The Stone Guest (Dargomyzhsky, Aleksandr)

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1871 version

For César Cui's orchestral introduction, omitted from this edition, see Introduction to 'The Stone Guest' (Cui, César).

PDF scanned by Lyle Neff
Lyle Neff (2008/7/23)

 Act I, Tableau 1
#19327 - 12.36MB, 20 (#6-25) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 724x

PDF scanned by Lyle Neff
Lyle Neff (2008/7/23)

 Act I, Tableau 2
#19353 - 20.90MB, 35 (#26-60) pp. -  4.0/10 2 4 6 8 10 (1) - V/V/V - 396x

PDF scanned by Lyle Neff
Lyle Neff (2008/7/23)

 Act II
#19375 - 22.10MB, 36 (#61-96) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 303x

PDF scanned by Lyle Neff
Lyle Neff (2008/7/23)

 Act III
#19377 - 20.82MB, 30 (#97-126) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 316x

PDF scanned by Lyle Neff
Lyle Neff (2008/7/23)

PMLP45306-Darg StoneGuest 1871 vc tp.pdf
Arranger:

César Cui (1835-1918), completion of 1st tableau
Nikolay Rimsky-Korsakov (1844–1908), orchestration

Language:

Russian

Publisher Info.:

St. Petersburg: V. Bessel & Co., 1871. Plate 153.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Censor's approval date on p.126; Laura's 2nd song, pp.37-40, has plate no.153a; Act II adds plate no.153б (from 2nd edition).

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1902 version

For Rimsky-Korsakov's orchestral introduction, included in this edition, see Introduction to 'The Stone Guest' (Rimsky-Korsakov, Nikolay).

 Preliminaries
#24660 - 0.46MB, 4 (#i-iv) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 287x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

 Act I, Tableau 1
#24662 - 3.02MB, 26 (#7-32) pp. -  8.0/10 2 4 6 8 10 (1) - V/V/V - 352x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

 Act I, Tableau 2
#24663 - 6.13MB, 51 (#33-83) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 201x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

 Act II
#24664 - 5.22MB, 49 (#84-132) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 213x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

 Act III
#24665 - 4.20MB, 45 (#133-178) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 191x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

 Supplement
#24666 - 0.53MB, 6 (#179-187) pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 182x

PDF scanned by Lyle Neff
Lyle Neff (2008/11/22)

PMLP45306-Dargomyzhsky StoneGuest 2ndEd vs 00Preliminaries.pdf
Arranger:

César Cui (1835–1918), completion of 1st tableau
Nikolay Rimsky-Korsakov (1844–1908), revision and re-orchestration of 1st edition

Language:

Russian / German

Publisher Info.:

St. Petersburg: W. Bessel, 1902. Plate 5623.

Copyright:

Public Domain [tag/del]

Misc. Notes:

Preliminaries add plate number 153 from 1st edition; pp.184-185 blank in the exemplar scanned.

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 Complete Score
#64055 - 14.99MB, 186 (vi, #1-180) pp. -  6.0/10 2 4 6 8 10 (1) - V*/V*/V* - 712x

PDF scanned by Unknown
Daphnis (2010/5/13)

PMLP45306-Dargomyzsky - The Stone Guest (vocal score).pdf
Arranger:

César Cui (1835–1918), completion of 1st tableau
Nikolay Rimsky-Korsakov (1844–1908), revision and re-orchestration of 1st edition

Language:

Russian / German / French

Publisher Info.:

St. Petersburg: W. Bessel, 1902. Plate 5623

Reprinted:

Moscow: Muzyka, 1932. Plate M. 9149 Г.

Copyright:

Public Domain [tag/del]

Misc. Notes:

600dpi

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General Information

Work Title Каменный гость
Alternative Title Le convive de pierre = Der steinerne Gast
Composer Dargomyzhsky, Aleksandr
Movements/Sections 3 acts, 4 tableaux
Year/Date of Composition 1866-1869; completed after the composer's death by Cui and orchestrated by Rimsky-Korsakov
First Publication 1871
Librettist Aleksandr Pushkin (1799–1837)
Language Russian (rev. ed. of 1906 by Rimsky-Korsakov includes French and German texts)
Piece Style Romantic
Instrumentation voices, chorus with orchestra


Misc. Comments

This opera was left unfinished by Dargomyzhsky at his death. According to his wishes, Cui completed composition of the end of Act 1, Tableau 1, and Rimsky-Korsakov orchestrated the entire opera. The latter also rewrote a few passages which are marked in the vocal score with Dargomyzhsky's originals. Along with Cui's orchestral introduction (published separately from the vocal score), these circumstances explain the edition of 1871.

Many years later Rimsky-Korsakov re-edited and re-orchestrated the entire work and composed a new introduction; this constitutes the revised edition of 1902 and is the standard version.

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