List of works by Nikolay Rimsky-Korsakov
Free public domain sheet music from IMSLP / Petrucci Music Library
- This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Rimsky-Korsakov, Nikolay.
Original Works
The following information is given for each work, where available:
- Op. — opus numbers; works without opus numbers appear at the end of the list, in alphabetical order
- Title — as used on IMSLP; these are usually translated into English, with Russian (Cyrillic) in the following column
- Forces — the instrumentation used (see IMSLP:Abbreviations for Instruments)
- Key — the principal key of the work
- Date — the year(s) of composition or arrangement, where known
- Genre — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber, Keyboard and Writings
- Notes — including references to related works
| Opus | Title (IMSLP) | Title (Cyrillic) | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|---|
| 1 | Symphony No.1 | Симфония № 1 | orch | E minor | 1861–65, rev. 1884 | Orchestral | originally in E♭ minor |
| 2 | Romances (4): | Романcа (4): | v pf | 1865–66 | Vocal | ||
| 2/1 |
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v pf | 1865–66 | Vocal | ||
| 2/2 |
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v pf | 1865–66 | Vocal | piano part written by Mily Balakirev. | |
| 2/3 |
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v pf | 1865–66 | Vocal | re-used in ''The Boyarina Vera Sheloga'' | |
| 2/4 |
|
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v pf | 1865–66 | Vocal | ||
| 3 | Romances (4): | Романcа (4): | v pf | 1866 | Vocal | ||
| 3/1 |
|
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v pf | 1866 | Vocal | also arr. for v orch | |
| 3/1 |
|
|
v orch | 1888 | Vocal | arr. of the version for v pf | |
| 3/2 |
|
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v pf | 1866 | Vocal | ||
| 3/3 |
|
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v pf | 1866 | Vocal | ||
| 3/4 |
|
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v pf | 1866 | Vocal | ||
| 4 | Romances (4): | Романcа (4): | v pf | 1866 | Vocal | ||
| 4/1 |
|
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v pf | 1866 | Vocal | ||
| 4/2 |
|
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v pf | 1866 | Vocal | ||
| 4/3 |
|
|
v pf | 1866 | Vocal | also arr. for v orch | |
| 4/3 |
|
|
v orch | 1891 | Vocal | arr. of the version for v pf | |
| 4/4 |
|
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v pf | 1866 | Vocal | also arr. for v orch | |
| 4/4 |
|
|
v orch | 1891 | Vocal | arr. of the version for v pf | |
| 5 | Sadko (Episode from the Legend of Sadko) | Садко (Эпизод из былини о Садко) | orch | 1867, rev. 1869, 1891–92 | Orchestral | music re-used in the opera Sadko (1895–96) | |
| 6 | Fantasia on Serbian Themes | Фантазия на сербские темы | orch | 1867, rev. 1886–87 | Orchestral | earlier version also arr. for pf4h. | |
| 6 | Fantasia on Serbian Themes | Фантазия на сербские темы | pf4h | 1867 | Keyboard | arr. of the earlier version for orch | |
| 7 | Romances (4): | Романcа (4): | v pf | 1867 | Vocal | ||
| 7/1 |
|
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v pf | 1867 | Vocal | ||
| 7/2 |
|
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v pf | 1867 | Vocal | ||
| 7/3 |
|
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v pf | 1867 | Vocal | re-used in the cantata The Mermaid of Lake Sweitz, Op.44. | |
| 7/4 |
|
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v pf | 1867 | Vocal | ||
| 8 | Romances (6): | Романcов (6): | v pf | 1868–70 | Vocal | ||
| 8/1 |
|
|
v pf | 1868–70 | Vocal | ||
| 8/2 |
|
|
v pf | 1868–70 | Vocal | also arr. for v orch | |
| 8/2 |
|
|
v orch | 1891 | Vocal | arr. of the version for v pf | |
| 8/3 |
|
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v pf | 1868–70 | Vocal | ||
| 8/4 |
|
|
v pf | 1868–70 | Vocal | ||
| 8/5 |
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v pf | 1868–70 | Vocal | ||
| 8/6 |
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v pf | 1868–70 | Vocal | ||
| 9 | Symphony No.2 ("Antar") | Симфония № 2 («Антар») | orch | 1868–75, rev. 1897, 1903 | Orchestral | Also described as a "symphonic suite" | |
| 10 | Variations on the Theme B-A-C-H (6): | Вариаций на тему B-A-C-H (6): | pf | 1878 | Keyboard | ||
| 10/1 |
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pf | 1878 | Keyboard | ||
| 10/2 |
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pf | 1878 | Keyboard | ||
| 10/3 |
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pf | 1878 | Keyboard | ||
| 10/4 |
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pf | 1878 | Keyboard | ||
