The Cook's Estampie (Eijkhout, Victor)

Free public domain sheet music from IMSLP / Petrucci Music Library
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Performances

Recordings

 Complete Performance
#114267 - 7.76MB - 4:14 -  10.0/10 2 4 6 8 10 (1) - - !N/!N/!N - 629x

MP3 file (audio)
VictorEijkhout (2011/8/20)

Performers:

Victor Eijkhout, recorders

Publisher Info.:

Victor Eijkhout

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.

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 Complete Performance
#252929 - 11.04MB - 4:49 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 123x

MP3 file (audio)
Papalin (2012/10/1)

Performer Pages:

Papalin (recorder ensemble)

Publisher Info.:

Papalin

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Creative Commons Attribution Share Alike 3.0 [tag/del]

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Sheet Music

Scores

 Complete Score
#114258 - 0.45MB, 4 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 1204x

PDF typeset by Unknown
VictorEijkhout (2011/8/20)

 Recorder Part
#114259 - 0.20MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 504x

PDF typeset by Unknown
VictorEijkhout (2011/8/20)

PMLP233177-cook-score.pdf
Publisher Info.:

Victor Eijkhout

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.

Purchase:

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General Information

Work Title The Cook's Estampie
Alternative Title
Composer Eijkhout, Victor
Piece Style Renaissance
Instrumentation Alto recorder and optional continuo


Misc. Comments

Antone the cook shakes his spice cans to the rhythm of the music that vaguely comes through the kitchen walls. Pepper, shake, shake; salt; shake, shake; rosemary; skake; thyme, shake; pepper, shake,..... Wait. Did I already do that one?

Estampie is an old dance form, where variations are played twice, once with the so-called open ending, and once with the closed ending. Some pieces in estampie form are very artful, such as the famous Gaetta from the London manuscript. Others, however betray a clear origin in improvisation: the subsequent variations are far from independent, but rather build on each other. This estampie is modeled after the latter kind.

(This is a movement in The Courtly Suite.)

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