Filling In (Drehmer, Earl Richard)

Composition Year	1977
Genre Categories	Canons; For 4 violas; Scores featuring the viola; For 4 players

1 Performances
- 1.1 Videos
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Videos

Synthesized Performance
*#886602 - 90.14MB - 3:17 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - MP4 - Pseudotonal

MP4 file (audio/video)
Pseudotonal (2023/12/4)

Publisher Info.	Earl Richard Drehmer, 2023.
Performers	Finale 2011b
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity, video created with Windows Movie Maker
Purchase	Javascript is required for this feature.

Synthesized/MIDI

Synthesized Performance
*#886601 - 3.30MB - 2:53 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 9×⇩ - MP3 - Pseudotonal

MP3 file (audio)
Pseudotonal (2023/12/4)

Publisher Info.	Earl Richard Drehmer, 2023.
Performers	Finale 2011b
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity. originally written for 4 harps and performed on my Ensoniq EPS.
Purchase	Javascript is required for this feature.

Sheet Music

Scores

Complete Score
*#886600 - 0.31MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16×⇩ - Pseudotonal

PDF typeset by composer
Pseudotonal (2023/12/4)

Publisher. Info.	Earl Richard Drehmer, 2023.
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	notated in Finale
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title	Filling In
Alternative. Title
Composer	Drehmer, Earl Richard
I-Catalogue NumberI-Cat. No.	IED 23
Year/Date of CompositionY/D of Comp.	1977
First Performance.	2023/10/28
First Publication.	2023
Average DurationAvg. Duration	2.9 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	4 violas
Extra Information	Originally written for 4 harps

Navigation etc.

This piece is a series of wrap-around 4-voice canons. The wrap-around is a favorite technique of mine where instead of starting the canon with a single voice, I start with all voices. The non-starting voices begin with the end of the materiel. The effect is that it helps to occlude the fact that it is a canon. The title refers to the technique of hocket. In this piece, for the most part each part of the beat has at least one note.