List of works by Igor Stravinsky
Free public domain sheet music from IMSLP / Petrucci Music Library
(Redirected from Sortable list of works by Igor Stravinsky)
- This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Stravinsky, Igor.
The table below gives the following information for works by Igor Stravinsky (where applicable):
- Opus No. — As published until Op.9.
- Title — as used on IMSLP.
- Key — the principal key of the work.
- Date — the year(s) of composition, where known.
- Scoring — the instrumentation used.
- Genre — as used by IMSLP's categorization system.
- Notes — including references to related works.
| Opus No. | Title | Key | Date | Scoring | Genre | Notes |
|---|---|---|---|---|---|---|
| Tarantella | 1898 | Piano | Tarantella | Unpublished | ||
| Romance for Voice and Piano | 1902 | Voice, piano | Romances | Also known as Storm Cloud | ||
| Scherzo | 1902 | Piano | Scherzos | |||
| Piano Sonata | F♯ minor | 1903-1904 | Piano | Sonatas | ||
| Cantata | 1904 | Mixed chorus of six singers and piano | Cantatas | |||
| The Mushrooms Wage War | 1904 | Baritone, piano | Songs | One of the last works to be premiered | ||
| Conductor and Tarantula | 1906 | Voice, piano | Songs | Unpublished and lost. Text by Kozma Prutkov. | ||
| 1 | Symphony in E-flat major | E♭ major | 1905-1907 | 3 Flutes (3rd doubling piccolo), 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, triangle and strings | Symphonies | Revised in 1905-1907 |
| 2 | The Faun and the Shepherdess | E♭ major | 1907 | Mezzo-soprano, orchestra | Songs | Completed before his Symphony in E-flat major |
| Pastoral | F♯ major | 1907 | Soprano, piano | Pastorales | Arranged for soprano and wind quintet 1933 | |
| 3 | Scherzo fantastique | E♭ major | 1906 | Piccolo, 3 flutes, 2 oboes, English horn, 3 clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 French horns, 2 trumpets in A, contralto trumpet in F, cymbals, celesta, 3 harps, strings | Scherzos | |
| Chant funèbre | 1908 | Wind instruments | Elegies | Unpublished and manuscript has been lost | ||
| 4 | Feu d'artifice | E major | 1908 | Piccolo, 2 flutes, 2 oboes (2nd doubling English horn), 3 clarinets (3rd doubling bass clarinet), 2 bassoons, 6 horns, 3 trumpets, 3 trombones, tuba, timpani, bells, bass drum, triangle, cymbals, celesta, 2 harps, strings | Fantasias | |
| 6 | 2 Mélodies | G major ; B minor | 1908 | Voice, piano | Melodies ; Songs | |
| 7 | 4 Etudes | C minor ; D major ; F♯ major ; G major | 1908 | Piano | Etudes | |
| The Firebird (Жар-птица) | A♭ minor ; B major | 1910 | 4 Flutes (3rd & 4th also Piccolo), 3 oboes, English horn, 3 clarinets (3rd also D Clarinet), bass clarinet, 3 bassoons (2nd also 2nd contrabassoon), contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, 3 trumpets (onstage), 4 Wagner tubas (two tenor and two bass, onstage), timpani, bass drum, cymbals, triangle, tambourine, tamtam, tubular bells, glockenspiel, xylophone, celesta, 3 harps, piano, violins, violas, cellos, basses | Ballets | There are three shorter suites arranged by the composer himself for concert performance. They were written in 1911, 1919 and 1945 | |
| 9 | 2 Poems by Paul Verlaine | B♭ minor ; B♭ minor | 1910 | Baritone, piano | Songs | Arranged for baritone and orchestra in 1951 |
| Petrushka (Петрушка) | 1910–11 | 4 Flutes (3rd and 4th doubling piccolo), 4 oboes (4th doubling English horn), 3 clarinets in B♭, bass clarinet in B♭ (doubling clarinet 4), 3 bassoons, contrabassoon (doubling bassoon 4), 4 horns in F, 2 trumpets in B♭ (often doubling piccolo trumpet), 2 cornets in B♭ and A, 3 trombones, tuba, timpani, bass drum, cymbals, 2 snare drums (one offstage), tambourine (tambour de Basque), tenor drum (tambourin) (offstage), triangle, tamtam, glockenspiel, xylophone, piano, celesta, 2 harps and strings. | Ballets | Revised in 1947 | ||
