String Quartet, Op.6 (Stock, Frederick)

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Scores

 Complete Score
#109759 - 13.70MB, 72 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 165x

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 Color Cover
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 Snippet by New York Times on Gordon Quartet performance
#109761 - 0.05MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/C - 80x

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Schissel (2011/7/18)

SIBLEY1802.15147.c80c-39087009233414score.pdf
Publisher Info.:

Leipzig: D. Rahter, 1910. Plate 3914.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project. The undated newspaper snippet is not of the premiere (which was by the Kneisel Quartet, as noted).

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Parts

 Color Cover
#170600 - 1.40MB, 1 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 37x

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Schissel (2012/1/13)

 Violin 1
#170601 - 2.18MB, 18 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 72x

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 Violin 2
#170602 - 2.35MB, 20 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 52x

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 Viola
#170603 - 2.30MB, 20 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 52x

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Schissel (2012/1/13)

 Cello
#170604 - 2.13MB, 18 pp. -  0.0/10 2 4 6 8 10 (0- V/V/13 - 51x

PDF scanned by US-R
Schissel (2012/1/13)

Publisher Info.:

Leipzig: D. Rahter, 1910. Plate 3915.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

Purchase:

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General Information

Work Title String Quartet
Alternative Title
Composer Stock, Frederick
Opus/Catalogue Number Op.6
Key C minor
Movements/Sections 3 movements:
  1. Bewegt und leidenschaftlich
  2. Scherzo: Leicht und lebhaft
  3. Im Charakter einer Fantasie (Ziemlich breit und gehalten)
First Performance 1911 April 4, New York City, Kneisel Quartet
First Publication 1910 – Leipzig: D. Rahter
Dedication Franz Kneisel (1865–1926)
Piece Style Romantic
Instrumentation 2 Violins, viola, cello
External Links Kneisel Quartet Programs (Google Books)


Misc. Comments

note: name on score is Friedr. A. Stock. Not sure when composer changed his name to Frederick (he had already been in the US since 1895 or so, I believe. According to Wikipedia he was already "Frederick" in 1905 if not before, but this was published in Leipzig, which may explain it- though when performed in 1911 in New York, Friedrich was used in the program...)

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