List of works by Anton Bruckner

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This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Bruckner, Anton. See also: List of compositions by Anton Bruckner on Wikipedia
  • WAB 1, Afferentur regi for Choir, and 3 Trombones ad lib. (1861), Universal Edition (Vienna) 1922
  • WAB 2, Am Grabe, Male Choir a cappella (1861), Universal Edition (Vienna) 1923
  • WAB 3, 2 Asperges me, Choir and Organ (c. 1845)
  • WAB 4, Asperges me, Choir a cappella (c. 1844)
  • WAB 5, Ave Maria (I) for Soprano, Alto, Choir, Organ and Cello (1856), Johann Gross (Innsbruck) 1893
  • WAB 6, Ave Maria (II), Choir (SAATTBB) a cappella (1861), Emil Wetzler (Vienna) 1887
  • WAB 7, Ave Maria (III), Alto, Piano , Organ or Harmonium (1882), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 8, Ave regina caelorum, Voices and Organ (c. 1886), Universal Edition (Vienna) 1921
  • WAB 9, Messe für den Gründonnerstag - Christus factus est (I), 1844-1845, Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931. Kyrie and Gloria lost
  • WAB 10, Christus factus est (II), Choir (SSAATTBB), 3 Trombones and Strings ad lib. (ca. 1873), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 11, Christus factus est (III), Choir a cappella (1884), Theodor Rättig (Vienna) 1886
  • WAB 12, Dir, Herr, dir will ich mich ergeben, Choir a cappella (1845)
  • WAB 13, Ecce sacerdos for Choir, 3 Trombones and Organ (1885), Universal Edition (Vienna) 1911
  • WAB 14, Entsagen, Soprano (or Tenor), Choir and Organ (or Piano) (c. 1851), Doblinger (Vienna) 1956
  • WAB 15, Festgesang, Soli (STB), Soprano, Tenor, Bass, Choir and Piano (1855)
  • WAB 16, Festkantate, Male Choir, Bass-Solo, Male quartet, Winds and Timpani (1862), Doblinger (Vienna) 1955
  • WAB 17, In jener letzten der Nächte, (c. 1848), version 1: Voice and organ; version 2: Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931
  • WAB 18, Iam lucis orto sidere (In S. Angelorum custodem), version 1 (1868): Choir a cappella; version 2 (1868): Choir and organ; version 3(1886): Male choir a cappella
  • WAB 19, Inveni David (I), Male choir and 4 Trombones (1868)
  • WAB 20, Inveni David (II), Voice and Organ (1879) = Ending "Versus-Choral" of WAB 30, Os justi, skipped in Theodor Rättig's edition (1886)
  • WAB 21, Libera me, Domine (I), Choir and Organ (c. 1843)
  • WAB 22, Libera me, Domine (II), Choir (SSATB), 3 Trombones, Cello, Contrabass and Organ (1854), Universal Edition (Vienna) 1922
  • WAB 23, Locus iste, Choir a cappella (1869), Theodor Rättig (Vienna) 1886
  • WAB 24, Magnificat, Soli, Choir, Strings without violas, 2 Trumpets, Timpani and Organ (1852)
  • WAB 25, Windhaager Messe (Messe C-Dur), Alto, 2 Horns, and Organ (1842)
  • WAB 26, Mass No.1, Soli, Choir, Orchester, and Organ ad lib. (1864, rev. 1876, rev. 1881-82), Johann Gross (Innsbruck) 1892
  • WAB 27, Mass No.2, Choir and Winds (1866, rev. 1876, 1882, 1885 and 1896), Doblinger (Vienna) 1896
  • WAB 28, Mass No.3, Soli (SATB), Choir and Orchestra, and organ ad lib. (1867-68, rev. 1876, 1877, 1881 and 1890-93), Doblinger (Vienna) 1894
  • WAB 29, Missa solemnis, Soli, Choir, Orchestra and Organ (1854), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 30, Os justi, Choir a cappella (1879), Theodor Rättig (Vienna), 1886. Ending "Versus-Choral" skipped in Rättig's edition - See WAB 20
  • WAB 31, Pange lingua, Choir a cappella (c. 1836, rev. 1891)
  • WAB 32, Tantum ergo, Choir a cappella (c. 1845), issued as Pange lingua by Universal Edition (Vienna) 1914
