Piano Trio (Fine, Vivian)
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Performances
Recordings
MP3 file (audio)
rhymesandchymes (2013/1/15)
Section II
*#266226 - 15.60MB - 8:30 - (0) - - !N/!N/!N - 12x⇩
MP3 file (audio)
rhymesandchymes (2013/1/15)
Daniel Kobialka, violin; Peter Shelton, cello and Machiko Kobialka, piano
Vivian Fine Estate
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 [tag/del]
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Sheet Music
Scores and Parts
Piano Score
*#107989 - 2.84MB, 29 pp. - (0) - !N/!N/!N - 217x⇩
PDF scanned by Unknown
Rhymesandchymes (2011/7/4)
PDF scanned by Unknown
Rhymesandchymes (2011/7/4)
PDF scanned by Unknown
Rhymesandchymes (2011/7/4)
Vivian Fine Estate
Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
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General Information
| Work Title | Trio for Violin, Cello, and Piano |
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| Alternative Title |
| Composer | Fine, Vivian |
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| Movements/Sections | 2 Sections
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| Year/Date of Composition | 1980 |
| First Performance | 1981-04-04 in Oak Park, Illinois Mirecourt Trio: Kenneth Goldsmith, violin ; Terry King, cello ; John Jensen, piano |
| Average Duration | 18 minutes |
| Piece Style | Modern |
| Instrumentation | violin, cello, piano |
| External Links | Vivian Fine website |
Misc. Comments
During the fall of 1980 Fine completed another commission, Trio for Violin, Cello, and Piano (1980) for the Mirecourt Trio. She wrote a large, complex, and demanding piece of two movements that are divided into sections. The movements are about equal in length, making the design symmetrical, and having a formal plan of ABC AB’D. Movement one’s A section begins with a sixteenth-note canon between the violin and cello lasting nine measures. When composing the original line, Fine was careful not to repeat patterns, and a few places where she did are disguised with changes in phrasing. Similar to the opening of Teisho, the pitches from this original background texture are reused throughout the Trio. The B section presents “pesante e mercato” lines set in textures that repeat and recombine, while C is a passacaglia in memory of Gregor Piatigorsky, who died in 1976. The eight-measure passacaglia theme is repeated eight times in a series of growing complexities….The second movement’s A section begins with a piano texture derived from the Trio’s opening canon and uses similar material as the initial A, enhanced with rescoring, added counterpoints, and canons….[the final section] is an elegy on a theme by Ravel paralleling the earlier passacaglia.
–Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999
