Novae Tabulae Musicae (Barbetta, Giulio Cesare)

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PDF scanned by US-Wc
Stefan Apke (2023/5/7)

Publisher. Info. Straßburg: Bernhart Jobin, 1582.
Copyright
Misc. Notes This book is not fragmented, just a little bit damaged (e.g. f.21v) but readable. Nobody added folio numbers (as to the other scan), so the same ones are given here as bookmarks.
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PDF scanned by D-KA
Fynnjamin (2014/6/8)

Editor First edition
Publisher. Info. Straßburg: Bernhart Jobin, 1582.
Copyright
Misc. Notes Some paper damage towards the end, affecting some of the music.
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General Information

Work Title Novae Tabulae Musicae
Alternative. Title Title-page transcription
Novae tabvlae mvsicae testvdinariae hexachordae et heptachordae. Iulij Caesaris Barbetti Paduani. Neu Lautenbuch auff sechs und Siben Chorseyten gestellt Durch Iulium Caesarem Barbettum von Padua.
Composer Barbetta, Giulio Cesare
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 54 pieces

1. Pauana Prima ditta la Molinara, f.3r
2. Pauana seconda detta labélla ragazzona, f.3v
3. Pauana tercia detta la Contarina, f.3v
4. Pauana quarta detta la reale, f.4v
5. Galgiarda prima detta il toscanelo, f.5r
6. Galgiardo seconda detto il mato, f.5v
7. Galgiarda terctia detto Aria de Comedia, f.6r
8. Galgiardo quarto ditto salta Marino, f.6v
9. Preambulo Primo, f.7r
10. Preambulo secondo, f.7v
11. Preambulo tertio, f.7v
12. Preambulo quarto, f.8r
13. Preambulo quinto, f.8v
14. Preambulo sesto, f.8v
15. Passo'emezo Primo detto il bachffart, f.9r.

[Dedication] Nobilissimo ac praeclarissimo Domino Nicasio Magensreuter à Tensing, &c. Illustrissimi Principis Philippi Marchionis Badensis ac Comitis Spanheimensis aulæ præfecto, &c. Domino meo colendissimo

16. Passo'emezo secondo musicale detto il milanese, f.10r
17. Passo’emezo tertio detto il Comune in 4. modi, f.11v
18. Galgiarda del Passo emezo ut supra, f.13r
19. Passo'emezo detto la paganina, f.14v
20. Galgiarda del Passo'emexo ut supra, f.15v
21. Passoemezo nouo detto il. N., f.16v
22. Passoemezo deto il ponderoso, f.17v
23. Gioueneta real Madrigal A.4, Archadelt, f.18r

[Dedication] Ad modum reverendo ac excellentissimo Domino Francisco Bornio a Madrigal Hispano S.S. Theolgiæ Licentiato Illustrissimi Principis Philippi Marchionis Badensis ac Comitis Spanhaimensis &c. Concionatori aulico ac in Spiritualibus à consilijs fautori meo amantissimo

24. Non mi duol il morir A.4. Madrigal del barbetta padoan, f.18v
25. Amar un solo amante a.4. Madrigal Iachet Berchen, f.19v
26. In dubio de mio stato a.4. Madrigal Orland delaso, f.20v
27. Liquide perle a.5. Madrigal di Luca merentio, f.21r
28. Piangi Cor mio a.5. Madrigal de Sabino, f.21v
29a. Che gioua posseder Cancon a.4. digiacohes Uvert prima parte, f.22v
29b. Fenda parte Mache non giou' hauer, f.23r
29c. Tertia parte quant effer Vid'car, f.23r
29d. Quarta et ultima parte Pero che uoi uo sete, f.23v
30. Basiami vita mia a.4. B. donato, f.24r
31. Dolce Fial morrir a.5. P.A. penesstrina, f.25r
32. Fantasia 1., f.25v
33. Fantasia 2., f.26v
34. Fantasia 3. a.4., f.27v
35. Fantasia 4. a.4., f.28r
36. Fantasia 5. a.4., f.29r

[Dedication] Magnificio ac excellentissimo Domino Wolfgango Hungero I.V.D. Peritissimo, Illustrissimi Principis Philippi Marchionis Badensis ac Comitis Spanheimensis consiliario intimo &c Domino meo summo amoris studio prosequendo

37. Fantasia 6: a.4., f.29v
38. Fantasia 7., f.30v

[Dedication] A la molto Magnifica et Virtuosissima Amatrice Devertuosi la Magnifica Signora Chiara Pisani Gientildona padona

39. Fantasia lesti 8. a.4., f.31v
40. Ungay Bergier a.4. C. Ianequim [Th. Crequillon], f.32v
41. Martin menoit a.4. C. Ianequim [Francesco da Milano], f.33v
42. Il nest plaisir C. Ianequin a.4., f.34r
43. Il me conuiet paserau a.4., f.34v
44. Ie cherche autant Amour Boyuin A.4., f.35r
45. Du moy de may Rogier a.4., f.36r
46. Petit giachet Crequillon a.4., f.36v
47. Susanne ungiour Orlando A.5., f.37v
48. Domine Iesu Christe a.4. P. demonte, f.38v
49. Quasi Cedrus Exaltata Sum a.4. Orlando, f.39v
50. Bewar mich Herr a.4. C. non Papa, f.40v
51. Tua est Potentia A.5. Ioh. mouton, f.41v

First Publication. 1582
Dedication Philipp, Marchioni Badensi, Comiti Spanheimensi etc.
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation lute

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Italian lute tablatures with (very rare!) 7 line systems. Some concordances are available in the data base from Peter Steur and Markus Lutz. French lute tablatures are made by Sarge Gerbode and also by Gian Luca Lastraioli in his book Giulio Cesare Barbetta: Collected Works for Lute, Tree Edition, Lübeck 2005.