Psalm 100, Op.106 (Reger, Max)

Contents

Performances

Naxos Search

Search key: reger psalm 100

Javascript not enabled.

Sheet Music

Full Scores

PDF scanned by Carolus
Carolus (2009/10/22)

Publisher. Info. Leipzig: C.F. Peters, 1909. Plate 10438.
Copyright
Misc. Notes From the plate number, could be a mid-to-late 1920s re-engraving or even new edition with new copyright on a missing page?? Odd.
Purchase
Javascript is required for this feature.
PMLP15020-Reger-Op106FS.pdf

PDF scanned by Unknown
Hobbypianist (2015/2/25)

Editor Ulrich Haverkampf (1914-1982)
Publisher. Info. Leipzig: C.F. Peters, 1909.
Reprinted Max Reger: Sämtliche Werke, Band 29 (pp.83-181)
Wiesbaden: Breitkopf und Härtel, 1967. Plate M.R. 29.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Purchase
Javascript is required for this feature.
PMLP15020-Reger op.106 Der 100.Psalm fs RGA vol29.pdf

Vocal Scores

PDF scanned by Kaun
Kaun (2007/5/22)

Language German / English
Translator John Bernhoff (ca.1850–ca.1930), English text
Publisher. Info. Leipzig: C.F. Peters, 1909. Plate 9439.
Copyright
Misc. Notes First Print
Purchase
Javascript is required for this feature.
Reger-op106-vocalscore.pdf

Arrangements and Transcriptions

For Mixed Chorus and Orchestra (Hindemith)

PDF scanned by Sallen112
Sallen112 (2015/9/13)

Arranger Paul Hindemith (1895-1963)
Publisher. Info. Frankfurt: C.F. Peters, No.3819a, 1958. Plate 30196.
Copyright
Misc. Notes 600 dpi. See Hindemith Foundation for performance information on this arrangement.
Purchase
Javascript is required for this feature.
Regerhindemithder100psalmfullscoreCP.jpg

PDF scanned by Sallen112
Sallen112 (2015/9/13)

Arranger Paul Hindemith (1895-1963)
Publisher. Info. Frankfurt: C.F. Peters, No.3218a, 1958. Plate 30025.
Copyright
Misc. Notes 600 dpi. See Hindemith Foundation for performance information on this arrangement.
Purchase
Javascript is required for this feature.
Regerhindemithder100psalmvocalscoreCP.jpg
Javascript is required to submit files.

General Information

Work Title Der 100. Psalm
Alternative. Title
Composer Reger, Max
Opus/Catalogue NumberOp./Cat. No. Op.106
Movements/SectionsMov'ts/Sec's 5 sections or movements (or one movement with one break)
  1. Jauchzet, jauchzet, jauchzet, jauchzet (Maestoso) - (attacca with fermata)
  2. Erkennet, erkennet (Andante sostenuto) -
  3. Gehet zu seinen Toren ein, gehet (Allegretto con grazia) -
  4. Denn der Herr ist freundlich, und seine Gnade (Andante sostenuto - Allegro maestoso)
Year/Date of CompositionY/D of Comp. 1908-1909 (completed 1909-6-22)
First Performance. 1910-02-23
First Publication. 1909
Librettist Liber Psalmorum
Language German
Dedication Einer hohen Philosophischen Fakultät der Universität Jena zum 350 jährigen Jubiläum der Universität Jena komponiert und in Dankbarkeit und Verehrung zugeeignet von Dr. Max Reger.
Average DurationAvg. Duration 28–35 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation chorus, orchestra
Mixed Chorus (SATB)
Orchestra
2 flutes, 2 oboes, 2 clarinets (A), 2 bassoons
4 horns (F), 2 trumpets (C), 3 trombones, tuba
timpani, bass drum, cymbals, organ, strings
External Links Wikipedia article
Study Score Preface by Jürgen Schaarwächter, Max-Reger-Institut, 2014


Misc. Comments

Listening, there seem to be several movements (the first two clearly separated!), not 1 (there is at least one full stop, anyway. Allmusic lists 5 sections, duplicated above.) One theme from this work reappears in the Symphonic Prologue Op.108; another appears in the fugue of the Mozart Variations Op.132 (unless I very much mishear, it seems to be the fugue theme, more or less and give or take. Reger wouldn't be the only composer to have done such a thing and I am not complaining in noting this.) - Schissel (many CD recordings include the orchestra-and-organ only (or orchestra only?) Andante sostenuto interlude in with an earlier or later track and have a four-section recording instead.)