Was wir bringen, MWV M 6 (Mendelssohn, Felix)

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3. Frohsinn

 Complete score
#57083 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 644x

PDF typeset by Christoph Lahme
Ralph Theo Misch (2010/2/22)

TN-Mendelssohn, Felix, Frohsinn.jpg
Editor:

Christoph Lahme (1968*), transcriber

Publisher Info.:

Christoph Lahme, Version 1.0 (2010/2/22)

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

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4. Gesang hinter der Scene

 Complete score
#57085 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 267x

PDF typeset by Christoph Lahme
Ralph Theo Misch (2010/2/22)

TN-Mendelssohn,Felix, Gesang hinter der Scene.jpg
Editor:

Christoph Lahme (1968*), transcriber

Publisher Info.:

Christoph Lahme, Version 1.0 (2010/2/22)

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

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Excerpts

 Article
#57084 - 3.80MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - V/C/V - 127x

PDF scanned by Anita Beimert
Ralph Theo Misch (2010/2/22)

TN-Mendelssohn, 2 unbekannte Werke. Article.jpg
Editor:

Leopold Hirschberg (1867-1929), author

Publisher Info.:

Jede Woche Musik. Wochenschrift des Berliner Tageblatts
2. Jahrgang, Nr.28 (11. July 1925)
Berlin: Rudolf Mosse, (1925)
Facsimiles: Berlin: G. Reimer, (1833)

Copyright:

Public Domain [tag/del]

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Grayscale 300dpi.

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General Information

Work Title Musik zum Festspiel „Was wir bringen“
Alternative Title
Composer Mendelssohn, Felix
Opus/Catalogue Number MWV M 6
Year/Date of Composition ca. 1833
Librettist Wilhelm Emil
Language German
Piece Style Romantic
Instrumentation Male Chorus + Piano


Misc. Comments

Brief summary of the article 'Two unknown works by Mendelssohn?'

In the musical section of the festival production Talassio by Wilhelm Emil (Berlin: G. Reimer, 1833), Leopold Hirschberg found two contributions by Mendelssohn, noting that neither of these pieces could be found in any publication of Mendelssohn's works then available (1925). Even though he ruled out the possibility that Mendelssohn's name could have been carelessly inserted into the Emil publication, Hirschberg leaves the final decision about the works' authenticity to further research. Hirschberg speculates that a friendship between the composer and Wilhelm Emil could be the reason Mendelssohn composed music to poems of such poor quality.

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