Ouverture-Suite, TWV 55:B11 'La Bourse' (Telemann, Georg Philipp)

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 Complete score
#42281 - 5.98MB, 28 pp. -  6.0/10 2 4 6 8 10 (2) - V/V/V - 1533x

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Fynnjamin (2009/10/18)

PMLP91739-telemann suite 55 B11.pdf
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Manuscript 1730-1740

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Public Domain [tag/del]

Misc. Notes:

Schrank II collection
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 Complete Score
#217705 - 10.56MB, 53 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 769x

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Notenschreiber (2012/5/10)

PMLP91739-telemann suite la bourse score.pdf
Editor:

Mario Bolognani

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Rome: Baroque Music Italia, 2010.

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Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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#60338 - 32.42MB, 136 pp. -  2.0/10 2 4 6 8 10 (1) - V/V/V - 427x

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Boccaccio (2010/3/31)

PMLP91739-320953750.pdf
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Manuscript 1725-1735

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Public Domain [tag/del]

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Schrank II collection
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 Flute 1
#217706 - 0.91MB, 7 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 176x

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 Oboe 1
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 Oboe 2
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 Bassoon
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 Violins I
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 Basses
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 Cembalo
#217715 - 0.70MB, 6 pp. -  10.0/10 2 4 6 8 10 (1) - !N/!N/!N - 141x

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Notenschreiber (2012/5/10)

PMLP91739-telemann suite la bourse flauto I.pdf
Editor:

Mario Bolognani

Publisher Info.:

Rome: Baroque Music Italia, 2010.

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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General Information

Work Title La Bourse
Alternative Title The Stock Exchange
Composer Telemann, Georg Philipp
Opus/Catalogue Number TWV 55:B11
Key B major
Movements/Sections 6 movements:
Ouverture
La repos interrompu
La guerre en la paix
Les Vainqueurs vaincus
La Solitude associée
L'Espérance de Mississippi
Year/Date of Composition ca.1720? Frankfurt
Average Duration 20–25 minutes
Piece Style Baroque
Instrumentation oboes, strings, continuo


Misc. Comments

After the Frankfurt bank/exchange over which Telemann lived for a time? Zohn in Music for a Mixed Taste (p.106) suggests arguments can be given for a date of composition sometime between 1719 (when hope for the Mississippi was high) and somewhat after 1720. (Apparently the watermark on the score paper confirms a Frankfurt origin for the composition even if it was taken to Dresden during composition or for copying, if I understand Zohn right, and Pisendel may further be responsible for some of the ms. copies we have besides- I assume then from what he writes that we also have the autograph somewhere, perhaps...) The suite has been recorded commercially a couple of times with a duration of somewhere in the 20 minute range. - Schissel

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