| Plate |
Composer |
Work |
Year
|
| 409 |
Saint-Saëns |
Scène d'Horace, Op.10 |
(1861)
|
| 601 |
Heller |
Polonaise, Op.104 |
(1865?)
|
| 1020 |
Abert |
Astorga (tr.Wilder) |
(1870?)
|
| 1301 |
Hignard |
12 Valses concertantes |
(1872?)
|
| 1302 |
Lacôme d'Estalenx |
Chanson de Charles IX |
(1872?)
|
| 1305 |
Saint-Saëns |
Marche héroïque, Op.34 (transcription for piano solo) |
(1872?)
|
| 1362 |
Saint-Saëns |
Mazurka No.2, Op.24 |
(1872)
|
| 1363 |
Saint-Saëns |
Gavotte, Op.23 |
(1872)
|
| 1365 |
Bizet |
Jeux d'enfants (piano 4 hands) |
(1870?)
|
| 1385 |
Guiraud |
Suite d'orchestre No.1 (transcription for piano 4 hands) |
(1870?)
|
| 1455 |
Guiraud |
Suite d'orchestre No.1 (score) |
1882
|
| 1475 |
Godard |
Fille à la blonde chevelure |
(1872)
|
| 1477 |
Godard |
Ninon - Sérénade |
(1872)
|
| 1478 |
Godard |
Je ne veux pas d'autres choses |
(1872)
|
| 1479 |
Godard |
Chanson du berger |
(1872)
|
| 1501 |
Schumann |
6 Studien in kanonischer Form für Orgel oder Pedalklavier, Op.56 (trans. Bizet - piano 4 hands) |
(1873?)
|
| 1548 |
Saint-Saëns |
Cello Sonata No.1, Op.32 |
(1873)
|
| 1594 |
Saint-Saëns |
Cello Concerto No.1, Op.33 |
(1873)
|
| 1595 |
Widor |
Symphony No.1, Op.16 |
(1873)
|
| 1630 |
Saint-Saëns |
Marche Héroïque, Op.34 (full score) |
(1873)
|
| 1634 |
Godard |
Dans les bois d'Andilly |
(1873)
|
| 1642 |
Godard |
Les adieux du berger |
(1873)
|
| 1644 |
Godard |
L'heureux berger |
(1873)
|
| 1682 |
Lalo |
Violin Concerto, Op.20 (trans. violin and piano) |
1882
|
| 1699 |
Diémer |
Violin Sonata, Op.20a |
[1874]
|
| 1702 |
Lalo |
Violin Sonata, Op.12 |
(1874?)
|
| 1709 |
Wagner |
Tannhäuser, WWV 70 (trans. Bülow - piano solo) |
(1874?)
|
| 1716 |
Godard |
3 Morceaux pour piano, Op.16 |
(1874)
|
| 1723 |
Godard |
Je respire où tu palpites |
(1874)
|
| 1724 |
Godard |
Amour fatal |
(1874)
|
| 1727 |
Saint-Saëns |
Variations on a Theme of Beethoven, Op.35 |
(1874)
|
| 1730 |
Sarasate |
Airs Espagnols, Op.18 |
(1874?)
|
| 1746 |
Saint-Saëns |
Cello Concerto No.1, Op.33 (full score) |
(1874)
|
| 1951 |
Saint-Saëns |
Variations on a Theme of Beethoven, Op.35 (transcription for piano 4 hands) |
(1874?)
|
| 1952 |
Saint-Saëns |
Romance, Op.36 (transcription for horn and piano) |
(1874)
|
| 1953 |
Saint-Saëns |
Romance, Op.37 (transcription for flute and piano) |
(1874)
|
| 1954 |
Saint-Saëns |
Berceuse, Op.38 |
(1874?)
|
| 1961 |
Godard |
Amour! Amour! |
(1874)
|
| 1962 |
Godard |
Fleur d'éxil |
(1874)
|
| 2026 |
Saint-Saëns |
Le Rouet d'Omphale, Op.31 (full score) |
(1874)
|
| 2028 |
Bordèse |
Mes petits |
(1874)
|
| 2029 |
Bordèse |
Dans ce temps là |
(1874)
|
| 2030 |
Bordèse |
Blondine |
(1874)
|
| 2031 |
Bordèse |
Émigration des alsaciens |
(1874)
|
| 2033 |
Saint-Saëns |
Le Rouet d'Omphale, Op.31 (transcription for 2 pianos) |
(1874)
|
| 2034 |
Saint-Saëns |
Cello Concerto No.1, Op.33 (parts) |
(1874)
|
| 2035 |
Saint-Saëns |
Piano Concerto No.1, Op.17 (transcription for 2 pianos) |
(1875)
|
| 2036 |
Saint-Saëns |
Mazurka No.1, Op.21 |
(1877)
|
| 2037 |
Saint-Saëns |
Piano Concerto No.2, Op.22 (trans. 2 pianos - Laussel) |
(1875?)
|
| 2038 |
Saint-Saëns |
Orient et Occident, Op.25 (transcription for piano 4 hands) |
(1875?)
|
| 2039 |
Saint-Saëns |
Mélodies Persanes, Op.26 |
(1875?)
|
| 2040 |
Saint-Saëns |
Romance, Op.27 |
(1875?)
|
| 2041 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (trans. violin and piano - Bizet) |
(1875)
|
| 2042 |
Saint-Saëns |
La Princesse jaune, Op.30 (revised vocal score) |
1906
|
| 2044–46 |
Saint-Saëns |
3 Transcriptions from Beethoven's String Quartets |
(1875)
|
| 2047 |
Saint-Saëns |
Alla riva del Tebro |
(1875?)
|
| 2068 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (parts) |
(1875?)
|
| 2072 |
Luigini |
Romance for Violin and Orchestra, Op.9 |
(1875?)
|
| 2073 |
Saint-Saëns |
Danse macabre (song) |
(1875?)
|
| 2094 |
Saint-Saëns |
Allegro Appassionato, Op.43 (transcription for cello and piano) |
(1875)
|
| 2099 |
Saint-Saëns |
Danse macabre, Op.40 (transcription for 2 pianos) |
(1875)
|
| 2100 |
Saint-Saëns |
Piano Quartet, Op.41 |
(1875?)
|
| 2102 |
Saint-Saëns |
Cœli enarrant, Op.42 (vocal score) |
(1875)
|
| 2104 |
Saint-Saëns |
Piano Concerto No.1, Op.17 (full score) |
(1875)
|
| 2106 |
Saint-Saëns |
Phaéton, Op.39 (full score) |
(1875)
|
| 2120 |
Saint-Saëns |
Piano Concerto No.2, Op.22 (full score) |
(1875)
|
| 2121 |
Saint-Saëns |
Piano Concerto No.2, Op.22 (parts) |
(1875)
|
| 2134 |
Saint-Saëns |
Piano Concerto No.3, Op.29 (transcription for 2 pianos) |
(1875)
|
| 2135 |
Lalo |
Symphonie espagnole, Op.21 (nouvelle édition) |
(1875?)
|
| 2140 |
Saint-Saëns |
Danse macabre, Op.40 (full score) |
(1875)
|
| 2141 |
Saint-Saëns |
Danse macabre, Op.40 (trans. piano 4 hands - Guiraud) |
(1875)
|
| 2148 |
Saint-Saëns |
Danse macabre, Op.40 (parts) |
(1875)
|
| 2151 |
Godard |
3 Pièces pour piano, Op.27 |
(1875)
|
| 2155 |
Godard |
À ma Musette |
(1875)
|
| 2156 |
Godard |
Babet à Blaise |
(1875)
|
| 2163 |
Lalo |
Fiesque (vocal score) |
(1875?)
|
| 2164 |
Massenet |
Suite No.1, Op.13 |
(1875?)
|
| 2175 |
Moja |
Sonata for String Trio, Op.22 |
(1875)
|
| 2176 |
Saint-Saëns |
Piano Concerto No.3, Op.29 (full score) |
(1876)
|
| 2186 |
Saint-Saëns |
Samson et Dalila, Op.47 (Act III Bacchanale - transcription for piano solo) |
(1875?)
|
| 2188 |
Saint-Saëns |
Piano Concerto No.2, Op.22 (trans. piano solo - Bizet) |
(1875)
|
| 2227 |
Saint-Saëns |
Les soldats de Gédéon, Op.46 |
(1876)
|
| 2262 |
Guiraud |
Piccolino |
(1876?)
|
| 2272 |
Saint-Saëns |
Piano Concerto No.4, Op.44 (full score) |
(1876?)
|
| 2275 |
Godard |
Le banc de pierre |
(1875)
|
| 2280 |
Saint-Saëns |
Piano Concerto No.4, Op.44 (trans. 2 pianos - Fauré) |
(1876?)
|
| 2281 |
Saint-Saëns |
Piano Concerto No.4, Op.44 (parts) |
(1876?)
|
| 2282 |
Saint-Saëns |
Danse macabre, Op.40 (trans. piano solo - Liszt) |
(1876)
|
| 2285 |
Saint-Saëns |
Danse macabre, Op.40 (trans. 2 pianos, 8 hands - Guiraud) |
(1876)
|
| 2288 |
Saint-Saëns |
Danse macabre, Op.40 (trans. piano solo - Cramer) |
(1876)
|
| 2289 |
Saint-Saëns |
Romance, Op.48 (Prelude - transcription for violin and piano) |
(1877?)
|
| 2291 |
Saint-Saëns |
Suite, Op.49 (full score) |
(1876)
|
| 2295 |
Saint-Saëns |
Danse macabre, Op.40 (trans. 2 pianos, 8 hands - Guiraud) |
(1876)
|
| 2304 |
Saint-Saëns |
Samson et Dalila, Op.47 ("Réminiscences" - Cramer) |
(1876?)
|
| 2306 |
Saint-Saëns |
Suite, Op.49 (trans. piano 4 hands - Guiraud) |
(1876?)
|
| 2317 |
Saint-Saëns |
Danse macabre, Op.40 (transcription for violin and piano) |
(1877)
|
| 2328 |
Saint-Saëns |
Le Déluge, Op.45 (transcription for violin, piano, and harmonium ad. lib.) |
(1877?)
|
| 2329 |
Saint-Saëns |
La Jeunesse d'Hercule, Op.50 |
(1877)
|
| 2333 |
Saint-Saëns |
Romance, Op.51 |
(1877)
|
| 2334 |
Saint-Saëns |
Le Déluge, Op.45 (full score) |
(1878)
|
| 2338 |
Widor |
Scherzo-valse, Op.5 |
(1877?)
|
| 2339 |
Saint-Saëns |
6 Études, Op.52 |
(1877?)
|
| 2357 |
Chopin |
Nocturnes, Op.27 (Nocturne No. 2 - trans. Sarasate - violin and piano) |
(1877?)
|
| 2371-76 |
Godard |
6 Villanelles, Op.38 |
(1878)
|
| 2389 |
Saint-Saëns |
Samson et Dalila, Op.47 (full score, first edition) |
(1878?)
|
| 2410 |
Godard |
Violin Sonata No.1, Op.1 |
(1878)
|
| 2411 |
Godard |
Violin Sonata No.2, Op.2 |
(1878)
|
| 2412 |
Godard |
Légende et Scherzo, Op.3 |
(1878?)
|
| 2413 |
Godard |
30 Morceaux de chant, Op.4 |
(1877?)
|
| 2414 |
Godard |
4 Pieces for String Trio, Op.5 |
(1877)
|
| 2434 |
Godard |
Veux-tu? |
(1877)
|
| 2440 |
Godard |
La sieste |
(1877)
|
| 2452 |
Godard |
Violin Sonata No.3, Op.9 |
(1877)
|
| 2453 |
Godard |
Sonata No.1 for Solo Violin, Op.20 |
(1877?)
|
| 2455 |
Godard |
Scherzo-Caprice, Op.22 |
(1877)
|
| 2469 |
Godard |
Bohémienne, Op.40 |
(1877)
|
| 2474 |
Saint-Saëns |
Symphony No.2, Op.55 (full score) |
(1878)
|
| 2518 |
Saint-Saëns |
Requiem, Op.54 (vocal score) |
(1878?)
|
| 2520 |
Saint-Saëns |
Menuet et Valse, Op.56 |
(1878)
|
| 2537 |
Godard |
Sur la Mer, Op.44 |
(1878)
|
| 2550 |
Saint-Saëns |
Requiem, Op.54 (full score) |
(1878?)
|
| 2551 |
Saint-Saëns |
Étienne Marcel (vocal score) |
(1878?)
|
| 2562 |
Saint-Saëns |
Symphony No.2, Op.55 (trans. piano 4 hands - Messager) |
(1878?)
|
| 2564 |
Poise |
La surprise de l'amour (vocal score) |
(1878)
|
| 2589 |
Saint-Saëns |
Étienne Marcel ("Réminiscences" - Cramer) |
(1878?)
|
| 2590 |
Saint-Saëns |
Étienne Marcel (full score) |
(1878)
|
| 2591 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (full score) |
(1878?)
|
| 2592 |
Saint-Saëns |
La Lyre et la Harpe, Op.57 (vocal score) |
(1878?)
|
| 2600 |
Saint-Saëns |
Le Déluge, Op.45 (Prélude - trans. piano 4 hands - Messager) |
(1878?)
|
| 2606 |
Saint-Saëns |
Danse macabre, Op.40 (Fantasy transcription - flute and piano - Gariboldi) |
(1878)
|
| 2611 |
Colomer |
Concerto Symphonique No.1 pour Piano, Op.22 (transcription for 2 pianos) |
(1879)
|
| 2628 |
Saint-Saëns |
Violin Concerto No.2, Op.58 |
(1879)
|
| 2636 |
Saint-Saëns |
Caprice sur les airs de ballet d'Alceste de Gluck |
(1878?)
|
| 2638 |
Saint-Saëns |
Bénédiction Nuptiale, Op.9 |
(1878?)
|
| 2639 |
Saint-Saëns |
3 Rhapsodies, Op.7 |
(1878?)
|
| 2640 |
Saint-Saëns |
3 Rhapsodies, Op.7 (transcription for piano 4 hands) |
(1878?)
|
| 2642 |
Saint-Saëns |
Élévation ou Communion, Op.13 |
(1878?)
|
| 2650 |
Massenet |
3 Mélodies, deux duos et un trio, Op.2 |
(1879)
|
| 2662 |
Saint-Saëns |
Ave Verum in E-flat (ca.1860) |
(1878?)
|
| 2666 |
Saint-Saëns |
Ave Maria in A (1865) |
(1878?)
|
| 2669 |
Saint-Saëns |
Ave Maria in A (1860) |
(1878?)
|
| 2673 |
Saint-Saëns |
Sérénade d'hiver |
(1878?)
|
| 2676 |
Saint-Saëns |
Danse macabre, Op.40 (trans. piano solo - Ritter) |
(1878)
|
| 2679 |
Franck |
Fantaisie, Op.16 |
(1878?)
|
| 2680 |
Franck |
Grande pièce symphonique, Op.17 |
(1878?)
|
| 2681 |
Franck |
Prélude, Fugue et Variation, Op.18 |
(1878?)
|
| 2682 |
Franck |
Pastorale, Op.19 |
(1878?)
|
| 2683 |
Franck |
Prière, Op.20 |
(1878?)
|
| 2684 |
Franck |
Final, Op.21 |
(1878?)
|
| 2698 |
Saint-Saëns |
Ave Verum in D |
(1878?)
|
| 2733 |
Saint-Saëns |
La Princesse jaune, Op.30 (full score) |
(1878?)
|
| 2740 |
Lalo |
Piano Trio No.3, Op.26 |
(1881?)
|
| 2741 |
Saint-Saëns |
La Princesse jaune, Op.30 (Overture trans. piano 4 hands - Fauré) |
(1878?)
|
| 2751 |
Saint-Saëns |
Violin Concerto No.3, Op.61 (orchestral parts) |
(1878)
|
| 2791 |
Saint-Saëns |
Violin Concerto No.3, Op.61 (transcription for violin and piano) |
(1880)
|
| 2803 |
Saint-Saëns |
Morceau de Concert, Op.62 (transcription for violin and piano) |
(1879?)
|
| 2818 |
Chaminade |
2 Piano Pieces, Op.9 |
(1879?)
|
| 2819 |
Chaminade |
Scherzando, Op.10 |
(1879?)
|
| 2823 |
Saint-Saëns |
Violin Concerto No.3, Op.61 (full score) |
(1879)
|
| 2826 |
Fauré |
Poème d’un jour, Op.21 |
(1880)
|
| 2828 |
Chaminade |
Piano Trio No.1, Op.11 |
1881
|
| 2830 |
Poise |
L'amour médecin (vocal score) |
(1880?)
|
| 2836 |
Guiraud |
Le Forgeron de Gretna Green (full score) |
(1880?)
|
| 2846 |
Godard |
Valse No.2, Op.56 |
(1879)
|
| 2850 |
Godard |
Introduction et Allegro, Op.49 (transcription for 2 pianos) |
(1880)
|
| 2860 |
Saint-Saëns |
Suite Algérienne, Op.60 (full score) |
(1881)
|
| 2865 |
Saint-Saëns |
Une Nuit à Lisbonne, Op.63 (transcription for piano) |
(1881)
|
| 2867 |
Saint-Saëns |
Suite Algérienne, Op.60 (trans. piano 4 hands - Fauré) |
(1881)
|
| 2868 |
Saint-Saëns |
Jota Aragonese, Op.64 (transcription for violin and piano) |
(1881?)
|
| 2869-74 |
Gigout |
6 pièces d'orgue |
(1881?)
