Octet, Op.7 (Enescu, George)
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It is unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (like China, Japan, Korea and many others worldwide). As this work was first published before 1923 or failed to meet notice or renewal requirements to secure statutory copyright, it is almost certainly public domain in the USA as well. |
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Sheet Music
Full Scores
Complete Score
*#91446 - 5.66MB, 141 pp. - (0) - V/V/26 - 2807x⇩
Paris: Enoch & Cie., n.d. (ca.1905).
Reissue (new engraving) - 1950. Plate E. & C. 4716.
Public Domain - Non-PD EU [tag/del]
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Parts
Complete Parts
*#91593 - 12.04MB, 122 pp. - (0) - V/V/26 - 1193x⇩
Paris: Enoch & Cie., n.d.(ca.1905). Plate E. & C. 4717.
Public Domain - Non-PD EU [tag/del]
Javascript is required for this feature.
Paris: Enoch & Cie., n.d.(ca.1905). Plate E. & C. 4717.
Public Domain - Non-PD EU [tag/del]
Javascript is required for this feature.
General Information
| Work Title | Octet |
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| Alternative Title |
| Composer | Enescu, George |
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| Opus/Catalogue Number | Op.7 |
| Key | C major |
| Movements/Sections | 1 movement in 4 sections (with one brief pause)
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| Year/Date of Composition | 1900 |
| First Publication | 1905? |
| Dedication | André Gédalge (1856–1926) |
| Average Duration | 35 minutes |
| Piece Style | Romantic |
| Instrumentation | 4 Violins, 2 violas, and 2 cellos |
Misc. Comments
(There aren't four movements really, though there are four large sections (and even those are so subdivided it can be hard on paper- easier in sound, admittedly- relatively... - to tell that these are interior divisions of sections whereas these are divisions between larger sections of the big movement. There's only one real pause in the score, a brief one between the second and third "movements". If I say that in this respect it was maybe pretty typical of the time- or maybe actually forward-looking to features of chamber music of a decade later, morelike- I still find it a -most- exceptional and excellent work. Anyhow. - Schissel )