| 2 Poems by Konstantin Balmont | 1911 | Voice, piano | Songs | Arranged for voice and small orchestra 1954 | ||
| Le roi des étoiles | C major | 1912 | Voice, piano | Songs | Also known as The King of the Stars | |
| 3 Japanese Lyrics | 1913 | Voice, piano | Songs | |||
| 3 Petites chansons | 1913 | Voice, piano | Songs | |||
| The Rite of Spring (Весна священная) | 1913 | Piccolo, 3 flutes (3rd doubling piccolo 2), alto flute, 4 oboes (4th doubling English horn 2), English horn, clarinet in E♭ and D, 3 clarinets in B♭, A (3rd doubling bass clarinet 2), bass clarinet, 4 bassoons (4th doubling contrabassoon 2), contrabassoon, 8 horns in F (7th and 8th doubling Wagner tubas in B♭, trumpet in D, 4 trumpets in C (4th doubling bass trumpet in E♭, 3 trombones, 2 tubas, percussion, timpani (2 players, with a minimum of 5 drums including a piccolo timpano), bass drum, cymbals, tam-tam, crotales (antique cymbals) in A♭ and B♭, triangle, tambourine, güiro, violins, violas, cello, double basses | Ballets | Revised in 1947 and 1967 | ||
| Les noces (Свадебка) | 1914 | S/MS/T/B vocal soloists, mixed chorus, pitched and unpitched percussion (including 4 pianos) | Ballets | Revised 1919–23 | ||
| Le rossignol (Соловей) | 1908–14 | Solo vv, chorus, orchestra | Operas | Also known by the English translation, The Nightingale | ||
| 3 Pieces for String Quartet | 1914 | 2 Violins, viola, cello | Pieces | Dedicated to Ernest Ansermet | ||
| Pribaoutki | 1914 | Voice, flute, oboe + English horn, clarinet, bassoon, violin, viola, cello, double bass | Songs | |||
| Valse des fleurs | 1914 | 2 Pianos | Songs | |||
| 3 Easy Pieces | 1915 | Piano 4 hands | Pieces | |||
| Souvenir d'une marche boche | C major | 1915 | Piano | Pieces | It was Stravinsky's contribution to Edith Wharton's Le livre des Sans-Foyer | |
| Berceuses du chat | 1916 | Voice, 3 clarinets | Berceuses | Set from traditional lyrics | ||
| Renard (Байка про Лису, Петуха, Кота да Барана) | 1915–16 | 2 Tenors, 2 basses + flute/piccolo, oboe/English horn, clarinet/clarinet (E♭), bassoon, 2 horns, trumpet, percussion (timpani, triangle, tambourine with bells, tambourine without bells, cylindrical drum, cymbals, bass drum), cimbalom (or piano), violins I, violins II, violas, cellos, double basses | Opera-ballets | Dedicated to Winnaretta Singer | ||
| Canon for 2 Horns | 1917 | 2 Horns | Canons | |||
| Le Chant du rossignol | 1917 | Piccolo, flutes, Oboe 1 and 2 (2 also English Horn), piccolo clarinet in E♭ (also Clarinet 2 in A)/Clarinet 1 in A), bassoons 1 and 2, horn 1/2, 3/4 (F), trumpets 1/2 (C), trombone 1/2, 3 tubas, timpani, triangle, tambourine, S.D./tam-Tam, B.D./cymbals, celesta, harp 1, 2, violins, violas, cellos, basses | Symphonic poems | First performed 1919-12-1 | ||
| 5 Easy Pieces | 1917 | Piano 4 hands | Pieces | |||
| For Pablo Picasso | 1917 | Clarinet | Studies | One movement piece for the artist Pablo Picasso | ||
| 3 Histoires pour enfants | 1917 | Voice, piano | Songs | |||
| Ragtime | 1917 | Flute, clarinet, horn, cornet, trombone, percussion, cimbalom, 2 violins, viola, contrabass | Rags | Arranged for piano in 1919, and orchestra in 1920 | ||
| 4 Russian Songs | 1917 | Voice, piano | Songs | |||
| Song of the Volga Boatmen | 1917 | Voice, piano | Folksongs | Arrangement. It was his attempt to compose a new national anthem | ||