|
| 2889 |
Saint-Saëns |
Septuor, Op.65 |
(1881)
|
| 2892 |
Saint-Saëns |
Une Nuit à Lisbonne, Op.63 (full score) |
(1881)
|
| 2894 |
Saint-Saëns |
Jota Aragonese, Op.64 |
(1881?)
|
| 2904 |
Saint-Saëns |
Oratorio de Noël, Op.12 (Tollite Hostias - trans. organ - Gigout) |
(1880?)
|
| 2915 |
Saint-Saëns |
Oratorio de Noël, Op.12 (Prière - trans. organ - Permann) |
(1880)
|
| 2928 |
Saint-Saëns |
Violin Concerto No.3, Op.61 (full score) |
(1880)
|
| 2932 |
Waldteufel |
Pomone, Op.155 |
(1880?)
|
| 2933 |
Saint-Saëns |
Septuor, Op.65 (Menuet & Gavotte - transcription for 2 pianos) |
(1880)
|
| 2937 |
Saint-Saëns |
Septuor, Op.65 (transcription for piano trio) |
(1881)
|
| 2938 |
Saint-Saëns |
Septuor, Op.65 (trans. piano 4 hands - Fauré) |
(1880)
|
| 2938 |
Saint-Saëns |
Septuor, Op.65 (arr piano 4h) |
1880
|
| 2939 |
Godard |
Valse No.2, Op.56 (transcription for piano 4 hands) |
1880
|
| 2942 |
Bizet |
Jeux d'enfants (suite) |
(1880)
|
| 2958 |
Saint-Saëns |
Le Rouet d'Omphale, Op.31 (transcription for piano solo) |
(1880?)
|
| 2963 |
Godard |
Conte de fée, Op.62 |
(1880)
|
| 3035 |
Godard |
String Quartet No.1, Op.33 |
1882
|
| 3036 |
Holmès |
Les sept ivresses |
(1882)
|
| 3044 |
Godard |
Nocturne, Op.68 |
(1882?)
|
| 3059 |
Spindler |
Samson et Dalila, Op.334 |
(1883?)
|
| 3076 |
Waldteufel |
Les Patineurs, Op.183 (transcription for piano) |
(1883?)
|
| 3083 |
Saint-Saëns |
Henry VIII (vocal score) |
(1883?)
|
| 3096 |
Saint-Saëns |
Mazurka No.3, Op.66 |
(1883?)
|
| 3101 |
Saint-Saëns |
2 Choruses, Op.68 |
(1883?)
|
| 3105 |
Godard |
Valse No.3, Op.71 |
(1882)
|
| 3147 |
Godard |
Piano Trio No.2, Op.72 |
1884
|
| 3153 |
Wagner |
Der fliegende Holländer, WWV 63 (Spinnerlied - trans. Roques - piano 4 hands) |
(1883?)
|
| 3163 |
Saint-Saëns |
Quatre poëmes symphoniques pour piano à quatre mains (Opp. 31, 39, 40, and 50) (transcriptions by Guiraud) |
(1883)
|
| 3174 |
Saint-Saëns |
Henry VIII (full score) |
(1883)
|
| 3175-7 |
Franck |
3 Pièces pour grand orgue |
(1883?)
|
| 3196 |
Saint-Saëns |
Le Déluge, Op.45 (Prélude - trans. organ - Guilmant) |
(1883?)
|
| 3202 |
Lack |
Mazurk élégante, Op.74 |
1884
|
| 3203 |
Saint-Saëns |
Henry VIII (Marche du Synode - trans. organ - Boëllmann) |
(1883?)
|
| 3298 |
Saint-Saëns |
Allegro Appassionato, Op.70 (transcription for piano solo) |
(1884)
|
| 3338 |
Diémer |
Romance for Cello, Op.34 |
(1884?)
|
| 3339 |
Diémer |
2 Pieces for Oboe and Piano, Op.35 |
(1884?)
|
| 3374 |
Lalo |
Scherzo for Orchestra |
(1885?)
|
| 3375 |
Saint-Saëns |
Hymne à Victor Hugo, Op.69 (full score) |
(1884?)
|
| 3376 |
Cui |
6 Mélodies, Op.23 |
(1884?)
|
| 3377 |
Guiraud |
Caprice for Violin and Orchestra (full score) |
(1884)
|
| 3386 |
Godard |
Beau page |
(1884)
|
| 3387 |
Debussy |
L'Enfant Prodigue (vocal score) |
(1884)
|
| 3399 |
Saint-Saëns |
Étienne Marcel (trans. piano solo - Messager) |
1884
|
| 3400-05 |
Saint-Saëns |
Album, Op.72 |
(1884)
|
| 3406 |
Saint-Saëns |
Rhapsodie d'Auvergne, Op.73 (transcription for solo piano) |
(1884)
|
| 3418 |
Fauré |
Tu es Petrus |
(1884)
|
| 3450 |
Saint-Saëns |
Rhapsodie d'Auvergne, Op.73 (parts) |
(1884)
|
| 3457 |
Saint-Saëns |
Rhapsodie d'Auvergne, Op.73 (transcription for 2 pianos) |
(1884)
|
| 3460 |
Saint-Saëns |
Rhapsodie d'Auvergne, Op.73 (full score) |
(1884)
|
| 3468 |
Saint-Saëns |
Étienne Marcel (Pavane - trans. violin and piano - Roques) |
(1884?)
|
| 3474 |
Saint-Saëns |
Symphony No.1, Op.2 (transcription for piano 4 hands) |
(1884?)
|
| 3475 |
Saint-Saëns |
6 Bagatelles, Op.3 |
(1884?)
|
| 3476 |
Saint-Saëns |
Mass, Op.4 (full score) |
1898
|
| 3479 |
Saint-Saëns |
Tarantelle, Op.6 (full score) |
(1885)
|
| 3481 |
Saint-Saëns |
Tarantelle, Op.6 (transcription for flute, clarinet, and piano) |
(1885)
|
| 3482 |
Saint-Saëns |
Tarantelle, Op.6 (transcription for 2 pianos) |
(1885)
|
| 3495 |
Saint-Saëns |
La cloche |
(1884?)
|
| 3504 |
Saint-Saëns |
Vingt mélodies et duos, Vol. 1 |
(1885)
|
| 3510 |
Saint-Saëns |
Saltarelle, Op.74 |
(1885)
|
| 3526 |
Saint-Saëns |
Une flûte invisible |
(1885)
|
| 3541 |
Saint-Saëns |
Violin Sonata No.1, Op.75 |
(1885)
|
| 3554 |
Sarasate |
Ballade, Op.31 |
(1885)
|
| 3559 |
Guiraud |
Suite d'orchestre No.2 |
(1886?)
|
| 3560 |
Saint-Saëns |
Wedding Cake, Op.76 (full score and parts) |
(1886)
|
| 3561 |
Saint-Saëns |
Wedding Cake, Op.76 (trans. 2 pianos - Benfeld) |
(1886)
|
| 3562 |
Saint-Saëns |
Polonaise, Op.77 |
(1886)
|
| 3567 |
Cui |
Tarantella in G minor, Op.12 (trans. Chernov - piano 4 hands |
(1886?)
|
| 3568 |
Cui |
Tarantella in G minor, Op.12 |
(1885?)
|
| 3570 |
Cui |
Tarantella in G minor, Op.12 (trans. Liszt - piano solo |
(1886?)
|
| 3614 |
Wagner |
Tannhäuser, WWV 70 (Overture - trans. Roques - 2 pianos) |
(1886?)
|
| 3621 |
Saint-Saëns |
Symphony No.3, Op.78 (parts) |
(1886)
|
| 3622 |
Saint-Saëns |
Wedding Cake, Op.76 (trans. piano 4 hands - Benfeld) |
(1886)
|
| 3628-33 |
Rubinstein |
6 Morceaux, Op.104 |
(1886?)
|
| 3700 |
Saint-Saëns |
Symphony No.3, Op.78 (full score) |
1886
|
| 3704 |
Saint-Saëns |
Symphony No.3, Op.78 (trans. piano 4 hands - Roques) |
(1886?)
|
| 3714 |
Saint-Saëns |
Proserpine (vocal score) |
(1886?)
|
| 3767 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - transcription for cello and piano) |
(1886?)
|
| 3770 |
Guiraud |
Chasse fantastique |
(1886?)
|
| 3780 |
Saint-Saëns |
Caprice sur des airs Danois et Russes, Op.79 |
(1887)
|
| 3790-92 |
d’Indy |
Wallenstein, Op.12 (full score) |
1888
|
| 3808 |
Saint-Saëns |
Le Déluge, Op.45 (Prélude - trans. flute and piano - Taffanel) |
(1887?)
|
| 3809 |
Saint-Saëns |
Proserpine (Pavane - trans. flute and piano - Taffenel) |
(1887?)
|
| 3817 |
Saint-Saëns |
Wedding Cake, Op.76 (trans. piano solo - Benfeld) |
(1887?)
|
| 3823 |
Saint-Saëns |
Souvenir d'Italie, Op.80 |
(1887?)
|
| 3828 |
Godard |
Barcarolle No.3, Op.105 |
(1887)
|
| 3844 |
Saint-Saëns |
Feuillet d'Album, Op.81 |
1887
|
| 3845 |
Saint-Saëns |
La fiancée du timbalier, Op.82 |
(1887?)
|
| 3850-1 |
Guiraud |
2 Romances Sans Paroles |
(1887?)
|
| 3858 |
Saint-Saëns |
Cœli enarrant, Op.42 (full score) |
(1887)
|
| 3860 |
Saint-Saëns |
Havanaise, Op.83 (transcription for violin and piano) |
(1887?)
|
| 3863 |
Bordier |
Méditation |
(1887?)
|
| 3881 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. cello and piano - Hoskier) |
(1887?)
|
| 3891 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. flute and piano - Taffanel) |
(1887?)
|
| 3893 |
Saint-Saëns |
Feuillet d'Album, Op.81 (trans. wind octet - Taffanel) (score) |
(1888?)
|
| 3894 |
Saint-Saëns |
Feuillet d'Album, Op.81 (trans. wind octet - Taffanel) (parts) |
(1888?)
|
| 3914 |
Saint-Saëns |
Havanaise, Op.83 (full score) |
(1888)
|
| 3981 |
Casella |
Chant d'Amour |
(1888?)
|
| 3962 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. harp - Hasselmans) |
(1888?)
|
| 3973 |
Godowsky |
Moto perpetuo |
(1888?)
|
| 3998 |
Saint-Saëns |
Mélodies Persanes, Op.26 (trans. piano 4 hands - Benfeld) |
(1888?)
|
| 4023 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. piano 4 hands - Durand) |
(1889?)
|
| 4025 |
Saint-Saëns |
Ascanio (vocal score) |
(1889?)
|
| 4030 |
Debussy |
Petite Suite |
(1889)
|
| 4040 |
Saint-Saëns |
Mass, Op.4 (vocal score) |
(1889)
|
| 4054 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (trans. 2 pianos - Debussy) |
(1889?)
|
| 4058 |
Saint-Saëns |
Les Cloches du soir, Op.85 |
(1889)
|
| 4064 |
Godard |
Gavotte No.3, Op.109 |
1890
|
| 4068 |
Castillon |
Piano Quintet, Op.1 |
(1889?)
|
| 4094 |
Widor |
Fantasy for Piano and Orchestra, Op.62 (transcription for 2 pianos) |
(1889)
|
| 4104 |
Lack |
Saltarelle-Caprice, Op.135 |
(1889?)
|
| 4127 |
Godard |
Printemps |
(1889)
|
| 4130 |
Godard |
L'invitation au voyage, Op.114 |
(1889)
|
| 4142 |
Widor |
Soirs d'été, Op.63 |
(1889)
|
| 4147 |
Saint-Saëns |
Romance, Op.27 (trans. for harp (from piano part) - Hasselmans) |
(1889?)
|
| 4149 |
Martini |
Plaisir d'Amour |
(1888?)
|
| 4155 |
Saint-Saëns |
Étienne Marcel (Airs de ballet - trans. 2 pianos - Debussy) |
(1888?)
|
| 4168 |
Saint-Saëns |
Pas redoublé, Op.86 |
(1888?)
|
| 4170 |
Saint-Saëns |
Scherzo, Op.87 |
(1888?)
|
| 4175 |
Godard |
Impromptu-Mazurk, Op.117 |
(1888)
|
| 4177 |
Saint-Saëns |
Symphony No.2, Op.55 (trans. 2 pianos - Debussy) |
(1888?)
|
| 4206 |
Saint-Saëns |
Ascanio (trans. piano solo - Delahaye) |
(1889?)
|
| 4207 |
Guiraud |
Scherzo |
(1889?)
|
| 4211 |
Saint-Saëns |
Ascanio (Airs de ballet - trans. flute and piano - Taffanel) |
(1889?)
|
| 4212-13 |
Saint-Saëns |
Ascanio ("Illustrations" - Cramer) |
(1889?)
|
| 4228 |
Bossi |
Fantaisie pour grand orgue |
(1889)
|
| 4244 |
Saint-Saëns |
Romance, Op.51 (trans. oboe and piano - Lalliet) |
(1889?)
|
| 4246 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. clarinet and piano - Lalliet) |
(1889)
|
| 4253 |
Saint-Saëns |
Valse Canariote, Op.88 |
(1890)
|
| 4277 |
Saint-Saëns |
Samson et Dalila, Op.47 (Selections - trans. piano 4 hands - Roques) |
(1889?)
|
| 4297 |
Godard |
Scherzetto No.2, Op.108 |
(1890)
|
| 4303 |
Saint-Saëns |
Danse macabre, Op.40 (transcription for piano 4 hands, violin, and cello) |
(1890)
|
| 4317 |
Saint-Saëns |
Guitares et mandolines |
(1890?)
|
| 4335 |
Saint-Saëns |
Gavotte et trois Mazurkas |
(1891?)
|
| 4336 |
Saint-Saëns |
Suite, Op.49 (Sarabande - trans. organ - Choisnel) |
(1891?)
|
| 4337 |
Saint-Saëns |
Scherzo, Op.87 (trans. piano 4 hands - Bellenot) |
(1891?)
|
| 4354-56 |
Godard |
Scènes Italiennes, Op.126 |
(1891)
|
| 4364 |
Widor |
Piano Quartet, Op.66 |
(1891)
|
| 4370 |
Saint-Saëns |
Ascanio (full score) |
(1891?)
|
| 4371 |
Schumann |
6 Studien in kanonischer Form für Orgel oder Pedalklavier, Op.56 (trans. Debussy - 2 pianos) |
(1891?)
|
| 4389 |
Desjoyeaux |
Gyptis (vocal score) |
(1891?)
|
| 4394 |
Saint-Saëns |
Africa, Fantasy for Piano and Orchestra, Op.89 (transcription for 2 pianos) |
(1891)
|
| 4395–96 |
Debussy |
2 Arabesques (First ed.) |
(1891)
|
| 4427 |
d’Indy |
Cantate Domino, Op.22 |
(1886?)
|
| 4428 |
d’Indy |
Sainte Marie Magdeleine, Op.23 |
(1891)
|
| 4429 |
d’Indy |
Fantaisie sur des Thèmes Populaires Français, Op.31 (transcription for oboe and piano) |
(1891)
|
| 4431 |
Saint-Saëns |
Samson et Dalila, Op.47 (trans. piano solo - Dukas) |
(1891?)
|
| 4436-37 |
Debussy |
2 Romances |
(1891)
|
| 4440 |
Saint-Saëns |
Africa, Fantasy for Piano and Orchestra, Op.89 (transcription for piano solo) |
(1891?)
|
| 4467 |
Saint-Saëns |
3 Rhapsodies, Op.7 (Rapsodie Bretonne - transcription for orchestra) |
(1892?)
|
| 4476 |
Saint-Saëns |
Africa, Fantasy for Piano and Orchestra, Op.89 (full score) |
(1892)
|
| 4489 |
Saint-Saëns |
Chant Saphique, Op.91 |
(1892)
|
| 4494 |
Saint-Saëns |
Oratorio de Noël, Op.12 (full score) |
(1892?)
|
| 4510 |
Saint-Saëns |
Méditation d'après la 6ème Bagatelle Op.3 |
(1892)
|
| 4524 |
Godard |
Mélodies (numerous single song publications) |
(1892)
|
| 4531 |
Saint-Saëns |
Le rossignol |
(1892)
|
| 4552 |
Saint-Saëns |
Piano Trio No.2, Op.92 |
1892
|
| 4554 |
Saint-Saëns |
Samson et Dalila, Op.47 (Airs de Ballet - trans. 2 pianos - Benfeld) |
(1892?)
|
| 4564 |
Godard |
String Quartet No.3, Op.136 |
(1892)
|
| 4579 |
Godard |
Nocturne No.3, Op.139 |
1892
|
| 4584 |
Saint-Saëns |
Sarabande et Rigaudon, Op.93 (full score) |
(1892?)
|
| 4585 |
Saint-Saëns |
Deus Abraham |
(1892?)
|
| 4588 |
Pierné |
3 Pièces, Op.29 |
(1892?)
|
| 4595 |
Saint-Saëns |
Sarabande et Rigaudon, Op.93 (transcription for violin and piano) |
(1893)
|
| 4597 |
Boëllmann |
Variations Symphoniques, Op.23 (transcription for cello and piano) |
(1893?)
|
| 4599 |
Godard |
Rêve vécu, Op.140 |
1893
|
| 4605 |
Saint-Saëns |
Morceau de Concert, Op.94 (transcription for horn and piano) |
(1893)
|
| 4611 |
Saint-Saëns |
Nuit persane, Op.26bis (vocal score) |
(1893?)
