Mass in C major, K.66 (Mozart, Wolfgang Amadeus)

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Performances

Recordings

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Stenov (2019/5/26)

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

MP3 file (audio)
Stenov (2019/5/26)

MP3 file (audio)
Stenov (2019/5/26)

MP3 file (audio)
Stenov (2019/5/26)

MP3 file (audio)
Stenov (2019/5/26)

MP3 file (audio)
Stenov (2019/5/26)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz 2016
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Sheet Music

Scores

PDF scanned by D-B
Brodie h (2022/9/11)

Publisher. Info. Holograph manuscript, 1769.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms.autogr. Mozart, W. A. 66
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PDF scanned by PL-LZu
piupianissimo (2010/9/21)

Editor Franz Espagne (1828-1878)
Publisher. Info. Mozarts Werke, Serie I: Messen, Bd.1, No.3 (pp.49-116)
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 66.
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Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Gcjdavid (2016/5/20)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt. 1/1] (pp.185-284)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
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Other

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.322-327)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe. #426027: Original instrumentation refers to 2 clarini in C, timpani in C and G, strings, mixed chorus and continuo. #426028: A sketch of the Gloria movement, with some bars cancelled. #426029: First, deleted version of the Credo. #426030: This is a complete original deleted draft of the Credo, starting for bar 166 (non erit finis).
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General Information

Work Title Missa solemnis
Alternative. Title Mass No.3 ; "Dominicusmesse" or "Pater Dominicusmesse"
Name Translations Messa in do maggiore K 66; Mass in C major, K. 66 "Dominicus"; Missa solemnis en do major; Missa Dominicus; Messe en ut majeur K. 66 de Mozart; Dominicus-Messe
Name Aliases K 66; Dominicusmesse or Pater Dominicusmesse; Missa solemnis in C major; KV 66; Missa in C
Authorities WorldCat; Wikipedia; VIAF: 293750997; BNF: 13928436k
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.66
I-Catalogue NumberI-Cat. No. IWM 286
Key C major
Movements/SectionsMov'ts/Sec's 6 sections:
I. Kyrie
II. Gloria
III. Credo
IV. Sanctus
V. Benedictus
VI. Agnus Dei
Year/Date of CompositionY/D of Comp. 1769
First Publication. 1877 or earlier
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation soprano, alto, tenor bass; mixed chorus (SATB), orchestra
InstrDetail
2 flutes, 2 oboes, 2 horns, 2 clarini, 2 trumpets
timpani, strings, continuo (organ)
External Links Wikipedia article
NMA score
NMA report (German)

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Masses by Wolfgang Amadeus Mozart