Trio Sonata, RV 71 (Vivaldi, Antonio)
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Performances
Recordings
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Synthesized/MIDI
For 2 Guitars (Höger)
Synthesized Performance
*#225750 - 5.03MB - 5:29 - (0) - - !N/!N/!N - 138x⇩
MP3 file (audio)
Anton Höger (2012/5/28)
computer synthesized audio
Anton Höger
Creative Commons Attribution Non-commercial 3.0 [tag/del]
Because most of my Intavolations are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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Sheet Music
Arrangements and Transcriptions
For 2 Guitars (Höger)
Complete Score
*#225751 - 0.22MB, 9 pp. - (0) - !N/!N/!N - 1084x⇩
PDF typeset by Anton Höger
Anton Höger (2012/5/27)
Guitar 1 Part
*#225752 - 0.14MB, 4 pp. - (0) - !N/!N/!N - 162x⇩
PDF typeset by Anton Höger
Anton Höger (2012/5/27)
Guitar 2 Part
*#225753 - 0.13MB, 4 pp. - (0) - !N/!N/!N - 84x⇩
PDF typeset by Anton Höger
Anton Höger (2012/5/27)
Anton Höger
Creative Commons Attribution Non-commercial 3.0 [tag/del]
Intavolation and Transcription for 2 Guitars. By performances I would look forward about a small reference to my efforts.
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General Information
| Work Title | Trio Sonata |
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| Alternative Title |
| Composer | Vivaldi, Antonio |
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| Opus/Catalogue Number | RV 71 |
| Key | G major |
| Movements/Sections | 3 |
| Average Duration | 9 minutes |
| Piece Style | Baroque |
| Instrumentation | 2 Violins, continuo (optional) |
Misc. Comments
- A recording on Harmonia Mundi takes twice as long (11 minutes) as the recording here - an unusual discrepancy. (This may be a difference between guitars and violins, with their chordal figurations, but also that Ensemble 415 takes repeats? Don't know...) l'Astrée on Opus 111 also takes about 10 minutes.
- Works now described as sonatas were often just described as sonatas on their first publication or on their manuscript, obtaining the description trio sonatas only in modern publications (and we tend to tag only those that we know were titled trio sonatas from the start as trios as well as sonatas; is the provenance known for this work, for starters?)
Talbot's Vivaldi Compendium touches briefly on this sonata, noting that the continuo is optional and that it shares much material with the concerto for 3 violins RV 516. He suggests RV 71 may have been part of a group of touring sonatas Vivaldi wrote to play with his father. (Talbot, pp. 54, 155.)