|
| 4642 |
Saint-Saëns |
Phryné (vocal score) |
1893
|
| 4645 |
Holmès |
Le chemin du ciel, No. 3 of Contes Divins |
1908
|
| 4660 |
Saint-Saëns |
Nuit persane, Op.26bis (full score) |
(1893?)
|
| 4661 |
Saint-Saëns |
Fantaisie for Harp, Op.95 |
1893
|
| 4688 |
Saint-Saëns |
Phryné (full score) |
(1893?)
|
| 4689 |
Widor |
Symphony No.2, Op.54 (trans. piano 4 hands - Benfeld) |
(1893)
|
| 4711 |
Saint-Saëns |
Marche Héroïque, Op.34 (trans. organ - Guilmant) |
(1894?)
|
| 4712 |
Saint-Saëns |
Hymne à Victor Hugo, Op.69 (trans. organ - Guilmant) |
(1894?)
|
| 4737 |
Saint-Saëns |
Antigone (vocal score) |
(1894?)
|
| 4738 |
Debussy |
String Quartet in G minor, Op.10 |
(1894)
|
| 4742 |
Magnard |
Promenades (piano) |
(1894)
|
| 4774 |
d’Indy |
Prélude et Petit Canon, Op.38 |
(1894)
|
| 4781 |
Pierné |
Izeÿl (vocal score) |
(1894)
|
| 4804 |
Saint-Saëns |
Caprice Arabe, Op.96 |
(1894)
|
| 4824 |
Saint-Saëns |
Thème varié, Op.97 |
(1894)
|
| 4846 |
Saint-Saëns |
Proserpine (full score) |
(1894)
|
| 4867 |
Saint-Saëns |
Pallas Athénée (vocal score) |
(1894)
|
| 4869 |
Saint-Saëns |
La libellule |
1894
|
| 4870 |
Chevillard |
Violin Sonata, Op.8 |
(1894)
|
| 4887 |
Saint-Saëns |
Piano Trio No.2, Op.92 (trans. piano 4 hands - Benfeld) |
(1894?)
|
| 4888 |
Saint-Saëns |
3 Preludes and Fugues, Op.99 |
1894
|
| 4912 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. viola and piano - van Waefelghem) |
(1895?)
|
| 4916 |
Godard |
Valse No.15, Op.153 |
1895
|
| 4918 |
Godard |
Les larmes |
(1895)
|
| 4935 |
Saint-Saëns |
Souvenir d'Ismaïlia, Op.100 |
1895
|
| 4966 |
d’Indy |
Fervaal, Op.40 (vocal score) |
1895
|
| 5007 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 1 |
(1895)
|
| 5013 |
Saint-Saëns |
Caprice Arabe, Op.96 (trans. piano 4 hands - Benfeld) |
(1895?)
|
| 5032 |
Saint-Saëns |
Fantasie, Op.101 |
(1896)
|
| 5034 |
Bach |
Fantasia and Fugue in G minor, BWV 542 (trans. Philipp - 2 pianos) |
(1896?)
|
| 5041 |
Lefebvre |
Cello Sonata, Op.98 |
1896
|
| 5061 |
Chevillard |
Piano Trio, Op.3 |
(1896)
|
| 5070 |
Boëllmann |
2 Pièces, Op.31 |
(1896)
|
| 5074 |
d’Indy |
Fervaal, Op.40 (Overture - trans. piano 4 hands - Durand) |
(1896)
|
| 5082-3 |
Chaminade |
2 Piano Pieces, Op.9 (trans. Roques - cello and piano) |
(1896?)
|
| 5089 |
Saint-Saëns |
Vingt mélodies et duos, Vol. 2 |
1896
|
| 5096 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 2 |
(1896)
|
| 5099 |
Saint-Saëns |
Violin Sonata No.2, Op.102 |
(1896)
|
| 5105 |
Saint-Saëns |
Valse Mignonne, Op.104 |
(1896)
|
| 5119 |
Saint-Saëns |
Berceuse, Op.105 |
(1896)
|
| 5135 |
Saint-Saëns |
Piano Concerto No.5, Op.103 (trans. 2 pianos - Diémer) |
1896
|
| 5143 |
Saint-Saëns |
Le Carnaval des Animaux (Le Cygne - trans. organ - Guilmant) |
(1897?)
|
| 5149 |
Saint-Saëns |
Piano Concerto No.5, Op.103 (full score) |
1896
|
| 5150 |
Saint-Saëns |
Javotte (transcription for piano solo) |
(1896)
|
| 5151 |
Saint-Saëns |
Javotte (full score) |
(1897?)
|
| 5158 |
Boëllmann |
Nocturne, Op.36 |
(1897?)
|
| 5178 |
d’Indy |
Istar: Variations Symphoniques, Op.42 |
(1897)
|
| 5182 |
Holmès |
L'appel du printemps |
(1897)
|
| 5198 |
Saint-Saëns |
Berceuse, Op.105 (trans. organ - Guilmant) |
1897
|
| 5207 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 7 |
(1897?)
|
| 5223 |
d’Indy |
Istar: Variations Symphoniques, Op.42 (transcription for piano 4 hands) |
1897
|
| 5243 |
Saint-Saëns |
Romance, Op.36 (full score) |
(1897)
|
| 5244 |
Saint-Saëns |
Romance, Op.37 (full score) |
(1897)
|
| 5251 |
Wagner |
Der fliegende Holländer, WWV 63 (Spinnerlied - trans. Roques - 2 pianos, 8 hands) |
(1899?)
|
| 5258 |
d’Indy |
Fervaal, Op.40 (full score) |
(1899)
|
| 5261 |
Lefebvre |
2 Pièces pour le hautbois, Op.102 |
(1897?)
|
| 5263 |
Chevillard |
Cello Sonata, Op.15 |
1897
|
| 5292 |
Dukas |
L'Apprenti Sorcier (orchestral parts) |
1897
|
| 5293 |
Boëllmann |
Cello Sonata, Op.40 |
1897
|
| 5302 |
Dukas |
L'Apprenti Sorcier (first ed. orch. score) |
1897
|
| 5312 |
Boëllmann |
Fantaisie Dialoguée, Op.35 (transcription for piano 4 hands) |
(1897)
|
| 5314 |
Dukas |
L'Apprenti Sorcier (transcription for 2 pianos) |
(1899)
|
| 5334 |
Saint-Saëns |
Symphony No.3, Op.78 (I. Adagio - trans. organ - Bernard) |
(1898?)
|
| 5368 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 4 |
(1898)
|
| 5394 |
d’Indy |
String Quartet No.2, Op.45 (parts) |
1898
|
| 5402 |
Saint-Saëns |
Marche Religieuse, Op.107 |
(1898)
|
| 5403 |
Saint-Saëns |
Barcarolle, Op.108 |
(1898)
|
| 5411 |
d’Indy |
String Quartet No.2, Op.45 (score) |
(1898)
|
| 5414 |
Saint-Saëns |
Caprice Héroïque, Op.106 |
1898
|
| 5416-7 |
Bizet |
Jeux d'enfants (Selections trans. Roques - cello and piano) |
(1898?)
|
| 5421 |
Saint-Saëns |
3 Preludes and Fugues, Op.109 |
1898
|
| 5440 |
d’Indy |
Fervaal, Op.40 (Prologue - trans. piano 4 hands - Roques) |
(1898)
|
| 5444 |
d’Indy |
Fervaal, Op.40 (Entrée de Fervaal - trans. piano 4 hands - Roques) |
(1898)
|
| 5446-47 |
d’Indy |
Fervaal, Op.40 (Finale Acts 2 and 3 - trans. piano 4 hands - Roques) |
(1898)
|
| 5449 |
Schmitt |
Soirs, Op.5 |
1911
|
| 5460 |
Saint-Saëns |
Valse Nonchalante, Op.110 |
1898
|
| 5503 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 5 |
(1899)
|
| 5513 |
d’Indy |
Médée, Op.47 |
1899
|
| 5519 |
Saint-Saëns |
Panis angelicus |
(1898?)
|
| 5522 |
Saint-Saëns |
Déjanire, incidental music (vocal score) |
1898
|
| 5525 |
d’Indy |
Médée, Op.47 (trans. piano 4 hands - Benfeld) |
1899
|
| 5535 |
Durand |
Valse No.1, Op.83 |
(1900?)
|
| 5559 |
Rabaud |
Eglogue, Op.7 |
(1901)
|
| 5580 |
Rabaud |
La procession nocturne, Op.6 (orch. score – first printing) |
(1910)
|
| 5583 |
Saint-Saëns |
Samson et Dalila, Op.47 (vocal score) |
(1899?)
|
| 5587 |
Saint-Saëns |
6 Études, Op.111 |
1899
|
| 5592-93 |
d’Indy |
Chansons et danses, Op.50 |
(1899?)
|
| 5594 |
Dukas |
L'Apprenti Sorcier (trans. piano 4 hands - Roques) |
(1900?)
|
| 5609 |
Rabaud |
La procession nocturne, Op.6 (transcription for piano 4 hands) |
(1910)
|
| 5610-2 |
Franck |
3 Chorals for Organ (trans. Durand - piano 4 hands) |
(1900?)
|
| 5618 |
Saint-Saëns |
String Quartet No.1, Op.112 (parts) |
1899
|
| 5629 |
Albéniz |
Catalonia (full score) |
(1899?)
|
| 5644 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 6 |
(1899?)
|
| 5665-6 |
Chausson |
String Quartet, Op.35 |
(1899?)
|
| 5668 |
Chausson |
String Quartet, Op.35 (transcription for piano 4 hands) |
(1899?)
|
| 5671 |
Chausson |
Chanson perpétuelle, Op.37 (vocal score) |
(1898?)
|
| 5673 |
Saint-Saëns |
Morceau de Concert, Op.62 (full score) |
(1900)
|
| 5676 |
Ropartz |
Pièce in B minor |
(1900)
|
| 5684 |
Saint-Saëns |
Suite Algérienne, Op.60 (Rêverie du soir - trans. organ - Guilmant) |
(1899?)
|
| 5685 |
Bernard |
Piano Quartet, Op.50 |
(1889?)
|
| 5687-8 |
Gigout |
2 pièces pour orgue |
(1899?)
|
| 5708 |
Saint-Saëns |
String Quartet No.1, Op.112 (trans. piano 4 hands - Benfeld) |
1900
|
| 5722 |
Saint-Saëns |
Cadenza for Beethoven's Violin Concerto |
(1900)
|
| 5728 |
Saint-Saëns |
Thème varié |
(1900)
|
| 5729 |
Aubert |
Rimes tendres, Op.4 |
(1900?)
|
| 5742 |
Saint-Saëns |
La nuit, Op.114 (vocal score) |
(1900)
|
| 5743 |
Saint-Saëns |
Le feu céleste, Op.115 (vocal score) |
1900
|
| 5761 |
Bach |
Organ Concerto in A minor, BWV 593 |
(1900?)
|
| 5772 |
Lefebvre |
Caprice, Op.106 |
1900
|
| 5783 |
Castillon |
String Quartets, Op.3 |
(1900?)
|
| 5788 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 7 |
(1900?)
|
| 5798 |
Saint-Saëns |
Les cloches de la mer |
1900
|
| 5802 |
Dukas |
Sonate |
1906
|
| 5804 |
Saint-Saëns |
La nuit, Op.114 (full score) |
(1900?)
|
| 5823 |
Saint-Saëns |
Lola, Op.116 (vocal score) |
1901
|
| 5888 |
Aubert |
Suite brève, Op.6 |
(1901?)
|
| 5896 |
Catherine |
Sérénade Mélancolique |
(1901?)
|
| 5898 |
Catherine |
Arabesque |
(1901?)
|
| 5902 |
Aubert |
3 Esquisses, Op.7 |
(1901)
|
| 5908 |
Pierné |
Violin Sonata, Op.36 (score&pt.) |
1901
|
| 5927 |
Saint-Saëns |
Les Barbares (vocal score) |
1901
|
| 5938 |
Koechlin |
Suite for piano 4 hands, Op.19 |
(1901?)
|
| 5968 |
Saint-Saëns |
Les Barbares (full score) |
(1901?)
|
| 5981 |
d’Indy |
L’Étranger, Op.53 |
1902
|
| 6000 |
Saint-Saëns |
Désir d'amour |
1901
|
| 6001 |
Chevillard |
String Quartet, Op.16 (score) |
(1901)
|
| 6002 |
Chevillard |
String Quartet, Op.16 (parts) |
(1901)
|
| 6004 |
Aubert |
Madrigal, Op.9 |
(1901)
|
| 6031 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 8 |
(1903)
|
| 6056 |
Saint-Saëns |
Les Barbares (trans. piano solo - Roques) |
(1902)
|
| 6060 |
Saint-Saëns |
Allegro Appassionato, Op.43 (full score) |
1902
|
| 6077-78 |
Rousseau |
2 Pièces pour quatuor à cordes |
(1902?)
|
| 6079 |
Staub |
Sous bois, Op.6 |
1902
|
| 6087 |
Dukas |
Variations, Interlude et Finale sur un Thème de Rameau |
1907
|
| 6091 |
Saint-Saëns |
Marche du Couronnement, Op.117 (full score) |
(1902)
|
| 6094 |
Saint-Saëns |
Parysatis (vocal score) |
1902
|
| 6123 |
Aubert |
Vieille chanson espagnole |
(1912?)
|
| 6124 |
Aubert |
Romance, Op.2 |
(1912)
|
| 6125 |
Aubert |
Valse caprice, Op.10 |
(1912?)
|
| 6128 |
Chevillard |
Piano Quintet, Op.1 |
(1912?)
|
| 6136 |
Huré |
Air for Cello |
(1902?)
|
| 6138 |
Debussy |
La damoiselle élue |
(1902)
|
| 6141 |
Saint-Saëns |
Parysatis (Airs de ballet - transcription for piano 4 hands) |
(1902?)
|
| 6165 |
Aubert |
Pie Jesu |
(1902?)
|
| 6166 |
Aubert |
O Salutaris |
(1902?)
|
| 6168 |
Saint-Saëns |
Andromaque (Overture - full score) |
(1902?)
|
| 6188 |
Saint-Saëns |
Cello Concerto No.2, Op.119 (transcription for cello and piano) |
1902
|
| 6190 |
Saint-Saëns |
Cello Concerto No.2, Op.119 (full score) |
1903
|
| 6211 |
Saint-Saëns |
Berceuse, Op.105 (transcription for piano) |
1903
|
| 6225 |
Saint-Saëns |
Suite, Op.49 (Romance - trans. violin, cello, piano/harp and organ - Roques) |
(1903?)
|
| 6244 |
Saint-Saëns |
Andromaque (Prelude to Act IV - full score) |
(1903?)
|
| 6248 |
Aubert |
Lutins, Op.11 |
(1903)
|
| 6260 |
Saint-Saëns |
Valse Langoureuse, Op.120 |
1903
|
| 6277 |
Chausson |
Chanson perpétuelle, Op.37 |
(1903?)
|
| 6287 |
Saint-Saëns |
Bénédiction Nuptiale, Op.9 (transcription for piano) |
1903
|
| 6290 |
d’Indy |
Marche du 76ème régiment d’infanterie, Op.54 (transcription for piano 4 hands) |
(1903)
|
| 6291 |
d’Indy |
Choral varié, Op.55 (transcription for saxophone and piano) |
1903
|
| 6293 |
Witkowski |
String Quartet (parts) |
(1903?)
|
| 6294 |
d’Indy |
Choral varié, Op.55 |
1903
|
| 6298 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. cello and orchestra - Vidal) |
(1903)
|
| 6320 |
Saint-Saëns |
Henry VIII (Ballet-Divertissement - trans. 2 pianos - Choisnel) |
(1903?)
|
| 6326 |
Debussy |
Estampes |
1903
|
| 6332 |
Saint-Saëns |
Hélène (vocal score) |
1904
|
| 6338 |
d’Indy |
Symphony No.2, Op.57 (full score) |
(1904)
|
| 6343 |
Saint-Saëns |
Hélène (orch. score) |
(1904)
|
| 6357 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 10 |
(1904?)
|
| 6385 |
Saint-Saëns |
Offertoire pour la Toussaint |
1904
|
| 6396 |
Debussy |
Printemps (transcription for mixed chorus and piano 4 hands) |
1904
|
| 6407 |
Catherine |
Marche nuptiale |
1904
|
| 6416 |
Debussy |
3 Chansons de France |
1904
|
| 6417 |
Saint-Saëns |
Caprice Andalous, Op.122 (transcription for violin and piano) |
1904
|
| 6419 |
Debussy |
Danse sacrée et danse profane (full score) |
1904
|
| 6421 |
Debussy |
String Quartet in G minor, Op.10 (trans. piano 4 hands - Benfeld) |
1904
|
| 6426 |
Samazeuilh |
Violin Sonata |
(1904)
|
| 6428 |
Fauré |
Impromptu No.6, Op.86 |
1904
|
| 6429 |
Debussy |
Danse Sacrée et Danse Profane (transcription for 2 pianos) |
1904
|
| 6430 |
Saint-Saëns |
Caprice Andalous, Op.122 (full score) |
1904
|
| 6443 |
Debussy |
Masques |
1904
|
| 6446 |
Debussy |
L'Isle Joyeuse |
1904
|
| 6449 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 11 |
(1904?)
