The tables and lists below gives the following information for works by Hector Berlioz (where applicable):
H | Op. | OBE | NBE | Title | Forces | Key | Date | First publ. | Genre | Notes |
---|---|---|---|---|---|---|---|---|---|---|
1 | — | — | — | Potpourri concertant sur des thèmes italiens | fl hn 2vn va db | — | 1817–18 | — | Chamber | Lost |
2 | — | — | — | Quintet No.1 for Flute and String Quartet | fl 2vn va db | — | 1818–19 | — | Chamber | Burned |
3 | — | — | — | Quintet No.2 for Flute and String Quartet | fl 2vn va db | — | 1818–19 | — | Chamber | Burned |
4 | — | — | — | Romances | v pf | — | 1818–19 | — | Vocal | Lost |
5 | — | — | 22b: 3 | Accompaniment to Fleuve du Tage (Pollot) | v gtr | A major | 1819 ca. | 2004 | Vocal | |
6 | — | — | 16: 194 | Je vais donc quitter pour jamais | v (gtr/pf?) | C minor? | 1819 ca. | 1971 | Vocal | Reconstructed by Nicholas Temperley |
7 | — | 17: 2–5 | 15: 3–4 | Le Dépit de la bergère | v pf | D major | 1819–23 ca. | 1820–23 ca. | Vocal | |
8 | — | — | 22b: 4–28 | Recueil de romances (25) | v gtr | — | 1819–22 ca. | 2004 | Vocal | |
9 A | — | — | 15: 5-6 | Le Maure jaloux | v pf | A major | 1819–21 | 2005 | Vocal | First version of H 9B |
9 B | — | 17: 12–17 | 15: 7–10 | Le Maure jaloux | v pf | A major | 1819–21 | 1822 | Vocal | Second version of H 9A |
10 A | — | — | 15: 11–13 | Amitié, reprends ton empire | sop alt ten pf | A major | 1819–21 | 2005 | Vocal | First version of H 10B |
10 B | — | 16: 156–61 | 15: 13–16 | Amitié, reprends ton empire | 2sop bass pf | F major | 1819–21 | 1823 | Vocal | Second version of H 10A |
11 | — | 16: 286–93 | 15: 17–18 | Pleure, pauvre Colette | 2vv pf | C major | 1822 ca. | 1822 | Vocal | |
12 | — | — | — | Le Cheval arabe | vv orch | — | 1822 | — | Vocal | Lost |
13 | — | — | — | Canon for 3 Voices | 3vv? | — | 1822 | — | Vocal? | Lost |
14 | — | 16: 180–85 | 15: 19–23 | Canon libre à la quinte | alt bass pf | C major | 1822 ca. | 1822 | Vocal | |
15 | — | 16: 162–79 | 15: 24–35 | Le montagnard exilé | 2vv pf/hp | E♭ major | 1823 ca. | 1823 | Vocal | |
16 | — | 17: 6–11 | 15: 36–38 | Toi qui l'aimas verse des pleurs | v pf | G major | 1823 ca. | 1823 | Vocal | |
17 | — | — | — | Estelle et Némorin | vv ch orch? | — | 1823 | — | Stage | Burned |
18 | — | — | — | Le Passage de la mer rouge | vv ch orch? | — | 1823–24 | — | Stage | Burned |
19 | — | — | 21: 83 | Beverley | bass orch | — | 1823–24 | 1876 | Vocal | Fragment of 5 bars, burned by Berlioz |
20 A | — | — | 23: 3–257 | Messe solennelle | sop ten bass ch orch | G minor | 1824 | 1994 | Orchestral | |
20 B | — | 7: 1–48 | 12a: 5–62 | Resurrexit | ch orch | G minor | 1828 | 1902 | Orchestral | 2nd version of H 20A/8 |
21 A | — | 10: 1–106 | 12a: 63–196 | La Révolution grecque | 2bass ch orch | A major | 1825–26 | 1903 | Vocal | 1st version of H 21B |
