List of works by Maurice Ravel
Free public domain sheet music from IMSLP / Petrucci Music Library
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Contents |
The two tables below give the following informaton for works by Maurice Ravel (where applicable):
- M. — numbers allocated in: Maurice Marnat, Maurice Ravel (Paris: Fayard, 1986). ISBN 2-213-01685-2.
- Original Author — only given in cases where Ravel arranged or edited a work by another composer.
- Title — as used on IMSLP; these are usually given in French.
- Forces — the instrumentation used.
- Key — the principal key of the work.
- Date — the year(s) of composition or arrangement, where known.
- Genre — works are grouped in the following broad categories: Orchestra, Concerto, Choral (for many voices), Vocal (for individual voices), Chamber, and Keyboard.
- Notes — concerning versions of works, texts, etc.
The note "[arr.]" indicates the composer's own arrangement of a work shown elsewhere in the table.
Original Works
Click on the column headings to sort alphabetically or by year/catalogue number.
| M | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|
| M.1 | Piano Sonata | 1888 | Keyboard | 1 movement only; lost | ||
| M.2 | Variations on a Theme by Grieg | Piano | 1888 | Keyboard | On the theme of "The Death of Ase" from Peer Gynt (Op.23) by Edvard Grieg | |
| M.3 | Variations on a Theme by Schumann | Piano | 1888 | Keyboard | On the theme of the chorale "Freu dich, o meine Seele" from the Album für die Jugend (Op.68) by Robert Schumann | |
| M.4 | Ballade de la reine morte d'aimer ("En Bohème était une reine") | Voice, Piano | D minor | 1893 | Vocal | Words by Roland de Marès |
| M.5 | Sérénade grotesque | Piano | F♯ minor | 1892–93 | Keyboard | |
| M.6 | Un grand sommeil noir | Voice, Piano | C♯ minor | 1895 | Vocal | Words by Paul Verlaine |
| M.7 | Menuet antique | Piano | F♯ minor | 1895 | Keyboard | |
| M.7 | Menuet antique [arr.] | Orchestra | F♯ minor | 1929 | Orchestra | |
| M.9 | Sainte ("À la fenêtre recélant") | Voice, Piano | G minor | 1896 | Vocal | Words by Stéphane Mallarmé |
| M.11 | La parade | 1896 | Ballet | Sketches for an unrealized ballet to a scenario by Antonine Meunier | ||
| M.12 | Violin Sonata No.1 | Violin, Piano | A minor | 1897 | Chamber | Sometimes known as "Posthumous Sonata" |
| Sites auriculaires | 2 Pianos | 1895–1897 | Keyboard | |||
| M.8 |
|
2 Pianos | F♯ minor | 1895 | Keyboard | 1st version of Habanera (M.54/3) |
| M.13 |
|
2 Pianos | F minor | 1897 | Keyboard | |
| M.14 | Valse | Piano | D major | 1898 | Keyboard | |
| M.15 | Chanson du rouet ("O mon cher rouet") | Voice, Piano | E major | 1898 | Vocal | Words by Leconte de Lisle |
| M.16 | Si morne! ("Se replier toujours, sur soi-même") | Voice, Piano | F♯ minor | 1898 | Vocal | Words by Émile Verhaeren |
| M.17 | Shéhérazade | Orchestra | 1898 | Orchestra | 'Ouverture de féerie' | |
| M.17 | Shéhérazade [arr.] | 2 Pianos | 1898 | Orchestra | ||
| M.18 | Olympia | 1898–99 | Opera | Sketches for an unrealized opera based on a story by E.T.A. Hoffman | ||
| M.19 | Pavane pour une infante défunte | Piano | G major | 1899 | Keyboard | |