|
| 6458 |
Ropartz |
Cello Sonata No.1 |
1904
|
| 6462 |
Saint-Saëns |
String Quartet No.1, Op.112 (full score) |
1904
|
| 6464 |
d’Indy |
Sonata for Violin and Piano, Op.59 |
1905
|
| 6511 |
Saint-Saëns |
Morceau de Concert, Op.94 (parts) |
(1905)
|
| 6527 |
Saint-Saëns |
Morceau de Concert, Op.94 (full score) |
(1905)
|
| 6528 |
Saint-Saëns |
Allegro Appassionato, Op.70 (full score) |
1905
|
| 6532–33 |
Debussy |
La Mer |
1905
|
| 6542 |
Saint-Saëns |
Allegro Appassionato, Op.70 (transcription for 2 pianos) |
1905
|
| 6543 |
Debussy |
L'Enfant Prodigue (Cortège et air de danse – transcription for piano 4 hands) |
1905
|
| 6572 |
Dukas |
Ariane et Barbe-bleue (vocal score) |
1906
|
| 6589 |
Saint-Saëns |
Cello Sonata No.2, Op.123 |
1905
|
| 6590 |
Debussy |
Pelléas et Mélisande (Interludes - trans. Samazeuilh) |
1905
|
| 6606 |
Debussy |
La Mer (transcription for piano 4 hands) |
1905
|
| 6609 |
Samazeuilh |
Chasses lasses |
1905
|
| 6610 |
Saint-Saëns |
L’Ancêtre (vocal score) (possibly duplicate of La barque} |
1906
|
| 6615 |
Debussy |
Images (1ere série) |
1905
|
| 6623 |
Saint-Saëns |
3 Preludes and Fugues, Op.109 (trans. 2 pianos - Choisnel) |
(1905?)
|
| 6624 |
Ravel |
Sonatine |
1905
|
| 6630 |
Saint-Saëns |
L’Ancêtre (full score) |
1906
|
| 6660 |
Dukas |
L'Apprenti Sorcier (reissue orch. score) |
(1904)
|
| 6661 |
Saint-Saëns |
Danse macabre, Op.40 (study score) |
(1904?)
|
| 6663 |
Debussy |
Petite Suite ("Menuet" trans. piano - Durand) |
1906
|
| 6677 |
Schmitt |
Soirs, Op.5 (No.4 - orchestral transcription) |
1906
|
| 6678 |
Schmitt |
Soirs, Op.5 (No.4 - orchestral parts) |
1906
|
| 6679 |
Debussy |
Petite Suite ("En bateau" trans. piano - Durand) |
1906
|
| 6683–87 |
Ravel |
5 Mélodies populaires grecques |
1906
|
| 6688–9 |
Debussy |
Fêtes galantes and Mandoline |
1904-05
|
| 6737 |
Ravel |
Introduction et Allegro |
1906
|
| 6738 |
Ravel |
Introduction et Allegro (parts) |
1906
|
| 6751 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. horn and piano - Sam) |
(1905)
|
| 6756 |
Roussel |
Rustiques, Op.5 |
1906
|
| 6757 |
d’Indy |
Fervaal, Op.40 (Excerpts - trans. 2 pianos - Choisnel) |
1906
|
| 6791 |
Debussy |
Petite Suite ("Ballet" trans. piano - Durand) |
1906
|
| 6792 |
Debussy |
Petite Suite ("Cortège" trans. piano - Durand) |
1906
|
| 6793 |
Debussy |
Pelléas et Mélisande (Les chevaux - trans. piano 4 hands - Roques) |
1906
|
| 6797 |
Dukas |
Villanelle |
1906
|
| 6798 |
Saint-Saëns |
Le fleuve |
1906
|
| 6811 |
Ravel |
Introduction et Allegro (transcription for 2 pianos) |
1906
|
| 6814 |
Saint-Saëns |
Romance, Op.48 (full score) |
(1906?)
|
| 6815 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 13 |
(1908?)
|
| 6821 |
Saint-Saëns |
Phaéton, Op.39 (trans. piano solo - Benfeld) |
1906
|
| 6832 |
Debussy |
Printemps (trans. 2 pianos - Benfeld) |
1907
|
| 6838 |
Debussy |
La Mer |
1905
|
| 6867 |
Ravel |
Histoires naturelles |
1907
|
| 6869 |
d’Indy |
String Quartet No.2, Op.45 (miniature reproduction?) |
(1907)
|
| 6875 |
Bellenot |
Musique |
1907
|
| 6876 |
Bellenot |
Le frais matin dorait |
1907
|
| 6878 |
Bellenot |
La mer cache en ses flots |
1907
|
| 6887 |
Debussy |
2 Arabesques (No. 1 – trans. for piano 4 hands – Durand) |
1907
|
| 6893-95 |
d’Indy |
Wallenstein, Op.12 (miniature reproduction) |
(1907)
|
| 6896–97 |
Debussy |
2 Arabesques (trans. violin and piano – Choisnel) |
1907
|
| 6902 |
Debussy |
L'Enfant Prodigue (Prélude – transcription for piano 4 hands) |
1907
|
| 6910 |
Saint-Saëns |
Fantaisie, Op.124 |
(1907)
|
| 6925 |
Chapuis |
Fantaisie Concertante |
1907
|
| 6932 |
Roger-Ducasse |
Barcarolles (No.1) |
1907
|
| 6936 |
Rameau |
Le temple de la gloire |
(1907?)
|
| 6939 |
d’Indy |
Istar: Variations Symphoniques, Op.42 (miniature reproduction) |
(1907)
|
| 6947 |
Ravel |
Sur l'herbe |
1907
|
| 6949 |
Debussy |
Petite suite (trans. orchestra [parts] - Büsser |
(1907)
|
| 6951 |
Roger-Ducasse |
Barcarolle for Harp |
1907
|
| 6953 |
Debussy |
Pelléas et Mélisande (vocal score) |
1907
|
| 6954 |
d’Indy |
Symphony No.2, Op.57 (full score - miniature reproduction) |
(1907)
|
| 6960-61 |
Aubert |
2 pièces en forme de Mazurka, Op.12 |
1907
|
| 6964 |
Debussy |
Danse Sacrée et Danse Profane (trans. piano – Durand) |
1907
|
| 6972 |
Saint-Saëns |
5 poèmes de Ronsard (No.1) |
1907
|
| 6973 |
Saint-Saëns |
Violons dans le soir |
(1907)
|
| 6975 |
Saint-Saëns |
Soir romantique |
1907
|
| 6984 |
Staub |
Aubade-Impromptu, Op.11 |
1907
|
| 6993 |
d’Indy |
Piano Sonata, Op.63 |
1908
|
| 6994 |
Debussy |
Images (2ème Série) |
1908
|
| 6995 |
Roger-Ducasse |
6 Préludes |
1908
|
| 6996 |
d’Indy |
Souvenirs, Op.62 |
1907
|
| 6999 |
Ravel |
Rapsodie espagnole (trans. piano 4 hands) |
1908
|
| 7002 |
Roger-Ducasse |
2 Rondels (No.2) |
1908
|
| 7003 |
Roger-Ducasse |
Le Cœur d'eau |
1908
|
| 7036 |
Ropartz |
Violin Sonata No.1 |
1908
|
| 7043 |
d’Indy |
Jour d'été à la montagne, Op.61 |
1906
|
| 7069 |
d’Indy |
Souvenirs, Op.62 (trans. piano - Selva) |
1907
|
| 7073 |
Ravel |
L'heure espagnole (vocal score) |
1908
|
| 7091 |
Roger-Ducasse |
Les Pièces d'eau |
1908
|
| 7097 |
Franck |
3 Chorals for Organ (trans. Duparc - 2 pianos) |
1908
|
| 7117 |
Franck |
Fantaisie, Op.16 (trans. Duparc - 2 pianos) |
1908
|
| 7118-9 |
Franck |
3 Pièces pour grand orgue (trans. Duparc - 2 pianos) |
1908
|
| 7125 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (study score) |
(1908)
|
| 7126 |
Couperin |
Les goûts-réunis, ou Nouveaux concerts (9ème Concert, arr. Dukas) |
1908
|
| 7133 |
Caplet |
Chanson d'automne |
1908
|
| 7134 |
Dukas |
L'Apprenti Sorcier (trans. piano solo - Staub) |
1908
|
| 7137 |
Saint-Saëns |
Piano Concerto No.2, Op.22 (study score) |
(1908)
|
| 7138 |
Saint-Saëns |
Piano Concerto No.4, Op.44 (study score) |
(1908)
|
| 7139 |
Saint-Saëns |
Violin Concerto No.3, Op.61 (study score) |
(1908)
|
| 7145–46 |
Caplet |
Paroles à l'absente (Nos.1–2) |
1908
|
| 7153 |
Debussy |
Petite suite (trans. Büsser - 2 pianos) |
1908
|
| 7154 |
d’Indy |
Fantaisie sur des Thèmes Populaires Français, Op.31 |
1908
|
| 7161 |
Aubert |
Fantaisie, Op.8 (orch. score) |
1908
|
| 7162 |
Aubert |
Fantaisie, Op.8 (transcription for 2 pianos) |
1908
|
| 7179 |
Debussy |
3 Chansons de Charles d'Orléans |
1908
|
| 7182 |
Rhené-Baton |
Variations en mode éolien, Op.4 (orch. score) |
1908
|
| 7184 |
Rhené-Baton |
Variations en mode éolien, Op.4 (transcription for 2 pianos) |
1908
|
| 7187 |
Rhené-Baton |
3 Mélodies, Op.15 (No.1 – L’âme des Iris) |
1908
|
| 7188 |
Debussy |
Children's Corner |
1908
|
| 7189 |
Debussy |
L'Enfant Prodigue |
1908
|
| 7193 |
Boëllmann |
Suite Gothique, Op.25 (Toccata - trans. Ziegler - piano) |
1908
|
| 7197 |
Rhené-Baton |
Les heures d’été, Op.14 |
1908
|
| 7199 |
Saint-Saëns |
La gloire de Corneille, Op.126 (vocal score) |
1908
|
| 7207 |
Ravel |
Gaspard de la nuit |
1909
|
| 7216 |
Ravel |
Rapsodie espagnole (full score) |
1908
|
| 7217 |
Falla |
Piezas Españolas |
1909
|
| 7221 |
Roger-Ducasse |
Variations plaisantes sur un thème grave (transcription for piano 4 hands) |
1909
|
| 7223 |
Saint-Saëns |
L’Assassinat du duc de Guise, Op.128 (trans. piano solo - Roques) |
1908
|
| 7224 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 15 |
(1909?)
|
| 7241 |
Aubert |
Les yeux (also "La lettre") |
1909
|
| 7242 |
Aubert |
Douze chants |
1909
|
| 7244 |
Debussy |
La damoiselle élue (Prélude - trans. piano) |
1909
|
| 7248 |
Ravel |
Les grands vents venus d'outre-mer |
1907
|
| 7263 |
Aubert |
Crépuscules d’Automne |
1909
|
| 7274 |
Caplet |
Paroles à l'absente (No.3) |
1909
|
| 7290 |
Samazeuilh |
Le sommeil de Canope |
1909
|
| 7291 |
d’Indy |
Istar: Variations Symphoniques, Op.42 (trans. Samazeuilh - piano) |
1897-1909
|
| 7295 |
Roger-Ducasse |
Variations plaisantes sur un thème grave (arrangement for harp and piano) |
1909
|
| 7298 |
Busoni |
Nuit de Noël, BV 251 |
1909
|
| 7303 |
Saint-Saëns |
Le matin, Op.129 |
1909
|
| 7311 |
Saint-Saëns |
Symphony No.1, Op.2 (study score) |
(1909)
|
| 7313 |
d’Indy |
Médée, Op.47 (miniature reproduction) |
(1908)
|
| 7314 |
Ravel |
L'heure espagnole (full score) |
1911
|
| 7318 |
Saint-Saëns |
Orient et Occident, Op.25 (score) |
1909
|
| 7319 |
Saint-Saëns |
Orient et Occident, Op.25 (parts) |
(1909)
|
| 7321 |
Jongen |
2 Pièces, Op.33 |
1909
|
| 7322 |
Debussy |
Children's Corner (No. 5 – trans. violin and piano – Durand) |
1908
|
| 7372 |
Rhené-Baton |
En Bretagne, Op.13 |
1909
|
| 7341 |
Saint-Saëns |
Barcarolle, Op.108 (transcription for piano quartet) |
1909
|
| 7375 |
Rhené-Baton |
Menuet pour Monsieur Frère du Roy, Op.5 (transcription for 2 pianos) |
1909
|
| 7377 |
Saint-Saëns |
Vingt pièces modernes pour orgue avec pèdale obligée (collection features other composers) |
1909
|
| 7386 |
Dukas |
Ariane et Barbe-bleue (full score) |
1907
|
| 7398 |
Grovlez |
Violin Sonata |
1909
|
| 7399 |
Debussy |
String Quartet in G minor, Op.10 (trans. piano - Löwy) |
1909
|
| 7400 |
Dukas |
Villanelle (trans. cello and piano - Gurt) |
1909
|
| 7402 |
Rhené-Baton |
Menuet pour Monsieur Frère du Roy, Op.5 (orch. score) |
1909
|
| 7405 |
Saint-Saëns |
Introduction et Rondo Capriccioso, Op.28 (trans. chamber ensemble - Waël-Munk) |
1909
|
| 7414 |
Aubert |
La forêt bleue (vocal score) |
1911
|
| 7417 |
Roger-Ducasse |
String Quartet No.1 (score) |
1909
|
| 7418 |
Roger-Ducasse |
String Quartet No.1 (parts) |
1909
|
| 7422 |
Debussy |
Petite suite (trans. Büsser - 2 pianos 8 hands) |
1910
|
| 7424 |
Schmitt |
3 Rapsodies, Op.53 (2 pianos) |
1909
|
| 7425 |
Roger-Ducasse |
Pastorale |
1909
|
| 7426 |
Roger-Ducasse |
Pastorale (transcription for piano 4 hands) |
1909
|
| 7435 |
Saint-Saëns |
La Foi, Op.130 (transcription for piano solo) |
1912
|
| 7441 |
Schmitt |
Le palais hanté, Op.49 (transcription for piano 4 hands) |
1909
|
| 7442 |
Roger-Ducasse |
Exercises de virtuosité pour piano |
1910
|
| 7445 |
Roger-Ducasse |
Variations plaisantes sur un thème grave (orch. score) |
1909
|
| 7453 |
Saint-Saëns |
Danse macabre, Op.40 (trans. piano trio w/opt. clarinet and bass - Mouton) |
(1909)
|
| 7455 |
Saint-Saëns |
La gloire, Op.131 |
1909
|
| 7459 |
Staub |
Chanson gaie, Op.22 |
1909
|
| 7469 |
Debussy |
Images pour Orchestre (No. 3 – trans. piano 4 hands – Caplet) |
1910
|
| 7471 |
Roger-Ducasse |
Suite française (orch. score) |
1909
|
| 7485 |
Roger-Ducasse |
2 Chœurs pour voix d'enfants (No.1 – reduction for voice and piano) |
1910
|
| 7486 |
Roger-Ducasse |
2 Chœurs pour voix d'enfants (No.2 – reduction for voice and piano) |
1910
|
| 7487-89 |
d’Indy |
Wallenstein, Op.12 (trans. Samazeuilh - piano) |
1909
|
| 7490 |
Grovlez |
Recuerdos |
1910
|
| 7491 |
Hollander |
String Quartet No.2, Op.30 |
1910
|
| 7499 |
Roger-Ducasse |
2 Chœurs pour voix d'enfants (No.1 – orch. score) |
1910
|
| 7516 |
Roger-Ducasse |
2 Chœurs pour voix d'enfants (No.2 – orch. score) |
1910
|
| 7520 |
Dukas |
Polyeucte (trans. piano 4 hands - Samazeuilh) |
1910
|
| 7521 |
Debussy |
Petite Suite (Cortège - trans. violin and piano - Roques) |
1906
|
| 7562 |
Debussy |
Printemps (Paraphrase - trans. violin and piano - Durand) |
1910
|
| 7580 |
Rameau |
J.P. Rameau: Oeuvres Complètes, Tome 16 |
(1911)
|
| 7581 |
d’Indy |
Menuet sur le nom d’Haydn, Op.65 |
1910
|
| 7582 |
Debussy |
Hommage à Haydn |
1910
|
| 7583 |
Ravel |
Menuet sur le nom d'Haydn |
1910
|
| 7584 |
Dukas |
Prélude Élégiaque |
1910
|
| 7593 |
Saint-Saëns |
Piano Concerto No.5, Op.103 (study score) |
(1910?)
