Symphony No.6 (Mahler, Gustav)
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Sheet Music
Full Scores
I. Allegro energico, ma non troppo. Heftig, aber markig
*#13120 - 12.87MB, 76 pp. - (42) - V/V/V - 14893x⇩
PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)
II. Andante moderato
*#13121 - 4.03MB, 23 pp. - (0) - V/V/V - 7664x⇩
PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)
III. Scherzo: Wuchtig
*#13122 - 8.54MB, 49 pp. - (0) - V/V/V - 6354x⇩
PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)
IV. Finale: Sostenuto - Allegro moderato - Allegro energico
*#13123 - 19.89MB, 115 pp. - (0) - V/V/V - 9612x⇩
PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)
Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4526.
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I. Allegro energico, ma non troppo (EU)
*#110803 - 14.13MB, 40 pp. - (14) - C*/59/V* - 2896x⇩
II. Wuchtig (EU)
*#110804 - 10.52MB, 25 pp. - (0) - C*/59/V* - 1184x⇩
III. Andante moderato (EU)
*#110805 - 4.86MB, 12 pp. - (0) - C*/59/V* - 1292x⇩
IV. Allegro moderato (EU)
*#110806 - 21.56MB, 58 pp. - (0) - C*/59/V* - 1563x⇩
Erwin Ratz (1898-1973), reissue editor
Leipzig: C.F. Kahnt Nachfolger, (1906). Plate 4526.
Reissue (corrected printing) - Leipzig: C.F. Kahnt, 1963.
Leipzig: C.F. Kahnt, 1998/2000 (with bogus copyright claim).
Public Domain - Non-PD US [tag/del]
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I. Allegro energico, ma non troppo. Heftig, aber markig.
*#61734 - 8.62MB, 91 pp. - (7) - V*/V*/V - 3284x⇩
II. Scherzo: Wuchtig
*#61735 - 6.06MB, 58 pp. - (0) - V*/V*/V - 1373x⇩
III. Andante moderato
*#61736 - 3.36MB, 33 pp. - (0) - V*/V*/V - 1473x⇩
IV. Finale: Sostenuto - Allegro moderato - Allegro energico
*#61737 - 16.71MB, 146 pp. - (0) - V*/V*/V - 2316x⇩
Moscow: Muzyka, n.d.(1969). Plate 5854.
Melville, NY: Belwin Mills, n.d. Catalog 1475 (Kalmus Miniature Scores).
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Parts
Flute 1, 2, 3 (also Piccolo), 4 (also Piccolo), Piccolo
*#44696 - 6.16MB, 102 pp. - (0) - V/V/V - 1984x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Oboe 1, 2, 3 (also English Horn), 4 (also English Horn),
English Horn
*#44697 - 6.17MB, 96 pp. - (0) - V/V/V - 1764x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Clarinet 1, 2, 3 (B♭, A) Piccolo Clarinet (also Clarinet (A)),
Bass Clarinet (B♭, A)
*#44698 - 7.89MB, 119 pp. - (0) - V/V/V - 2826x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Bassoon 1, 2, 3, 4, Contrabassoon
*#44699 - 6.08MB, 99 pp. - (0) - V/V/V - 1524x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Horn 1, 2, 3, 4, 5, 6, 7, 8 (F)
*#44700 - 9.97MB, 168 pp. - (0) - V/V/V - 4572x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Trumpet 1, 2, 3, 4, 5, 6 (B♭, C, F)
*#44701 - 4.88MB, 81 pp. - (0) - V/V/V - 4390x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Trombone 1, 2, 3, 4 (bass), Tuba
*#44702 - 4.00MB, 68 pp. - (0) - V/V/V - 3516x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
Timpani 1, 2/Triangle/Tam-tam, Glockenspiel/Xylophone,
Snare Drum/Cowbell/Bells/Hammer,
Bass Drum/Cymbals/Rute/Tam-tam, Celesta
*#44703 - 4.02MB, 67 pp. - (0) - V/V/V - 2672x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
PDF scanned by Unknown
Horndude77 (2009/10/31)
Harp 1 and 2
*#44705 - 1.04MB, 19 pp. - (0) - V/V/V - 661x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
PDF scanned by Unknown
Horndude77 (2009/10/31)
Violins II
*#44707 - 2.39MB, 36 pp. - (0) - V/V/V - 1127x⇩
PDF scanned by Unknown
Horndude77 (2009/10/31)
PDF scanned by Unknown
Horndude77 (2009/10/31)
PDF scanned by Unknown
Horndude77 (2009/10/31)
Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4693
Miami: Edwin F. Kalmus, n.d.(1982).