| 10/5 |
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pf | 1878 | Keyboard | ||
| 10/6 |
|
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pf | 1878 | Keyboard | ||
| 11 | Morceaux (4): | Пьесы (4): | pf | 1876–77 | Keyboard | ||
| 11/1 |
|
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pf | 1876–77 | Keyboard | ||
| 11/2 |
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pf | 1876–77 | Keyboard | ||
| 11/3 |
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pf | 1876–77 | Keyboard | ||
| 11/4 |
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pf | 1876–77 | Keyboard | ||
| 12 | String Quartet | Струнный квартет | 2vn va vc | F major | 1875 | Chamber | |
| 13 | Choruses (2): | Хора (2): | fch | 1874 | Choral | ||
| 13/1 |
|
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fch | 1874 | Choral | ||
| 13/2 |
|
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fch | 1874 | Choral | ||
| 14 | Variations and Fughetta (on the theme of the folksong "I am Tired of the Nights") | Вариации и фугетта (на тему песни «Надоели ночи» | fch (+ harm/pf) | 1875 | Choral | ||
| 15 | Morceaux (3): | Пьесы (3): | pf | 1875–76 | Keyboard | ||
| 15/1 | Valse | Вальс | pf | 1875–76 | Keyboard | ||
| 15/2 | Romance | Романс | pf | 1875–76 | Keyboard | ||
| 15/3 | Fugue | Фуга | pf | 1875–76 | Keyboard | ||
| 16 | Choruses (6): | Хоров (6): | ch | 1876 | Choral | ||
| 16/1 |
|
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ch | 1876 | Choral | ||
| 16/2 |
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ch | 1876 | Choral | ||
| 16/3 |
|
|
ch | 1876 | Choral | ||
| 16/4 |
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ch | 1876 | Choral | ||
| 16/5 |
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ch | 1876 | Choral | ||
| 16/6 |
|
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ch | 1876 | Choral | ||
| 17 | Fugues (6) | Фуг (6) | pf | 1875 | Keyboard | ||
| 18 | Choruses (2): | Хора (2): | ch | 1876 | Choral | also published as Op.22 | |
| 18/1 |
|
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ch | 1876 | Choral | ||
| 18/2 |
|
|
ch | 1876 | Choral | ||
| 19 | Russian Folksongs (15): | Русских народных песен (15): | ch | 1879 | Choral | ||
| 19/1 |
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ch | 1879 | Choral | ||
| 19/2 |
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ch | 1879 | Choral | ||
| 19/3 |
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ch | 1879 | Choral | ||
| 19/4 |
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ch | 1879 | Choral | ||
| 19/5 |
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ch | 1879 | Choral | ||
| 19/6 |
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ch | 1879 | Choral | ||
| 19/7 |
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ch | 1879 | Choral | ||
| 19/8 |
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ch | 1879 | Choral | ||
| 19/9 |
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ch | 1879 | Choral | ||
| 19/10 |
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ch | 1879 | Choral | also arr. for mch | |
| 19/10 |
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mch | 1879? | Choral | arr.of the version for ch | |
| 19/11 |
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ch | 1879 | Choral | ||
| 19/12 |
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ch | 1879 | Choral | ||
| 19/13 |
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ch | 1879 | Choral | ||
| 19/14 |
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ch | 1879 | Choral | ||
| 19/15 |
|
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ch | 1879 | Choral | ||
| 20 | Poem About Aleksey, Man of God | Стих об Алеxейе Божьйем человеке | ch orch | 1878 | Choral | ||
| 21 | Glory | Слава | ch orch | 1879–80 | Choral | ||
| 22 | Liturgy of St. John Chrysostom (8 numbers): | Литургия Св. Иоанна Златоуства (8 номеров): | ch | 1883 | Choral | ||
| 22/1 |
|
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ch | 1883 | Choral | ||
| 22/2 |
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ch | 1883 | Choral | ||
| 22/3 |
|
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ch | 1883 | Choral | ||
| 22/4 |
|
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ch | 1883 | Choral | ||
| 22/5 |
|
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ch | 1883 | Choral | ||
| 22/6 |
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ch | 1883 | Choral | ||
| 22/7 |
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ch | 1883 | Choral | ||
| 22/8 |
|
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ch | 1883 | Choral | ||