|
| 7636 |
Debussy |
Première Rapsodie |
1910
|
| 7667 |
Saint-Saëns |
Ouverture de fête, Op.133 |
1910
|
| 7686 |
Saint-Saëns |
La Muse et le Poète, Op.132 (transcription for violin, cello, and piano) |
1910
|
| 7687 |
Debussy |
Préludes (Book 1) |
1910
|
| 7692 |
Ravel |
Sonatine (Menuet – trans. cello and piano – Roques) |
(1910)
|
| 7696 |
Dukas |
Polyeucte: Ouverture pour la Tragédie de Corneille |
1910
|
| 7707 |
Debussy |
Printemps (Paraphrase - trans. piano - Roques) |
1910
|
| 7712 |
Charlot |
Lamento |
1910
|
| 7722–23 |
Debussy |
Images pour Orchestre (Nos. 2 and 3) |
1910
|
| 7735 |
Roger-Ducasse |
Sur quelques vers de Virgile |
1910
|
| 7736 |
Staub |
L'heure silencieuse |
1910
|
| 7737 |
Saint-Saëns |
La Jeunesse d'Hercule, Op.50 (trans. piano - Staub) |
1910
|
| 7740 |
Roger-Ducasse |
Suite française (transcription for 2 pianos) |
1910
|
| 7746 |
Ravel |
Ma mère l'oye (suite, piano 4 hands) |
1910
|
| 7747 |
Saint-Saëns |
Déjanire, opera (vocal score) |
1910
|
| 7748 |
Ravel |
Daphnis et Chloé (transcription for piano) |
1910
|
| 7749 |
Staub |
L'heure délicieuse |
1910
|
| 7813 |
Franck |
Prélude, Fugue et Variation, Op.18 (trans. Bauer - piano) |
1910
|
| 7814 |
Franck |
Pastorale (trans. Bauer - piano) |
1910
|
| 7815 |
Franck |
Pièce héroïque (arr. piano solo) |
1910
|
| 7817 |
Debussy |
La Plus Que Lente |
1910
|
| 7819 |
Debussy |
Le Promenoir des Deux Amants |
1910
|
| 7840 |
Debussy |
Préludes (Book 1) La fille aux cheveux de lin - trans. piano 4 hands - Roques) |
1910
|
| 7870 |
Saint-Saëns |
La Muse et le Poète, Op.132 (full score) |
(1910)
|
| 7871 |
Debussy |
3 Ballades de François Villon |
1910
|
| 7873 |
Debussy |
Children's Corner (trans. orchestra – Caplet) |
1911
|
| 7877 |
Debussy |
Préludes (Book 1) La fille aux cheveux de lin - trans. violin and piano - Hartmann) |
1910
|
| 7886 |
Debussy |
Children's Corner (No. 5 – trans. flute and piano – Hennebains) |
1908
|
| 7887 |
Saint-Saëns |
Déjanire, opera (full score) |
1911
|
| 7890 |
Aubert |
Roses du soir |
1910
|
| 7892 |
Saint-Saëns |
La foi, Op.130 (3 Tableaux Symphoniques) |
1909
|
| 7893 |
Samazeuilh |
Une étude symphonique d'après 'La nef' d'Elémir Bourges |
1909
|
| 7894 |
Schmitt |
Le palais hanté, Op.49 (orch. score) |
1909
|
| 7903 |
Debussy |
La plus que lente (trans. violin/piano) |
1910
|
| 7905 |
Debussy |
Petite pièce |
1910
|
| 7913 |
Charlot |
Danse campagnarde |
1910
|
| 7925 |
Franck |
3 Chorals for Organ (trans. Selva - piano) |
1910
|
| 7928 |
Roger-Ducasse |
Prélude d'un Ballet (orch. score) |
1911
|
| 7929 |
Roger-Ducasse |
Prélude d'un Ballet (transcription for piano) |
1910
|
| 7930 |
Ravel |
Ma mère l'oye (suite, trans. piano – Charlot) |
1910
|
| 7936 |
d’Indy |
Fervaal, Op.40 (Overture (miniature) - full score) |
(1910?)
|
| 7947 |
Roger-Ducasse |
Prélude d'un Ballet (transcription for piano 4 hands) |
1910
|
| 7973 |
Roger-Ducasse |
Sarabande (transcription for piano 4 hands) |
1910
|
| 7975 |
Samazeuilh |
Naïades du soir |
1911
|
| 7976 |
Samazeuilh |
Dans la brûme argentée |
1911
|
| 7977 |
Debussy |
Petite pièce |
1911
|
| 7978 |
Samazeuilh |
String Quartet (score) |
1911
|
| 7981 |
Samazeuilh |
String Quartet (parts) |
1911
|
| 7990 |
Boëllmann |
Ronde Française, Op.37 |
1912
|
| 7993 |
Ravel |
Shéhérazade |
(1911)
|
| 7996 |
Roger-Ducasse |
Petite suite (piano 4 hands) |
1911
|
| 7997 |
Rhené-Baton |
Chansons douces, Op.7 |
1911
|
| 7999 |
Debussy |
Petite suite (Ballet trans. organ - Roques) |
1911
|
| 8038 |
Delafosse |
Valse |
(1911?)
|
| 8050 |
Roger-Ducasse |
Salve Regina |
1911
|
| 8056 |
Roger-Ducasse |
Petite suite (orch. score) |
1911
|
| 8061 |
Ravel |
Daphnis et Chloé (Fragments symphoniques, part 1, trans. piano 4 hands - Roques) |
1911
|
| 8062 |
Ravel |
Ma mère l'oye (suite, trans. 2 pianos – Choisnel) |
1911
|
| 8064 |
Ravel |
Introduction et Allegro (trans. piano 4 hands – Roques) |
1911
|
| 8072 |
Debussy |
12 Pièces pour Grand Orgue (transcriptions by Roques, collected into one volume) |
1911
|
| 8077 |
Barié |
3 Pièces, Op.7 |
1911
|
| 8084 |
Barié |
Symphonie pour orgue, Op.5 |
1911
|
| 8094 |
Roger-Ducasse |
Petite suite |
1911
|
| 8134 |
Samazeuilh |
Suite pour piano |
1911
|
| 8145 |
Roger-Ducasse |
Petite suite (transcription for piano) |
1911
|
| 8156 |
Roger-Ducasse |
Sarabande (orch. score) |
1911
|
| 8158 |
Schmitt |
Chant élégiaque, Op.24 (reduction for cello and piano) |
(1911)
|
| 8167 |
Dukas |
La Péri (poème dansé) (trans. piano 4 hands - Roques) |
1911
|
| 8171 |
Debussy |
Le martyre de Saint Sébastien (vocal score) |
1911
|
| 8174 |
Roger-Ducasse |
Ave, Regina Cœlorum |
1911
|
| 8187 |
Schmitt |
La Tragédie de Salomé, Op.50 (orch. score) |
1912
|
| 8196 |
Debussy |
Le martyre de Saint Sébastien (La chambre magique) |
1912
|
| 8203 |
Schmitt |
3 Mélodies, Op.4 |
1911
|
| 8204 |
Saint-Saëns |
Le Rouet d'Omphale, Op.31 (trans. organ - Silver) |
1911
|
| 8205 |
Debussy |
Le martyre de Saint Sébastien (Prélude – trans. piano – Caplet) |
1911
|
| 8207 |
Ravel |
L'heure espagnole (Selections for piano trio – trans. Mouton) |
1912
|
| 8210 |
Debussy |
2 Romances (No. 2 - trans. cello and piano - Ronchini) |
1911
|
| 8223 |
Vierne |
Cello Sonata, Op.27 |
1911
|
| 8226 |
Roger-Ducasse |
Au jardin de Marguerite (vocal score) |
1912
|
| 8229–33 |
Rhené-Baton |
5 Mélodies, Op.16 |
1912
|
| 8237 |
Schmitt |
3 Rapsodies, Op.53 (No.3 – orchestral transcription) |
1911
|
| 8241 |
Roger-Ducasse |
3 Motets (No.1) |
1911
|
| 8247 |
Ravel |
Valses nobles et sentimentales |
1911
|
| 8259 |
Schmitt |
Chant élégiaque, Op.24 (orch. score) |
(1912)
|
| 8268 |
Samazeuilh |
Divertissement et musette (score) |
1912
|
| 8269 |
Samazeuilh |
Divertissement et musette (parts) |
1912
|
| 8278 |
Dukas |
La péri (trans. piano 4 hands - Roques) |
1912
|
| 8280 |
Debussy |
Première Rapsodie (transcription for clarinet and orchestra) |
1911
|
| 8288 |
Saint-Saëns |
Aux aviateurs, Op.134 |
1912
|
| 8290–92 |
Debussy |
Le martyre de Saint Sébastien (Fragments – trans. piano – Caplet) |
1911
|
| 8300 |
Ravel |
Ma mère l'oye (suite, orch. score) |
1912
|
| 8305 |
Roger-Ducasse |
3 Motets (No.2) |
1912
|
| 8317 |
Rhené-Baton |
2 Mélodies, Op.18 (No.1 – Nuit blanche) |
1912
|
| 8318 |
Rhené-Baton |
2 Mélodies, Op.18 (No.2 – Le repos en Egypte) |
1912
|
| 8322 |
Vierne |
Symphonie No.3, Op.28 |
1912
|
| 8325 |
Saint-Saëns |
Déjanire, opera (trans. piano solo - Roques) |
1912
|
| 8328 |
Dupin |
Violin Sonata |
1912
|
| 8345 |
Dukas |
La Péri (poème dansé) (full score) |
1911
|
| 8346 |
Ravel |
Daphnis et Chloé (fragments for piano) |
1912
|
| 8351 |
Grovlez |
3 Mélodies |
1912
|
| 8352 |
Debussy |
Première Rapsodie (trans. piano - Charlot) |
1912
|
| 8355 |
Rhené-Baton |
3 Mélodies, Op.15 (No.2 – Espoir en Dieu) |
1912
|
| 8356 |
Rhené-Baton |
3 Mélodies, Op.15 (No.3 – Ultima verba) |
1912
|
| 8361 |
Roger-Ducasse |
Piano Quartet |
1912
|
| 8363–64 |
Schmitt |
Lied et Scherzo, Op.54 (reduction for horn and piano) |
1912
|
| 8395 |
Ravel |
Ma mère l'oye (ballet, Complete piano reduction - Charlot) |
1912
|
| 8396 |
Debussy |
La Plus Que Lente (transcription for orchestra) |
1912
|
| 8397 |
Ravel |
Ma mère l'oye (ballet, Prélude et Danse du Rouet) |
1912
|
| 8411 |
Dukas |
La péri (trans. 2 pianos - Samazeuilh) |
1912
|
| 8412 |
Schmitt |
Lied et Scherzo, Op.54 (transcription for piano 4 hands) |
1912
|
| 8413 |
Saint-Saëns |
Cœli enarrant, Op.42 (Domine adjutor meus - transcription for mezzo-soprano, cello, and organ) |
1912
|
| 8416 |
Roger-Ducasse |
Au jardin de Marguerite (orch. score) |
1913
|
| 8419 |
Debussy |
Le martyre de Saint Sébastien (Fragments – trans. piano 4 hands – Roques) |
1912
|
| 8427 |
Ravel |
Ma mère l'oye (suite, parts) |
1912
|
| 8443 |
Debussy |
Khamma |
1912
|
| 8454-59 |
Saint-Saëns |
6 Études pour la main gauche seule, Op.135 |
1912
|
| 8469 |
Ravel |
Ma mère l'oye (suite, Pavane de la Belle au Bois Dormant – trans. cello and piano – Ronchini) |
1912
|
| 8474 |
Roques |
Noces d'or |
1912
|
| 8476 |
Ravel |
Valses nobles et sentimentales (transcription for orchestra) |
1912
|
| 8486 |
Debussy |
Petite suite (trans. orchestra [orch. score] - Büsser |
(1907)
|
| 8489 |
Roques |
Fantasy on Themes from 'L'heure espagnole' |
1912
|
| 8492 |
Chapuis |
Piano Trio |
1912
|
| 8508 |
Aubert |
Secret aveu |
(1912?)
|
| 8526 |
Dupin |
Le beau jardin |
1912
|
| 8527 |
Dukas |
La Péri (poème dansé, trans. Inghelbrecht for solo piano) |
1912
|
| 8529 |
Charlot |
Peccadille |
1912
|
| 8531 |
Samazeuilh |
Le sommeil de Canope (trans. orchestra) |
1913
|
| 8540-43 |
Cras |
Élégies |
1912
|
| 8546 |
Ropartz |
String Quartet No.2 in D minor (score) |
1913
|
| 8547 |
Ropartz |
String Quartet No.2 in D minor (parts) |
1913
|
| 8556 |
Saint-Saëns |
Triptyque, Op.136 |
1912
|
| 8563 |
Ropartz |
À Marie endormie |
1913
|
| 8573 |
Debussy |
Jeux (transcription for piano) |
1912
|
| 8581 |
Debussy |
Printemps (parts) |
1913
|
| 8613 |
Schmitt |
Une semaine du petit elfe Ferme-l'Oeil, Op.58 |
1913
|
| 8614 |
Ravel |
Daphnis et Chloé Suite No.2 (trans. piano 4 hands - Roques) |
1913
|
| 8616–18 |
Roussel |
Evocations, Op.15 (orch. score) |
1912
|
| 8620 |
Roger-Ducasse |
Le Joli Jeu de furet |
1912
|
| 8621 |
Roussel |
Sonatine, Op.16 |
1912
|
| 8633 |
Dupin |
Piano Sonata |
1912
|
| 8646 |
Saint-Saëns |
Douze chants |
1913
|
| 8649 |
Schmitt |
Danse des Devadasis, Op.47 |
1913
|
| 8659 |
Roger-Ducasse |
Orphée (Vocal score) |
1914
|
| 8668-70 |
Aubert |
Sillages, Op.27 |
1913
|
| 8671–72 |
Schmitt |
2 Pieces for Harp or Piano, Op.57 |
1913
|
| 8674 |
Ravel |
Shéhérazade |
(1914)
|
| 8675 |
Saint-Saëns |
Valse Gaie, Op.139 |
1913
|
| 8693 |
Debussy |
Le martyre de Saint Sébastien (Fragments symphoniques) |
1912
|
| 8694 |
Ropartz |
La Chasse du Prince Arthur |
1913
|
| 8697 |
Debussy |
Préludes (Book 2) |
1913
|
| 8711 |
Roger-Ducasse |
Au jardin de Marguerite |
1913
|
| 8723 |
Debussy |
Images pour Orchestre (No. 1) |
1913
|
| 8740 |
Saint-Saëns |
Six valses pour le piano (Opp. 88, 104, 110, 120, 139, and 52 No. 6) |
1913
|
| 8741-43 |
Dupin |
3 chansons dans le caractère populaire |
1913
|
| 8757 |
Fauré |
Impromptu No.6, Op.86 (transcription for piano) |
1913
|
| 8759 |
Debussy |
Printemps |
1913
|
| 8760-62 |
Dupin |
3 Légendes |
1913
|
| 8763–64 |
Schmitt |
Feuillets de Voyage, Op.26 |
1905
|
| 8772 |
Durand |
Annette et Lubin, Op.79 (trans. 2 pianos - Roques) |
1913
|
| 8778 |
Roussel |
Le Festin de l’Araignée, Op.17 (reduction for piano) |
1913
|
| 8797 |
d’Indy |
Prélude pour Grand Orgue, Op.66 |
1913
|
| 8804 |
Schmitt |
La Tragédie de Salomé, Op.50 (transcription for piano) |
1913
|
| 8811 |
Aubert |
Suite brève, Op.6 (transcription for orchestra) |
1913
|
| 8812-14 |
Dupin |
3 esquisses fuguées (1er série) |
1913
|
| 8821 |
Roques |
Ave Maria |
1913
|
| 8827 |
Saint-Saëns |
Allegro d'après le 3e Concerto Op.29 |
1913
|
| 8841 |
Roussel |
Le Festin de l’Araignée, Op.17 (fragments symphoniques) |
1913
|
| 8845-49 |
Vierne |
Stances d'amour et de rêve, Op.29 (transcription for voice and piano) |
1913
|
| 8851-53 |
Roussel |
Evocations, Op.15 (transcription for piano 4 hands) |
1913
|
| 8869 |
Saint-Saëns |
Ouverture d'un Opéra-Comique Inachevé |
1913
|
| 8885-86 |
Saint-Saëns |
2 Choruses, Op.141 |
1913
|
| 8893 |
Saint-Saëns |
Le vent dans la plaine |
1913
|
| 8894 |
Saint-Saëns |
La Lyre et la Harpe, Op.57 (Selections - trans. 2 pianos - Hahn) |
1913
|
| 8895 |
Ravel |
Prélude |
1913
|
| 8902-03 |
Fauré |
2 Pieces, Op.104 |
1913
|
| 8905 |
Roger-Ducasse |
Prélude |
1913
|
| 8909 |
Roger-Ducasse |
Orphée (orch. score) |
1926
|
| 8910 |
Saint-Saëns |
Allegro de Concert |
1913
|
| 8913-15 |
Debussy |
3 Poèmes de Stéphane Mallarmé |
1913
|
| 8918 |
Samazeuilh |
Feuillage du cœur |
1913
|
| 8919 |
Samazeuilh |
Japonnerie |
1913
|
| 8922 |
Schmitt |
Rêves, Op.65 (transcription for piano) |
1913
|
| 8923 |
Ceillier |
Prélude, Lude, Interlude et Postlude |
1913
|
| 8935 |
Debussy |
La Boîte à Joujoux |
1913
|
| 8939 |
Debussy |
Jeux (trans. piano 4 hands – Roques) |
1914
|
| 8941 |
Fauré |
Barcarolle No.11, Op.105 |
1914
|
| 8958 |
Debussy |
Jeux |
1914
|
| 8959–60 |
Ropartz |
2 Poèmes |
1913
|
| 8965 |
Ropartz |
Dans l'Ombre de la Montagne |
1914
|
| 8976–78 |
Ravel |
3 Poèmes de Stéphane Mallarmé (reduction for voice and piano) |
1914
|
| 8979 |
Ravel |
3 Poèmes de Stéphane Mallarmé (full score) |
1914
|
| 8985 |
Ropartz |
La Route |
1914
|
| 9001-3 |
Dupin |
Rythmes Berceurs |
1914
|
| 9011 |
Saint-Saëns |
Ouverture d'un Opéra-Comique Inachevé (trans. piano 4 hands - Charlot) |
1914
|
| 9013 |
Schmitt |
Sélamlik, Op.48, No.1 |
1914
|
| 9024 |
Schmitt |
Hymne à l'Eté, Op.61 |
1914
|
| 9031 |
Saint-Saëns |
Septuor, Op.65 (study score) |
(1914)
|
| 9032 |
Debussy |
La Boîte à Joujoux (Suite – trans. piano 4 hands – Roques) |
1914
|
| 9042 |
Cras |
Piano Trio |
1914
|
| 9046 |
Samazeuilh |
Chanson à ma poupée |
1914
|
| 9047-49 |
Grovlez |
3 Pièces pour le piano |
1914
|
| 9050 |
Samazeuilh |
Tendresses |
1914
|
| 9053-5 |
Quef |
3 Pieces for Organ, Op.44 |
1914
|
| 9071 |
Chevillard |
Ballade symphonique, Op.6 |
1913
|
| 9084 |
Ropartz |
Soir sur les chaumes (transcription for piano 4 hands) |
1914
|
| 9087 |
Ravel |
3 Poèmes de Stéphane Mallarmé (parts) |
1914
|
| 9090 |
Milhaud |
String Quartet No.1, Op.5 (score) |
1914
|
| 9091 |
Milhaud |
String Quartet No.1, Op.5 (parts) |
1914
|
| 9093-95 |
Dupin |
3 esquisses fuguées (2ème série) |
1914
|
| 9112 |
