Sancta et immaculata virginatas (Aleotti, Vittoria)

Movements/SectionsMov'ts/Sec's	1 movement
Composition Year	1593 or before

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Synthesized Performance
*#901688 - 1.84MB - 1:21 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - MP3 - Bbrolsma

MP3 file (audio)
Bbrolsma (2024/2/27)

Publisher Info.	Bruce Brolsma, 2024.
Performers	Synthesized/MIDI
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Complete Score
*#901685 - 1.01MB, 9 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 57×⇩ - Bbrolsma

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Bbrolsma (2024/2/27)

PDF typeset by editor
Bbrolsma (2024/2/27)

Engraving file (Finale)
*#901687 - 0.01MB, ? pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6×⇩ - Bbrolsma

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Bbrolsma (2024/2/27)

Editor	Bruce Edward Brolsma (b. 1948)
Publisher. Info.	Bruce Edward Brolsma, 2024.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del/mrg]
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Work Title	Sancta et immaculata virginatas
Alternative. Title
Composer	Aleotti, Vittoria
I-Catalogue NumberI-Cat. No.	IVA 9
Movements/SectionsMov'ts/Sec's	1 movement
Year/Date of CompositionY/D of Comp.	1593 or before
First Publication.	1593
Librettist	Catholic responsory of Christmas Matins, or for Marian feasts
Language	Latin
Average DurationAvg. Duration	3 minutes
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	5 voices (SATTB); transposition provided up a fourth (SSAAT)
Extra Information	The first woman to have her sacred music published, in Sacrae cantiones quinque, septem, octo, & decem vocibus decantanda (“Sacred songs to be sung in five, seven, eight, and ten voices”), published in Venice by Ricciardo Amadino in 1593.