Momenti (Fine, Vivian)

Free public domain sheet music from IMSLP / Petrucci Music Library
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Performances

Recordings

 Andante lusingando
#173632 - 0.61MB - 1 minute -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 59x

MP3 file (audio)
Peggy Karp (2012/1/26)

 Allegro
#173633 - 0.48MB - 1 minute -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 42x

MP3 file (audio)
Peggy Karp (2012/1/26)

Performers:

Lionel Nowak, piano

Publisher Info.:

CRI - New World Records (used with permission)

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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US

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Sheet Music

Piano Scores

 Complete score
#173631 - 2.83MB, 12 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 109x

PDF scanned by Paul Hawkins
Peggy Karp (2012/1/26)

PMLP306609-Momenti.pdf
Publisher Info.:

Vivian Fine Estate

Copyright:

Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]

© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.

Misc. Notes:

Request Licenses from ASCAP
Report performances to Vivian Fine Estate

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General Information

Work Title Momenti
Alternative Title
Composer Fine, Vivian
Movements/Sections 6 movements
  1. Poco Allegretto, delicato
  2. Andante lusingando
  3. Allegro
  4. Con tenerezza
  5. Moderato
  6. Lento
Year/Date of Composition 1978
First Performance 1979-3-26 in New York, Mannes College of Music, Lionel Nowak, piano
Average Duration 9 minutes
Piece Style Modern
Instrumentation piano
External Links Vivian Fine website


Misc. Comments

The six short movements were inspired by gestures from Schubert’s Moment Musicaux, though not until the last movement is there an actual quote. The gestures become transformed into Fine’s music, which sounds unselfconscious in its free use of dissonance and vigorous in its frequent changes in rhythmic groupings.

—Heidi Von Gunden, liner notes to “Vivian Fine,” CRI American Masters CD 692


“…jewels waiting for recitalists to wake up to their presence.”

—Robert Commanday, San Francisco Chronicle, October 24, 1982
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