School of Intonation on an Harmonic Basis for Violin, Op.11 (Ševčík, Otakar)

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Book I: Elementary Studies in the 1st position

 Part I. General Introduction
#289311 - 6.22MB, 48 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 2083x

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 Part IIa. The Semitone and Tritone
#289312 - 4.33MB, 40 pp. -  2.0/10 2 4 6 8 10 (1) - V/V/V - 1164x

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 Part IIb. The Semitone and Tritone. 12 Major Scales
#289313 - 4.97MB, 48 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 975x

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 Part IV. Dissonant Chords
#289315 - 5.56MB, 47 pp. -  8.0/10 2 4 6 8 10 (2) - V/V/V - 874x

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PMLP204290-Sevcik - School of intonation Op11 Book 1 Part 1 General Introduction.pdf
Publisher Info.:

New York: Harms, 1922. Plate

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Book II: Elementary Studies from the 2nd to the 7th Position

 Part V. Introduction to the Positions 2nd-7th
#99455 - 4.06MB, 41 pp. -  6.4/10 2 4 6 8 10 (9) - V/V/V - 4876x

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Generoso (2011/4/19)

 Part VIa. 2nd-7th Position Suppementary
#99456 - 5.19MB, 49 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 2544x

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 Part VIb. 2nd-7th Position Suppementary
#99457 - 5.45MB, 50 pp. -  6.0/10 2 4 6 8 10 (2) - V/V/V - 2242x

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PMLP204290-Sevcik - Op11 School of Intonation On a Harmonic Basis for Violin Part5.pdf
Publisher Info.:

New York: Harms, 1922. Plates Ševčík Op.11. V, VIa-c

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Book III: Intermediate Studies from the 2nd to the 7th Position

 Part VII. Chromatic Shifting
#99507 - 6.07MB, 54 pp. -  10.0/10 2 4 6 8 10 (1) - V/V/V - 2536x

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 Part VIII. Consonant Chords - DIssonant Chords
#99508 - 5.59MB, 42 pp. -  6.0/10 2 4 6 8 10 (4) - V/V/V - 2135x

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 Part IX. The Diminished Triad
#99509 - 5.36MB, 45 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1898x

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 Part X. The Chord of the Dominant Seventh in All Keys
#99511 - 6.15MB, 56 pp. -  8.0/10 2 4 6 8 10 (2) - V/V/V - 1925x

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 Part XI. The Chord of the Diminished Seventh
#99513 - 5.39MB, 49 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1851x

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PMLP204290-Sevcik - Op11 Part7 School of Intonation On a Harmonic Basis for Violin 7.pdf
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New York: Harms, 1922. Plates Ševčík Op.11. VII-XI

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Book IV: Advanced Studies form the 2nd to the 7th Position

 Part XII. Introduction to Shifting
#99534 - 5.00MB, 42 pp. -  10.0/10 2 4 6 8 10 (1) - V/V/V - 2719x

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 Part XIII. Change of Position, Transition-Tone
#99535 - 8.06MB, 68 pp. -  4.7/10 2 4 6 8 10 (3) - V/V/V - 2536x

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 Part XIV. Double Stops, The Trill
#99536 - 7.39MB, 67 pp. -  6.0/10 2 4 6 8 10 (3) - V/V/V - 2721x

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Generoso (2011/4/21)

PMLP204290-Sevcik - Op11 Part12 School of Intonation On a Harmonic Basis for Violin 12.pdf
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New York: Harms, 1922, Plate Ševčík Op.11. XII-XIV.

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General Information

Work Title School of Intonation on an Harmonic Basis for Violin
Alternative Title
Composer Ševčík, Otakar
Opus/Catalogue Number Op.11
Movements/Sections 14 parts:
I. Introduction to the 1st Position
IIa. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
IIb. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
III. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
IV. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
V, Introduction to the 2nd-7th Position. Supplementary
Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb.
Via. 2nd-7th Position Supplementary
Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position.
Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb.
VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting).
VIII. 2nd-7th Position Supplementary
IX. 2nd-7th Position Supplementary:
The 2nd violin to the 40 Bohemian Melodies (Part VIc).
W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others.
X. 2nd-7th Position Supplementary
XI. 2nd-7th Position Supplementary
XII. 2nd-7th Position Introduction to Shifting. Supplementary:
Sonatas of W.A. Mozart, Nos. 4, 7, and others.
XIII. Transitional Tone used in Shifting
Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary:
Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III.
XIV. Intonation of Double Stops. Supplementary:
Continuation of Concert-studies and Piaces form Grades III and IV.
Year/Date of Composition 1922
Language English ; German ; French
Piece Style Classical
Instrumentation Violin
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