Nocturne sur Le Siège de Corinthe, Op.16 (Brod, Henri)

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Scores and Parts

 Piano Score
#51840 - 2.89MB, 13 pp. -  8.7/10 2 4 6 8 10 (3- V/V/V - 1417x

PDF scanned by kalliwoda
Kalliwoda (2010/1/2)

 Oboe Part
#51841 - 0.67MB, 3 pp. -  7.5/10 2 4 6 8 10 (4- V/V/V - 1854x

PDF scanned by kalliwoda
Kalliwoda (2010/1/2)

TN-Brod Nocturne op. 16 cover.jpg
Publisher Info.:

Offenbach: Johann André, n.d.[1849]. Plate 5287
Reissue (new engraving) - n.d. (ca.1900)

Copyright:

Public Domain [tag/del]

Misc. Notes:

600 dpi, with added measure numbers

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General Information

Work Title Nocturne sur Le Siège de Corinthe
Alternative Title Nocturne en forme de variations sur des motifs de l'opera Le Siège de Corinthe (Rossini) ; Nocturne pour piano et hautbois ou violon, sur des motifs du Siège de Corinthe (original title)
Composer Brod, Henri
Opus/Catalogue Number Op.16
First Publication 1827 ca. – Paris: Troupenas
Piece Style Romantic
Instrumentation violin (or oboe), piano (or harp)


Misc. Comments

Publication in 1849 by André is listed in HMB as Nouv. Edit. but no previous edition found listed in HMB. Also, it lists instrumentation as p Violon (ou Hautbois) et Pfte (ou Harpe).

HMB is a horrible way to find publication dates for French works and works published by French publishers. They're best with things closer to Leipzig, relatively, I think (though not too bad relatively I think at estimating publication premiere dates of Russian and US publications- not great either, I guess. Always remember what these sources are and do...) Anyway: Op.16 is mentioned in the 1827 Journal général d'annonces des œuvres de musique, gravures ..., (Volume 3) but not in the 1825 (volume 1), so guessing it was published between 1825 and 1827, but still, might have been published before then. - Schissel (The harp alternative and the new title (en forme de variations) may be posthumous, as the André edition dates from 1849>1839, and if no sign can be found that the composer approved of the addition and the alternative instrumentation one may have to de-tag.) (His 2 nocturnes, op.20 also pub.1827 was originally for piano (or harp) or oboe (or violin) according to BdlF, so it seems quite possible and authentic, that said.)
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