Schmitt |
Dionysiaques, Op.62 (full score) |
1925
|
| 9118 |
Debussy |
Préludes (Book 1) (12. Minstrels - transcription for violin and piano) |
1914
|
| 9127 |
Ravel |
Daphnis et Chloé (full score) |
1913
|
| 9128 |
Samazeuilh |
Fantaisie élégiaque |
1914
|
| 9135–39 |
Ropartz |
Le rêve sur le sable |
1914
|
| 9155 |
Schmitt |
Soirs, Op.5 ("Après l'été" transcribed for organ by Choisnel) |
1914
|
| 9160 |
Delage |
3 Mélodies |
1914
|
| 9167 |
Schmitt |
Feuillets de Voyage, Op.26 (“Berceuse” transcribed for piano by Charlot) |
1914
|
| 9168–9169 |
Barnes |
2 Pieces, Op.5 |
1914
|
| 9170 |
Milhaud |
Suite, Op.8 |
(1914)
|
| 9180 |
Milhaud |
Violin Sonata No.1, Op.3 |
1914
|
| 9193 |
Schmitt |
La Tragédie de Salomé, Op.50 (“Danse des perles” transcription for piano) |
1914
|
| 9194 |
Saint-Saëns |
Ave Maria, Op.145 |
1914
|
| 9200 |
Schmitt |
Musiques de plein air, Op.44 (orch. score) |
1916
|
| 9214 |
Schmitt |
Musiques de plein air, Op.44 (transcription for piano 4 hands) |
1914
|
| 9223 |
Roger-Ducasse |
Orphée (fragments symphoniques) |
1914
|
| 9263 |
Jarnach |
Violin Sonata in E major, Op.9 |
1915
|
| 9266 |
Roger-Ducasse |
Les Jets d'eau |
1914
|
| 9267 |
Delage |
Ragamalika |
1915
|
| 9268–69 |
Ravel |
2 Mélodies Hébraïques |
1915
|
| 9271 |
Boëllmann |
Suite Gothique, Op.25 (trans. Roques - 2 pianos, 8 hands) |
1915
|
| 9281-90 |
Saint-Saëns |
La Cendre rouge, Op.146 |
1915
|
| 9293 |
Ropartz |
Soir sur les chaumes (orch. score) |
1914
|
| 9297 |
Roussel |
Padmâvatî, Op.18 |
1919
|
| 9308 |
Debussy |
6 Épigraphes Antiques |
1915
|
| 9317 |
Debussy |
Berceuse Héroïque |
1915
|
| 9318 |
Clementi |
6 Sonatinas, Op.36 |
(1915)
|
| 9327–28 |
Beethoven |
Piano Sonatas (ed. Paul Dukas) |
1915
|
| 9330 |
Debussy |
Berceuse Héroïque (transcription for orchestra) |
1915
|
| 9346 |
Ravel |
Piano Trio |
1915
|
| 9351 |
Fauré |
Le jardin clos, Op.106 |
1915
|
| 9370 |
Debussy |
6 Épigraphes Antiques (transcription for piano) |
1915
|
| 9388 |
Roger-Ducasse |
Étude in G♯ minor |
1915
|
| 9389 |
Saint-Saëns |
Élégie, Op.143 |
1915
|
| 9390 |
Debussy |
Cello Sonata |
1915
|
| 9393 |
Debussy |
En Blanc et Noir |
1915
|
| 9399 |
Saint-Saëns |
Cavatine, Op.144 |
1915
|
| 9406–07 |
Debussy |
Etudes |
1916
|
| 9418 |
Debussy |
Noël des enfants qui n'ont plus de maisons |
1916
|
| 9419 |
Fauré |
Barcarolle No.12, Op.106 |
1916
|
| 9420 |
Fauré |
Nocturne No.12, Op.107 |
1916
|
| 9422 |
Schmitt |
Chant de guerre, Op.63 |
1916
|
| 9423 |
Saint-Saëns |
Laudate Dominum, Op.149 |
1916
|
| 9424 |
Roger-Ducasse |
4 Études |
1916
|
| 9427 |
Debussy |
Sonata for Flute, Viola and Harp |
1916
|
| 9431 |
Ravel |
3 Chansons |
1916
|
| 9432 |
Ravel |
3 Chansons (piano reduction) |
1916
|
| 9451 |
Samazeuilh |
Esquisses d'Espagne |
1916
|
| 9458 |
Chopin |
Nocturnes, Op.55 (Nocturne No. 2 - trans. Saint-Saëns - violin and piano) |
(1916?)
|
| 9457 |
Roger-Ducasse |
Chant de la Nativité |
1916
|
| 9464 |
Roger-Ducasse |
Étude in A♭ major |
1916
|
| 9475 |
Milhaud |
Sonata for 2 Violins and Piano, Op.15 |
1917
|
| 9476 |
Saint-Saëns |
Tu es Petrus, Op.147 |
1916
|
| 9477 |
Saint-Saëns |
Quam dilecta, Op.148 |
1916
|
| 9478 |
Roger-Ducasse |
Ego sum panis vivus |
1916
|
| 9479 |
Roger-Ducasse |
Variations sur un Choral |
1917
|
| 9480 |
Debussy |
Sonata for Flute, Viola and Harp (trans. piano 4 hands - Garban) |
1919
|
| 9481 |
Roger-Ducasse |
Étude en sixtes |
1917
|
| 9482 |
Ropartz |
Nocturne No.2 |
1917
|
| 9487 |
Aubert |
6 poèmes arabes |
1917
|
| 9495 |
Ravel |
Piano Trio (trans. piano 4 hands – Garban) |
1917
|
| 9496 |
Roger-Ducasse |
Allegro appassionato |
1917
|
| 9500 |
Fauré |
Violin Sonata No.2, Op.108 |
1917
|
| 9503 |
Debussy |
5 poèmes de Baudelaire |
1917
|
| 9504 |
Debussy |
Violin Sonata |
1917
|
| 9507 |
Saint-Saëns |
7 Improvisations, Op.150 |
1917
|
| 9511 |
Schmitt |
Sélamlik, Op.48, No.1 (transcription for piano 4 hands) |
1917
|
| 9512 |
Schmitt |
Dionysiaques, Op.62 (transcription for piano 4 hands) |
1917
|
| 9514 |
Saint-Saëns |
Honneur à l'Amérique |
1917
|
| 9515 |
Ropartz |
4 Odelettes |
1917
|
| 9519 |
Schmitt |
5 Motets, Op.60 (No.4) |
1918
|
| 9520 |
Schmitt |
5 Motets, Op.60 (No.1) |
1918
|
| 9527 |
Ropartz |
Scherzo |
1917
|
| 9528 |
Ropartz |
Nocturne No.3 |
1917
|
| 9529 |
Ropartz |
Musiques au jardin |
1918
|
| 9530 |
Roger-Ducasse |
Esquisses |
1918
|
| 9536 |
Saint-Saëns |
Litanies de la Sainte Vierge |
1917
|
| 9537 |
Roger-Ducasse |
Études à quatre mains pour un commençant (Book 1) |
1918
|
| 9538 |
Roger-Ducasse |
Études à quatre mains pour un commençant (Book 2) |
1918
|
| 9540 |
Schmitt |
5 Motets, Op.60 (No.5) |
1918
|
| 9541 |
Debussy |
Khamma (trans. piano 4 hands – Garban) |
1918
|
| 9542 |
Fauré |
Cello Sonata No.1, Op.109 |
1918
|
| 9544 |
Schmitt |
5 Motets, Op.60 (No.2) |
1918
|
| 9549 |
Ravel |
Valses nobles et sentimentales (trans. piano 4 hands - Garban) |
1918
|
| 9560 |
Roger-Ducasse |
Arabesques (No.1) |
1918
|
| 9561 |
Schmitt |
5 Motets, Op.60 (No.3) |
1918
|
| 9562 |
Schmitt |
Ombres, Op.64 |
1918
|
| 9564 |
Roger-Ducasse |
Études à quatre mains pour un commençant (Book 3) |
1918
|
| 9567 |
Ropartz |
Violin Sonata No.2 |
1918
|
| 9569 |
Ravel |
Le tombeau de Couperin (piano) |
1918
|
| 9570 |
Roger-Ducasse |
Rythmes |
1918
|
| 9571 |
Schmitt |
Marche du 163 R.I., Op.48, No.2 (transcription for piano 4 hands) |
1918
|
| 9573 |
Caplet |
La croix douloureuse |
1918
|
| 9575 |
Samazeuilh |
3 Petites inventions |
1918
|
| 9577 |
Fauré |
Une châtelaine en sa tour, Op.110 |
1918
|
| 9578 |
Caplet |
Les prières |
1918
|
| 9587 |
Bach |
Passacaglia in C minor, BWV 582 (trans. Roger-Ducasse - piano) |
1918
|
| 9588 |
Roland-Manuel |
Farizade au sourire de rose |
1918
|
| 9590 |
Caplet |
Le vieux coffret |
1918
|
| 9593 |
Caplet |
“En regardant ces belles fleurs” and “Quand reverrai-je, hélas!” (published together) |
1918
|
| 9594 |
Caplet |
Nuit d'automne |
1918
|
| 9595 |
Caplet |
Viens! Une flûte invisible soupire... (voice and piano) |
1918
|
| 9596 |
Caplet |
Prière normande |
1918
|
| 9597 |
Debussy |
Rapsodie for Orchestra and Saxophone |
1919
|
| 9598 |
Saint-Saëns |
7 Improvisations, Op.150 (trans. piano 4 hands - Garban) |
1918
|
| 9599 |
Saint-Saëns |
Angélus (transcription for voice and piano) |
1918
|
| 9601 |
Saint-Saëns |
Papillons |
(1918)
|
| 9604 |
Debussy |
Rapsodie for Orchestra and Saxophone (trans. saxophone and orchestra - Roger-Ducasse) |
1919
|
| 9610 |
Philipp |
3 Études de concert en doubles notes, Op.56 |
1918
|
| 9611 |
Ropartz |
Piano Trio |
1919
|
| 9614-15 |
Grovlez |
2 Etudes de difficulté transcendante |
1919
|
| 9622 |
Saint-Saëns |
String Quartet No.2, Op.153 (score) |
1919
|
| 9623 |
Saint-Saëns |
String Quartet No.2, Op.153 (parts) |
1919
|
| 9625 |
Saint-Saëns |
Morceau de Concert, Op.154 (transcription for harp and piano) |
1919
|
| 9626-27 |
Roger-Ducasse |
Nocturne de printemps (score, transcription for piano 4 hands) |
1919
|
| 9628 |
Saint-Saëns |
Marche Interalliée, Op.155 |
(1919)
|
| 9647 |
Fauré |
Fantaisie, Op.111 (transcription for 2 pianos) |
1919
|
| 9650 |
Ravel |
Introduction et Allegro (trans. piano – Garban) |
1919
|
| 9651 |
Saint-Saëns |
Morceau de Concert, Op.154 (full score) |
1919
|
| 9652 |
Schmitt |
Légende, Op.66 (reduction for saxophone and piano) |
1919
|
| 9653 |
Roger-Ducasse |
Romance for Cello and Piano |
1919
|
| 9659 |
Debussy |
Khamma (Danse – transcription for piano) |
1919
|
| 9661 |
Ropartz |
Divertissement (full score) |
1919
|
| 9662 |
Ropartz |
Divertissement (transcription for piano 4 hands) |
1919
|
| 9663 |
Ropartz |
Rhapsodie sur 2 Noëls populaires |
1919
|
| 9664 |
Ropartz |
3 Méditations |
1919
|
| 9665 |
Ropartz |
Introduction et Allegro Moderato |
1919
|
| 9669 |
Aubert |
Habanera (trans. piano 4 hands) |
1919
|
| 9670 |
Fauré |
Fantaisie, Op.111 (full score) |
1919
|
| 9672 |
Roger-Ducasse |
Suite pour petit orchestre |
1919
|
| 9674 |
Ravel |
Ma mère l'oye (ballet, Prélude et Danse du Rouet – trans. piano 4 hands – Garban) |
1919
|
| 9675 |
Debussy |
Le martyre de Saint Sébastien (Fragments symphoniques – trans. 2 pianos – Garban) |
1919
|
| 9678 |
Ravel |
Daphnis et Chloé Suite No.2 (Fragments symphoniques - trans. 2 pianos - Garban) |
1919
|
| 9680-88 |
Beethoven |
Symphonies 1-9 (miniature scores) |
(1919?)
|
| 9690 |
Roger-Ducasse |
Romance for Cello and Piano (transcription for cello and orchestra) |
1919
|
| 9691 |
Roussel |
2 Mélodies, Op.19 (No.2) |
1919
|
| 9692 |
Roger-Ducasse |
Sonorités |
1919
|
| 9693 |
Ropartz |
Cello Sonata No.2 |
1919
|
| 9694 |
Caplet |
Détresse |
1919
|
| 9700-11 |
Chopin |
Œuvres completes pour piano (ed. Debussy) |
1915
|
| 9735 |
Aubert |
Habanera |
1919
|
| 9738 |
Clementi |
3 Sonatinas, Op.37 |
1909
|
| 9739 |
Meleingreau |
Suite, Op.14 (organ) |
1919
|
| 9740 |
Schmitt |
3 Chœurs a cappella, Op.40 |
1919
|
| 9742–43 |
Roussel |
2 Mélodies, Op.20 |
1919
|
| 9744 |
Tailleferre |
Jeux de plein aire |
1919
|
| 9745 |
Saint-Saëns |
Cyprès et Lauriers, Op.156 (transcription for 2 pianos) |
1919
|
| 9746 |
Milhaud |
Violin Sonata No.2, Op.40 |
1919
|
| 9747 |
Schmitt |
Rêves, Op.65 (orch. score) |
1919
|
| 9748 |
Maleingreau |
Cello Sonata, Op.15 |
1919
|
| 9749 |
Schmitt |
Kérob-shal, Op.67 (No.2) |
1919
|
| 9751 |
Roussel |
2 Mélodies, Op.19 (No.1) |
1919
|
| 9752 |
Caplet |
Pie Jesu (voice and piano) |
1919
|
| 9753 |
Rabaud |
La procession nocturne, Op.6 (orch. score – miniature reproduction) |
(1910)
|
| 9756 |
Fauré |
Masques et Bergamasques, suite, Op.112 (transcription for piano 4 hands) |
1919
|
| 9760 |
Schmitt |
Légende, Op.66 (orch. score) |
1920
|
| 9772 |
Roland-Manuel |
Idylles |
1919
|
| 9787 |
Saint-Saëns |
Fantasie No.3, Op.157 |
1919
|
| 9788 |
Roussel |
Impromptu, Op.21 |
1919
|
| 9794 |
Ravel |
Le tombeau de Couperin (orchestra, full score – (first printing) |
1919
|
| 9800 |
Saint-Saëns |
Cyprès et Lauriers, Op.156 (full score) |
1919
|
| 9801 |
Roger-Ducasse |
Arabesques (No.2) |
1919
|
| 9802 |
Fauré |
Masques et Bergamasques, suite, Op.112 (full score) |
1919
|
| 9809 |
Fauré |
Mirages, Op.113 |
1919
|
| 9810 |
Ravel |
Le tombeau de Couperin (orchestra, trans. piano 4 hands – Garban) |
1919
|
| 9811 |
Saint-Saëns |
Prière, Op.15 |
(1919)
|
| 9813 |
Ceillier |
Barcarolle |
1920
|
| 9820 |
Samazeuilh |
Le chant de la mer |
1920
|
| 9823 |
Schmitt |
Sonate libre, Op.68 |
1920
|
| 9827 |
Cras |
Cello Sonata |
1920
|
| 9828 |
Caplet |
3 Chants d'eglise |
1920
|
| 9830 |
Debussy |
La Boîte à Joujoux (completed and trans. for orchestra – Caplet) |
1920
|
| 9832 |
Rhené-Baton |
Dans un coin de violettes, Op.20 |
1920
|
| 9833 |
Milhaud |
4 Poèmes de Léo Latil, Op.20 |
1920
|
| 9834 |
Milhaud |
Les soirées de Pétrograde, Op.55 |
1920
|
| 9836 |
Milhaud |
4 Poèmes de Paul Claudel, Op.26 |
1920
|
| 9837 |
Milhaud |
String Quartet No.2, Op.16 (score) |
1920
|
| 9838 |
Milhaud |
String Quartet No.2, Op.16 (parts) |
1920
|
| 9854 |
Caplet |
3 Fables de Jean de la Fontaine |
1920
|
| 9855 |
Lemmens |
Ecole d'Orgue |
1920
|
| 9859 |
Fauré |
C'est la paix, Op.114 |
1920
|
| 9860 |
Saint-Saëns |
Hymne à la paix, Op.159 |
1920
|
| 9863 |
Saint-Saëns |
Élégie, Op.160 |
1920
|
| 9864 |
Saint-Saëns |
Élégie, Op.160 (transcription for piano solo) |
1920
|
| 9865 |
Saint-Saëns |
6 Fugues, Op.161 |
1920
|
| 9866 |
Debussy |
Danse sacrée et danse profane (reprint) |
(1920)
|
| 9868 |
Saint-Saëns |
Odelette, for Flute and Orchestra, Op.162 (full score) |
(1920)
|
| 9870 |
Saint-Saëns |
Odelette, for Flute and Orchestra, Op.162 (transcription for flute and piano) |
1920
|
| 9871 |
Ravel |
La valse (transcription for piano) |
1920
|
| 9874 |
Roger-Ducasse |
Marche française |
1920
|
| 9877 |
Gaubert |
Sarabande |
1920
|
| 9884 |
Rhené-Baton |
Chansons bretonnes, Op.21 |
1920
|
| 9895 |
Ravel |
La valse (trans. piano 4 hands – Garban) |
1920
|
| 9896 |
Cras |
Paysages |
1920
|
| 9897 |
Ravel |
La valse (transcription for 2 pianos) |
1920
|
| 9903 |
Roger-Ducasse |
Barcarolles (No.2) |
1920
|
| 9921 |
Caplet |
Panis angelicus |
1920
|
| 9922 |
Caplet |
Messe |
1920
|
| 9925–26 |
Schmitt |
Antoine et Cléopâtre Suite No.1, Op.69a (La camp de Pompée) |
1921
|
| 9929–30 |
Schmitt |
Antoine et Cléopâtre (transcription for piano 4 hands) |
1920
|
| 9941 |
Milhaud |
Le printemps, Op.18 |
1921
|
| 9944 |
Rhené-Baton |
Dans le Style Rococo, Op.23 |
1921
|
| 9945 |
Rhené-Baton |
Ballade, Op.22 |
1921
|
| 9946 |
Chapuis |
Violin Sonata |
1921
|
| 9950 |
Schmitt |
Mirages, Op.70 (No.1) |
1921
|
| 9951 |
Dukas |
La plainte, au loin, du faune |
1921
|
| 9954 |
Roussel |
L'Accueil des Muses |
1920
|
| 9964 |
Fauré |
Piano Quintet No.2, Op.115 |
1921
|
| 9966 |
Caplet |
Inscriptions champêtres |
1921
|
| 9970-71 |
Tailleferre |
String Quartet |
1921
|
| 9972 |
Ravel |
String Quartet in F major (trans. piano – Garban) |
1921
|
| 9977 |
Caplet |
5 Ballades Françaises |
1921
|
| 10000 |
Roger-Ducasse |
Nocturne de printemps (orch. score - re-engr of 9626?) |
1919
|
| 10008 |
Vuillemin |
Louis Aubert, son œuvre |
1921
|
| 10028 |
Fauré |
Barcarolle No.13, Op.116 |
1921
|
| 10029 |
Roger-Ducasse |
Impromptu |
1921
|
| 10030-33 |
Saint-Saëns |
5 poèmes de Ronsard (Nos.2-5) |
1921
|
| 10034 |
Roger-Ducasse |
Chant de l'aube |
1921
|
| 10035 |
Rhené-Baton |
Violin Sonata, Op.24 |
1921
|
| 10040 |
d'Ollone |
Piano Trio |
1921
|
| 10041 |
Saint-Saëns |
Aux conquérants de l'air, Op.164 |
(1921)
|
| 10042 |
Saint-Saëns |
Le printemps, Op.165 |
(1922?)
