Qui belles amours a (Josquin Desprez)

Free public domain sheet music from IMSLP / Petrucci Music Library
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 4 instruments
#263990 - 0.01MB - ? -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 64x

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Editor (2012/12/30)

 harpsichord
#263991 - 0.00MB - ? -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 47x

MID file (audio/video)
Editor (2012/12/30)

Performers:

General midi

Publisher Info.:

Arnold den Teuling

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Scores and Parts

 Compete score, separate parts and critical notes
#263987 - 0.23MB, 9 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 553x

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Editor (2012/12/30)

 Source file (Sibelius)
#263988 - 0.21MB, ? pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 106x

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Editor (2012/12/30)

PMLP427957-JosqQuibellesamourspartnotes.pdf
Editor:

Arnold den Teuling

Publisher Info.:

Arnold den Teuling

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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These file(s) are part of the Werner Icking Music Collection.

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Arrangements and Transcriptions

For Keyboard or Harp (Teuling)

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#263989 - 0.11MB, 4 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 116x

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Arranger (2012/12/30)

PMLP427957-JosqQuiBellesclavhalfdouble.pdf
Arranger:

Arnold den Teuling

Publisher Info.:

Arnold den Teuling

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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General Information

Work Title Qui belles amours a
Alternative Title
Composer Josquin Desprez
Language French
Composer Time Period Renaissance
Piece Style Renaissance
Instrumentation 2 voices ST and 2 instruments AB or 4 instruments SATB


Misc. Comments

Grove Music lists 4 parts, without vocal or instrumental designation, and says "The question arises as to how many of these early pieces were conceived to be sung at all and how many were from the start instrumental." Therefore, this page has been tagged for both purely instrumental and purely vocal, and the 2/2 option was chosen by the editor Den Teuling because the text only really fits two of the lines, hence he believes it would have been 2 vocal, 2 instrumental

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