| M.19 | Pavane pour une infante défunte [arr.] | Orchestra | G major | 1910 | Orchestra | |
| M.20 | Fugue | 1899 | Keyboard | Lost | ||
| Epigrammes de Clément Marot (2) | Voice, Harpsichord (or Piano) | 1896–99 | Vocal | |||
| M.21 |
|
Voice, Harpsichord (or Piano) | G♯ minor | 1899 | Vocal | Words by Clément Marot |
| M.10 |
|
Voice, Harpsichord (or Piano) | C♯ minor | 1896 | Vocal | Words by Clément Marot |
| M.22 | Callerhoe | 1900 | Choral | Lost | ||
| M.23 | Fugue | Piano | D major | 1900 | Keyboard | |
| M.24 | Fugue à quatre voix | Piano | F major | 1900 | Keyboard | On a theme by Reber |
| M.25 | Les Bayadères | Soprano, Chorus (SATB), Orchestra | 1900 | Choral | ||
| M.26 | Prelude and Fugue | 1900 | Keyboard | For piano. Lost | ||
| M.27 | Fugue | Piano | F major | 1900 | Keyboard | |
| M.28 | Tout est lumière | Soprano, Chorus (SATB), Orchestra | 1901 | Choral | ||
| M.29 | Myrrha | Soprano, Tenor, Baritone, Orchestra | 1901 | Vocal | Cantata to words by Fernand Beissier, after George Byron | |
| M.30 | Jeux d'eau | Piano | E major | 1901 | Keyboard | |
| M.31 | Semiramis | 1902 | Choral | Cantata. Lost | ||
| M.32 | Fugue | Piano | E♭ major | 1902 | Keyboard | |
| M.33 | La nuit | Soprano, Chorus (SATB), Orchestra | E♭ major | 1902 | Choral | |
| M.34 | Alcyone | 3 Voices, Orchestra | 1902 | Vocal | Cantata to words by Eugène Adenis and Edouard Adenis, after Ovid | |
| M.35 | String Quartet | 2 Violins, Viola, Cello | F major | 1902–03 | Chamber | |
| M.36 | Fugue | Piano | E minor | 1903 | Keyboard | |
| M.37 | Matinée de Provence | Soprano, Chorus (SATB), Orchestra | A major | 1903 | Choral | |
| M.38 | Alyssa | Soprano, Tenor, Baritone, Orchestra | 1903 | Vocal | Cantata to words by Marguerite Coiffier | |
| M.39 | Manteau de fleurs | Voice, Piano | D♯ minor | 1903 | Vocal | Words by Paul Gravollet |
| M.39 | Manteau de fleurs [arr.] | Voice, Orchestra | D♯ minor | ? | Vocal | Words by Paul Gravollet |
| M.40 | Sonatine | Piano | F♯ minor | 1903–05 | Keyboard | |
| M.41 | Shéhérazade | Voice, Orchestra | 1903 | Vocal | Unconnected with the overture of the same name (1898) | |
| M.41/1 |
|
Voice, Orchestra | E♭ minor | 1903 | Vocal | Words by Tristan Klingsor |
| M.41/2 |
|
Voice, Orchestra | B♭ major | 1903 | Vocal | Words by Tristan Klingsor |
| M.41/3 |
|
Voice, Orchestra | C♯ minor | 1903 | Vocal | Words by Tristan Klingsor |
| M.41 | Shéhérazade [arr.] | Voice, Piano | 1903 | Vocal | Unconnected with the overture of the same name (1898) | |
| M.41/1 |
|
Voice, Piano | E♭ minor | 1903 | Vocal | Words by Tristan Klingsor |
| M.41/2 |
|
Voice, Piano | B♭ major | 1903 | Vocal | Words by Tristan Klingsor |
| M.41/3 |
|
Voice, Piano | C♯ minor | 1903 | Vocal | Words by Tristan Klingsor |
| M.42 | Menuet | Piano | C♯ minor | 1904 | Keyboard | |
| M.43 | Miroirs (5): | Piano | 1904–05 | Keyboard | ||
| M.43/1 |
|
Piano | D♭ major | 1904–05 | Keyboard | |
| M.43/2 |
|
Piano | E♭ minor | 1904–05 | Keyboard | |
| M.43/3 |
|
Piano | F♯ minor | 1904–05 | Keyboard | |
| M.43/3 |
|
Orchestra | F♯ minor | 1906, rev.1926 | Orchestra | |
| M.43/4 |
|
Piano | D minor | 1904–05 | Keyboard | |
| M.43/4 |
|