  • WAB 33, Pange lingua et Tantum ergo, Choir a cappella (1868), Johann Gross (Innsbruck) 1895
  • WAB 34, Psalm 22, Choir and Piano (c. 1852)
  • WAB 35, Psalm 112, Choir (SSAATTBB) and Orchestra (1863), Universal Edition (Vienna) 1926
  • WAB 36, Psalm 114, Choir (SAATB) and 3 Trombones (1852)
  • WAB 37, Psalm 146, Soli, Choir (SSAATTBB) and Orchestra (c. 1856)
  • WAB 38, Psalm 150, Soprano, Choir and Orchestra (1892), Doblinger (Vienna) 1892
  • WAB 39, Requiem, Soli, Choir, Orchestra and Organ (1849), Benno Filser (Augsburg) 1930
  • WAB 40, Salvum fac populum, Choir a cappella (1884)
  • WAB 41, 4 Tantum ergo - version 1 (1846): Choir and organ ad lib.; version 2 (1888): Choir a cappella
  • WAB 42, Tantum ergo, Choir (SSATB) and Organ (1846, rev. 1888), Johann Gross (Innsbruck) 1893
  • WAB 43, Tantum ergo, Choir and Organ (c. 1845)
  • WAB 44, Tantum ergo, Choir, 2 Violins, 2 Trumpets and Organ (c. 1854)
  • WAB 45, Te Deum, Soli (SATB), Choir (SATB), Orchestra and Organ ad lib. (1881, rev. 1884), Theodor Rättig (Vienna) 1885
  • WAB 46, Tota pulchra es, Tenor, Choir and Organ (1878), Emil Wetzler (Vienna) 1887
  • WAB 47, Totenlied No.1, Choir a cappella (1852)
  • WAB 48, Totenlied No.2, Choir a cappella (1852)
  • WAB 49, Trauungschor, Male Choir with Solo Quartet and Organ (1865)
  • WAB 50, Veni creator spiritus, Voice and Organ (c. 1884)
  • WAB 51, Vexilla regis, Choir a cappella (1892), Josef Weinberger (Vienna) 1892
  • WAB 52, Virga Jesse, Choir a cappella (1885), Theodor Rättig (Vienna) 1886
  • WAB 53, Vor Arneths Grab, Male Choir and 3 Trombones (1854)
  • WAB 54, Zur Vermählungsfeier, Male Choir a cappella (1878), Universal Edition (Vienna) 1921
  • WAB 55, Der Abendhimmel (1.setting) (1862), Male Quartet a cappella
  • WAB 56, Der Abendhimmel (2.setting), Male Choir a cappella (1866), Doblinger (Vienna) 1902
  • WAB 57, Abendzauber, Male Choir, Tenor or Bariton Solo, 3 female Voices (“Yodelers”) and 4 Horns (1878), Universal Edition (Vienna) 1911
  • WAB 58, Amaranths Waldeslieder, Voice and Piano (c. 1858)
  • WAB 59, An dem Feste, Male Choir a cappella (c. 1843)
  • WAB 60, Auf, Brüder, auf! and die Saiten zur Hand, Soli, Male Choir, Choir and Winds (1855)
  • WAB 61, Heil, Vater! Dir zum hohen Feste, Soli (TTBB), Choir (SATTBB), 3 Horns, 2 Trumpets and Bass trombone (1852, rev. 1857 as Auf Brüder! auf zur frohen Feier, and 1870 as Heil Dir zum schönen Erstlingsfeste)
  • WAB 62, Des Dankes Wort sei mir vergönnt, Male Choir with Tenor and Bass Solo a cappella (1855)
  • WAB 63, Der Deutsche Gesang (Das deutsche Lied), Male Choir, 4 Horns, 3 Trumpets, 3 Trombones and Basstuba (1892), Universal Edition (Vienna) 1911
  • WAB 64, Du bist wie eine Blume, Vocal Quartet a cappella (1861)
  • WAB 65, Das edle Herz (1.setting), Male Choir a cappella (c. 1851), Robitschek (Vienna) 1954
  • WAB 66, Das edle Herz (2.setting), Choir a cappella (1861)
  • WAB 67, Festlied, Male Choir a cappella (1843), Anton Böhm (Augsburg and Vienna) 1928 – Transcription of An dem Feste (WAB 59)
  • WAB 68, Frühlingslied, Voice and Piano (1851)
  • WAB 69, Die Geburt, Male Choir a cappella (1851)
  • WAB 70, Germanenzug, Male Choir, Male quartet and Winds (1863-65), Josef Kränzl (Ried) 1865
  • WAB 71, Helgoland, Male Choir and Orchestra with Cymbals (1893), Doblinger (Vienna) 1893
  • WAB 72, Herbstkummer, Tenor and Piano (c. 1868)
