See, see, O see who is here come a-maying (Peerson, Martin)

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Publisher Info. Christian Mondrup
Performers Computer
Copyright
Misc. Notes Meantone tuning
These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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Sheet Music

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Editor Christian Mondrup (b. 1947)
Publisher. Info. Christian Mondrup
Copyright
Misc. Notes Editor's reconstructions where the preserved 1620 printing is damaged.

These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.

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General Information

Work Title See, see, O see who is here come a-maying
Alternative. Title See, see, O see who is heere come a maying
Composer Peerson, Martin
I-Catalogue NumberI-Cat. No. IMP 27
Key G major
First Publication. 1620 in Private Musicke. Or the First Booke of Ayres and Dialogues, No.24
Librettist Ben Jonson (d. 1637)
Language English
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 6 voices, viols

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There are 6 parts, of which the text is on the first line; these lines are only labelled with "Canto", "Tenor", etc. But given the collection subtitle "contayning songs of 4. 5. and 6. parts, of severall sorts, and being verse and chorus, is fit for voyces and viols", it seems to be flexible enough that it could be done by 1, 2, or 3 voices with viol(s). However, this is also subject to correction if IMSLP gets an upload of the original collection and the actual parts indicate something different.

Composer's note: "This Song was made for the King and Queenes entertaynement at High-gate on May-day. 1604", referring to a masque The Penates by Ben Jonson. It was performed at a private entertainment of King James I (1566-1625) and Queen Anne (1574-1619) at Sir William Cornwallis's (1549-1611) house at Highgate.