| 22b | Collected Sacred Musical Arrangements (23) | Собрание духовно-музыкальных переложений (23) | ch | 1883 | Choral | No.12 for 2ch | |
| 23 | Choruses (4): | Хора (4): | mch (+ pf) | 1876 | Choral | ||
| 23/1 |
|
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mch (+ pf) | 1876 | Choral | ||
| 23/2 |
|
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mch (+ pf) | 1876 | Choral | ||
| 23/3 |
|
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mch (+ pf) | 1876 | Choral | ||
| 23/4 |
|
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mch (+ pf) | 1876 | Choral | ||
| 24 | Collection of 100 Russian Folksongs | Сборник 100 русских народных песен | v pf | 1875–76 | Vocal | ||
| 25 | Romances (2): | Романcа (2): | v pf | 1870–76 | Vocal | ||
| 25/1 |
|
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v pf | 1870–76 | Vocal | ||
| 25/2 |
|
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v pf | 1870–76 | Vocal | ||
| 26 | Romances (4): | Романcа (4): | v pf | 1882 | Vocal | ||
| 26/1 |
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v pf | 1882 | Vocal | ||
| 26/2 |
|
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v pf | 1882 | Vocal | ||
| 26/3 |
|
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v pf | 1882 | Vocal | ||
| 26/4 |
|
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v pf | 1882 | Vocal | ||
| 27 | Romances (4): | Романcа (4): | v pf | 1883 | Vocal | ||
| 27/1 |
|
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v pf | 1883 | Vocal | ||
| 27/2 |
|
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v pf | 1883 | Vocal | ||
| 27/3 |
|
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v pf | 1883 | Vocal | ||
| 27/4 |
|
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v pf | 1883 | Vocal | ||
| 28 | Overture on Russian Themes | Увертюра на русские тему | orch | D major | 1866, rev. 1879–80 | Orchestral | later version also arr. for pf4h |
| 28 | Overture on Russian Themes | Увертюра на русские тему | pf4h | D major | 1880 | Keyboard | arr. from the version for orch |
| 29 | Fairy Tale (Baba Yaga) | Сказка (Баба-Яга) | orch | 1879–80 | Orchestral | also arr. for pf4h | |
| 29 | Fairy Tale (Baba Yaga) | Сказка (Баба-Яга) | pf4h | 1880 | Keyboard | arr. from the version for orch | |
| 30 | Piano Concerto | Концерт для фортепиано с оркестром | pf orch | C♯ minor | 1882–83 | Orchestral | also arr. for 2pf |
| 30 | Piano Concerto | Концерт для фортепиано с оркестром | 2pf | C♯ minor | 1883 | Keyboard | arr. from the version for pf orcj |
| 31 | Sinfonietta on Russian Themes | Симфониетта на русские темы | orch | A minor | 1879–84 | Orchestral | adapted from the first 3 movts. of the String Quartet (1878–79). |
| 32 | Symphony No.3 | Симфония № 3 | orch | C major | 1866–73, rev. 1886 | Orchestral | |
| 33 | Concert Fantasia on Russian Themes | Концертная фантазия на русские темы | vn orch | B minor | 1886–87 | Orchestral | also arr. for vn pf |
| 33 | Concert Fantasia on Russian Themes | Концертная фантазия на русские темы | vn pf | B minor | 1886–87 | Chamber | arr. from the version for vn orch |
| 34 | Spanish Capriccio (Capriccio on Spanish Themes, Capriccio espagnol) | Испанское каприччио (Каприччио на испанские темы) | orch | A major | 1887 | Orchestral | also arr. for pf4h |
| 34 | Spanish Capriccio (Capriccio on Spanish Themes, Capriccio espagnol) | Испанское каприччио (Каприччио на испанские темы) | pf4h | A major | 1887 | Keyboard | arr. from the version for orch |
| 35 | Scheherazade | Шехеразада | orch | 1888 | Orchestral | symphonic suite; also arr. for pf4h | |
| 35 | Scheherazade | Шехеразада | pf4h | 1888 | Keyboard | arr. from the version for orch | |
| 36 | Russian Easter Festival | Светлый праздник (Воскресная увертюра) | orch | 1888 | Orchestral | ||
| 37 | Serenade | Серенада | vc pf | 1893 | Chamber | also arr. for vc orch | |
| 37 | Serenade | Серенада | vc orch | 1903 | Orchestral | arr. from the version for vc pf | |
| 38 | Pieces (2): | Пьесы (2) | pf | 1894 | Keyboard | contrbutions to a collaborative album for Vasily Bessel | |
| 38/1 | Prelude-Impromptu | Прелюдия-экспромт | pf | 1894 | Keyboard | ||
| 38/2 | Mazurka | Мазурка | pf | 1894 | Keyboard | ||
| 39 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
| 39/1 |
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v pf | 1897 | Vocal | ||
| 39/2 |
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v pf | 1897 | Vocal | ||
| 39/3 |
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v pf | 1897 | Vocal | ||
| 39/4 |
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v pf | 1897 | Vocal | ||
