, “Caro mio Druck und Schluck” 1789-03-01 c. 1789 Vienna?
572 D X/28/1/2 572 572 Arrangement of Handel's Messiah 1789-03-15 March 1789 Vienna
573 A 573 573 V99 Variations in D for Piano (Duport) 1789-04-29 29 April 1789 Potsdam
574 A 574 574 Kleine Gigue in G for Piano 1789-05-16 16 May 1789 Leipzig
575 D 575 575 D21. Quartet in D for Strings, »Prussian« 1789-06 June 1789 Vienna
576 D 576 576 A19. Sonata in D for Piano, No. 18 1789-07-01 July 1789 Vienna
577 D 577 577 RRondo for Soprano, “Al desio, di chi t'adora” 1789-07-02 July 1789 Vienna
578 D 2/7/4–42, pp.91–104 578 578 R42. Aria for soprano and orchestra, “Alma grande e nobil core” 1789-08-01 August 1789 Vienna
579 D 579 579 RAria for Soprano, “Un moto di gioia mi sento” 1789-08-02 August 1789 Vienna
580 A 580 580 RAria for Soprano, “Schon lacht der holde Frühling” 1789-09-17 17 September 1789 Vienna
581 A 581 581 Quintet in A for Clarinet and Strings 1789-09-29 29 September 1789 Vienna
582 D 2/7/4–43, pp.105–114 582 582 R43. Aria for soprano and orchestra, “Chi sà, chi sà, qual sia” 1789-10-01 October 1789 Vienna
583 D 2/7/4–44, pp.115–122 583 583 R44. Aria for soprano and orchestra, “Vado, ma dove? oh Dei!” 1789-10-02 October 1789 Vienna
584 D 584 584 RAria for Bass, “Rivolgete a lui lo sguardo” 1789-12-01 December 1789 Vienna
585 D 585 585 12 Minuets for Orchestra 1789-12-02 December 1789 Vienna
586 D 586 586 12 German dances for Orchestra 1789-12-03 December 1789 Vienna
587 A 587 587 Contredanse in C for Orchestra, “Der Sieg vom Helden Koburg” 1789-12-04 December 1789 Vienna
588 A 2/5/18 588 588 O18. Così fan tutte, opera buffa 1790-01-26 26 January 1790 Vienna
588a D 106 588a Overture and 3 Contredanses 1790-01-31 January 1790 Vienna
588b H 236 588b Andantino in E♭ for Piano 1790-02 c. 1790 Vienna
589 D 589 589 D22. Quartet in B♭ for Strings, »Prussian« 1790-05 May 1790 Vienna
590 D 590 590 D23. Quartet in F for Strings, »Prussian« 1790-06 June 1790 Vienna
591 D X/28/1/3 591 591 Arrangement of Handel's Alexander's Feast 1790-07-01 July 1790 Vienna
592 D X/28/1/4 592 592 Arrangement of Handel's Ode to Saint Cæcelia 1790-07-02 July 1790 Vienna
592a D 625 592a Comical Duet for Soprano and Bass, “Nun, liebes Weibchen” 1790-08 August 1790
592b L 8/19/1, p.195 A083Anh. 83 592b Fragment of a first movement in D for string quintet 1791-12-01 December 1790 Vienna
