Passion nach dem Evangelisten Johannes (Böhm, Georg)

Ambox notice.pngThis work was formerly attributed to George Frideric Handel


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Ivdruiz (2008/7/13)

Editor Friedrich Chrysander (1826–1901)
Publisher. Info. Georg Friedrich Händels Werke. Band 9
Leipzig: Deutsche Händelgesellschaft, 1860. Plate H.W. 9.
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Misc. Notes Attributed in this edition to George Frideric Handel
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Ottaviano (2019/1/3)

Editor Karl Gustav Fellerer (1902-1984)
Publisher. Info. Hallische Händel-Ausgabe, Serie I: Oratorien und große Kantaten, Band 2: Passion nach dem Evangelisten Johannes (pp.1-71)
Kassel: Deutsche Händelgesellschaft, 1964. Plate BA 4022.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Misc. Notes 600 dpi. Page size is 9.23 x 12.21 inches.
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Parts

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M.kowalski49 (2022/5/9)

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M.kowalski49 (2022/5/9)

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M.kowalski49 (2022/5/9)

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M.kowalski49 (2022/5/9)

Editor Felix Schroeder (1908-1976)
Publisher. Info. Kassel: Bärenreiter, ca.[1957].
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2629.
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Misc. Notes Parts are 10x13 scans.
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Arrangements and Transcriptions

Chor: Wir haben keinen König denn den Kaiser/We have no king but Cæsar

For Organ (Best)

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Keanur (2017/5/30)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.1 (pp.232)
London: Novello, Ewer & Co., n.d. Plate 2229.
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Chor: Lässest du diesen los/If thou let this man go

For Organ (Best)

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Keanur (2017/6/4)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.2 (pp.394)
London: Novello, Ewer & Co., n.d. Plate 2229.
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Chor: Lasset uns den nicht zertheilen/Let us not rend it

For Organ (Best)

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Keanur (2017/6/4)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.2 (pp.464)
London: Novello, Ewer & Co., n.d. Plate 2229.
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General Information

Work Title Passion nach dem XIX. Kapitel des Evangelisten Johannes
Alternative. Title St. John Passion
Composer Böhm, Georg
Opus/Catalogue NumberOp./Cat. No. HG 9
I-Catalogue NumberI-Cat. No. IGB 6
Movements/SectionsMov'ts/Sec's ca. 30 numbers in 2 parts
Year/Date of CompositionY/D of Comp. 1704
Librettist Christian Heinrich Postel (1658–1705)
Language German
Dedication Good Friday (Parasceve)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, mixed chorus, orchestra
Soloists (SSATTB)
Pilate (alto)
Evangelist (tenor)
Jesus (bass)
Chorus (SATTB)
Orchestra
2 flutes, 2 oboes, violin solo, strings, continuo