| 40 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
| 40/1 |
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v pf | 1897 | Vocal | ||
| 40/2 |
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v pf | 1897 | Vocal | ||
| 40/3 |
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v pf | 1897 | Vocal | ||
| 40/4 |
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v pf | 1897 | Vocal | ||
| 41 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
| 41/1 |
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v pf | 1897 | Vocal | ||
| 41/2 |
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v pf | 1897 | Vocal | ||
| 41/3 |
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v pf | 1897 | Vocal | ||
| 41/4 |
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v pf | 1897 | Vocal | ||
| 42 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
| 42/1 |
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v pf | 1897 | Vocal | ||
| 42/2 |
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v pf | 1897 | Vocal | ||
| 42/3 |
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v pf | 1897 | Vocal | ||
| 42/4 |
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v pf | 1897 | Vocal | ||
| 43 | In Spring: | Весной: | v pf | 1897 | Vocal | ||
| 43/1 |
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v pf | 1897 | Vocal | ||
| 43/2 |
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v pf | 1897 | Vocal | ||
| 43/3 |
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v pf | 1897 | Vocal | ||
| 43/4 |
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v pf | 1897 | Vocal | ||
| 44 | The Mermaid of Lake Switez | Свитезянка | sop ten ch orch | 1897 | Choral | ||
| 45 | To the Poet: | Поэту: | v pf | 1897–99 | Vocal | ||
| 45/1 |
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v pf | 1897–99 | Vocal | ||
| 45/2 |
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v pf | 1897–99 | Vocal | ||
| 45/3 |
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v pf | 1897–99 | Vocal | ||
| 45/4 |
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v pf | 1897–99 | Vocal | ||
| 45/5 |
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v pf | 1897–99 | Vocal | ||
| 46 | By the Sea: | У моря: | v pf | 1897 | Vocal | ||
| 46/1 |
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v pf | 1897 | Vocal | ||
| 46/2 |
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v pf | 1897 | Vocal | ||
| 46/3 |
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v pf | 1897 | Vocal | ||
| 46/4 |
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v pf | 1897 | Vocal | ||
| 46/5 |
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v pf | 1897 | Vocal | ||
| 47 | Duets (2): | Дуэта (2): | (mez bar)/(sop ten) pf | 1897 | Vocal | ||
| 47/1 |
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(mez bar)/(sop ten) pf | 1897 | Vocal | also arr. for 2vv orch | |
| 47/1 |
|
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2vv orch | 1905 | Vocal | arr. from the version for 2vv pf | |
| 47/2 |
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(mez bar)/(sop ten) pf | 1897 | Vocal | also arr. for 2vv orch | |
| 47/2 |
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2vv orch | 1905 | Vocal | arr. from the version for 2vv pf | |
| 48 | Mozart and Salieri | Моцарт и Салиери | vv ch orch | 1897 | Stage | opera in 1 act | |
| 49/ | Romances (2): | Романcа (2): | bass pf | 1882, rev. 1897 | Vocal | ||
| 49/1 |
|
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bass pf | 1882, rev. 1897 | Vocal | also arr. for v orch | |
| 49/1 |
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v orch | 1906 | Vocal | arr. of the version for bass pf | |
| 49/2 |
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bass pf | 1882, rev. 1897 | Vocal | also arr. for v orch (+ mch) | |
| 49/2 |
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v orch (+ mch) | 1899 | Vocal | arr. of the version for bass pf | |
| 50 | Romances (4): | Романcа (4): | v pf | 1897–98 | Vocal | ||
| 50/1 |
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v pf | 1897–98 | Vocal | ||
| 50/2 |
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v pf | 1897–98 | Vocal | ||
| 50/3 |
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v pf | 1897–98 | Vocal | ||
| 50/4 |
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v pf | 1897–98 | Vocal | ||
| 51 | Romances (4): | Романcа (5): | v pf | 1897 | Vocal | ||
| 51/1 |
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v pf | 1897 | Vocal | ||
| 51/2 |
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v pf | 1897 | Vocal | ||