| Valse pour les enfants | 1917 | Piano | Waltzes | Written for his children | ||
| Berceuse | 1918 | Voice, piano | Berceuses | Libretto written by Charles-Ferdinand Ramuz | ||
| 4 chants russes | 1918 | Voice, piano | Songs | |||
| Duet for 2 Bassoons | 1918 | 2 Bassoons | Duets | Unpublished. Also known as Lied onhe Namen | ||
| L'histoire du soldat (История солдата) | 1918 | Violin, double bass, clarinet, bassoon, cornet (trumpet), trombone, percussion | Ballets | Libretto written by Charles-Ferdinand Ramuz | ||
| Piano-Rag-Music | 1919 | Piano | Rags | First performed by José Iturbi | ||
| 3 Pieces for Clarinet Solo | 1919 | Clarinet | Pieces | |||
| Suite from Histoire du soldat | 1919 | Violin, clarinet, and piano | Suites | |||
| Chorale | 1920 | Chorus | Chorales | Premiered 1921-6-10 in London. Conducted Serge Koussevitzky (1874-1951) | ||
| Concertino | 1920 | 2 Violins, viola, cello | Quartets | Arranged in 1953 for small ensemble | ||
| Pulcinella (Пульчинелла) | 1920 | S/T/B vocal soloists, chamber orchestra | Ballets | Premiered 1920-5-15 in Paris. Conducted by Ernest Ansermet (1883–1969) | ||
| Suite from Pulcinella | 1920 | S/T/B vocal soloists, chamber orchestra | Ballets | |||
| Symphonies of Wind Instruments | 1920 | 3 Flutes (3rd doubling piccolo), alto flute, 2 oboes, English horn, 2 clarinets, alto clarinet in F, 3 bassoons (3rd doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, and tuba | Symphonies | Revised in 1947 | ||
| Les cinq doigts | 1921 | Piano | Studies | Richard Taruskin has noted that the third section, the "Allegretto", is an arrangement of the Russian folk melody Kamarinskaya | ||
| Etude pour pianola | 1921 | Piano | Studies | First piece Stravinsky recorded for piano-roll | ||
| 3 mouvements de Petrouchka | 1921 | S/T/B vocal soloists, chamber orchestra | Ballets | |||
| Suite No.2 for Chamber Orchestra | 1921 | Chamber orchestra | Suites | Arrangement of 3 Easy Pieces and 5 Easy Pieces, No.5 | ||
| Mavra (Мавра) | 1922 | Soprano, mezzo-soprano, alto, tenor, 3 piccolos, 2.cornets, brass (Ebcl.2-4.4.3.1), timpani, violins, violas, cellos, basses | Opera buffas | Libretto by Boris Kochno. It was dedicated to Pyotr Tchaikovsky. | ||
| Concerto for Piano and Wind Instruments | 1923 | 2 Flutes, piccolo, 2 oboes, English horn, 2 clarinets, 2 bassoons (second bassoon doubling contrabassoon), 4 horns, 4 trumpets, 3 trombones and tuba accompanied by timpani, cymbals and three cellos or double basses | Concertos | The concerto debuted under Serge Koussevitzky at the Opera of Paris on May 22, 1924 under the direction of the composer, who played the piano. | ||
| Octet | 1923 | Flute, clarinet in B♭ and A, 2 bassoons, trumpet in C, trumpet in A, tenor trombone, and bass trombone | Octets | The performance has been generally regarded to have marked the beginning of neoclassicism in Stravinsky's music | ||
| Pastorale | 1923 | Soprano, piano | Pastorales | Written under the supervision of Nikolay Rimsky-Korsakov | ||
| Piano Sonata | 1924 | Piano | Sonatas | Stravinsky premiered the work at Donaueschingen in July, 1925. He dedicated the work to Prince Edmond de Polignac. | ||
| Serenade | A major | 1925 | Piano | Serenades | ||
| Suite No.1 for Chamber Orchestra | 1925 | Chamber orchestra | Suites | Arrangement of 5 Easy Pieces, Nos. 1-4 | ||
| Suite on Themes, Fragments and Pieces by Giambattista Pergolesi | 1925 | Violin, piano | Suites | |||
| Otche nash | 1926 | Mixed chorus | Chorales | Premiered 1934-5-18. Revised in 1949. Slavonic text. | ||