|
| 10043 |
Caplet |
Hymne à la naissance du matin |
1921
|
| 10045 |
Samazeuilh |
Prélude |
1921
|
| 10046–48 |
Schmitt |
3 Chants en l'honneur d'Auguste Comte, Op.71 |
1921
|
| 10050 |
Schmitt |
Soirs, Op.5 (No.1 – orchestral transcription) |
1921
|
| 10051 |
Schmitt |
Soirs, Op.5 (No.1 – orchestral parts) |
(1921?)
|
| 10052 |
Schmitt |
Soirs, Op.5 (No.2 – orchestral transcription) |
1921
|
| 10053 |
Schmitt |
Soirs, Op.5 (No.2 – orchestral parts) |
(1921?)
|
| 10054 |
Schmitt |
Soirs, Op.5 (No.3 – orchestral transcription) |
1922
|
| 10055 |
Schmitt |
Soirs, Op.5 (No.3 – orchestral parts) |
(1922?)
|
| 10056 |
Schmitt |
Soirs, Op.5 (No.5 – orchestral transcription) |
1922
|
| 10057 |
Schmitt |
Soirs, Op.5 (No.5 – orchestral parts) |
(1922?)
|
| 10058 |
Schmitt |
Soirs, Op.5 (No.6 – orchestral transcription) |
1922
|
| 10059 |
Schmitt |
Soirs, Op.5 (No.6 – orchestral parts) |
(1922?)
|
| 10060 |
Schmitt |
Soirs, Op.5 (No.7 – orchestral transcription) |
1922
|
| 10061 |
Schmitt |
Soirs, Op.5 (No.7 – orchestral parts) |
(1922?)
|
| 10062 |
Saint-Saëns |
Oboe Sonata, Op.166 |
1921
|
| 10063 |
Saint-Saëns |
Sonata for Clarinet and Piano, Op.167 |
1921
|
| 10076-78 |
Saint-Saëns |
Vieilles chansons |
1921
|
| 10079 |
Fauré |
Cello Sonata No.2, Op.117 |
1922
|
| 10080 |
Ravel |
La valse |
1921
|
| 10083 |
Saint-Saëns |
Feuillet d'Album, Op.169 |
1922
|
| 10086 |
Boulanger |
Pie Jesu (full score and parts) |
1922
|
| 10090 |
Boulanger |
Vieille prière bouddhique |
1921
|
| 10095 |
Boulanger |
D’un matin de printemps |
1922
|
| 10116 |
Schmitt |
Mirages, Op.70 (No.2) |
1922
|
| 10122 |
Rhené-Baton |
Au pardon de Rumengol, Op.25 |
1922
|
| 10128 |
Roussel |
Symphony No.2, Op.23 |
1923
|
| 10131 |
Pierné |
Piano Trio, Op.45 |
1922
|
| 10137 |
Roussel |
Pour une fête de printemps, Op.22 (trans. Garban - piano 4 hands) |
1922
|
| 10143 |
Fauré |
L'Horizon chimérique, Op.118 |
1922
|
| 10145 |
Ropartz |
Œdipe à Colone (vocal score) |
1922
|
| 10153 |
Fauré |
Nocturne No.13, Op.119 |
1922
|
| 10154 |
Saint-Saëns |
La Carnaval des Animaux (full score) |
1922
|
| 10155 |
Saint-Saëns |
La Carnaval des Animaux (parts) |
1922
|
| 10167 |
Roger-Ducasse |
Épithalame (transcription for piano 4 hands) |
1922
|
| 10170 |
Ravel |
Sonata for Violin and Cello |
1922
|
| 10194 |
Caplet |
Le pain quotidien |
1922
|
| 10195 |
Saint-Saëns |
La Carnaval des Animaux (trans. piano 4 hands - Garban) |
1922
|
| 10215 |
Saint-Saëns |
La Carnaval des Animaux (Volière - trans. flute and piano - Garban) |
1922
|
| 10217 |
Saint-Saëns |
La Carnaval des Animaux (L’Éléphant - trans. cello and piano - Garban) |
1922
|
| 10218 |
Aubert |
Introduction et allegro |
1922
|
| 10221 |
Saint-Saëns |
La Carnaval des Animaux (Nos.1, 3–7, 9–10, 12–13 - trans. piano - Garban) |
1922
|
| 10222 |
Roger-Ducasse |
Barcarolles (No.3) |
1922
|
| 10223 |
Rhené-Baton |
4 Chansons pour le jour de noël, Op.26 |
1922
|
| 10224 |
Rhené-Baton |
2 Prières du soir, Op.27 |
1922
|
| 10231 |
Schmitt |
Antoine et Cléopâtre (Suite No.1) |
1921
|
| 10232 |
Schmitt |
Antoine et Cléopâtre (Suite No.2) |
1922
|
| 10246 |
Debussy |
L'Isle Joyeuse (trans. orchestra - Molinari) |
1923
|
| 10247 |
Ravel |
2 Mélodies hébraïques (trans. piano – Siloti) |
1922
|
| 10248 |
Emmanuel |
Sonatine No.4 'Sur des Modes Hindous', Op.20 |
1923
|
| 10258 |
Roger-Ducasse |
Poème symphonique sur le nom de Gabriel Fauré (transcription for piano 4 hands) |
1923
|
| 10269 |
Aubert |
Esquisse sur le nom de Fauré |
1922
|
| 10270 |
Ravel |
Berceuse sur le nom de Gabriel Fauré |
1922
|
| 10278 |
Schmitt |
Hommage sur le nom de Gabriel Fauré, Op.72 |
1922
|
| 10287 |
Saint-Saëns |
La Carnaval des Animaux (trans. voice and piano - Samm) |
1922
|
| 10288 |
Roussel |
Pour une fête de printemps, Op.22 |
1921
|
| 10296 |
Ravel |
Berceuse sur le nom de Gabriel Fauré & L’enfant et les sortilèges selections (trans. piano – Garban) |
1923
|
| 10300 |
Rhené-Baton |
Cello Sonata, Op.28 |
1923
|
| 10301 |
Rhené-Baton |
Au coin de l'âtre, Op.29 |
1923
|
| 10322 |
Boulanger |
Pie Jesu (arr. voice and organ) |
1924
|
| 10331 |
Pierné |
Sonate en une partie, Op.46 |
1923
|
| 10333 |
Chapuis |
Harpe éolienne |
1923
|
| 10347 |
Fauré |
Piano Trio, Op.120 |
1923
|
| 10348 |
Debussy |
3 Chansons de Charles d'Orléans (trans. voice and piano – Garban) |
1923
|
| 10389 |
Rhené-Baton |
Danse à sept temps, Op.30 |
1923
|
| 10398 |
Ravel |
Le tombeau de Couperin (orchestra, full score – study score) |
1919
|
| 10400 |
Roussel |
Padmâvatî Suites Nos.1 and 2, Op.18 |
1924
|
| 10401 |
Schmitt |
Salammbô, Op.76 (Suite No.1) |
1927
|
| 10436 |
Schmitt |
Le petit elfe Ferme-l'oeil, Op.73 (transcription for piano) |
1926
|
| 10437 |
Schmitt |
Le petit elfe Ferme-l'oeil, Op.73 (orch. score) |
1926
|
| 10443 |
Roger-Ducasse |
Basso ostinato |
1923
|
| 10446 |
Roger-Ducasse |
Romance |
1923
|
| 10494 |
Roussel |
Madrigal aux muses, Op.25 |
1923
|
| 10502 |
Roger-Ducasse |
Poème symphonique sur le nom de Gabriel Fauré (orch. score) |
1923
|
| 10503 |
Roger-Ducasse |
Épithalame (orch. score) |
1923
|
| 10504 |
Milhaud |
Suite symphonique No.2, Op.57 (orch. score) |
1921
|
| 10521 |
Caplet |
Epiphanie (transcription for cello and piano) |
1924
|
| 10522 |
Ferroud |
Prélude et Forlane |
1924
|
| 10523 |
Caplet |
La mort des pauvres |
1924
|
| 10524 |
Caplet |
La cloche fêlée |
1924
|
| 10536 |
Caplet |
Conte fantastique |
1924
|
| 10539 |
Rhené-Baton |
Poème élégiaque, Op.32 (reduction for cello and piano) |
1924
|
| 10540 |
Rhené-Baton |
Poème élégiaque, Op.32 (orch. score) |
1924
|
| 10541 |
Rhené-Baton |
Piano Trio, Op.31 |
1924
|
| 10545 |
Roussel |
La Naissance de la lyre, Op.24 |
1924
|
| 10576 |
Caplet |
Epiphanie (orch. score) |
1924
|
| 10577 |
Ravel |
Ronsard à son âme |
1924
|
| 10581 |
Dukas |
Sonnet de Ronsard |
1924
|
| 10590 |
Roussel |
2 Poèmes de Ronsard, Op.26 |
1924
|
| 10591 |
Caplet |
Doux fut le trait (voice and piano) |
1924
|
| 10605 |
Ravel |
L'heure espagnole (full score) |
1911
|
| 10607 |
Rhené-Baton |
Pour les funérailles d'un marin breton, Op.33 |
1924
|
| 10629 |
Ravel |
Tzigane (full score) |
1924
|
| 10630 |
Caplet |
Le miroir de Jésus (choral score) |
1924
|
| 10658 |
Caplet |
Le miroir de Jésus (full score) |
1924
|
| 10660 |
Caplet |
Le miroir de Jésus (vocal score) |
1924
|
| 10661 |
Caplet |
“Doux fut le trait” and “Quand reverrai-je, hélas!” (voice and harp) |
(1924)
|
| 10662 |
Caplet |
Viens! Une flûte invisible soupire... (voice, flute, and piano) |
1924
|
| 10663 |
Vierne |
Symphonie No.5, Op.47 |
1925
|
| 10672 |
Ropartz |
Œdipe à Colone (orchestral suite) |
1925
|
| 10684 |
Caplet |
Un tas de petites choses |
1925
|
| 10687 |
Rhené-Baton |
En Vacances, Op.38 |
1925
|
| 10688 |
Rhené-Baton |
Passacaille, Op.35 |
1925
|
| 10689 |
Schmitt |
Kérob-shal, Op.67 (Nos.1 and 3) |
1925
|
| 10690 |
Caplet |
La part à Dieu |
1925
|
| 10697-98 |
Fauré |
String Quartet, Op.121 |
1925
|
| 10699 |
Ravel |
L'enfant et les sortilèges (vocal score) |
1925
|
| 10702–05 |
Roussel |
Joueurs de Flûte, Op.27 |
1925
|
| 10716–19 |
Ravel |
Chants populaires |
1925
|
| 10724 |
Saint-Saëns |
La Carnaval des Animaux (L’Éléphant - trans. clarinet and piano - Lucas) |
1925
|
| 10726–27 |
Caplet |
Divertissements |
1925
|
| 10728 |
Caplet |
Corbeille de fruits (No.1 – Ecoute, mon cœur) |
1925
|
| 10743 |
Ravel |
L'enfant et les sortilèges (Five o’clock Foxtrot – trans. piano – Branga (Garban)) |
1925
|
| 10755 |
Ravel |
L'enfant et les sortilèges (full score) |
1925
|
| 10757 |
Roussel |
Violin Sonata No.2, Op.28 |
1925
|
| 10769 |
Rhené-Baton |
Dans la clairière, Op.36 |
1925
|
| 10781 |
Rhené-Baton |
Marche des rois mages, Op.39 |
1925
|
| 10782 |
Rhené-Baton |
Cortège funèbre d’un Samouraï, Op.37 |
1925
|
| 10786 |
Roussel |
Segovia, Op.29 |
(1925)
|
| 10787–89 |
Ferroud |
A Contre-Cœur |
1925
|
| 10802 |
Roussel |
Segovia, Op.29 (transcription for piano) |
1925
|
| 10811 |
Schmitt |
Danse d'Abisag, Op.75 (orch. score) |
1925
|
| 10814 |
Caplet |
Pie Jesu (voice and organ) |
1925
|
| 10820 |
Rhené-Baton |
Fantaisie orientale, Op.34 (reduction for violin and piano) |
1926
|
| 10821 |
Rhené-Baton |
Fantaisie orientale, Op.34 (orch. score) |
1926
|
| 10823 |
Roussel |
Sérénade for Flute, String Trio and Harp, Op.30 (score) |
1926
|
| 10827 |
Ropartz |
3 prières |
1926
|
| 10834 |
Schmitt |
Soirs, Op.5 (No.8 – orchestral transcription) |
1926
|
| 10838 |
Roussel |
Sérénade for Flute, String Trio and Harp, Op.30 (parts) |
1926
|
| 10844 |
Rhené-Baton |
Danse de la Saint-Jean en pays tregorrois, Op.40 |
1926
|
| 10849 |
Rhené-Baton |
Vieille Chapelle, Op.41 |
1926
|
| 10850–52 |
Caplet |
Improvisations |
1926
|
| 10856 |
Schmitt |
Danse d'Abisag, Op.75 (transcription for piano) |
1926
|
| 10857–61 |
Schmitt |
Feuillets de Voyage, Op.26 (transcription for piano) |
1926
|
| 10888 |
Ravel |
Tzigane (reduction for violin and piano) |
1924
|
| 10890 |
Ravel |
Introduction et Allegro (study score) |
1906
|
| 10932 |
Ferroud |
Foules |
1928
|
| 10940 |
Rhené-Baton |
Ballade No.2, Op.43 |
1926
|
| 10943 |
Schmitt |
Salammbô, Op.76 (“Sous la tente” transcription for piano) |
1926
|
| 10951 |
Rhené-Baton |
Danse pour Anne de Bretagne, Op.44 |
1926
|
| 10952 |
Rhené-Baton |
Bourrée, Op.42 |
1926
|
| 10971–72 |
Ravel |
Chanson madécasses |
1926
|
| 10973 |
Ravel |
Chanson madécasses (piano reduction) |
1926
|
| 10974–75 |
Ropartz |
2 Pièces for Wind Quintet |
1926
|
| 10994 |
Ropartz |
Vœu |
1926
|
| 11009 |
Rhené-Baton |
Valse romantique, Op.45 |
1927
|
| 11024 |
Ropartz |
Romanza et Scherzino (arrangement for violin and piano) |
1927
|
| 11025 |
Ropartz |
Romanza et Scherzino (orch. score) |
1927
|
| 11026 |
Ropartz |
Impromptu |
1927
|
| 11037 |
Roussel |
Odes anacréontiques, Opp.31–32 |
1927
|
| 11040 |
Schmitt |
Final, Op.77 (reduction for cello and piano) |
1927
|
| 11045 |
Schmitt |
Fonctionnaire MCMXII, Op.74 |
1927
|
| 11049 |
Ferroud |
Autour de Florent Schmitt |
1927
|
| 11076 |
Ravel |
Rêves |
1927
|
| 11077 |
Dukas |
Fanfare pour précéder La Péri |
1927
|
| 11099 |
Schmitt |
Final, Op.77 (orch. score) |
1927
|
| 11105 |
Bach |
Toccata and Fugue in D minor, BWV 565 (trans. Philipp - piano) |
(1927?)
