Symphony No.1 (Bax, Arnold)
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This work may not be in the public domain in the US (due to first publication with the required notice after 1922) in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years. |
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Sheet Music
Full Scores
I. Allegro moderato e feroce (CA)
*#252499 - 4.46MB, 54 pp. - (0) - V/19/24
PDF scanned by Unknown
Hobbypianist (2012/9/27)
II. Lento solenne (CA)
*#252500 - 2.18MB, 25 pp. - (0) - V/19/24
PDF scanned by Unknown
Hobbypianist (2012/9/27)
III. Allegro maestoso; Allegro vivace ma non troppo presto;
Tempo di marcia trionfale (CA)
*#252501 - 3.79MB, 41 pp. - (0) - V/19/24
PDF scanned by Unknown
Hobbypianist (2012/9/27)
London: Murdoch, Murdoch & Co., 1923.
London: Chappell & Co., 1923. Plate 37133.
Public Domain - Non-PD US, Non-PD EU [tag/del]
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General Information
| Work Title | Symphony No.1 |
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| Alternative Title |
| Composer | Bax, Arnold | |
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| Opus/Catalogue Number | GP 256 | |
| Key | E♭ minor | |
| Movements/Sections | 3 | |
| Year/Date of Composition | 1922 | |
| First Publication | 1923 | |
| Dedication | John Ireland (1879–1962) | |
| Piece Style | Early 20th century | |
| Instrumentation | 4 flutes (1 doubling piccolo), alto flute, 2 oboes, English horn, heckelphone or bass oboe, 3 clarinets, bass clarinet, 2 bassoons, sarrusophone, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, triangle, bells, xylophone, glockenspiel, celesta, 2 harps, strings | |
| External Links | Wikipedia article Parlett catalog page | |
| Extra Information | USA copyright status:
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Misc. Comments
The outer movements are based on GP 242, a piano sonata (his 3rd, unpublished and unnumbered, and only recently recorded) composed in 1921. (Quoting David Parlett quoting Graham Parlett (A Catalogue of the Works of Sir Arnold Bax (Oxford, Clarendon Press, 1999)): "After completing this sonata, Bax played it through to his friends Harriet Cohen and Arthur Alexander, who suggested to him that it was really a symphony and should be orchestrated. Before doing this, Bax wrote an entirely new slow movement to replace the original.")

