Musicalische Blumen, Teil 3 (Abel, Clamor Heinrich)

Movements/SectionsMov'ts/Sec's 61 pieces in 15 suites
First Publication 1677
Genre Categories Suites; Allemandes; Dances; Courantes; Sarabandes; Gigues; Variations; For violin, continuo; Scores featuring the violin; Scores with basso continuo; For 1 player with continuo; For violin, viol, continuo; Scores featuring the viol; For 2 players with continuo

Sheet Music

Parts

 Violin
#843721 - 34.49MB, 64 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 32×⇩ - Fynnjamin

PDF scanned by A-Wn
Fynnjamin (2023/3/8)

 Continuo
#843722 - 16.74MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 16×⇩ - Fynnjamin

PDF scanned by A-Wn
Fynnjamin (2023/3/8)

Publisher. Info. Frankfurt am Main: Thomas Heinrich Hauenstein; Johann Görlin, 1677.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Viola da gamba part missing
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General Information

Work Title Musicalische Blumen, Teil 3
Alternative. Title Clamor-Heinrici Abels, Hoch-Fürstl. Braunschw. Lüneburg. Cammer-Musici Dritter Theil Musicalischer Blumen, Bestehend in Allemanden, Correnten, Sarabanden, und Giquen, nebenst ihren Variationen. Theils mit einer Violin, theils mit einer verstimbten Violadagamba und Violin, mit ihrem Basso pro Clavicembalo
Composer Abel, Clamor Heinrich
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 61 pieces (51 numbered - 10 unnumbered pieces were added during publication) in 15 suites:
G major
1. Allemanda. Variatio.
2. Corrente. Variatio.
3. Sarabanda. Double.
4. Gique.
G minor
5. Allemanda. Variatio.
6. Corrente. Variatio.
7. Sarabanda. Le Double.
8. Gique.
C minor
9. Allemanda. Double.
10. Corrente. Variatio.
  • Sarabanda. Variatio.
"8". Gique.
C major
11. Allemanda. Variatio.
12. Courante. Variatio.
  • Sarabanda. Variatio.
  • Gique.
A major
13. Allemanda. Variatio.
14. Courante. Le Double.
  • Sarabanda. Variatio.
  • Gique.
A minor
15. Allemanda. Variatio.
16. Courante. Variatio.
  • Sarabanda. Variatio.
  • Gique.
B♭ major
17. Allemanda. Variatio.
18. Courante. Le Double.
  • Sarabanda. Variatio.
  • Gique.
F major
19. Allemanda.
20. Courante. Le Double.
21. Sarabanda. Le Double.
22. Gique.
G minor
23. Lamento.
24. Ballet.
25.Courante. Variatio.
26. Sarabanda.
27. Gique.
G minor
28. Ballet.
29. Courante.
30. Sarabanda.
31. Gique.
G minor
32. Allemanda.
33. Courante.
34. Sarabanda.
35. Gique.
B♭ major
36. Allemanda.
37. Courante.
38. Sarabanda.
39. Gique.
D major
40. Allemanda.
41. Courante.
42. Sarabanda.
43. Gique.
D major
44. Allemanda.
45. Courante. Variatio.
46. Sarabanda.
47. Gique.
A major (Scordatura)
48. Allemanda.
49. Courante.
50. Sarabanda.
51. Gique.
First Publication. 1677
Dedication Jobst Friedrich von der Hoya; Johann von Schwarzfeldt; Henning Weseman; Francisco Kuckuk; Joachim Niemeyer; Daniel Finckenberg; Hinrich Christoff Schultze; Johann Hinrich Koch; Johann Wichelmann; Balthasar Cristoff Baxmann; Justo Ludewieg; Ernst Friedrich Hundertmarcht; Joachim Brunck; Johann Schultze; Johann Julio Meyer; David Heise; Hans Carol Cham; Nicolao Adam Strunck; Stephano Rinck; Johann Georg Gumprecht; Johann Friederich Schäfer; Ernesto Abel; Andreas Kniller; Ferdinand Schäfer; Johann Georg Bodecker; Ahlhardt Wineter; Cornelio de Hartog; Johann Baptist de Hartog; Heinrich Sievers; Cornelio Behrenberg; Bernhart Duve; Thomas Heinrich Hauenstein; Benjamin Jungnickel; Arnoldt Schulte
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation violin, continuo; violin, viol, continuo
Extra Information Title-page states that the (currently missing) viol (viola da gamba) part is "verstimbt", i.e. scordatura.
Nos.48-51 require scordatura ("Verstimmung") for the violin, AEae
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