6 Concert Studies (Philipp, Isidor)

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 No. 1: after Chopin's "Minute Waltz"
#26149 - 0.28MB, 5 pp. -  7.0/10 2 4 6 8 10 (2- V/V/29 - 896x

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Lisztener (2009/1/3)

 No. 3: after Chopin's Op.25 No.2 (for the left hand)
#26150 - 0.25MB, 5 pp. -  9.0/10 2 4 6 8 10 (1- V/V/29 - 756x

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Lisztener (2009/1/3)

 No. 4: after Chopin's "Black Key" Etude
#26151 - 0.30MB, 5 pp. -  8.0/10 2 4 6 8 10 (2- V/V/29 - 772x

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Lisztener (2009/1/3)

 No. 5: after Chopin's Op.10 No.2
#26152 - 0.34MB, 5 pp. -  6.4/10 2 4 6 8 10 (5- V/V/29 - 699x

PDF scanned by Unknown
Lisztener (2009/1/3)

 No. 6: after Weber's Op.24 "Mouvement Perpétuel"
#26153 - 0.91MB, 14 pp. -  7.0/10 2 4 6 8 10 (2- V/V/29 - 610x

PDF scanned by Unknown
Lisztener (2009/1/3)

PMLP58280-Philipp - 6 Etudes de Concert No 1.pdf
Publisher Info.:

Paris: J. Hamelle, n.d.(ca.1895). Plate J. 3947.1-3947.6 H.

Copyright:

Public Domain - Non-PD EU [tag/del]

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General Information

Work Title 6 Concert Studies
Alternative Title 6 Études de concert
Composer Philipp, Isidor
Movements/Sections 6 etudes
  1. Etude de Concert d'après une valse de F. Chopin. Molto Vivace (D major)
  2. Etude de Concert (pour la main gauche) d'après Chopin. Presto (F minor)
  3. Etude de Concert d'après F. Chopin. Vivace (G major)
  4. Etude de Concert d'après Chopin. Allegro (A minor)
  5. Etude de Concert d'après Weber (Mouvement perpétuel). Presto (C major)
Dedication Various
  1. Élie Miriam Delaborde (1839–1913)
  2. Charles-Wilfrid Bériot (1833–1914)
  3. Alexis-Henri Fissot (1843–1896)
  4. Eduard Schütt (1856–1933)
  5. Maître Camille Saint-Saëns (1835–1921)
Composer Time Period Early 20th century
Piece Style Romantic
Instrumentation 1 piano
Related Works see below
  1. Minute Waltz (No.1) from Waltzes, Op.64, by Frédéric Chopin
  2. Etude (No.2) from Etudes, Op.25, by Frédéric Chopin
  3. Etude (No.5) from Etudes, Op.10, by Frédéric Chopin
  4. Etude (No.2) from Etudes, Op.10, by Frédéric Chopin
  5. Movement 4: Rondo from Piano Sonata No.1 in C major, Op.24, by Carl Maria von Weber


Misc. Comments

Concert studies based on the works of other composers, which each develop a specific technical challenge.

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