String Quartet No.3, Op.22 (Ferreri, Ernesto)

Movements/SectionsMov'ts/Sec's 4 movements
Composition Year 2005
Genre Categories Quartets; For 2 violins, viola, cello; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; For 4 players

Contents

Performances

Recordings

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Synthesized/MIDI

 I. Allegro con brio
#96014 - 3.24MB - 8:04 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 124×⇩ - MP3 - Ferreri

MP3 file (audio)
Ferreri (2011/3/13)

 II. Scherzo; III. Adagio non troppo
#96015 - 5.64MB - 14:06 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 81×⇩ - MP3 - Ferreri

MP3 file (audio)
Ferreri (2011/3/13)

 IV. Allegro marziale
#96016 - 3.43MB - 8:33 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 75×⇩ - MP3 - Ferreri

MP3 file (audio)
Ferreri (2011/3/13)

Publisher Info. Ernesto Ferreri
Performers Midi
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
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Sheet Music

Scores and Parts

 Complete Score
#27828 - 1.06MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 272×⇩ - Ernesto Ferreri

PDF typeset by composer
Ernesto Ferreri (2009/2/5)

 Complete Parts
#27829 - 1.49MB, 105 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 173×⇩ - Ernesto Ferreri

PDF typeset by composer
Ernesto Ferreri (2009/2/5)

Publisher. Info. Ernesto Ferreri
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del/mrg]
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General Information

Work Title String Quartet No.3
Alternative. Title String Quartet in E minor
Composer Ferreri, Ernesto
Opus/Catalogue NumberOp./Cat. No. Op.22
I-Catalogue NumberI-Cat. No. IEF 28
Movements/SectionsMov'ts/Sec's 4 movements:
I. Allegro con brio
II. Scherzo
III. Adagio non troppo
IV. Allegro marziale
Year/Date of CompositionY/D of Comp. 2005
First Publication. 2009
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 2 violins, viola, cello

Navigation etc.

Contemporary neo-romantic Composed 2005 After a complete consideration of the pros and cons involved, it is mandated that no "attacca" from the end of the first, into the second movement is desired by the composer. In short, no attacca to mvt.II.

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