Orchestra | D minor | 1918 | Orchestra | |
| M.43/5 |
|
Piano | C♯ minor | 1904–05 | Keyboard | |
| Mélodies populaires grecques (5) | Voice, Piano | 1904–06 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song | ||
| M.A 9 |
|
Voice, Piano | G minor | 1905–06 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 9 |
|
Voice, Orchestra | G minor | ? | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 10 |
|
Voice, Piano | G♯ minor | 1905–06 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 4 |
|
Voice, Piano | G major | 1904 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 5 |
|
Voice, Piano | A major | 1904 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 11 |
|
Voice, Piano | B♭ major | 1905–06 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 11 |
|
Voice, Orchestra | B♭ major | ? | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.A 6 |
|
1904 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song. Lost. | ||
| M.A 7 |
|
1904 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song. Lost. | ||
| M.A 8 |
|
1904 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song. Lost. | ||
| M.44 | Fugue | Piano | C major | 1905 | Keyboard | |
| M.45 | L'aurore | Tenor, Chorus (SATB), Orchestra | E♭ major | 1905 | Choral | |
| M.46 | Introduction et Allegro | Harp, Flute, Clarinet, 2 Violins, Viola, Cello | G♭ major | 1905 | Chamber | |
| M.46 | Introduction et Allegro [arr.] | 2 Pianos | G♭ major | 1905 | Keyboard | |
| M.47 | Noël des jouets ("Le troupeau verni des moutons") | Voice, Piano | E minor–E major | 1905 | Vocal | Words by the composer |
| M.47 | Noël des jouets ("Le troupeau verni des moutons") [arr.] | Voice, Orchestra | E minor–E major | 1906, rev.1913 | Vocal | Words by the composer |
| M.48 | Les grands vents venus d'outre-mer | Voice, Piano | E♭ major | 1906 | Vocal | Words by Henri de Régnier |
| M.49 | La cloche engloutie | 1906–12 | Opera | Libretto by Ferdinand Hérold, after Gehrardt Hauptmann. Score destroyed by the composer | ||
| M.50 | Histoires naturelles (5): | Voice, Piano | 1906 | Vocal | ||
| M.50/1 |
|
Voice, Piano | F major | 1906 | Vocal | Words by Jules Renard |
| M.50/2 |
|
Voice, Piano | A minor | 1906 | Vocal | Words by Jules Renard |
| M.50/3 |
|
Voice, Piano | B major | 1906 | Vocal | Words by Jules Renard |
| M.50/4 |
|
Voice, Piano | F♯ major | 1906 | Vocal | Words by Jules Renard |
| M.50/5 |
|
Voice, Piano | E major | 1906 | Vocal | Words by Jules Renard |
| M.51 | Vocalise-étude en forme de Habanera | Voice, Piano | G minor | 1907 | Vocal | |
| M.52 | L'heure espagnole | 5 Voices, Orchestra | 1907 | Opera | Musical comedy in 1 act to a libretto by Franc-Nohain. | |
| M.52 | L'heure espagnole [arr.] | 5 Voices, Piano | 1907 | Opera | Vocal score | |
| M.53 | Sur l'herbe ("L'abbé divague") | Voice, Piano | C♯ minor | 1907 | Vocal | Words by Paul Verlaine |
| M.54 | Rapsodie espagnole | Orchestra | 1907 | Orchestra | ||
| M.54/1 |
|
Orchestra | A minor | 1907 | Orchestra | |
| M.54/2 |
|
Orchestra | A minor | 1907 | Orchestra | |
| M.54/3 |
|
Orchestra | F♯ minor | 1907 | Orchestra | 2nd version of Habanera (M.8) |
| M.54/4 |
|