| 51/3 |
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v pf | 1897 | Vocal | ||
| 51/4 |
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v pf | 1897 | Vocal | ||
| 51/5 |
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v pf | 1897 | Vocal | ||
| 52 | Duets (2): | Дуэта (2); | 2vv pf | 1897–98 | Vocal | ||
| 52/1 |
|
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2vv pf | 1897–98 | Vocal | also arr. for 3vv orch as Op.52b | |
| 52/2 |
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2vv pf | 1897–98 | Vocal | ||
| 52b | The Mountain Spring | Горный ключ | sop mez alt orch | 1905 | Vocal | arr.of Op.52/1 | |
| 53 | Dragonflies | Стрекозы | 2sop mez orch (+ fch) | 1897 | Vocal | ||
| 54 | The Noblewoman Vera Sheloga | Бояарына Вера Шелога | vv ch orch | 1898 | Stage | opera in 1 act; written as the prologue to the 2nd version of The Maid of Pskov. | |
| 55 | Romances (4): | Романcа (4): | ten pf | 1897–98 | Vocal | ||
| 55/1 |
|
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ten pf | 1897–98 | Vocal | ||
| 55/2 |
|
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ten pf | 1897–98 | Vocal | ||
| 55/3 |
|
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ten pf | 1897–98 | Vocal | ||
| 55/4 |
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ten pf | 1897–98 | Vocal | ||
| 56 | Romances (2): | Романcа (2): | sop pf | 1898 | Vocal | ||
| 56/1 | The Nymph | Нимфа | sop pf | 1898 | Vocal | also arr. for v orch | |
| 56/1 | The Nymph | Нимфа | v orch | 1905 | Vocal | arr. of the version for sop pf | |
| 56/2 | Summer Night’s Dream | Сон в летнюю ночь | sop pf | 1898 | Vocal | also arr. for v orch | |
| 56/2 | Summer Night’s Dream | Сон в летнюю ночь | sop pf | 1906 | Vocal | arr. of the version for sop pf | |
| 57 | The Tale of Tsar Saltan | Сказке о царе Салтане | orch | 1901 | Orchestral | concert suite from the opera | |
| 58 | The Song of Oleg the Wise | Песнь о вещем Олеге | ten bass mch orch | 1899 | Choral | ||
| 59 | Pan Voyevoda | Пан воевода | orch | 1903–04 | Orchestral | concert suite from the opera. | |
| 60 | From Homer | Из Гомера | sop mez alt fch orch | 1901 | Choral | ||
| 61 | At the Grave (Prelude in Memory of M. P. Belyayev) | Над могилой (Прелюдия памяти М. П. Беляева) | orch | 1904 | Orchestral | also arr. for pf4h | |
| 61 | At the Grave (Prelude in Memory of M. P. Belyayev) | Над могилой (Прелюдия памяти М. П. Беляева) | pf4h | 1904 | Keyboard | arr. of the verson for orch | |
| 62 | Chanson russe (Dubinushka) | Русская песня (Дубинюшка) | orch (+ ch) | 1905, rev. 1906 | Orchestral | later version also arr. for pf4h. | |
| 62 | Chanson russe (Dubinushka) | Русская песня (Дубинюшка) | pf4h | 1906 | Keyboard | arr. of the later version for orch | |
| 63 | Neapolitan Song | Неаполитанская песенка | orch | 1907 | Orchestral | arr. of Funiculì, Funiculà; also arr. for pf4h. | |
| 63 | Neapolitan Song | Неаполитанская песенка | pf4h | 1907 | Keyboard | arr. of the verson for orch | |
| — | Allegretto | Allegretto | pf | C major | 1895 | Keyboard | |
| — | Allegro | Allegro | pf | D minor | 1859–60 | Keyboard | lost |
| — | Allegro | Allegro | 2vn va vc | B♭ major | 1899 | Chamber | for the collaborative work ''Les vendredis'', Book 2, No.1 |
| — | At the Monastery | В монастыре | 2vn va vc | B♭ major | 1878–79 | Chamber | originally intended as the last movement of the String Quartet (1878–79); also arr. for pf4h as ''In Church'' |
| — | Canzonetta and Tarantella | Канцонетта и Тарантелла | 2cl | 1883–94? | Chamber | ||
| — | Choruses (2): #Little Turnip #Little Tom-Cat | Хора (2): | cch | 1884 | Choral | unfinished | |
| — |
|
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cch | 1884 | Choral | unfinished | |
| — |
|
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cch | 1884 | Choral | unfinished | |
| — | Christmas Eve [opera] | Ночь перед рождеством [олера] | vv ch orch | 1894–95 | Stage | opera in 4 acts; see also the concert suite. | |
| — | Christmas Eve [suite] | Ночь перед рождеством [сюита] | orch (+ ch) | 1903 | Orchestral | concert suite from the opera | |
| — | Clarinet Concerto (Concertstück) | Концерт для кларнета (Концертштюк) | cl ww br perc | E♭ major | 1878 | Orchestral | |
| — | Come To Me, Signora | Выходи ко мне, сигнора | v pf | 1861 | Vocal | ||
| — | Duets (2) | Дуэта (2) | 4hn | F major | 1888? | Chamber | |
| — | Fugal Intermezzo | pf4h | 1897 | Keyboard | intended for the opera Mozart and Saliei, Op.48. | ||
| — | Fughettas on Russian Themes (3) | Фугетты на русские темы (3) | pf | 1875 | Keyboard | in 4 parts (Nos.1 and 2) and 3 parts (No.3). | |
