Mass in Honor of St. Catherine, Op.55 (Becker, René Louis)

This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries), unless an exception (such as the rule of the shorter term) applies. Works still protected by copyright can only be used with the permission of the copyright holder. See public domain for details.
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Sheet Music

Scores

PDF scanned by Jeffrey Quick
Jaquick (2015/7/15)

Publisher. Info. New York: J. Fischer & Bro., 1917, J.F.& B. 4243 (4410)
Copyright
Misc. Notes Not the cleanest exemplar (Duquesne University copy). Tidied as well as I could with available tools, but if anyone has a nicer copy, scan and upload it.
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General Information

Work Title Mass in honor of St. Catherine
Alternative. Title
Composer Becker, René Louis
Opus/Catalogue NumberOp./Cat. No. Op.55
I-Catalogue NumberI-Cat. No. IRB 8
Key G major
Movements/SectionsMov'ts/Sec's 6
First Publication. 1917
Copyright Information Possibly public domain in EU and other 70 pma territories.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Language Latin
Dedication Venerable Sister Superior M. Alphonsa (S.S. de Notre Dame), Sacred Heart Convent, Fort Madison, Iowa
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 3 equal voices, organ

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Op. 55a is the version for SSA, Op. 55b that for men (TTB). Op. 55c is SAB. A version for SATB, marked merely as Op. 55, exists in the composer's manuscripts, but was apparently not published. The dedication suggests that op. 55a was the original version.