Litaniae de venerabili altaris sacramento, K.125 (Mozart, Wolfgang Amadeus)

Contents

Performances

Sheet Music

Scores

PDF scanned by D-B
Brodie h (2022/8/29)

Publisher. Info. Holograph manuscript, 1772.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms.autogr. Mozart, W. A. 125
Purchase
Javascript is required for this feature.

PDF scanned by PL-LZu
piupianissimo (2010/9/20)

Editor Gustav Nottebohm (1817–1882)
Publisher. Info. Mozarts Werke, Serie II:
Litaneien und Vespern, No.2
(pp.13-62)
Leipzig: Breitkopf & Härtel, 1880. Plate W.A.M. 125.
Copyright
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Purchase
Javascript is required for this feature.

PDF scanned by A-Wm
Gcjdavid (2016/5/21)

Editor Hellmut Federhofer (1911-2014)
Renate Federhofer-Königs (1930-2015)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 2,
Litaneien [NMA I/2//1] (pp.23-134)
Kassel: Bärenreiter-Verlag, 1969. Plate BA 4552.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
Purchase
Javascript is required for this feature.

Vocal Scores

PDF scanned by Timtin
Timtin (2012/3/4)

Translator R.G. Loraine, Esq., English text
Publisher. Info. London: Novello, 1877.
Copyright
Misc. Notes Year of publication on rear cover.
Purchase
Javascript is required for this feature.

Arrangements and Transcriptions

7. Chorus 'Viaticum in Domino' and 8. Fugue 'Pignus futuræ'

For Organ (Best)

PDF scanned by Unknown
Keanur (2017/5/30)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.1 (pp.149-157)
London: Novello, Ewer & Co., n.d. Plate 2229.
Copyright
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Litaniae de venerabili altaris sacramento
Alternative. Title
Name Translations Litaniae de venerabili altaris Sacramento K 125
Name Aliases KV 125; K 125
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.125
I-Catalogue NumberI-Cat. No. IWM 267
Key B-flat major
Movements/SectionsMov'ts/Sec's 9 movements:
  1. Kyrie
  2. Panis vivus
  3. Verbum caro factum
  4. Hostia sancta
  5. Tremendum
  6. Panis omnipotentia
  7. Viaticum in Domino
  8. Pignus futuræ
  9. Agnus Dei
Year/Date of CompositionY/D of Comp. 1772
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation Voices: soprano, alto, tenor, bass; mixed chorus (SATB)
Orchestra: 2 flutes, 2 oboes, 2 horns (F), 2 trumpets (B), 3 trombones (colla parte), strings, continuo (organ)