| — | Fugue | Фуга | pf | C major | 1875 | Keyboard | in 4 parts; also arr. for pf4h |
| — | Fugue | Фуга | pf | C major | 1875 | Keyboard | arr. of the version for pf |
| — | Fugues (3) | Фуг (3) | pf | 1875 | Keyboard | in 4 parts (Nos.2 and 3 are double fugues); No.3 based on the theme B-A-C-H. | |
| — | Fugues (6) | Фуг (6) | pf | 1875 | Keyboard | in 3 parts | |
| — | Funeral March | Похоронный марш | pf | D minor | 1860? | Keyboard | lost |
| — | Greeting (Zdravitsa) | Здравица | orch | 1906 | Orchestral | for Aleksandr Glazunov's jubilee | |
| — | Heaven and Earth | Земля и небо | vv ch orch | 1905 | Stage | unfinished opera | |
| — | In Church | В церкви | pf4h | 1879 | Keyboard | arr. of ''At the Monastery'' | |
| — | In the Blood Burns the Fire of Desire | В крови горит огонь желанья | v pf | 1865 | Vocal | words by Aleksandr Pushkin; lost. | |
| — | Jour de fête ("Name-Day Quartet") | Имянины | 2vn va vc | D major | 1888 | Chamber | finale to the collaborative work with Aleksandr Glazunov and Anatoly Lyadov |
| — | Kashchey the Immortal | Кащей бессмертный | vv ch orch | 1901–02, rev. 1906 | Stage | autumnal parable in 4 acts. | |
| — | Little-Russian Fantasia | Малороссийская фантазия | orch | 1887 | Orchestral | unfinished; incomplete sketches only | |
| — | Little Song (n the Dorian mode) | Песенка (в дориыском ладе) | pf | 1901 | Keyboard | ||
| — | May Night | Майская ночь | vv ch orch | 1878–79 | Stage | comic opera in 3 acts | |
| — | Mazurka on Polish Themes (Souvenir de tris chants polonais) | Мазурка на полские народные темы | vn orch | 1888 | Orchestral | also arr. for vn pf | |
| — | Mazurka on Polish Themes (Souvenir de tris chants polonais) | Мазурка на полские народные темы | vn pf | 1893 | Chamber | arr. of the version for vn orch | |
| — | Mlada | Млада | vv ch orch | 1872 | Stage | contributions to a collaborative opera-ballet in 4 acts, written with César Cui, Ludwig Minkus, Modest Mussorgsky and Aleksandr Borodin; unfinished, but Rimsky-Korsakov's music was re-used in his own version of the work | |
| — | Mlada | Млада | vv ch orch | 1889–90 | Stage | magical opera-ballet in 4 acts; see also the concert suite. | |
| — | Mlada | Млада | orch (+ ch) | 1894 | Orchestral | concert suite from the opera-ballet. | |
| — | My Musical Life | Летопись моей музыкальной жизни | — | 1909 | Writings | ||
| — | Night on Mount Triglav | Ночь на горе Триглаве | orch | 1899–1901 | Orchestral | adapted from Act III of the opera Mlada. | |
| — | Nocturne | Ноктюрн | pf | B♭ minor | 1860? | Keyboard | lost |
| — | Nocturne | Ноктюрн | 4hn | F major | 1888 | Chamber | |
| — | Overture | Увертюра | pf | 1855? | Keyboard | unfinished; lost. | |
| — | Pan Voyevoda | Пан Воевода | vv ch orch | 1902–03 | Stage | ||
| — | Paraphrases ("Chopsticks") | Парафраз на неизменную тему | pf | 1878 | Keyboard | contributions to the collaborative work by Aleksandr Borodin, César Cui, Anatoly Lyadov, Nikolay Rimsky-Korsakov, Nikolay Shcherbachyov and Franz Liszt | |
| — | Piano Trio | Фортепианное трио | vn vc pf | C minor | 1897 | Chamber | unfinished; completion by Maksimilian Steinberg (1939). |
| — | Practical Manual of Harmony | Практический учебник гармонии | — | 1885 | Writings | ||
| — | Prelude | Прелюдия | pf | G major | 1896 | Keyboard | |
| — | Principles of Orchestration | Основы оркестровки | — | 1873 | Writings | unfnished; completed posthumously by Maksimilian Steinberg (1883–1946) | |
| — | Quadrille (Joke) | Кадриль (Шутка) | pf | 1885 | Keyboard | contribution to a collaborative work with Nikolay Artsybushev, Jāzeps Vītols, Anatoly Lyadov,Nikolay Sokolov andAleksandr Glazunov. | |
| — | Quintet | Квинтет | fl cl bn hn pf | B♭ major | 1876 | Chamber | |
| — | Russian Folksongs (40) | Народных песен (40 | v pf | 1875–82 | Vocal | collaborative work with Terty Fillipov (1826–1899) | |
| — | Sadko | Садко | vv ch orch | 1895–96 | Stage | opera-bylina in 7 scene; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946); includes music from the musical tableau Sadko, Op.5 | |
| — | Scherzo | Скерцо | pf4h | C minor | 1860? | Keyboard | lost. |
| — | Servila | Сервилия | vv ch orch | 1900–01 | Stage | opera in 5 acts | |
| — | Stenka Razin | Стенька Разин | vv ch orch | 1905 | Stage | unfinished opera; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
| — | String Quartet | Струнный квартет | 2vn va vc | G major | 1897 | Chamber | |
| — | String Quartet (on Russian Themes): #In the Field #At the Wedding-Eve Party #At the Khorovod #At the Monastery | Струнный квартет (на русские темы): #В поле #На девичнике #В хороводе #В монастыре | 2vn va vc | 1878–79 | Chamber | Nos.1 to 3 re-used in Sinfonietta on Russian Themes, Op.31;No.4 published separately as At the Monastery, and arr. for pf4h as ''In Church' | |
