Tantum ergo, WAB 42 (Bruckner, Anton)

Contents

Performances

Recordings

MP3 file (audio)
Stenov (2019/5/30)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director/organist)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording (1888 version) from the Karmelitenkirche Linz 2006
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Naxos

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Sheet Music

Scores and Parts

Original Version (1846)

PDF scanned by Bruckner-online
Cypressdome (2016/7/9)

PDF scanned by Bruckner-online
Cypressdome (2016/7/9)

Publisher. Info. Holograph manuscript, n.d.[1846].
Copyright
Misc. Notes ca.300dpi color images. Source: Stift St. Florian (CRSA), Bruckner-Archiv, A-SF20-31. Score and parts are undated but were apparently housed in an envelope (?) dated February, 1846 (and not certain if the date was by Bruckner). Unrelated musical sketches on the last page of the score.
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PDF scanned by Christian Kraus
Christian.kraus (2019/3/5)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI. XXI. Kleine Kirchenmusikwerke, (pp.48-51)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
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PDF typeset by editor
Alexander Reuter (2016/7/10)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Edited from manuscript stored at St. Florian Abbey under signatory SF20-31.
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Revised Version (1888)

PDF scanned by A-Wn
Sallen112 (2016/7/6)

Publisher. Info. Manuscript, n.d.(ca.1888).
Copyright
Misc. Notes ca.160dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Composer manuscript parts. Mus.Hs.13467.
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PDF scanned by A-Wn
Sallen112 (2016/7/6)

PDF scanned by RTM
RTM (2011/7/26)

Editor First edition
Publisher. Info. Innsbruck: Johann Gross, n.d.[1893]. Plate J.G.R. 140.
Copyright
Misc. Notes Pale printing, dusty paper.
Scanned at 600dpi grayscale, converted to monochrome. 600 dpi. (#111017) Page size is 7 x 10.5 inches. This file is based on high-resolution images obtained from the source using a method explained on this page. (#429374)
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PDF scanned by Christian Kraus
Christian.kraus (2019/3/7)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI. XXI. Kleine Kirchenmusikwerke, (pp.155-157)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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PDF typeset by editor
Alex'Not (2019/11/14)

Editor Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
Copyright
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PDF typeset by editor
Alexander Reuter (2016/7/10)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Misc. Notes Edited from first edition Johann Gross, Innsbruck.
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Arrangements and Transcriptions

For Organ (Sarić)

PDF typeset by arranger
VIKTOR321S (2022/5/13)

Arranger Valentin Sarić
Publisher. Info. Valentin Sarić
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Free Recordings

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General Information

Work Title Tantum ergo
Alternative. Title
Name Translations Tantum ergo (Bruckner, 1846, WAB 42)
Authorities Wikipedia; BNF: 14805596j
Composer Bruckner, Anton
Opus/Catalogue NumberOp./Cat. No. WAB 42
I-Catalogue NumberI-Cat. No. IAB 119
Key D major
Movements/SectionsMov'ts/Sec's 1 motet
Year/Date of CompositionY/D of Comp. 1846 (Version 1)
1888 (Version 2)
First Publication. 1893 – Innsbruck: Johann Gross
Librettist Thomas Aquinas (ca.1225-1274)
Language Latin
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation mixed chorus (SSATB), organ
External Links Wikipedia article

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Motets by Anton Bruckner