| Oedipus rex (Царь Эдип) | 1927 | Narrator, solo voice, male chorus + 3 Flutes (3rd doubling piccolo), 2 oboes, English horn, 3 clarinets in B♭ and A (3rd doubling clarinet in E♭), 2 bassoons, contrabassoon, 4 horns in F, 4 trumpets in C, 3 trombones, tuba, timpani, tambourine, "military" snare drum, bass drum, cymbals, piano, harp, violins, violas, cellos, basses |
Operas | The libretto is based on Sophocles's tragedy, which was written by Jean Cocteau | ||
| Apollo (Аполлон Мусагет) | 1928 | 16 Violins, 6 violas, 8 cellos, 4 double basses | Ballets | Premiered 1928-4-27 at the Library of Congress (Washington D.C). Conducted by H. Kindler. Revised in 1947 | ||
| 4 Etudes for Orchestra | 1928 | Orchestra | Studies | Arrangement of 3 Pieces for String Quartet and Etude pour Pianola | ||
| Le baiser de la fée (Поцелуй феи) | 1928 | Orchestra | Ballets | Premiered 1928-11-27 in Paris. Conducted by Stravinsky. Homage to Tchaikovsky, making use of several melodies from his early works | ||
| Capriccio for Piano and Orchestra | 1929 | Orchestra | Capriccios | Première was conducted by Ernest Ansermet on 1929-12-6 in Paris. Revised in 1949. | ||
| Symphony of Psalms | 1930 | 5 Flutes (5th doubling piccolo), 4 oboes, English horn, 3 bassoons, contrabassoon, 4 horns in F, piccolo trumpet, 4 trumpets in C, 3 trombones, tuba, timpani, bass drum, 2 pianos, harp, cellos, contrabasses, and a four-part chorus (soprano, alto, tenor, bass). | Symphonies | Premiered by Serge Koussevitzky. Revised in 1948. | ||
| Violin Concerto | D major | 1931 | Solo violin + Orchestra (piccolo, 2 flutes, 2 oboes, cor anglais, 3 clarinets, 3 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, violins, violas, cellos, basses) | Concertos | It is believed the opening chord was conceived while Stravinsky was eating lunch in a café in Paris | |
| Credo | 1932 | Soprano, alto, tenor, bass | Chorales | Text written in Latin | ||
| Duo concertante | 1932 | Violin, piano | Concertantes | |||
| Suite italienne | 1932-33 | Orchestra | Suites | From Pulcinella, it was made in collaboration with Gregor Piatigorsky | ||
| Pastoral | 1933 | Arranged for violin and piano, or violin and wind quintet | Pastorales | |||
| Perséphone (Персефона) | 1933 | Speaker, solo singers, chorus, dancers and orchestra | Melodramas | Premiered 1934-4-30 in Paris. Conducted by Stravinsky. Libretto by André Gide | ||
| Ave Maria | 1934 | A cappella mixed choir | Ave Marias ; Hymns | Stravinsky's fourth setting of a sacred text. It was revised in 1949. | ||
| Divertimento (from Le Baiser de la fée) | 1934 | Orchestra | Suites | Premiered 1934-11-4 in Paris. Conducted by Stravinsky. Suite from Le Baiser de la fée | ||
| Suite Italienne | 1934 | Violin, piano | Suites | From Pulcinella | ||
| Concerto for 2 Pianos | 1935 | 2 Pianos | Concertos | Stravinsky wanted to write a work that could be performed in cities without an orchestra and also so he could play with his son, Soulima | ||
| Jeu de cartes (Игра в карты) | 1936 | Orchestra | Ballets | This ballet is also known as "The Card Game", and is based on the game of poker | ||
| Preludium | 1936-37 | Jazz Band | Preludes | Unpublished | ||
| Concerto | E♭ major | 1938 | Flute, E♭ clarinet, bassoon, 2 horns, 3 violins, 3 violas, 2 cellos, 2 double basses | Concertos | The last work Stravinsky completed in Europe. It is also known as Dumbarton Oaks | |
| Petit ramusianum harmonique | 1938 | Single voice or voices | Songs | Dedicated to C.F. Ramuz, Stravinsky's collaborator on L'histoire du soldat | ||
| Symphony in C | 1940 | Orchestra | Symphonies | Written on a commission from the American philanthropist Mrs. Robert Woods Bliss | ||