| — | String Quartet ("B la F") | Струнный квартет ("B la F") | 2vn va vc | B♭ major | 1886 | Chamber | Allegro (1st movement) for collaborative quartet with Anatoly Lyadov, Aleksandr Borodin and Aleksandr Glazunov; also arr. for pf4h |
| — | String Quartet ("B la F") | Струнный квартет ("B la F") | pf4h | B♭ major | 1886 | Keyboard | arr. from the version for 2vn va vc |
| — | String Sextet | Струнный секстет | 2vn 2va 2vc | A major | 1876 | Chamber | |
| — | Symphony | Симфония | orch | B minor | 1866–69 | Orchestral | unfinished; some music re-used in The Snow Maiden. |
| — | Symphony No.4 | Симфония № 4 | orch | D minor | 1884 | Orchestral | unfinished; sketches for scherzo only |
| — | The Barber of Baghdad | Багдадский бородобрей | vv ch orch | 1895 | Stage | opera in 1 act; unfinished | |
| — | The Butterfly | Бабочка | 2vv pf | 1855 | Vocal | ||
| — | The Golden Cockerel | Золотой петушок | vv ch orch | 1906–07 | Stage | opera in 3 acts with prologue and epilogue; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946); Introduction and wedding march also arr. for separate concert performance (1907) | |
| — | The Golden Cockerel | Золотой петушок | orch | 1907 | Orchestral | concert suite from the opera, arr. after the composer's death by Aleksandr Glazunov and Maksimilian Steinberg | |
| — | The Legend of the Invisible City of Kitezh and the Maiden Fevroniya | Сказание о невидимом граде Китеже и деве Февронии | vv ch orch | 1903–04 | Stage | opera in 4 acts. The text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
| — | The Legend of the Invisible City of Kitezh and the Maiden Fevroniya | Сказание о невидимом граде Китеже и деве Февронии | orch | 1907 | Orchestral | concert suite from the opera. | |
| — | The Maid of Pskov | Псковитянка | vv ch orch | 1868–72, rev. 1876–77, 1891–92, 1898–1901 | Stage | opera in 3 acts; additional prologue to 2nd and 4th versions staged separately as The Noblewoman Vera Sheloga, Op.54. | |
| — | The Maid of Pskov | Псковитянка | orch | 1877, rev. 1881–82 | Stage | incidental music to the play | |
| — | The Snow Maiden | Снегурочка | vv ch orch | 1880–81, rev. 1895 | Stage | opera in 4 acts with prologue; see also the concert suite from the opera | |
| — | The Snow Maiden | Снегурочка | orch | 1895 | Orchestral | concert suite from the later version of the opera | |
| — | The Tale of the Fisherman and the Fish | Сказка о рыбаке и о рыбке | orch | 1907 | Orchestral | Unfinishedu | |
| — | The Tale of Tsar Saltan (The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatyr Prince Guidon Saltanovich, and of the Beautiful Swan Princess) | Сказка о царе Салтане (Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной царевне Лебеди) | vv ch orch | 1899–1900 | Stage | opera in 4 acts with prologue; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
| — | The Tsar's Bride | Царская невеста | vv ch orch | 1898 | Stage | opera in 4 acts | |
| — | Tronbone Concerto | Концерт для тромбона | tbn ww br perc | B♭ major | 1877 | Orchestral | |
| — | Variations on a Chorale (4) | Вариации на хорал (4) | 2vn va vc | G minor | 1885 | Chamber | |
| — | Variations on a Russian Theme | Вариации на русские тему | pf | 1859–60 | Keyboard | lost. | |
| — | Variations on a Russian Theme | Вариации на русские тему | 2vn va vc | G major | 1898 | Chamber | Variation No.4 only for the collaborative work with Nikolay Artsybushev, Aleksandr Scriabin, Aleksandr Glazunov,Anatoly Lyadov, Jāzeps Vītols, Felix Blumenfeld, Victor Ewald, Aleksandr Winkler, and Nikolay Sokolov |
| — | Variations on a Russian Theme | Вариации на русские тему | pf | A major | 1899 | Keyboard | Variation No.1 only for the collaborative work with Aleksandr Winkler, Felix Blumenfeld, Nikolay Sokolov, Jāzeps Vītols, Anatoly Lyadov and Aleksandr Glazunov |
| — | Variations on a Theme by Glinka | Вариации на тему Глинки | ob ww br perc | G minor | 1878 | Orchestral | |
| — | Variations on a Theme by Mischa | Вариации на тему Миши | pf3h | 1878–79? | Keyboard | based on a theme by the composer's son Mikhail Rimsky-Korsakov. | |
| — | We Praise Thee, O God | Тебе Бога хвалим | ch | 1883 | Choral | ||
| — | You Will Soon Forget Me | Ты скоро меня позабудешь | v pf | 1866 | Vocal | lost |
Versions of Works by Others
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Nikolay Rimsky-Korsakov. The name of the original composer and title of the original works are shown first, followed by details of Rimsky-Korsakov's adaptation.