Orchestra | C major | 1907 | Orchestra | |
| M.54 | Rapsodie espagnole [arr.] | 2 Pianos | 1907 | Keyboard | ||
| M.54/1 |
|
2 Pianos | A minor | 1907 | Keyboard | |
| M.54/2 |
|
2 Pianos | A minor | 1907 | Keyboard | |
| M.54/3 |
|
2 Pianos | F♯ minor | 1907 | Keyboard | |
| M.54/4 |
|
2 Pianos | C major | 1907 | Keyboard | |
| M.55 | Gaspard de la nuit | Piano | 1908 | Keyboard | ||
| M.55/1 |
|
Piano | C♯ major | 1908 | Keyboard | |
| M.55/2 |
|
Piano | E♭ minor | 1908 | Keyboard | |
| M.55/3 |
|
Piano | B major | 1908 | Keyboard | |
| M.57 | Daphnis et Chloé | Orchestra, Chorus (wordless SATB ad lib) | A major | 1909–12 | Ballet | 'Symphonie chorégraphique' in 3 parts to a libretto by Michel Fokine and the composer, after Longus. See also M.57a, M.57b, M.57c |
| M.57 | Daphnis et Chloé [arr.] | Piano, Chorus (wordless SATB ad lib) | A major | 1910 | Ballet | |
| M.57a | Daphnis et Chloé Suite No.1 | Orchestra, Chorus (wordless SATB ad lib) | 1911 | Orchestra | 'Fragments symphoniques'. Extracted from the ballet (1909–12) | |
| M.57a/1 |
|
Orchestra, Chorus (wordless SATB ad lib) | 1911 | Orchestra | ||
| M.57a/2 |
|
Orchestra | 1911 | Orchestra | ||
| M.57a/3 |
|
Orchestra | 1911 | Orchestra | ||
| M.57b | Daphnis et Chloé Suite No.2 | Orchestra | 1913 | Orchestra | 'Fragments symphoniques II' Extracted from the ballet (1909–12) | |
| M.57b/1 |
|
Orchestra | 1913 | Orchestra | ||
| M.57b/2 |
|
Orchestra | 1913 | Orchestra | ||
| M.57b/3 |
|
Orchestra | 1913 | Orchestra | ||
| M.57c | Danse gracieuse de Daphnis | Piano | 1913 | Keyboard | Extracted from the ballet (1909–12) | |
| M.57c/1 |
|
Piano | 1913 | Keyboard | ||
| M.57c/2 |
|
Piano | 1913 | Keyboard | ||
| M.57c/3 |
|
Piano | 1913 | Keyboard | ||
| M.A 12 | Chanson écossaise ("Vallons, côtaux du fleuve ami") |
Voice, Piano | A major | 1909 | Vocal | Words by Robert Burns |
| M.A 13 | Tripatos ("Mains qui n'ont pas pu le soleil") | Voice, Piano | B♭ major | 1909 | Vocal | Words by Michel D. Calvocoressi, after a traditional Greek song |
| M.58 | Menuet sur le nom d'Haydn | Piano | G major | 1909 | Keyboard | |
| M.59 | Saint François d'Assise | 1909–10 | Vocal | Cantata to words by Fioretti de saint François d'Assise. Lost | ||
| M.60 | Ma mère l'oye ["Mother Goose"], pièces enfantines (5) | Piano (4 hands) | 1908–10 | Keyboard | See also M.62. Popularly known as the "Mother Goose Suite". | |
| M.56 |
|
Piano (4 hands) | A minor | 1908 | Keyboard | |
| M.60/2 |
|
Piano (4 hands) | C minor | 1910 | Keyboard | |
| M.60/3 |
|
Piano (4 hands) | F♯ major | 1910 | Keyboard | |
| M.60/4 |
|
Piano (4 hands) | F major | 1910 | Keyboard | |
| M.60/5 |
|
Piano (4 hands) | C major | 1910 | Keyboard | |
| M.60 | Ma mère l'oye ["Mother Goose"], pièces enfantines (5) [arr.] | Orchestra | 1911 | Orchestra | 1st version of M.62. Popularly known as the "Mother Goose Suite". | |
| M.60/1 |
|
Orchestra | A minor | 1911 | Orchestra | |
| M.60/2 |
|
Orchestra | C minor | 1911 | Orchestra | |
| M.60/3 |
|
Orchestra | F♯ major | 1911 | Orchestra | |
| M.60/4 |
|
Orchestra | F major | 1911 | Orchestra | |
| M.60/5 |
|
Orchestra | C major | 1911 | Orchestra | |
