Performances
Naxos
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Sheet Music
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Publisher. Info.
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Paris: Choudens, n.d.(ca.1875). Plate A.C. 2921.
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Copyright
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Publisher. Info.
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Paris: Choudens, n.d.(ca.1875). Plate A.C. 2921.
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Reprinted
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Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1322.
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Parts
⇒ 14 more: Oboe 1/2/English Horn • Clarinet 1/2 (A/B♭) • Bassoon 1/2 • Horn 1/2 (D/E♭/E/G), 3/4 (C) • Trumpet 1/2 (A/C/D/G) • Cornet 1/2 (B♭) • Trombone 1/2, 3, Ophicleide • Timpani/Triangle • Snare Drum, Bass Drum/Cymbals • Harp • Violins I • Violins II • Violas • Cellos/Basses
Publisher. Info.
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Paris: Choudens, n.d. Plate A.C. 2787.
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Reprinted
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Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1322.
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Arrangements and Transcriptions
For Piano 4 hands (Composer)
Arranger
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[composer's transcription]
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Publisher. Info.
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Paris: Antoine Choudens, n.d.[1874]. Plate A.C. 2788.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project. Publication noted in the Bibliographie de la France 2e série, 63e année, Nº 10, 7 Mars 1874, p.119, r.713.
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For Piano solo (Dallier)
Arranger
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Henri Dallier (1849-1934)
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Publisher. Info.
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Paris: Choudens, n.d.[1880]. Plate A.C. 4917.
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Copyright
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Misc. Notes
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Publication noted in the Bibliographie de la France 2nd series, 69th year, No.52, 25 December 1880, page 750, registration 4624.
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General Information
Work Title
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Patrie
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Alternative. Title
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Ouverture dramatique
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Name Translations
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祖国 (ビゼー)
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Composer
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Bizet, Georges
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Opus/Catalogue NumberOp./Cat. No.
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WD 41 ; Op.19
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I-Catalogue NumberI-Cat. No.
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IGB 46
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Key
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C major
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Movements/SectionsMov'ts/Sec's
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1
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Year/Date of CompositionY/D of Comp.
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1873
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First Performance.
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1874-2-15
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Dedication
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à mon ami Jules Massenet (1842-1912)
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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2 flutes (+piccolo), 2 oboes (+english horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophicleide, timpani, percussion (triangle, bass drum, cymbals, snare drum), harp, strings
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External Links
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MPH preface (by Timothy Flynn, 2011)
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Navigation etc.
According to Bennett (quoted by Flynn), "performed by Pasdeloup’s orchestra (for whom it was composed) at Bizet’s funeral in the church of La Trinité just one year after its premiere."