593 A 593 593 E5. Quintet in D for Strings 1790-12-02 December 1790 Vienna
594 G 594 594 Adagio and Allegro in F minor for a Mechanical Organ 1790-12-02 October – December 1790 Vienna and ?
594b* L 1/1/1/6–12 A013Anh. 13 258a Kyrie in C (fragment) 1790-12-03 1790 – 1791
595 C 5/15/8–2 595 595 P23. Concerto in B♭ for Piano and Orchestra, “No. 27” 1791-01-05 c. 1787–91 dated: 5 January 1791 Vienna
595a M 5/14/5–4,8 514 412+514 386b H4. Concerto in D for Horn and Orchestra 1791-00 1791 Vienna
596 A 596 596 Song, Sehnsucht nach dem Frühling 1791-01-14 14 January 1791 Vienna
597 A 597 597 Song, Im Frülingsanfang 1791-01-14 14 January 1791 Vienna
598 A 598 598 Song, Das Kinderspiel 1791-01-14 14 January 1791 Vienna
599 A 599 599 6 Minuets for Orchestra 1791-01-23 23 January 1791 Vienna
600 A 600 600 6 German dances for Orchestra 1791-01-29 29 January 1791 Vienna
601 A 601 601 4 Minuets for Orchestra 1791-02-05-1 5 February 1791 Vienna
602 A 602 602 4 German dances for Orchestra 1791-02-05-2 5 February 1791 Vienna
603 A 603 603 2 Contredanses for Orchestra 1791-02-05-3 5 February 1791 Vienna
604 A 604 604 2 Minuets for Orchestra 1791-02-12-1 12 February 1791 Vienna
605 A 605 605 3 German dances for Orchestra 1791-02-12-2 12 February 1791 Vienna
606* B 607 605a Contredanse for Orchestra, “Il Trionfo delle Donne” 1791-02-28-1 28 February 1791 Vienna
607* A 606 606 6 “Ländler” for Orchestra 1791-02-28-2 28 February 1791 Vienna
608 A 608 608 Fantasia in F minor for a Mechanical Organ 1791-03-03 3 March 1791 Vienna
609 G 609 609 5 Contredanses for Orchestra 1791-03-05 1791 Vienna
610 A 610 610 Contredanse for Orchestra, “Les filles malicieuses” 1791-03-06-1 6 March 1791 Vienna
611 A 611 611 A German dance 1791-03-06-2 6 March 1791 Vienna
612 A 2/7/4–45, pp.123–38 612 612 R45. Aria for bass and orchestra, “Per questa bella mano” 1791-03-08 8 March 1791 Vienna
613 D 613 613 V98 Variations in F for Piano on “Ein Weib ist das herrlichste Ding” 1791-03-15 March 1791 Vienna
613a L 8/19/1, pp.196–97 A081Anh. 81 613a Fragment of a first movement in E♭ for string quintet 1791-04-01 April 1791 Vienna
613b L 8/19/1, p.198 A082Anh. 82 613b Fragment of a first movement in E♭ for string quintet 1791-04-02 April 1791 Vienna
614 A 614 614 E6. Quintet in E♭ for Strings 1791-04-12 12 April 1791 Vienna
615 L 615 615 Final chorus “Viviamo felici in dolce contento” with Orchestra to Opera “Le gelosie villane” (Giuseppe Sarti) — lost
616 A 616 616 Andante in F for a Small Mechanical Organ 1791-05-04 4 May 1791 Vienna
617 A 617 617 Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Violoncello 1791-05-23 23 May 1791 Vienna
617a L 356 617a Adagio in C for Glass Harmonica 1791-05-30 1791 Vienna
618 A 1/3–18 618 618 “Ave verum corpus” in D, Motet 1791-06-17 17 June 1791 Baden
619 D 1/4/4–4, pp.59–64 619 619 Die ihr des unermeßlichen Weltalls Schöpfer ehrt, Cantata 1791-07 July 1791 Vienna
620 A 2/5/19 620 620 O19. Die Zauberflöte, German opera 1791-09-30 30 September 1791 Vienna
620b L A078Anh. 78 620b Contrapuntal Study 1791-09-01 c. September 1791 Vienna
621 B 2/5/20 621 621 O20. La clemenza di Tito, opera seria 1791-09-06 6 September 1791 Prague
621a F 2/7/4–46, pp.139–42 A245Anh. 245 621a R46. Aria for bass and orchestra, “Io ti lascio, oh cara, addio” 1791-09-15 c. September 1791 Prague?
622 D 5/14/4–1,2 622 622 Concerto in A for Clarinet and Orchestra 1791-10-15 October 1791 Vienna
623 A 1/4/4–5, pp.65–92 623 623 Laut verkünde unsre Freude (»Freimaurerkantate«), Cantata 1791-11-15 15 November 1791 Vienna
626 D 1/1/2/1–2 626 626 M17. Requiem in D minor 1791-12 Late 1791 Vienna
L 148 125h Song, Lobegesang auf die feierliche Johannisloge: “O heiliges Band” 1775 c. 1775 – 1776 Salzburg
Y 115 166d M9Missa brevis in C — probably Leopold Mozart
H 1/1/1/6–04 223 166e Hosanna in G 1772 1772, probably first half of year Salzburg
H 1/1/1/6–05 A018Anh. 18 166f Kyrie in C (fragment) 1772 1772, probably first half of year Salzburg
H 1/1/1/6–06 A019Anh. 19 166g Kyrie in D (fragment) 1772 1772, probably first half of year Salzburg
L - 269b 4 Contredanses 1776-00 c. early 1776 Salzburg
L 312 590d Sonatensatz in g (KV3 189i) mit Ergänzungen von unbekannten Händen
L 355 576b Minuet in D for Piano, KV3 594a 1786 c. 1786 – 1787 Vienna
L 624 626a Cadenzas for Piano Concertos
X 091 186i Kyrie in D (fragment) — Georg Reutter the younger
X 221 A A001 Anh. A 1 Kyrie — Ernst Eberlin
X A021Anh. 21 A A002 Anh. A 2 Requiem — Ernst Eberlin
X 326 A A004 Anh. A 4 Hymn, “Justum deduxit” and “O sancte” for 4 Voices and Organ (KV3 93d) — Ernst Eberlin
X 327 A A010 Anh. A 10 Hymn, “Adoramus te” (KV3 Anh. 109III) — Quirino Gasparini
X 093 A A022 Anh. A 22 “De profundis clamavi”, Psalm (fragment) — Georg Reutter the younger
X 227 A A031 Anh. A 31 Canon 3 in 1, “O wunderschön” — misattributed to William Byrd
X 018 A A051 Anh. A 51 SA01dSymphony in E♭, “No. 3” — CF Abel
L 10/28/3–5/3 291 A A052 Anh. A 52 SA09Finale einer Sinfonie in D (Fuge) von Johann Michael Haydn
L 1/1/1/1–5, pp.285–311 140 A C001.012 Anh. C 1.12 M04A. Missa brevis in G 1773 c. 1773 Salzburg?
