Symphony No.2, Op.21 (Brandes, Felipe)

Sheet Music

Scores

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SirBrandes (2020/5/12)

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SirBrandes (2020/5/12)

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SirBrandes (2020/5/12)

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SirBrandes (2020/5/12)

Publisher. Info. Felipe Brandes, 2017.
Copyright
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Parts

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SirBrandes (2020/5/14)

17 more: Oboe, English Horn • Clarinet (E♭), Clarinet 1, 2 (B♭), Bass Clarinet (B♭) • Bassoon 1, 2, Contrabassoon • Horn 1, 2 • Trumpet 1, 2 • Trombone 1, 2 • Wagner Tuba, Tuba • Vuvuzela • Timpani, Tam-Tam, Tubular Bells, Percussion, Xylophone • Celesta • Organ • Piano • Harp • Violins I, II • Violas • Viola d'amores • Cellos, Basses

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

PDF typeset by composer
SirBrandes (2020/5/14)

PDF typeset by composer
SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

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SirBrandes (2020/5/14)

Publisher. Info. Felipe Brandes, 2017.
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Misc. Notes Note to vuvuzelists: you don't need to stay at the stage the whole work. Just blow right after the maestro's command, leave (or not), and return in the 4th movement to take part in the "tutti" chord frenzy. p.s: In the 3rd movement, only the strings, harp, piano and chorus play this movement. Thus, the lack of "mvt.2" in all woodwinds, brasses and percussion
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Vocal Scores

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SirBrandes (2020/5/14)

Publisher. Info. Felipe Brandes, 2017.
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Misc. Notes in the 4th movement, an excerpt of bass singers are extremely high positioned, when in fact it is two octaves lower
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General Information

Work Title Symphony No.2
Alternative. Title Maestosa
Composer Brandes, Felipe
Opus/Catalogue NumberOp./Cat. No. Op.21
I-Catalogue NumberI-Cat. No. None [force assignment]
Key E-flat major
Movements/SectionsMov'ts/Sec's 4 movements:
1. Lento cantabile, Chorale "Le Grand Ode" (Galaxy)
2. Elègie, Ständchen
3. Largo sentimentale, cantabile
4. Adagio eroico, appassionato - Finale
Year/Date of CompositionY/D of Comp. 2017
Librettist Felipe Brandes (b. 2000) (Nos.1,2,4)
Else Lasker-Schüler (1869-1945) (Nos.3)
Language English (Nos.1-2), German (Nos.3-4)
Dedication Luiza Cunha Puttini
Average DurationAvg. Duration 82 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Voices: soprano, alto, tenor, baritone, bass, 2 mixed choruses (SATBarB/SATBarB),
Orchestra: piccolo, 2 flutes, oboe, English horn, clarinet (E), 2 clarinets (B),bass clarinet (B), 2 bassoons, contrabassoon
2 horns, 2 trumpets, 2 trombones, tuba
timpani, percussion, harp, strings
(other instruments: piano, celesta, organ, tubular bells, tam-tam, Wagner tuba, viola d'amore, Vuvuzela)
Extra Information Brandes wrote the libretto to the 1st/4th movement only, the 3rd is based on Lasker-Schüler's "Dem Barbaren"

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Strings were compacted in the conductor's sheet due to lack of space. Each row of the string setting are attributed to perform a note of the chord. This is specified in the specific parts. Also for this reason, is that separating all individual scores (for each instrument, then chorus, then "rowed" strings) was extremely demanding and exausting... but it's finally there