  • WAB 73, Herbstlied, Male Choir, 2 Soprano-Soli and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 74, Das hohe Lied, Soli (TTB) and Male choir (1876) - Reissued with accompaniment of strings and brass (1879), Doblinger (Vienna) 1902
  • WAB 75, Im April, Voice and Piano (1865), Doblinger (Vienna) 1898
  • WAB 76, Lasst Jubeltöne laut erklingen, Male Choir, 2 Horns, 2 Trumpets and 4 Trombones (1854)
  • WAB 77, Der Lehrerstand, Male Choir a cappella (c. 1847)
  • WAB 78, Das Lied vom deutschen Vaterland, Choir (c. 1845)
  • WAB 79, Mein Herz and deine Stimme, Voice and Piano (1868)
  • WAB 80, Mitternacht, Male Choir, Tenorsolo and Piano (1870), Doblinger (Vienna) 1903
  • WAB 81, Nachruf, Male Choir and Organ (1877)
  • WAB 82, Sängerbund, Male Choir a cappella (1882), Universal Edition (Vienna) 1911
  • WAB 83, 2 Sängsprüche for Male Choir a cappella (1851)
  • WAB 84, Ständchen, Male Quartet, Tenor-Solo a cappella (c. 1846), Robitschek (Vienna) 1954
  • WAB 85, Sternschnuppen, Male Quartet a cappella (c. 1848), Robitschek (Vienna) 1954
  • WAB 86, Tafellied, Male Choir a cappella (1893) – Reissue of An dem Feste (WAB 59)
  • WAB 87, Träumen and Wachen, Male Choir with Tenor-Solo a cappella (1890), Theodor Rättig (Vienna) 1891
  • WAB 88, Trösterin Musik, Male Choir and Organ (1886), Universal Edition (Vienna) 1911 – Reissue of Nachruf (WAB 81) with another text
  • WAB 89, Um Mitternacht (1.setting), Male Choir, Alto-Solo and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 90, Um Mitternacht (2.setting), Male Choir a cappella with Tenor-Solo (1886), Universal Edition (Vienna) 1911
  • WAB 91, Vaterländisch Weinlied, Male Choir a cappella (1866)
  • WAB 92, Vaterlandslied, Male Choir with Tenor- and Bariton-Solo a cappella (1866), Doblinger (Vienna) 1899
  • WAB 93, Musikalischer Versuch nach dem Kammer-Styl, Choir (SSAATTBB), 4 Solo Voices and Piano (1845) – 2 versions; reissued as Vergissmeinnicht
  • WAB 94, Volkslied – 2 versions: Voice and Piano, and Male Choir a cappella (c. 1861)
  • WAB 95, 2 Wahlsprüche for Choir a cappella (c. 1868)
  • WAB 96, March in D minor for Orchestra (1862)
  • WAB 97, 3 Pieces for Orchestra (1862)
  • WAB 98, Overture in G minor for Orchestra (1862, rev. 1863), Universal Edition (Vienna) 1921
  • WAB 99, Symphony in F minor (Study Symphony) (1863), Universal Edition (Vienna) 1913 (only the Andante)
  • WAB 100, Symphony in D minor ("Nullte") (1869), Universal Edition (Vienna) 1924
  • WAB 101, Symphony No.1 in C minor (Early draft 1865, Linz version 1866, Revised Linz version 1877, Vienna version 1891), Doblinger (Vienna) 1893 (Vienna version)
  • WAB 102, Symphony No.2 in C minor (1872 [1. Version], rev. 1875-76, 1877 [2. Version], and rev. 1892), Doblinger (Vienna) 1892 (rev. 1892)
  • WAB 103, Symphony No.3 in D minor "Wagner-Symphonie" (1873 [1. Version], rev. 1874, 1877 [2. Version], 1889 [3. Version], and rev. 1890), Theodor Rättig (Vienna) 1878 (2.Version), Theodor Rättig (Vienna), 1890 (3.Version)
  • WAB 104, Symphony No.4 in E major "Die Romantische" (1874 [1. Version], rev. 1878, 1878-80 [2. Version] and rev.1888 [3. Version]), Albert J. Gutmann (Vienna) 1889 (3.Version)
  • WAB 105, Symphony No.5 in B major "Die Katholische" (1876-78), Doblinger (Vienna) 1896 (Schalk revision)
  • WAB 106, Symphony No.6 in A major (1881), Doblinger (Vienna) 1899 (Schalk revision)
  • WAB 107, Symphony No.7 in E major (1883), Albert J. Gutmann (Vienna) 1885
  • WAB 108, Symphony No.8 in C minor "Die Apokalyptische" (1887 [1. Version], rev. 1888, 1890 [2. Version], rev. 1892), Haslinger-Schlesinger-Lienau (Vienna) 1892
