String Quartet in F minor, Op.10 (Hindemith, Paul)

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		Movements/Sections 3 movements I. Sehr lebhaft, straff im Rhythmus II. Thema mit Variationen. Gemächlich. III. Finale. Sehr lebhaft. Composition Year 1918 Genre Categories Quartets; For 2 violins, viola, cello; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; For 4 players

Sheet Music

• Full Scores (1)
• Parts (4)

Full Scores

	Complete Score	PDF file, Scanned by Unknown
	65 pages, 4.54 MB	Uploader: Madcapellan (14 August 2011)

Publisher Info.:

Mainz: B. Schott's Söhne, 1921. Plate 30480.

Copyright:

This file is public domain in the USA only!
It is not PD in Canada, the EU or elsewhere.

Misc. Notes:

600 dpi

Parts

	Violin I	PDF file, Scanned by Unknown
	20 pages, 1.50 MB	Uploader: Madcapellan (13 August 2011)

	Violin II	PDF file, Scanned by Unknown
	20 pages, 1.35 MB	Uploader: Madcapellan (13 August 2011)

	Viola	PDF file, Scanned by Unknown
	20 pages, 1.52 MB	Uploader: Madcapellan (13 August 2011)

	Violoncello	PDF file, Scanned by Unknown
	20 pages, 1.42 MB	Uploader: Madcapellan (13 August 2011)

Publisher Info.:

Mainz: B. Schotts Söhne, 1921. Plate 30480.

Copyright:

This file is public domain in the USA only!
It is not PD in Canada, the EU or elsewhere.

Misc. Notes:

600 dpi

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General Information

Work Title	String Quartet in F minor, Op.10
Alternative Title	String Quartet No.1 (2) in F minor (see below.)

Composer	Hindemith, Paul
Opus/Catalogue Number	Op.10
Key	F minor
Movements/Sections	3 movements I. Sehr lebhaft, straff im Rhythmus II. Thema mit Variationen. Gemächlich. III. Finale. Sehr lebhaft.
Year/Date of Composition	1918
First Publication	1921
Dedication	Herrn und Frau Rudolf Ronnefeldt
Average Duration	31 minutes
Piece Style	Early 20th century
Instrumentation	2 Violins, viola, cello

Misc. Comments

• Usually described as string quartet no.1 in F minor until fairly recently when a quartet in C major "op.2" (1914–1915) (a substantial, 35 minute work, contemporary with other works that Hindemith did publish), was discovered, I believe, among Hindemith's papers, was published, and since then has been a number of times recorded, often as part of complete Hindemith quartet cycles, turning his 6 quartets into 7 and moving the numbers of the later quartets (1 to 6) up one each... (Schissel)