Misericordias Domini, K.222/205a (Mozart, Wolfgang Amadeus)



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Sheet Music


PDF scanned by PL-LZu
piupianissimo (2010/9/12)

Editor Gustav Nottebohm (1817–1882)
Publisher. Info. Wolfgang Amadeus Mozarts Werke, Serie III:
Kleinere geistliche Gesangwerke, Bd.2, No.25
Leipzig: Breitkopf & Härtel, 1880. Plate W.A.M. 222.
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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TN-Mozart Werke Breitkopf Serie 03 KV222.jpg

PDF scanned by Digital Mozart Ed.
Gcjdavid (2016/5/22)

Editor Hellmut Federhofer (1911-2014)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 3,
Kleinere Kirchenwerke
[NMA I/3]
Kassel: Bärenreiter-Verlag, 1963. Plate BA 4533.
This “urtext” or “scholarly” (scientific) edition was published at least 25 years ago in Germany and thus is public domain in its country of origin. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. It may not be public domain elsewhere, however. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
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General Information

Work Title Misericordias Domini
Alternative. Title Offertorium de tempore
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.222 ; K⁶.205a
Key D minor
Year/Date of CompositionY/D of Comp. 1775
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation Voices: mixed chorus (SATB)
Orchestra: strings, continuo (the 2 oboes, 2 horns in D and viola part are suspect: see below, Comments)

Misc. Comments

Grove Music does not list the wind parts, which are found only in an anonymous Italian ms. CPDL's page has parts, a good piano-vocal score and short bibliography (much more of course, in German, in NMA's Preface (NMAonline Series 1 Group 3) and Critical Report (p. 71)