| M.A 17 | Chants populaires | Voice, Piano | 1910 | Vocal | ||
| M.A 17/1 |
|
Voice, Piano | B♭ major | 1910 | Vocal | Words from a traditional Galician song |
| M.A 17/2 |
|
Voice, Piano | C major | 1910 | Vocal | Words from a traditional French song |
| M.A 17/3 |
|
Voice, Piano | E{{flat]} major | 1910 | Vocal | Words from a traditional Italian song |
| M.A 17/4 |
|
Voice, Piano | E minor | 1910 | Vocal | Words from a traditional Yiddish/Hebrew song |
| M.A 17/4 |
|
Voice, Orchestra | E minor | 1923–24 | Vocal | Words from a traditional Yiddish/Hebrew song |
| M.61 | Valses nobles et sentimentales (8) | Piano | 1911 | Keyboard | ||
| M.61/1 |
|
Piano | C major | 1911 | Keyboard | |
| M.61/2 |
|
Piano | C minor | 1911 | Keyboard | |
| M.61/3 |
|
Piano | E inor | 1911 | Keyboard | |
| M.61/4 |
|
Piano | A♭ major | 1911 | Keyboard | |
| M.61/5 |
|
Piano | E major | 1911 | Keyboard | |
| M.61/6 |
|
Piano | C major | 1911 | Keyboard | |
| M.61/7 |
|
Piano | C major/A major | 1911 | Keyboard | |
| M.61/8 |
|
Piano | G major | 1911 | Keyboard | |
| M.61 | Valses nobles et sentimentales (8) [arr] | Orchestra | 1912 | Orchestra | Also performed as a ballet, under the title Adelaïde, ou Le langage des fleurs | |
| M.61/1 |
|
Orchestra | C major | 1912 | Orchestra | |
| M.61/2 |
|
Orchestra | C minor | 1912 | Orchestra | |
| M.61/3 |
|
Orchestra | E inor | 1912 | Orchestra | |
| M.61/4 |
|
Orchestra | A♭ major | 1912 | Orchestra | |
| M.61/5 |
|
Orchestra | E major | 1912 | Orchestra | |
| M.61/6 |
|
Orchestra | C major | 1912 | Orchestra | |
| M.61/7 |
|
Orchestra | C major/A major | 1912 | Orchestra | |
| M.61/8 |
|
Orchestra | G major | 1912 | Orchestra | |
| M.62 | Ma mère l'oye ["Mother Goose"], ballet | Orchestra | 1911–12 | Ballet | 2nd version of M.60, with additional Prélude, Danse du rouet et scène and interludes | |
| M.63/1 | À la manière de Borodine | Piano | D♭ major | 1912–13 | Keyboard | |
| M.63/2 | À la manière de Chabrier | Piano | C major | 1912–13 | Keyboard | Paraphrase on an air from Act II of the opera Faust by Charles Gounod |
| M.64 | Poèmes de Stéphane Mallarmé (3): | Voice, Piccolo, 2 Flutes, Clarinet, Bass Clarinet, 2 Violins, Viola, Cello, Piano | 1913 | Vocal | ||
| M.64/1 |
|
Voice, Piccolo, 2 Flutes, Clarinet, Bass Clarinet, 2 Violins, Viola, Cello, Piano | G major | 1913 | Vocal | |
| M.64/2 |
|
Voice, Piccolo, 2 Flutes, Clarinet, Bass Clarinet, 2 Violins, Viola, Cello, Piano | F major | 1913 | Vocal | |
| M.64/3 |
|
Voice, Piccolo, 2 Flutes, Clarinet, Bass Clarinet, 2 Violins, Viola, Cello, Piano | C major | 1913 | Vocal | |
| M.64 | Poèmes de Stéphane Mallarmé (3) [arr.] | Voice, Piano | 1913 | Vocal | ||
| M.64/1 |
|
Voice, Piano | G major | 1913 | Vocal | |
| M.64/2 |
|
Voice, Piano | F major | 1913 | Vocal | |
| M.64/3 |
|
Voice, Piano | C major | 1913 | Vocal | |
| M.65 | Prélude | Piano | 1913 | Keyboard | ||
| M.66 | Zaspiak-Bat | 1913–14 | Concerto | Sketches on Basque themes for an unrealized work for piano and orchestra | ||
| M.67 | Piano Trio | Violin, Cello, Piano | A minor | 1914 | Chamber | |
| M.A 22 | Mélodies hébraïques (2) | Voice, Piano | 1914 | Vocal | ||
| M.A 22/1 |
|