Beethoven, Ludwig van
- Egmont, Op.84, incidental music for soprano and orchestra (1809–10)
- Overture arranged for military band
Borodin, Aleksandr
- Mlada, Act IV of the collaborative opera-ballet (1872)
- Extracts edited and orchestrated for concert performance (1890)
- Prince Igor, opera in 4 acts with prologue (1869-87) [unfinished]
- Final chorus orchestrated (1879)
- Prologue and Act I Scene 1 revised (1885)
- Whole opera completed and orchestrated with Aleksandr Glazunov (1887–88)
- String Quartet No.2 in D major (1881)
- Nocturne arranged for violin and orchestra (1887)
- Symphony No.1 in E♭ major (1862-67)
- Revised and edited with Aleksandr Glazunov
- Symphony No.2 in B minor (1869-76)
- Revised and edited with Aleksandr Glazunov
- The Sea, song for voice and piano (1869–70); revised for voice and orchestra (1884) [unfinished]
- Completed and orchestrated (1906)
Cui, César
- William Ratcliff, opera in 3 acts (1861–68)
- First scene orchestrated (1868)
- Introduction to Act I and Entr’acte to Act III re-orchestrated (1884)
Dargomyzhsky, Aleksandr
- Rogdana, magical opera (1860–67) [unfinished]
- Chorus of Maidens orchestrated (1873)
- The Stone Guest, opera in 3 acts (1866–69) [unfinished]
- Orchestration of César Cui's completion of the opera (1869–70; rev. 1899, 1902)
- Composition of overture to the opera
Denza, Luigi
- Funiculì, Funiculà, song for voice and piano (1880)
- Arranged for orchestra as Neapolitan Song, Op.63 (1907)
Glinka, Mikhail
- A Life for the Tsar, opera in 4 acts with epilogue (1834–46)
- Revised and edited with Mily Balakirev and Anatoly Lyadov (1881)
- Revised and edited with Aleksandr Glazunov (1907)
- Jota Aragonesa, caprice brillante for orchestra (1845)
- Revised and edited with Aleksandr Glazunov (1901)
- Kamarinskaya, for orchestra (1848)
- Revised and edited with Aleksandr Glazunov (1902)
- Prince Kholmsky, incidental music for voices and orchestra (1840)
- Revised and edited with Aleksandr Glazunov (1902)
- Ruslan and Lyudmila, magical opera in 5 acts (1837–42)
- Music for stage band re-orchestrated (1876)
- Revised and edited with Mily Balakirev and Anatoly Lyadov (1878)
- Souvenir d’une nuit d’été à Madrid, for orchestra (1851)
- Revised and edited with Aleksandr Glazunov (1901)
- Valse-fantasie in B minor, for orchestra (1839–56)
- Revised and edited with Aleksandr Glazunov (1901)
- What a Young Beauty (Что, красотка молодая), song for voice and piano
- Theme used in Variations on a Theme by Glinka, for oboe and military band (1878)
Handel, George Frideric
- Samson, HWV 57, opera in 3 acts (1741)
- Seven numbers orchestrated, in collaboration with other students of the St. Petersburg Conservatory (1875–76)
Mendelssohn, Felix
- A Midsummer Night's Dream, incidental music for voices, mixed chorus and orchestra, Op.61 (1842)
- Nocturne (No.5) and Wedding March (No.9) arranged for military band.
Meyer, Leopold de
- Marche marocaine, Op.22
- Arranged for military band (after the orchestral arrangement by Hector Berlioz)
Meyerbeer, Giacomo
- Le prophète, opera in 5 acts (1836–49)
- Coronation March (Act IV), arranged for military band
- Les Huguenots, opera in 5 acts (1836)
- Conspiracy Scene, arranged for military band
- Robert le diable, opera in 5 acts (1831)
- Isabella's Aria, arranged for clarinet and military band
Mussorgsky, Modest
- Coronaton Scene re-orchestrated (1892)
- Entire opera revised and re-orchestrated (1892–96, revised 1906–07)
- Eremushka's Lullaby, song for voice and piano (1868)
- Arranged for voice and orchestra (1906)
- Gathering Mushrooms, song for voice and piano (1867)
- Arranged for voice and orchestra (1906)
- Hopak, song for voice and piano (1866)
- Arranged for voice and orchestra (1906)
- Khovanshchina, opera in 5 acts (1872–80) [unfinished]
- Persian Dances edited and orchestrated (1879)
- Entire opera completed, edited and orchestrated (1881–83)
- Night on Bald Mountain, for orchestra (1866–67)
- Edited and re-orchestrated (1886)
- The Destruction of Sennacherib, cantata (1866–67, rev.1874)
- Orchestration of trio (1874)
- Editing and re-orchestration of entire cantata (1894)
- The Marriage, comic opera (1868) [unfinished]
- Edited and partly orchestrated (1906)
- The Nursery, 7 songs for voice and piano (1872)
- With Nurse (No.1) revised and edited (1908)
Schubert, Franz
- Grande marche héroïque, D.885, for piano 4 hands (1826)
- Arranged for orchestra (1868)
Schumann, Robert
- Carnaval, Op.9, for piano (1833–35)
- Extracts arranged for orchestra
Wagner, Richard
- Lohengrin, WWV 75
- Prelude arranged for military band