| Tango | 1940 | Piano | Tangos | Arranged for chamber orchestra in 1953 | ||
| Circus Polka | 1942 | Orchestra | Tangos | For a young elephant, commissioned by George Balanchine | ||
| Danses concertantes | 1942 | the woodwinds by one, 2 horns, trumpet, trombone, timpani, violins, violas, cellos, basses | Dances | |||
| 4 Norwegian Moods | 1942 | Orchestra | Pieces | |||
| Ode | 1943 | Strings (viola, bass, cello), trio of flutes, 2 oboes, 2 clarinets, 2 bassoons, horn section (4 horns, 2 trumpets), timpani | Pieces | |||
| Sonata for 2 Pianos | 1943 | 2 Pianos | Sonatas | Premiered in 1944 by Richard Johnson and Nadia Boulanger. | ||
| Babel | 1944 | Orchestra | Chorales | |||
| Elegy | 1944 | Solo viola | Elegies | In memory of Alphonse Onnou | ||
| Scènes de ballet | 1944 | Orchestra | Ballets | |||
| Scherzo à la russe | 1944 | Orchestra | Scherzos | |||
| Ebony Concerto | 1945 | Clarinet + jazz band | Concertos | His last work for band | ||
| Symphony in 3 Movements | 1945 | Piccolo, 2 flutes, 2 oboes, 3 clarinets in B♭ and A (3rd doubling bass clarinet), 2 bassoons, contrabassoon, 4 horns, 3 trumpets in C, 3 trombones, tuba, timpani, bass drum, piano, harp, violins, violas, cellos, double basses. | Symphonies | It is considered to be Stravinsky's first major composition after emigrating to the United States | ||
| Concerto in D | D major | 1946 | Violins, violas, cellos, basses | Concertos | Commissioned by Paul Sacher to celebrate the twentieth anniversary of the Basel Chamber Orchestra | |
| Little Canon | 1947 | Chamber orchestra | Canons | Unpublished | ||
| Orpheus (Орфей) | 1947 | 2 Flutes, piccolo flute, 2 oboes (the two e also playing the English horn), 2 clarinets in B♭, 2 bassoons, 4 horns in F, 2 trumpets in B♭, 2 trombones (the two e also playing the bass trombone), timpani, harp, violins, violas, cellos, basses | Ballets | Premiered 1948-4-28 in New York City. Conducted by Stravinsky. | ||
| The Rake's Progress (Похождения повесы) | 1951 | 2 flutes (one doubling piccolo), 2 oboes (one doubling cor anglais), 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, bell, harpsichord (or piano), violins, violas, cellos, double basses | Operas | Premiered 1951-9-11 in Venice. Conducted by Stravinsky. Libretto written by W. H. Auden and Chester Kallman | ||
| Cantata | 1951-52 | Soprano, tenor, female choir + flutes, oboe, English horn, cello | Cantatas | Premiered 1952-11-11 in Los Angeles. Conducted by Stravinsky. | ||
| Septet | 1953 | Clarinet, horn, bassoon, violin, viola, cello, and piano | Septets | |||
3 Songs from William Shakespeare
|
1954-3-8 | Mezzo-soprano, flute, clarinet, viola | Songs | |||
| In Memoriam Dylan Thomas | 1954 | Tenor, string quartet (2 violins, viola, cello) , 4 trombones | Songs | |||
| Canticum Sacrum | 1955 | Tenor and baritone soloists + mixed chorus, flute (plays only in the second movement), 2 oboes, English horn, 2 bassoons, contrabassoon, 3 trumpets in C, bass trumpet in C, 2 tenor trombones, bass trombone, contrabass trombone, organ, harp, violas, double basses | Pieces | Used a tone row to write this piece | ||
| Greeting Prelude | 1955 | Orchestra | Preludes | |||
| Agon (Агон) | 1957 | Piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones (2 tenor, 1 bass), harp, piano, mandolin, timpani, tom-tom, xylophone, castanets, strings. | Ballets | Based on 12-tone technique. This piece is usually cited to have marked the beginning of Stravinsky's serialist period | ||
