Sara la baigneuse, H 69 (Berlioz, Hector)

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Daphnis (2010/2/11)

Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Translator Emma Klingenfeld (1846-1935), German text
Percy Pinkerton (1855–1946), English text
Publisher. Info. Hector Berlioz Werke, Serie VI, Band 14
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 39.
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Misc. Notes Only the English translation is possibly under copyright in the EU.
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PMLP115184-Berlioz - Sara la Baigneuse (orch. score).pdf

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Massenetique (2011/12/17)

Arranger Auguste-François Morel (1809-1881), piano reduction
Publisher. Info. Collection de 32 mélodies pour une ou plusieurs voix et choeur par Hector Berlioz.
Paris: S. Richault, n.d.[1863]. Plate R. 13682.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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PMLP115184-Berlioz - Sara la baigneuse 2vvPf Sibley.1802.17235.pdf

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Daphnis (2010/5/14)

Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Translator Emma Klingenfeld (1846-1935), German text
Percy Pinkerton (1855–1946), English text
Publisher. Info. Hector Berlioz Werke, Serie VII, Band 16
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 74.
Copyright
Misc. Notes Only the English translation is possibly under copyright in the EU.
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PMLP115184-Berlioz - Sara la baigneuse (vocal score).pdf
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General Information

Work Title Sara la baigneuse: ballade
Alternative. Title
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. Œuvre 11, H 69
Key A major
Year/Date of CompositionY/D of Comp. 1834, rev. 1838, 1850
First Performance. 1834-11-07 in Paris, Conservatoire A
1840--12-13 in Paris, Conservatoire B
1850-10-22 in Paris, Salle Ste-Cécile C
First Publication. 1850
Librettist Victor Hugo (1802-1885)
Language French
Average DurationAvg. Duration 7 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation A four male voices, orch – lost
B STTB soli, STB chorus, orch – lost
C 3 choirs STBB–SA–TTBB, 2+picc,1,2,2 – 3,0,0,0 – timp – str; or two soloists (SA or TB), pf
External Links Libretto at Berlioz website

Misc. Comments

Publication History

  • Paris: 1850, as Œuvre 11 (full score, version C for three choirs and orchestra)
  • Paris: 1863, alternate version C for two soloists and piano included in Collection de 32 Mélodies: no. 19
  • Leipzig: Breitkopf und Härtel, n.d., as part of Hector Berlioz Werke (1900–07), Serie VI: Band XIV (1903) and Serie VII: Band XVI (1904), edited by Charles Malherbe and Felix Weingartner
  • Kassel: Bärenreiter, as part of New Berlioz Edition (1967–2005)
    BA 5452/I, Volume 12a (1991), edited by Julian Rushton
    BA 5455, Volume 15 (2005), edited by Ian Rumbold