Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald)

Contents

Performances

Recordings

Dance of the Blessed Spirits (Act II)

For Keyboard (Vincent)

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Naxos Search

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Dance of the Blessed Spirits (Act II)

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Aria: Che farò senza Euridice? (Act III, sc.1)

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For Voice and Piano (Van Ryckeghem)

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For Piano and Synthesizer (Vincent)

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Sheet Music

Full Scores

Original version, Wq.30

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Editor Hermann Abert (1871-1927)
Language Italian / German
Publisher. Info. Denkmäler der Tonkunst in Österreich, Band 44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
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Daphnis (2011/8/7)

Editor Hermann Abert (1871-1927)
Language Italian / German
Publisher. Info. Denkmäler der Tonkunst in Österreich, Band 44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reprinted Mineola: Dover Publications, 1992.
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PMLP21377-Gluck - Orfeo ed Euridice (orch. score).pdf

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Editor Anna Amalie Abert (1906-1996)
Ludwig Finscher (b.1930)
Publisher. Info. Kassel: Barenreiter 1962. Plate BA 2294
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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PMLP21377-Orfeo FS Akt I 12.pdf

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Pasticcio version (Naples, 1774)

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Misc. Notes Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
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Parts

Original version, Wq.30

Complete (Orchestra I/II)

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Editor Anna Amalie Abert (1906-1996)
Ludwig Finscher (b.1930)
Publisher. Info. Kassel: Barenreiter 1962. Plate BA 2294
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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PMLP21377-Orfeo flauto I.pdf

Selections (Choruses)

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Overture

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Publisher. Info. Leipzig: Breitkopf, n.d. Plate Orch. B.
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Dance of the Blessed Spirits (Act II)

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Aria: Che Puro ciel (Act II, sc.2)

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Aria: Che farò senza Euridice? (Act III, sc.1)

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Vocal Scores

Complete

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PMLP21377-Gluck - Orphee VS.pdf

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Arranger François-Auguste Gevaert (1828-1908), piano reduction
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Arranger François-Auguste Gevaert (1828-1908), piano reduction
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PMLP21377-Oprhee et Eurydice Act I.pdf

Selections

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Arrangements and Transcriptions

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For Piano 4 hands

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Overture

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For Piano 4 hands

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Dance of the Blessed Spirits (Act II)

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For Orchestra (Mottl)

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Arranger Felix Mottl (1856-1911)
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For Instrument and Piano (Larocque)

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Arranger August Reinhard (1831-1912)
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For Violin and Piano (Hermann)

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Arranger Friedrich Hermann (1828-1907)
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For Cello and Piano (Mandozzi)

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For Organ (Gouin)

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For Piano solo (Bass)

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Publisher. Info. Wien: Sirius-Verlag, 1932. Plate S.V. 27.
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Mélodie (Ballet II)

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For Piano solo (Sgambati)

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For Piano solo (Siloti)

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Aria: Che farò senza Euridice? (Act III, sc.1)

For Flute and Piano (Boehm)

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For Simplified Piano (Vincent)

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Libretti

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General Information

Work Title Orfeo ed Euridice
Alternative. Title Orphée et Eurydice; Orpheus und Eurydike
Composer Gluck, Christoph Willibald
Opus/Catalogue NumberOp./Cat. No. Wq.30 – Orfeo ed Euridice (1762), original version (Italian)
Wq.41 – Orphée et Eurydice (1774), revised version (French)
Movements/SectionsMov'ts/Sec's Overture, 3 acts
Year/Date of CompositionY/D of Comp. 1762, rev.1774
First Performance. 1762-10-05 in Vienna: Burgtheater A
1774-08-02 in Paris: Theatre of the Palais-Royal B
Librettist Ranieri de' Calzabigi (1714-1795)
Pierre-Louis Moline (1740-1820)
Language Italian
French
Dedication La reine (the Queen)
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
Cast (2 sopranos, alto)
Orfeo (alto castrato, 1762; haute-contre = high tenor, 1774)
Amore (soprano)
Euridice (soprano)
Mixed Chorus (SATB)
Orchestra I
2 flutes, 2 oboes, 2 English horns, 2 chalumeaux, 2 bassoons
2 horns, 2 cornettos, 2 trumpets, 3 trombones
timpani, harp, strings, continuo

Orchestra II

2 chalumeaux, harp, strings
Related Works Pieces based on 'Orfeo ed Euridice'
External Links Wikipedia article


Misc. Comments