Sonnets for Baritone and Orchestra (Fine, Vivian)

		Movements/Sections 3 movements 1. To one who has been long in city pent 2. On the Sea 3. To a Cat Composition Year 1976 Genre Categories Songs; For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the baritone voice; Scores featuring the orchestra; English language

Sheet Music

• Scores (2)

Scores

 Complete score
*#216940 - 5.96MB, 31 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 97x⇩

PDF typeset by Paul Hawkins
rhymesandchymes (2012/5/8)

 Parts
*#216941 - 3.22MB, 38 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 35x⇩

PDF typeset by Paul Hawkins
rhymesandchymes (2012/5/8)

Publisher Info.:

Vivian Fine Estate

Copyright:

Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]

© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.

Misc. Notes:

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General Information

Work Title	Sonnets for Baritone and Orchestra
Alternative Title

Composer	Fine, Vivian
Movements/Sections	3 movements 1. To one who has been long in city pent 2. On the Sea 3. To a Cat
Year/Date of Composition	1976
First Performance	1976-12-05, Bennington College, North Bennington, Vermont, Wayne Dalton, baritone, Louis Calabro, conductor
Librettist	John Keats (1795–1821)
Language	English
Average Duration	10 minutes
Piece Style	Modern
Instrumentation	2222, 2420, Timp, perc (piatti, sus. cymb, sandpaper blocks, glockenspiel, vibraphone, marimba), strings

Misc. Comments

The music is easily accesible…and the performers must have enjoyed her colorful orchestration, especially "To a Cat." Her ease and freedom in writing for a large ensemble are indicative of an experienced composer, one who has evolved from the earlier use of the orchestra as a woodwind, brass, and string choirs…to a fluid mixing and contrasting of instruments as used in the Sonnets.

—Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999