Vergnügte Ruh beliebte Seelenlust, GWV 1147/11 (Graupner, Christoph)

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Scores and Parts

 Complete score and parts
#67171 - 10.70MB, 44 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/C - 275x

PDF scanned by D-Ds
Boccaccio (2010/6/10)

PMLP135810-Mus-Ms-419-12.pdf
Publisher Info.:

Autograph manuscript, July 1711

Copyright:

Public Domain [tag/del]

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 Complete Score (urtext)
#246359 - 0.49MB, 29 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 221x

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Score (with viola clefs & reduction)
#246360 - 0.49MB, 26 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 84x

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Parts
#246376 - 0.74MB, 33 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 91x

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

PMLP135810-Graupner Vergnugte Ruh Urtext Merged.pdf
Editor:

Richard Kram

Publisher Info.:

Richard Kram

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

New versions now posted correcting numerous text errors.

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Vocal Scores

 Complete Score
#246361 - 0.31MB, 18 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 166x

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

PMLP135810-Graupner Vergnugte Ruh PV.pdf
Arranger:

Richard Kram, keyboard reduction

Publisher Info.:

Richard Kram

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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General Information

Work Title Vergnügte Ruh beliebte Seelenlust, GWV 1147/11
Alternative Title
Composer Graupner, Christoph
Opus/Catalogue Number GWV 1147/11
Key F major
Year/Date of Composition 1711
First Performance 1711
Librettist Georg Christian Lehms (1684–1717)
Language German
Piece Style Baroque
Instrumentation Soprano, 2 flutes, violetta, strings, basso continuo


Misc. Comments

About the Kram Editions

Three versions are posted. The first is true to the original (though the violetta line is transcribed into treble clef). Movements 1 and 5 use two viols notated in alto and tenor clefs, though the parts (which might have been written later) say viola. The second complete orchestral version places the two viols as violas and notates them both in alto clef. A piano reduction is also included to assist in easily creating your own continuo part (though some continuo is added where only continuo was present). The final version is a piano vocal score on the Arrangements and Transcriptions tab. The continuo part at the end of the original scan contains figures which obviously were written in at a later date. For the most part they seem reasonable so I kept them. Very interesting comparing this with Bach's Cantata on the same text (BWV170, written in 1726).

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