|
| 11221 |
Widor |
Suite Latine, Op.86 |
1927
|
| 11247 |
Ferroud |
Sérénade (piano 4 hands) |
1927
|
| 11253 |
Roussel |
Concert for Small Orchestra, Op.34 |
1927
|
| 11273 |
Ravel |
Violin Sonata No.2 |
1927
|
| 11289–91 |
Ropartz |
Les heures propices |
1927
|
| 11318–19 |
Roussel |
2 Poèmes Chinois, Op.35 |
1927
|
| 11323 |
Rhené-Baton |
Violin Sonata No.2, Op.46 |
1927
|
| 11324 |
Pierné |
Sonata da camera, Op.48 |
1927
|
| 11354 |
Roussel |
Suite, Op.33 |
1927
|
| 11357 |
Ferroud |
5 Poèmes de P.J. Toulet |
1928
|
| 11359 |
Ferroud |
Chirurgie (vocal score) |
1928
|
| 11363 |
Pierné |
Fantaisie Basque, Op.49 (orch. score) |
1928
|
| 11398 |
Ropartz |
Violin Sonata No.3 |
1928
|
| 11453 |
Roussel |
Piano Concerto, Op.36 (reduction for 2 pianos) |
1928
|
| 11456 |
Schmitt |
3 Rapsodies, Op.53 (No.2 – orchestral transcription) |
1928
|
| 11460 |
Schmitt |
3 Rapsodies, Op.53 |
1928
|
| 11484 |
Roussel |
Le Festin de l’Araignée, Op.17 (Valse – rev. for piano) |
1928
|
| 11513 |
Rhené-Baton |
River-side, Op.49 |
1928
|
| 11518 |
Roussel |
Piano Concerto, Op.36 (orch. score) |
1928
|
| 11533 |
Ropartz |
Rhapsodie for Cello and Orchestra (reduction for cello and piano) |
1928
|
| 11544 |
Ropartz |
Rhapsodie for Cello and Orchestra (orch. score) |
1928
|
| 11551–52 |
Ropartz |
Prélude, Marine et Chansons |
1928
|
| 11578 |
Ferroud |
Sérénade (transcription for orchestra) |
1928
|
| 11594 |
Blanchet |
Rhapsodie Turque, Op.45 |
1929
|
| 11607 |
Ferroud |
Sonatine |
1928
|
| 11659 |
Ravel |
Boléro (transcription for piano 4 hands) |
1929
|
| 11671 |
Ravel |
Boléro (trans. piano – Garban) |
1929
|
| 11724 |
Rhené-Baton |
Chansons pour Marycinthe, Op.50 |
1929
|
| 11733 |
Ferroud |
Sonata for Violin and Piano |
1929
|
| 11750–51 |
Schmitt |
Mirages, Op.70 (orchestral transcription) |
1925
|
| 11769–74 |
Rhené-Baton |
Pour la jeunesse |
1929
|
| 11809 |
Schmitt |
Ombres, Op.64 (No.1 – orchestral reduction) |
1929
|
| 11814 |
Schmitt |
Çançunik, Op.79 |
1929
|
| 11828 |
Ravel |
Boléro (transcription for 2 pianos) |
1930
|
| 11836 |
Roussel |
Trio for Flute, Viola and Cello, Op.40 (score) |
1930
|
| 11837 |
Roussel |
Trio for Flute, Viola and Cello, Op.40 (parts) |
1930
|
| 11839 |
Ravel |
Boléro (full and study score) |
1929
|
| 11842 |
Ferroud |
3 Poèmes de Paul Valéry |
1930
|
| 11858 |
Roussel |
Prelude and Fughetta, Op.41 |
1930
|
| 11875 |
Ropartz |
Jeunes Filles |
1930
|
| 11884 |
Ropartz |
Un Prélude Dominical |
1930
|
| 11940 |
Schmitt |
Salammbô, Op.76 (Suite No.2) |
1928
|
| 11945 |
Saint-Saëns |
Samson et Dalila, Op.47 (full score, miniature reproduction) |
(1929?)
|
| 11955 |
Schmitt |
Salammbô, Op.76 (Suite No.3) |
1930
|
| 12006 |
Roussel |
Petite Suite, Op.39 |
1929
|
| 12009–10 |
Schmitt |
12 Chants et Basses d'harmonie, Op.81B |
1931
|
| 12012 |
Ropartz |
Sonatine for Flute and Piano |
1931
|
| 12013 |
Rhené-Baton |
Pour celles qui restent, Op.52 |
1931
|
| 12031 |
Roussel |
Bacchus et Ariane, Op.43 (transcription for piano) |
1931
|
| 12041 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. saxophone and piano - Bernards) |
1929
|
| 12042 |
Ferroud |
Symphony in A |
1931
|
| 12096 |
Ferroud |
Fables |
1931
|
| 12107 |
Roussel |
Bacchus et Ariane, Op.43 (Suite No.1) |
1932
|
| 12117-22 |
Schmitt |
6 Chœurs, Op.81a |
1931
|
| 12127 |
Schmitt |
Symphonie concertante, Op.82 (orch. score) |
1932
|
| 12130–31 |
Roussel |
2 Idylles, Op.44 |
1931
|
| 12136 |
Schmitt |
Symphonie concertante, Op.82 (reduction for 2 pianos) |
1932
|
| 12143 |
Ravel |
Piano Concerto in G major (trans. 2 pianos – Garban) |
1932
|
| 12149 |
Roussel |
Symphony No.3, Op.42 |
1931
|
| 12150 |
Ravel |
Piano Concerto in G major (full score) |
1932
|
| 12162 |
Ravel |
Piano Concerto in G major (Adagio trans. piano solo – Samazeuilh) |
1932
|
| 12236 |
Ravel |
12 chants avec accompagnement de piano |
1932
|
| 12250 |
Ferroud |
3 Poèmes intimes |
1932
|
| 12253 |
Roussel |
String Quartet, Op.45 (score) |
1932
|
| 12254 |
Roussel |
String Quartet, Op.45 (parts) |
1932
|
| 12280 |
Ferroud |
Sonata for Cello and Piano |
1933
|
| 12282 |
Roussel |
A Glorious Day, Op.48 |
1933
|
| 12321 |
Rhené-Baton |
Suite ancienne, Op.55 |
1933
|
| 12353 |
Schmitt |
Oriane et le Prince d'Amour, Op.83 (vocal score) |
1937
|
| 12355 |
Roussel |
2 Poèmes Chinois, Op.47 |
1934
|
| 12357 |
Roussel |
3 Pièces, Op.49 |
1934
|
| 12358 |
Roussel |
Le Bardit des francs |
1934
|
| 12368 |
Ferroud |
Trio for Oboe, Clarinet and Bassoon (parts) |
1934
|
| 12371 |
Ferroud |
Trio for Oboe, Clarinet and Bassoon (score) |
1934
|
| 12372 |
Roussel |
Prélude et Fugue, Op.46 |
1934
|
| 12393 |
Widor |
3 Nouvelles pièces, Op.87 |
1934
|
| 12422 |
Roussel |
Andante and Scherzo, Op.51 |
1934
|
| 12427 |
Ravel |
Don Quichotte à Dulcinée |
1934
|
| 12431 |
Roussel |
2 Mélodies, Op.50 |
1934
|
| 12445 |
Schmitt |
Oriane et le Prince d'Amour, Op.83 (orch. score) |
1938
|
| 12491 |
Roussel |
O bon vin, où as-tu crû |
1935
|
| 12523 |
Roussel |
Symphony No.4, Op.53 |
1935
|
| 12535–36 |
Schmitt |
Suite en Rocaille, Op.84 |
1935
|
| 12589 |
Schmitt |
Sonatine en trio, Op.85 (score and parts (for flute and clarinet)) |
1935
|
| 12608 |
Roussel |
Aeneas, Op.54 (vocal score) |
1936
|
| 12630 |
Schmitt |
3 Danses, Op.86 |
1936
|
| 12646 |
Roussel |
2 Mélodies, Op.55 |
1936
|
| 12655 |
Saint-Saëns |
Laudate Dominum, Op.149 (trans. for mixed chorus and organ - Kunc) |
(1936?)
|
| 12675 |
Ferroud |
String Quartet (score) |
1936
|
| 12676 |
Ferroud |
String Quartet (parts) |
1936
|
| 12682–83 |
Schmitt |
In Memoriam, Op.72 |
1937
|
| 12697 |
Roussel |
Concertino for Cello and Orchestra, Op.57 (orch. score) |
1937
|
| 12728 |
Ravel |
Piano Concerto for the Left Hand (transcription for 2 pianos) |
1937
|
| 12734 |
Ravel |
Piano Concerto for the Left Hand (full score) |
1931
|
| 12739 |
Ravel |
Piano Concerto for the Left Hand (parts) |
1937
|
| 12757 |
Roussel |
Concertino for Cello and Orchestra, Op.57 (reduction for cello and piano) |
1937
|
| 12780 |
Roussel |
Rapsodie Flamande, Op.56 |
1936
|
| 12802 |
Roussel |
String Trio, Op.58 (score and parts) |
1937
|
| 12805 |
Ropartz |
String Trio |
1937
|
| 12806 |
Schmitt |
Chaîne Brisée, Op.87 |
1937
|
| 12809 |
Debussy |
La Mer (trans. piano – Garban) |
1938
|
| 12815 |
Bonnal |
Complainte pour l’enfant rêveur |
1937
|
| 12818 |
Ropartz |
Sérénade Champêtre |
1938
|
| 12846 |
Ropartz |
L'Indiscret |
1938
|
| 12857 |
Schmitt |
Suite sans esprit de suite, Op.89 (orchestral transcription) |
1938
|
| 12886 |
Rhené-Baton |
Aubade, Op.53 (score) |
1940
|
| 12887 |
Rhené-Baton |
Aubade, Op.53 (parts) |
1940
|
| 12877 |
Roger-Ducasse |
Ulysse et les Sirènes (orch. score) |
1938
|
| 12917 |
Rhené-Baton |
Potiron, Op.58 |
1938
|
| 12960 |
Canteloube |
Poème for Violin and Orchestra (transcription for violin and piano) |
1939
|
| 12970 |
Dukas |
L'Apprenti Sorcier (trans. piano solo - Garban) |
1939
|
| 12983 |
Schmitt |
Suite sans esprit de suite, Op.89 |
1939
|
| 13004 |
Ginastera |
Danzas Argentinas |
1939
|
| 13019 |
Ravel |
L'enfant et les sortilèges (full score) |
1925
|
| 13026 |
Ropartz |
Bourrées bourbonnaises |
1940
|
| 13043 |
Schmitt |
Sonatine en trio, Op.85 (parts transcribed for piano, violin, and cello) |
1940
|
| 13046 |
Schmitt |
Enfants, Op.94 |
1940
|
| 13056 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. piano - Garban “nouvelle tr.”) |
1940
|
| 13061 |
Liszt |
La Marseillaise, S.237 |
1944
|
| 13077 |
Roussel |
Fanfare pour un sacre païen (rev. ver. 1941) |
1941
|
| 13127 |
Schmitt |
4 Poèmes de Ronsard, Op.100 |
1942
|
| 13140 |
Schmitt |
Janiana, Op.101 |
1943
|
| 13152 |
Schmitt |
A tour d'anches, Op.97 |
1943
|
| 13153 |
Schmitt |
3 Chants, Op.98 |
1943
|
| 13160 |
Roussel |
Duo for Bassoon and Double Bass |
1943
|
| 13163 |
Schmitt |
A contre-voix, Op.104 |
1943
|
| 13171 |
Schmitt |
Hasards, Op.96 |
1943
|
| 13198 |
Honegger |
2 Esquisses, H 173 |
(1944)
|
| 13244 |
Schmitt |
String Trio, Op.105 |
1946
|
| 13288 |
Saint-Saëns |
La Carnaval des Animaux (trans. 2 pianos - Berkowetz) |
1947
|
| 13291 |
Schmitt |
Clavecin obtempérant, Op.107 |
1947
|
| 13293 |
Schmitt |
3 Trios, Op.99 |
1947
|
| 13304 |
Roussel |
Elpénor, Op.59 |
1947
|
| 13319 |
Schmitt |
Habeyssée, Op.110 |
1947
|
| 13322 |
Roussel |
Doute |
1948
|
| 13323 |
Roussel |
Petit Canon Perpétuel |
1948
|
| 13324–25 |
Schmitt |
Saxophone Quartet, Op.102 |
1948
|
| 13344 |
Obukhov |
La paix pour les réconciliés |
1948
|
| 13346 |
Roussel |
A Flower Given to My Daughter |
1948
|
| 13362–63 |
Schmitt |
Flute Quartet, Op.106 |
1949
|
| 13369–70 |
Schmitt |
String Quartet, Op.112 |
1949
|
| 13411 |
Roussel |
Bacchus et Ariane, Op.43 (Suite No.2) |
1932
|
| 13440 |
Roussel |
Sinfonietta, Op.52 |
1934
|
| 13447 |
Schmitt |
3 Liturgies Joyeuses, Op.116 (vocal score with organ) |
1951
|
| 13451 |
Ravel |
Shéhérazade |
(1950?)
|
| 13454 |
Debussy |
Sonata for Flute, Viola and Harp (miniature score) |
1916
|
| 13455 |
Schmitt |
Andante religioso (cello quartet) |
1950
|
| 13461 |
Schmitt |
Enfants, Op.94 (orchestral transcription) |
1951
|
| 13497 |
Ropartz |
Petite symphonie |
1950
|
| 13501 |
Schmitt |
Le chant de la nuit, Op.120 |
1951
|
| 13508 |
Schmitt |
Marche nuptiale, Op.108 |
1951
|
| 13509–10 |
Schmitt |
Andante religioso (string quartet score and parts) |
1951
|
| 13514 |
Schmitt |
3 Liturgies Joyeuses, Op.116 (choral score) |
1951
|
| 13538 |
Saint-Saëns |
La Carnaval des Animaux (trans. piano solo - Garban) |
1951
|
| 13540 |
Bizet |
Jeux d'enfants (trans. piano - Garban) |
1952
|
| 13574 |
Schmitt |
Introït, récit et congé, Op.113 (cello part) |
1952
|
| 13589–91 |
Debussy |
Images pour Orchestre (trans. piano – Garban) |
1952
|
| 13592 |
Schmitt |
Scènes de la vie moyenne, Op.124 (transcription for piano) |
1952
|
| 13614 |
Ravel |
Rapsodie espagnole (trans. piano - Garban) |
1952
|
| 13630 |
Schmitt |
Quinque cantus, Op.121 |
1953
|
| 13631 |
Schmitt |
Laudate, pueri, Dominum, Op.126 |
1953
|
| 13651 |
Schmitt |
Oremus pro Pontifice, Op.127 |
1953
|
| 13654 |
Obukhov |
Le temple est mesuré, l'esprit est incarné |
1953
|
| 13676 |
Ropartz |
Pastorales |
1953
|
| 13694 |
Schmitt |
Suite for Flute and Piano, Op.129 |
1954
|
| 13712 |
Schmitt |
Fables sans morales, Op.130 |
1954
|
| 13733 |
Schmitt |
A tour d'anches, Op.97 (string parts transcription) |
1954
|
| 13741 |
Roussel |
Aeneas, Op.54 (orch. score) |
1954
|
| 13742 |
Schmitt |
Chants Alizés, Op.125 |
1955
|
| 13766 |
Schmitt |
Suite for Trumpet and Piano, Op.133 |
1955
|
| 13771 |
Schmitt |
5 Refrains, Op.132 |
1955
|
| 13785 |
Roger-Ducasse |
String Quartet No.2 (score and parts) |
1956
|
| 13796 |
Schmitt |
Pour presque tous les temps, Op.134 |
1956
|
| 13808 |
Schmitt |
Psaume CXII, Op.135 |
1956
|
| 13809 |
Schmitt |
Domine, Dominus Noster, Op.119 |
1956
|
| 13831 |
Ropartz |
Symphony No.5 |
1956
|
| 13837 |
Schmitt |
4 Monocantes, Op.115 |
1957
|
| 13853 |
Ferroud |
3 Chansons de Fous |
1957
|
| 13855 |
Schmitt |
3 Duos, Op.136 |
1957
|
| 13879 |
Schmitt |
Messe en quatre parties, Op.138 |
1959
|
| 13882 |
Schmitt |
Symphony No.2, Op.137 |
1959
|
| 13956 |
Schmitt |
Introït, récit et congé, Op.113 (piano reduction) |
1964
|
| 13968 |
Saint-Saëns |
La Carnaval des Animaux (Le Cygne - trans. guitar - Mornac) |
1965
|
| 14458 |
Ravel |
Manteau de fleurs (reissue) |
?
|