| Threni | 1958 | Soprano, contralto, 2 tenors, 2 bass soloists + chorus, 2 flutes, 2 oboes, English horn, 2 clarinets (one doubling alto clarinet), bass clarinet, sarrusophone, flugelhorn, 4 horns, 3 trombones, tuba, timpani, tamtam, harp, celesta, piano, violins, violas, cellos, basses | Pieces | Setting by Igor Stravinsky of verses from the Book of Lamentations | ||
| Movements for Piano and Orchestra | 1958-59 | Piano + orchestra | Pieces | |||
| Epitaphium | 1959 | Flute, clarinet and harp | Pieces | This "series of funeral responses between bass and treble instruments" was likened by Stravinsky to "a kind of hymn, like Purcell's Funeral Music for Queen Mary." | ||
| Double Canon | 1959 | 2 Violins, viola, cello | Canons | In memory of Raoul Dufy | ||
| Lullaby | 1960 | 2 Recorders | Lullabies | Arrangement of item from The Rake's Progress (1951) | ||
| Monumentum pro Gesualdo di Venosa | 1960 | Chamber ensemble | Pieces | Arrangement | ||
| A Sermon, a Narrative, and a Prayer | 1961 | Mixed chorus | Chorales | |||
| Anthem | 1962 | Chorus a cappella | Anthems | Also known as The Dove Descending Breaks the Air | ||
| The Flood (Потоп) | 1962 | Tenor soloist (Lucifer), 2 bass soloists (God), spoken parts: narrator, Eve, Noah, a caller, Noah's wife, son of Noah), chorus (SAT) and a large orchestra: 3 flutes (3rd doubling piccolo), 2 English horns, 2 clarinets, bass clarinet, contrabass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, xylorimba, 3 tom-toms, harp, celesta, pianos, violins, violas, cellos, basses | Operas | Published by Boosey & Hawkes | ||
| Abraham and Isaac | 1963 | Baritone + orchestra | Ballads | Dedicated to "the people of the State of Israel" | ||
| 8 Instrumental Miniatures | 1963 | 2 Flutes, oboe, English horn, clarinet, bass clarinet, bassoon, 2 trumpets, 3 trombones, harp, celesta, violins, violas, cellos, basses | Pieces | orchestration of Les cinq doigts | ||
| Variations | 1963-64 | 2 Piccolos, 2 flutes, alto flute, English horn, bass clarinet, 4 horns, 3 trumpets, 3 trombones, 12 violins, 10 violas, 8 cellos, 6 basses | Variations | In memory of Aldous Huxley | ||
| Elegy for J.F.K. | 1964 | Baritone or mezzo-soprano + 3 clarinets | Elegies | The lyrics are from a poem dedicated to President John F. Kennedy by W. H. Auden after Kennedy's assassination | ||
| Fanfare for a New Theatre | 1964 | 2 Trumpets | Fanfares | Premiered 1964-4-19 at the Lincoln Center in New York City. Stravinsky wrote it for the opening ceremonies of the newly built New York State Theater | ||
| Canon on a Popular Russian Tune | 1965 | Piccolo, 2 flutes, 2 oboes, English horn, 3 clarinets, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, piano, harp, violins, violas, cellos, basses | Canons | The popular Russian tune is the finale from The Firebird | ||
| Introitus | 1965 | Tenors, basses, harp, piano, 2 timpani, viola, double bass | Introits | Premiered 1965-4-19 in Chicago. Conducted by Robert Craft. Words by T. S. Eliot | ||
| Requiem Canticles | 1965-66 | Contralto, bass soloists, mixed chorus, 3 flutes (3rd doubles on piccolo), alto flute, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani (2 performers), 2 percussionists (xylophone, vibraphone, and tubular bells), harp, piano, celesta, violins, violas, cellos, basses | Songs | Premiered 1966-10-8 at Princeton University. Conducted by Robert Craft. Dedicated to "the people of the State of Israel" | ||
| The Owl and the Pussy-Cat | 1966 | Soprano, piano | Songs | Dedicated to "the people of the State of Israel" | ||
| Two Sketches for a Sonata | 1967 | Piano | Sonatas | Sketches, not finished |