  • WAB 109, Symphony No.9 in D minor (unfinished, parts of 4th movement lost) (1894-1896), Doblinger (Vienna) 1903 (Löwe's revision)
  • WAB 110, Abendklänge, Duo for Violin and Piano (1866)
  • WAB 111, String Quartet in C minor (1862), Musikwissenschaftlicher Verlag (Vienna) 1955
  • WAB 112, String Quintet in F major (1879), Albert J. Gutmann (Vienna) 1884
  • WAB 113, Intermezzo in d minor for 2 Violins, 2 Violas and Cello (1879), Universal Edition (Vienna) 1913
  • WAB 114, Aequale (I) for 3 Trombones (1847)
  • WAB 115, Apollo-March (c. 1862) – Actually not by Bruckner, but by Béla Kéler
  • WAB 116, Military march in E flat major (1865)
  • WAB 117, Erinnerung for Piano (1868), Doblinger (Vienna) 1900
  • WAB 118, Fantasie in G major for Piano (1868), Hüni (Zürich) 1921
  • WAB 119, "Klavierstück", Piece for Piano (c. 1856)
  • WAB 120, 4 Lancier-Quadrilles for Piano (c. 1850)
  • WAB 121, 6 Quadrille for Piano (4 hands) (c. 1854)
  • WAB 122, Steiermärker for Piano (c. 1850)
  • WAB 123, Stille Betrachtung an einen Herbstabend for Piano (1863)
  • WAB 124, Drei kleine Vortragsstücke for Piano (4 hands) (1855), Universal Edition (Vienna) 1925
  • WAB 125, Fugue in d minor for Organ (1861), Universal Edition (Vienna) 1926
  • WAB 126, Nachspiel (postlude) for Organ (c. 1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 127, Präludium in E flat major for Organ (c. 1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 128, 4 Preludes for Organ (c. 1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 129, Perger Präludium for Organ (1884), Universal Edition (Vienna) 1926
  • WAB 130, Vorspiel (Andante) for Organ (c. 1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 131, Vorspiel und Fuge for Organ (1847), Benno Filser (Augsburg) 1929
  • WAB 132, Litanei, Choir and Brass (c. 1844), lost.
  • WAB 133, Requiem, Male Choir and Organ (1845), lost.
  • WAB 134, Salve Maria (1844), lost.
  • WAB 135, Zigeuner-Waldlied (c. 1863),lost.
  • WAB 136, Domine, ad adjuvandum me festina (c. 1835), only sketch – not by Bruckner, but Johann Baptist Weiss
  • WAB 137, Wie des Bächleins Silberquelle, Duet for 2 Sopranos and Piano (c. 1845). Sketch.
  • WAB 138, Mild wie Bäche, die durch Blumen wallen, Voice and Piano (c. 1845). Sketch.
  • WAB 139, Mass in E flat major for Choir, 2 Oboes, 3 Trombones and Organ (c. 1846), only sketch of Kyrie
  • WAB 140, Missa pro Quadragesima, Choir, Organ and Posaune (c. 1845), only sketch for Kyrie
  • WAB 141, Requiem (1875), Sketch (18 bars) of Introit
  • WAB 142, Symphony in B flat major (1869), only sketch of 1st movement
  • WAB 143, Finale for Symphony No.9 (1896). Fragments.
  • WAB 144, Herz-Jesu-Lied, Choir and Organ (c. 1846). Authorship uncertain
  • WAB 145, O du liebes Jesu Kind, Voices and Organ (c. 1846). Authorship uncertain
  • WAB 146, Kronstorfer Messe (Messe ohne Gloria und Credo), Choir a cappella (1844). Credo not composed.
  • WAB 147, Freier Sinn and froher Mut, Male Choir a cappella (1874)
  • WAB 148, 2 Mottos, Male Choir a cappella (1869)
  • WAB 149, Aequale (II) for 3 Trombones (1847) - Missing score of bass-trombone, completed by Hans Bauernfeind
  • WAB deest, Alternate Rondo for String Quartet in C minor (WAB 111) (1862), Musikwissenschaftlicher Verlag (Vienna) 1985
  • WAB deest, Sonatensatz in G minor (1862), Musikwissenschaftlicher Verlag (Vienna) 1988
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