Piano Concerto No.1, Op.4 (Stavenhagen, Bernhard)

Movements/SectionsMov'ts/Sec's	3 movements
First Publication	1894 – Berlin: Ries & Erler
Genre Categories	Concertos; For piano, orchestra; Scores featuring the piano; Scores featuring the orchestra; For orchestra with soloists; For 2 pianos (arr); Scores featuring the piano (arr); For 2 players (arr)

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Full Scores
- 2.2 Arrangements and Transcriptions
  - 2.2.1 For 2 Pianos (Hutcheson)
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Full Scores

Complete Score
*#08068 - 5.44MB, 86 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 568×⇩ - Hobbypianist

PDF scanned by Mike Britchfield
Hobbypianist (2007/6/18)

Engraver	Leipzig: C.G. Röder.
Publisher. Info.	Berlin: Ries & Erler, 1894. Plate R. 5445 E.
Copyright	Public Domain [tag/del]
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Arrangements and Transcriptions

For 2 Pianos (Hutcheson)

Complete Score
*#62972 - 3.24MB, 65 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/22 - 392×⇩ - Aldona Jones

PDF scanned by US-R
Aldona Jones (2010/5/1)

Arranger	Ernest Hutcheson (1871-1951)
Engraver	Leipzig: C.G. Röder.
Publisher. Info.	Berlin: Ries & Erler, n.d.(1894). Plate R. 5345 E.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
Purchase	Javascript is required for this feature.

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General Information

Work Title	Piano Concerto No.1
Alternative. Title
Composer	Stavenhagen, Bernhard
Opus/Catalogue NumberOp./Cat. No.	Op.4
I-Catalogue NumberI-Cat. No.	IBS 5
Key	B minor
Movements/SectionsMov'ts/Sec's	3 movements I. Sehr energisch un lebhaft II. Adagio III. Erstes Zeitmass, Sehr Leidenschaftlich
First Publication.	1894 – Berlin: Ries & Erler
Dedication	Carl Alexander von Sachsen
Average DurationAvg. Duration	25 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Solo: piano Orchestra: piccolo, 2 flutes, 2 oboes, 2 clarinets (B♭), 2 bassoons, contra bassoon + 4 horns (F), trumpets (F), 3 trombones, tuba + timpani + strings

Navigation etc.

Actually concerto no.2; no.1 in C major (1879/80) is lost. A 3rd in A major was composed or published in 1912 but only the reduction still exists (it has been reorchestrated by another.)