21 B | — | — | 12a: 197–266 | La Révolution grecque | 2bass ch orch | G major | 1833 | 1991 | Vocal | 2nd version of H 21A |
22 | — | — | 6: 3–5 | Fugue | 4vv | F major | 1826 | 1998 | Keyboard | |
23 A | — | — | 4: 1–216 | Les francs-juges | 4sop 2ten bar bass ch orch | — | 1825–26 ca. | 2002 | Stage | Fragmentary; partial reconstruction by Ric Graebner and Paul Banks |
23 B | — | — | 4: 126–31 | Mélodie pastorale | 2sop ten ch pf | ? | 1828 | 2002 | Stage | 2nd version of H 23A/7 |
23 C | — | — | 4: 333–36 | Le Cri de guerre du Brisgaw | vv ch orch? | — | 1833–34 | 2002 | Stage | Only libretto extant |
23 D | 3 | 4: 39–86 | 4: 3–64 | Grande Ouverture des francs-juges | orch | F minor | 1826 | 1836 | Orchestral | |
24 | — | — | — | Fugue | vv? | — | 1827 | — | Keyboard | Lost |
25 | — | — | 6: 6–60 | La Mort d’Orphée | ten 2ch orch | — | 1827 | 1998 | Stage | Facsimile of manuscript published 1930; destroyed by Berlioz |
26 | 1 | bis4: 1–38 | 20: 3–50 | Overture 'Waverley' | orch | D major | 1827–28 | 1839 | Orchestral | |
27 | — | — | — | Marche religieuse des Mages | orch? | — | 1828 | — | Orchestral | Lost |
28 | — | — | — | Fugue | vv? | — | 1828 | — | Keyboard | Lost |
29 | — | 15: 1–60 | 6: 61–136 | Herminie | sop orch | — | 1828 | 1903 | Vocal | |
30 | — | — | — | Variations on Là ci darem la mano | gtr | — | 1828 ca. | — | Chamber | Lost |
31 | — | — | 22b: 29 | Nocturne | 2vv gtr | A major | 1830 ca. | 2004 | Vocal | |
32 | — | — | — | Salutaris | 3vv org/pf | — | 1828–29 | — | Vocal | Burned? |
33 | 1 | 10: 107–214 | 5: 1–99 | Scènes de Faust (8) | sop ten bass ch orch | — | 1828–29 | 1829 | Vocal | no.2: extra sop/ten, no.3: extra 2sop alt ten bar bass |
33 A | — | — | 15: 39–40 | Le Roi de Thulé | sop pf | G major | 1828 | 2005 | Vocal | 1st version of H 33/6 |
34 | — | — | — | Chanson des pirates | vv pf? | — | 1829 | — | Vocal | Lost; used for H 55/3? |
35 | — | 6: 10–12 | 6: 137–39 | Fugue à 3 sujets | 4vv | C major | 1829 | 1902 | Keyboard | |
36 | — | 15: 61–104 | 6: 140–99 | La mort de Cléopâtre | sop orch | — | 1829 | 1903 | Vocal | |
37 | 2 | 16: 1–18 | 14: 3–9 | Le ballet des ombres | ch pf | C minor | 1829 | 1829 | Vocal | All first editions destroyed; first extant edition published 1904 |
38 | 2 | bis— | — | Mélodies (9) | vv ch pf | — | 1829 | 1830 | Vocal | Contains H 39-47; for OBE/NBE contents, see below |
39 | 2 | bis/117: 24–27 | 15: 41–44 | ten pf | A♭ major | 1829 | 1830 | Vocal | ||
40 A | 2 | bis/216: 194–99 | 15: 45–49 | ten/sop bass/alt pf | G major | 1829 | 1830 | Vocal | 1st version of H 40B | |
40 B | — | 14: 17–22 | 12a: 280–85 | 2ten 2bass orch | G major | 1844 | 1903 | Vocal | 2nd version of H 40A | |
41 | 2 | bis/316: 19–26 | 14: 10–14 | ten bass ch pf | C major | 1829 | 1830 | Vocal |