New Imperial Edition Contralto Songs (Northcote, Sydney)

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Movements/SectionsMov'ts/Sec's 30 songs
First Publication 1950
Genre Categories Songs; For voice, piano; Scores featuring the voice; Scores featuring the alto voice; Scores featuring the piano; For voices with keyboard; English language; German language; French language; Italian language

Sheet Music

Scores

 Complete Score (CA)
#878838 - 10.20MB, 109 pp. -  0.0/10 2 4 6 8 10 (-) - V/46/39 - Dbmiller

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Dbmiller (2023/10/6)

Publisher. Info. New York: Boosey & Hawkes, 1950. Plate B. & H. 6892.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del]
Misc. Notes Nos. 29, 30 omitted from this scan.
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 29. O, My Deir Hert
#878840 - 0.20MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - 34/V/54 - 21×⇩ - Dbmiller

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Dbmiller (2023/10/6)

Publisher. Info. London: Winthrop Rogers, 1923.
Reprinted New York: Boosey & Hawkes, 1950. Plate B. & H. 6892.
Copyright
Public Domain - Non-PD Canada, Non-PD EU [tag/del]
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General Information

Work Title New Imperial Edition Alto Songs
Alternative. Title
Composer Northcote, Sydney
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 30 songs
  1. Thomas Campion (1567-1620), arr. Sydney Northcote (1897-1968) - "Oft Have I Sighed"
  2. Alessandro Scarlatti (1660-1725) - "Le violette" ("Dewy Violets")
  3. Antonio Caldara (1670-1736) - "Come raggio di sol" ("As a Sunbeam at Morn")
  4. Domenico Scarlatti (1685-1757) - "Qual farfalletta amante" ("Like Any Foolish Moth I Fly")
  5. George Frideric Handel (1685-1759) - "Cara sposa" ("Dearest Consort")
  6. George Frideric Handel (1685-1759) - "Verdi prati" ("Verdant Meadows")
  7. George Frideric Handel (1685-1759) - "Cangio d'aspetto" ("How Changed the Vision")
  8. Christoph Willibald Gluck (1714-1787) - "O del mio dolce ardor" ("Author of All My Joys")
  9. Joseph Haydn (1732-1809) - "Hark! What I Tell to Thee" (The Spirit's Song)
  10. Wolfgang Amadeus Mozart (1756-1791) - "Quando miro quel bel ciglio" ("With a Swanlike Beauty Gliding")
  11. Wolfgang Amadeus Mozart (1756-1791) - "Addio" ("Adieu")
  12. Ludwig van Beethoven (1770-1827) - "Die Ehre Gottes aus der Natur" ("The Praise of God")
  13. Franz Schubert (1797-1828) - "Litanei" ("Litany")
  14. Franz Schubert (1797-1828) - "Der Tod und das Mädchen" ("Death and the Maiden")
  15. Franz Schubert (1797-1828) - "An die Musik" ("To Music")
  16. Robert Schumann (1810-1856) - "My Soul Is Dark" ("Mein Herz ist schwer")
  17. John Liptrot Hatton (1808-1886) - "The Enchantress"
  18. Felix Mendelssohn (1809-1847) - "Bei der Wiege" ("Cradle Song")
  19. Franz Liszt (1811-186) - "Mignons Lied" ("Mignon's Song")
  20. Charles Gounod (1818-1893) - "Quand tu chantes" ("Serenade")
  21. Johannes Brahms (1833-1897) - "Von ewiger Liebe" ("Love Triumphant")
  22. Johannes Brahms (1833-1897) - "Die Mainacht" ("A Night in May")
  23. Johannes Brahms (1833-1897) - "Sapphische Ode" ("Sapphic Ode")
  24. Pyotr Tchaikovsky (1840-1893) - "Nur wer die Sehnsucht kennt" ("Nay, Though My Heart Should Break")
  25. Arthur Sullivan (1842-1900) - "The Willow Song"
  26. Edward Elgar (1857-1934) - "Where Corals Lie"
  27. Sergei Rachmaninoff (1873-1943) - "How Few the Joys"
  28. Hamilton Harty (1879-1941) - "Sea Wrack"
  29. Herbert Howells (1892-1983) - "O, My Deir Hert" (Cradle Song)
  30. Traditional, arr. Benjamin Britten (1913–1976) - "O Can Ye Sew Cushions"
First Publication. 1950
Librettist Various
  1. Thomas Campion (1567-1620)
  2. Adriano Morselli, tr. Paul England (1863–1932)
  3. Unknown, tr. Percy Pinkerton (1855–1946)
  4. Unknown, tr. Paul England (1863–1932)
  5. Giacomo Rossi, tr. Unknown
  6. Unknown, after Riccardo Broschi (1698-1756) and Lodovico Ariosto (1474-1533); tr. Maria Ximena Hayes
  7. Nicola Francesco Haym (1678-1729), tr. Maria Ximena Hayes
  8. Ranieri de' Calzabigi (1714-1795), tr. Paul England (1863–1932)
  9. Anne Hunter (1742-1821)
  10. Pietro Metastasio (1698-1782), tr. Mildred Gauntlett (1848–1929)
  11. Unknown, tr. Mildred Gauntlett (1848–1929)
  12. Christian Fürchtegott Gellert (1715-1769), tr. Paul England (1863–1932)
  13. Johann Georg Jacobi (1740-1814), tr. May Byron (1861–1936)
  14. Matthias Claudius (1740-1815), tr. Arthur Henry Fox Strangways (1859–1948) and Steuart Wilson (1889–1966)
  15. Franz von Schober (1796-1882), tr. Paul England (1863–1932)
  16. George Gordon Byron (1788-1824), tr. Karl Julius Körner (1793–1873)
  17. Henry Fothergill Chorley (1808-1872)
  18. Karl Klingemann (1798-1862), tr. Unknown
  19. Johann Wolfgang von Goethe (1749-1832), tr. Paul England (1863–1932)
  20. Victor Hugo (1802-1885), tr. John Vipon Bridgeman (1819–1889)
  21. Josef Wenzig (1807-1876), tr. Paul England (1863–1932)
  22. Ludwig Christoph Heinrich Hölty (1748-1776), tr. Paul England (1863–1932)
  23. Hans Schmidt (1854-1923), tr. Arthur Henry Fox Strangways (1859–1948) and Steuart Wilson (1889–1966)
  24. Johann Wolfgang von Goethe (1749-1832), tr. Frederick James Whishaw (1854–1934)
  25. William Shakespeare (1564-1616)
  26. Richard Garnett (1835-1906)
  27. Afanasy Fet (1820-1892), tr. Edward Agate (1880–1940)
  28. Agnes Shakespeare Higginson (1864-1955), as Moira O'Neill
  29. Unknown
  30. Traditional
Language English, German, French, Italian
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation alto, piano
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