These files are part of the Orchestra Parts Project.
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Bass Clarinet (in B♭)
*#25180 - 3.23MB, 22 pp. - (0) - !N/!N/!N - 360x⇩
Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4693 (scans)
Kalliwoda (typeset)
Creative Commons Attribution Share Alike 3.0 [tag/del]
Sections of B♭ part are scans, sections in A are typeset and transposed to B♭
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Percussion score (without Timpani 1)
*#62828 - 1.42MB, 27 pp. - (0) - !N/!N/!N - 658x⇩
PDF typeset by Meinte Boersma
Meinte Boersma (2010/4/28)
Meinte Boersma
Meinte Boersma
Creative Commons Attribution 3.0 [tag/del]
I re-typeset the percussion parts (without first Timpani part) because I found the (division of the) existing parts to be impractical and poorly readable. The combined parts also provide insights in how to play in ensemble. Note that I switched II and III movements (II = Scherzo now) which coincides with most modern interpretations. I also re-numbered the rehearsal marks to comply with the re-ordering which may not be very practical for everyone. I didn't enter as many Stich notes which would be practical for bass drum as I could have. If you find this useful and have corrections, remarks, request, etc., please drop me a line. (Type-setting done using Sibelius 5.)
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Arrangements and Transcriptions
Complete
For Piano 4 hands (Zemlinsky)
Color cover (Preview)
*#60331 - 0.41MB, 1 pp. - (0) - V/V/C - 433x⇩
PDF scanned by Sibley Library
Morel (2010/3/31)
Complete score (Preview)
*#60330 - 7.85MB, 130 pp. - (0) - V/V/13 - 2050x⇩
PDF scanned by Sibley Library
Morel (2010/3/31)
Complete score (Preview)
*#04282 - 7.16MB, 129 pp. - (3) - V/V/13 - 1353x⇩
PDF scanned by ArcticWind7
ArcticWind7 (2007/3/10)
Alexander von Zemlinsky (1871-1942)
Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4649
Vienna: Universal Edition, n.d.
This file is part of the Sibley Mirroring Project.
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Andante moderato
For Piano Solo (Phœte)
Complete Score
*#152471 - 0.18MB, 12 pp. - (1) - !N/!N/!N - 1866x⇩
Edgar Phœte
Edgar Phœte
Creative Commons Attribution 3.0 [tag/del]
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General Information
| Work Title | Symphony No.6 |
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| Alternative Title | Tragische ('Tragic') |
| Composer | Mahler, Gustav |
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| Movements/Sections | 4 movements
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| Year/Date of Composition | 1903-04 |
| First Performance | 1906-05-26 in Essen |
| First Publication | 1906 |
| Average Duration | 80 minutes |
| Piece Style | Romantic |
| Instrumentation | Orchestra
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| External Links | Wikipedia article |
Misc. Comments
As in several other of his compositions, Mahler indicates in several places that extra instruments should be added, including multiple celestas, multiple harps (in the Scherzo, four harps are called for), "several" triangles at the end of the first movement, doubled snare drum (side drum), and in one place in the fourth movement "several" cymbals.
Unlike several other Mahler symphonies, there are no vocal forces.
The sound of the hammer, which features in the last movement, was stipulated by Mahler to be "brief and mighty, but dull in resonance and with a non-metallic character". The sound achieved in the premiere did not quite carry far enough from the stage, and indeed the problem of achieving the proper volume while still remaining dull in resonance remains a challenge to the modern orchestra. Various methods of producing the sound have involved a wooden mallet striking a wooden surface, a sledgehammer striking a wooden box, or a particularly large bass drum, or sometimes simultaneous use of more than one of these methods.
-Wikipedia
| Mahler Symphonies | |
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- Scores from the University of Michigan
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- Ratz, Erwin/Editor
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- Sibley Mirroring Project
- Scores
- Mahler, Gustav
- Romantic
- Symphonies
- For orchestra
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- For piano 4 hands (arr)
- Scores featuring the piano
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