L 092 A C003.001 Anh. C 3.01 “Salve Regina” in F (doubtful) — possibly Leopold Mozart
L 324 A C003.002 Anh. C 3.02 Hymn, “Salus infirmorum” (KV3 Anh. 186a)
L 325 A C003.003 Anh. C 3.03 Hymn, B.M.V. “Sancta Maria, ora pro nobis” (KV3 Anh. 186b)
X 1/3–Nachtrag I, pp.270–275 142 A C003.004 Anh. C 3.04 Tantum ergo in B♭ (doubtful) — possibly by Johann Zach (1699–1773) 1772 1772 Salzburg?
X 1/3–Nachtrag II, pp.276–280 197 A C003.005 Anh. C 3.05 Tantum ergo in D (doubtful) — possibly by Johann Zach (1699–1773) 1772 1772 Salzburg?
L 340 A C003.006 Anh. C 3.06 Kyrie for four voices a cappella (KV3 Anh. 186f)
X 1/3–12, pp.171–181 198 A C003.008 Anh. C 3.08 “Sub tuum praesidium” in F, Offertorium (doubtful) — not WA Mozart? 1774 1774 Salzburg?
X 177/342 A C003.009 Anh. C 3.09 “Convertentur sedentes” in D, Offertorium sub expositio venerabili — Leopold Mozart
X 342 A C003.009 Anh. C 3.09 “Benedicite angeli”, final chorus of KV 177/342 — Leopold Mozart
L 350 A C008.048 Anh. C 8.48 Wiegenlied (KV2 Anh. 284f)
L 441b A C009.003 Anh. C 9.03 Canon for two voices, “Beym Arsch ist’s finster” 1783 1783 Vienna
L 226 A C010.002 Anh. C 10.02 Canon for three voices, “O Schwestern traut dem Amor nicht”
X 235 A C010.017 Anh. C 10.17 Canon for Keyboard — not WA Mozart?
X 017 A C011.002 Anh. C 11.02 SA01cSymphony in B♭, “No. 2” — Leopold Mozart
X 098 A C011.004Anh. C 11.04 SA09Symphony in F — not WA Mozart
X 510 A C013.002 Anh. C 13.02 9 Contredanses — probably not WA Mozart Vienna
X X/29/1, pp.3–80 A009Anh. 9 A C014.001 Anh. C 14.01 Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra (K3 297b, doubtful; later arr. of genuine Mozart work?) 1778-04 ?April 1778 Paris?
X 268 A C014.004 Anh. C 14.04 Concerto in E♭ for Violin and Orchestra (K3 365b, dubious)
X 187 A C017.012Anh. C 17.12 10 Pieces for 2 Flutes, 3 Trumpets in C, 2 Trumpets in D and 4 Timpani in C, G and D, A — not WA Mozart?
X X/29/2, pp.115–125 055 A C023.001Anh. C 23.01 B3Sonata in F for Violin and Piano (“No. 5”) doubtful — probably not WA Mozart
X X/29/2, pp.126–138 056 A C023.002Anh. C 23.02 B3Sonata in C for Violin and Piano (“No. 6”) doubtful — probably not WA Mozart
X X/29/2, pp.159–176 057 A C023.003Anh. C 23.03 B3Sonata in F for Violin and Piano (“No. 12”) with two Horns and Bass ad libitum: doubtful — probably not WA Mozart
X X/29/2, pp.152–158 058 A C023.004Anh. C 23.04 B3Sonata in E♭ for Violin and Piano (“No. 11”) doubtful — probably not WA Mozart
X X/29/2, pp.108–114 059 A C023.005Anh. C 23.05 B3Sonata in C minor for Violin and Piano (“No. 1”) doubtful — probably not WA Mozart
X X/29/2, pp.139–151 060 A C023.006Anh. C 23.06 B3Sonata in E minor for Violin and Piano (“No. 10”) doubtful — probably not WA Mozart
X 061 A C023.007Anh. C 23.07 B3Sonata for Violin and Piano — not WA Mozart
X A136Anh. 136 A C025.04Anh. C 23.04–05 Sonata (Allegro, Andante, Menuetto and Rondo) in B♭ for Piano, KV3 498a doubtful — probably not WA Mozart
X 046 - not WA Mozart
X 064 - Minuet in D for 2 Horns, 2 Violins and Bass — not WA Mozart
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