Songs and Arias (Fine, Vivian)
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Performances
Recordings
1. Love-Song
*#104545 - 1.09MB - 2:18 - (1) - - !N/!N/!N - 457x⇩
MP3 file (audio)
Rhymesandchymes (2011/6/6)
2. Elizabethan Song
*#239126 - 2.84MB - 1:32 - (0) - - !N/!N/!N - 94x⇩
MP3 file (audio)
Rhymesandchymes (Unknown)
3. Rupert’s Aria from the opera “Unfulfilled”
*#239127 - 3.59MB - 1:57 - (0) - - !N/!N/!N - 63x⇩
MP3 file (audio)
Rhymesandchymes (Unknown)
MP3 file (audio)
Rhymesandchymes (Unknown)
5. Duet (homage to Claude Debussy)
*#104546 - 0.85MB - 1:48 - (0) - - !N/!N/!N - 194x⇩
MP3 file (audio)
Rhymesandchymes (2011/6/6)
6. Aria from the cantata “Leben O süsses schreckliches Leben”
*#239129 - 2.27MB - 1:14 - (0) - - !N/!N/!N - 51x⇩
MP3 file (audio)
Rhymesandchymes (Unknown)
7. Canto Hondo
*#239130 - 6.06MB - 3:18 - (0) - - !N/!N/!N - 51x⇩
MP3 file (audio)
Rhymesandchymes (Unknown)
David Jolley, horn, Eriko Sato, violin, and Fred Sherry, cello
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
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Sheet Music
Score and Parts
Complete score (manuscript)
*#187305 - 2.53MB, 20 pp. - (0) - !N/!N/!N - 170x⇩
PDF scanned by Paul Hawkins
rhymes&chymes (2012/3/12)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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Report performances to Vivian Fine Estate
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Complete score (horn part transposed)
*#239237 - 0.38MB, 13 pp. - (0) - !N/!N/!N - 67x⇩
PDF typeset by Robert Patterson
rhymesandchymes (2012/6/29)
Complete score (horn sounds as written)
*#239247 - 0.38MB, 13 pp. - (0) - !N/!N/!N - 41x⇩
PDF typeset by Robert Patterson
rhymesandchymes (2012/6/29)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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Horn (in F)
*#239258 - 0.15MB, 5 pp. - (0) - !N/!N/!N - 61x⇩
PDF typeset by Robert Patterson
rhymesandchymes (2012/6/29)
PDF typeset by Slawomir Dabrowski
rhymesandchymes (2012/6/29)
PDF typeset by Slawomir Dabrowski
rhymesandchymes (2012/6/29)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
Corrected versions of the previous files, with the horn part transposed.
Request Licenses from ASCAP
Report performances to Vivian Fine Estate
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General Information
| Work Title | Songs and Arias |
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| Alternative Title | Songs and Arias for French Horn, Violin, and Cello |
| Composer | Fine, Vivian |
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| Movements/Sections | 7 movements:
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| Year/Date of Composition | 1990 |
| First Performance | 1990-07-12
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| Dedication | David Jolley |
| Average Duration | 16 minutes |
| Piece Style | Modern |
| Instrumentation | horn, viola, cello |
| External Links | Vivian Fine website Demo CDs |
Misc. Comments
- Commissioned by David Jolley
- Composer's note to the score:
- Songs and Arias, for French horn, violin and cello, is my most recent [instrumental] work based on vocal forms. Lieder for Viola and Piano was written in 1979, Toccatas and Arias for Harpsichord in 1986, Toccatas and Arias for Piano in 1987, Madrigali Spirituali, for trumpet and string quartet, in 1989. There is a wide range of moods in Songs and Arias: the elegiac mood of the Arioso, the intensity of Canto Hondo, the parodies Rupert’s Aria (from the non-existent opera “Unfulfilled”) and the Aria from the equally non-existent Cantata.
