Magnificat a 5 in B-flat major (Durante, Francesco)

Movements/SectionsMov'ts/Sec's	5 movements
Composition Year	1750 ca.
Genre Categories	Magnificats; Religious works; Vespers; For 5 voices, strings, continuo; For voices with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring string ensemble; Scores with basso continuo; Latin language
Related Works	Magnificat a 4 in B-flat major

Sheet Music

Complete Score
*#339085 - 3.62MB, 16 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 3397×⇩ - Tito Manlio

Publisher. Info.	Manuscript, n.d.(ca.1741-55).
Copyright	Public Domain [tag/del]
Misc. Notes	Bibl. del Cons. di Musica S. Pietro a Majella, Naples (I-Nc): Rari 1.6.19.
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Complete Score
*#835631 - 0.63MB, 39 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 308×⇩ - Carolus

PDF typeset by editor
Carolus (2023/1/22)

Editor	Walter Heeroma
Publisher. Info.	CPDL, 2018
Copyright	Choral Public Domain Library License v4 [tag/del]
Misc. Notes	Heeroma's preface contains much information about this work.
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Work Title	Magnificat a 5 in B-flat major
Alternative. Title	Magnificat a cinque voci con violini e basso
Composer	Durante, Francesco
I-Catalogue NumberI-Cat. No.	IFD 42
Key	B-flat major
Movements/SectionsMov'ts/Sec's	5 movements Magnificat, anima mea Dominum. Allegro (78 bars) Et misericordia. Staccato e forte (D minor, 14 bars) - attacca Fecit potentiam. (12 bars) Deposuit potentes. [No tempo] (D minor, 48 bars) Suscepit Israel. Largo (B-flat major, 20 bars) - attacca Sicut locutus est. Allegro (B-flat major, 25 bars) Gloria Patri. Grave (B-flat major, 10 bars) - attacca Sicut erat in principio. Allegro (B-flat major, 48 bars)
Year/Date of CompositionY/D of Comp.	1750 ca.
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	voices, chorus, strings, continuo
Related Works	Magnificat a 4 in B-flat major
Extra Information	Now thought to Durante's revision (fairly extensive) of an earlier work for 4 voices, which was misattributed to Pergolesi for many years.