Was wir bringen, MWV M 6 (Mendelssohn, Felix)

		Composition Year ca. 1833 Genre Categories Incidental music; Stage Works; For male chorus, piano; Scores featuring male chorus; Scores featuring the piano; For chorus with keyboard; German language

Sheet Music

• Scores (3)

Scores

3. Frohsinn

 Complete score
*#57083 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 490x⇩

PDF typeset by Christoph Lahme
Ralph Theo Misch (2010/2/22)

Editor:

Christoph Lahme (1968*), transcriber

Publisher Info.:

Christoph Lahme, Version 1.0 (2010/2/22)

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

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4. Gesang hinter der Scene

 Complete score
*#57085 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 200x⇩

PDF typeset by Christoph Lahme
Ralph Theo Misch (2010/2/22)

Editor:

Christoph Lahme (1968*), transcriber

Publisher Info.:

Christoph Lahme, Version 1.0 (2010/2/22)

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

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Excerpts

 Article
*#57084 - 3.80MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - V/C/V - 100x⇩

PDF scanned by Anita Beimert
Ralph Theo Misch (2010/2/22)

Editor:

Leopold Hirschberg (1867-1929), author

Publisher Info.:

Jede Woche Musik. Wochenschrift des Berliner Tageblatts
2. Jahrgang, Nr.28 (11. July 1925)
Berlin: Rudolf Mosse, (1925)
Facsimiles: Berlin: G. Reimer, (1833)

Copyright:

Public Domain [tag/del]

Misc. Notes:

Grayscale 300dpi.

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General Information

Work Title	Musik zum Festspiel „Was wir bringen“
Alternative Title

Composer	Mendelssohn, Felix
Opus/Catalogue Number	MWV M 6
Year/Date of Composition	ca. 1833
Librettist	Wilhelm Emil
Language	German
Piece Style	Romantic
Instrumentation	Male Chorus + Piano

Misc. Comments

Brief summary of the article 'Two unknown works by Mendelssohn?'

In the musical section of the festival production Talassio by Wilhelm Emil (Berlin: G. Reimer, 1833), Leopold Hirschberg found two contributions by Mendelssohn, noting that neither of these pieces could be found in any publication of Mendelssohn's works then available (1925). Even though he ruled out the possibility that Mendelssohn's name could have been carelessly inserted into the Emil publication, Hirschberg leaves the final decision about the works' authenticity to further research. Hirschberg speculates that a friendship between the composer and Wilhelm Emil could be the reason Mendelssohn composed music to poems of such poor quality.