Voice, Piano | C minor | 1914 | Vocal | Words from a traditional Hebrew song |
| M.A 22/2 |
|
Voice, Piano | E minor | 1914 | Vocal | Words from a traditional Hebrew song |
| M.A 22 | Mélodies hébraïques (2) [arr.] | Voice, Orchestra | 1919 | Vocal | ||
| M.A 22/1 |
|
Voice, Orchestra | C minor | 1919 | Vocal | Words from a traditional Hebrew song |
| M.A 22/2 |
|
Voice, Orchestra | E minor | 1919 | Vocal | Words from a traditional Hebrew song |
| M.68 | Le tombeau de Couperin | Piano | 1914–17 | Keyboard | Suite. Revised as M.68a. | |
| M.68/1 |
|
Piano | E minor | 1914–17 | Keyboard | 1st version of M.68a/1 |
| M.68/2 |
|
Piano | E minor | 1914–17 | Keyboard | |
| M.68/3 |
|
Piano | E minor | 1914–17 | Keyboard | 1st version of M.68a/2 |
| M.68/4 |
|
Piano | C major | 1914–17 | Keyboard | 1st version of M.68a/4 |
| M.68/5 |
|
Piano | E minor | 1914–17 | Keyboard | 1st version of M.68a/3 |
| M.68/6 |
|
Piano | E minor | 1914–17 | Keyboard | |
| M.68a | Le tombeau de Couperin [arr.] | Orchestra | 1919 | Ballet | Shortened orchestral version of M.68, with different sequence of movements. | |
| M.68a/1 |
|
Orchestra | E minor | 1919 | Ballet | 2nd version of M.68/1 |
| M.68a/2 |
|
Orchestra | E minor | 1919 | Ballet | 2nd version of M.68/3 |
| M.68a/3 |
|
Orchestra | E minor | 1919 | Ballet | 2nd version of M.68/5 |
| M.68a/4 |
|
Orchestra | C major | 1919 | Ballet | 2nd version of M.68/4 |
| M.69 | Chansons (3): | Chorus (SATB) | 1914–15 | Choral | ||
| M.69/1 |
|
Chorus (SATB) | 1914–15 | Choral | Words by the composer | |
| M.69/2 |
|
Chorus (SATB) | 1914–15 | Choral | Words by the composer | |
| M.69/3 |
|
Chorus (SATB) | 1914–15 | Choral | Words by the composer | |
| M.69 | Chansons (3) [arr.]: | Voice, Piano | 1915 | Vocal | ||
| M.69/1 |
|
Voice, Piano | 1915 | Vocal | Words by the composer | |
| M.69/2 |
|
Voice, Piano | 1915 | Vocal | Words by the composer | |
| M.69/3 |
|
Voice, Piano | 1915 | Vocal | Words by the composer | |
| M.70 | Frontispiece | 2 Pianos (5 hands) | 1918 | Keyboard | ||
| M.71 | L'enfant et les sortilèges | Voices, Choruses (SATB, Children), Orchestra | 1919–25 | Opera | 'Fantaisie lyrique' (opera-ballet) in 2 parts, to words by Colette | |
| M.72 | La valse | Orchestra | D major | 1919–20 | Orchestra | 'Poème choréographique'. Also performed as a ballet |
| M.72 | La valse [arr.] | Piano | D major | 1920 | Keyboard | |
| M.72 | La valse [arr.] | 2 Pianos | D major | 1920 | Keyboard | |
| M.73 | Sonata for Violin and Cello | Violin, Cello | A minor–C major | 1920–22 | Chamber | |
| M.74 | Berceuse sur le nom de Gabriel Fauré | Violin, Piano | G major | 1922 | Chamber | |
| M.75 | Ronsard à son âme ("Amelette Ronsardelette") | Voice, Piano | 1923–24 | Vocal | Words by Douzain de Ronsard | |
| M.75 | Ronsard à son âme("Amelette Ronsardelette") [arr.] | Voice, Orchestra | 1935 | Vocal | Words by Douzain de Ronsard | |
| M.76 | Tzigane | Violin, Piano (or Luthéal) | D major | 1922–24 | Chamber | 'Rhapsodie de concert'' |
| M.76 | Tzigane [arr.] | Violin, Orchestra | D major | 1924 | Orchestra | |
| M.77 | Violin Sonata No.2 | Violin, Piano | G major | 1923–27 | Chamber | |
| M.78 | Chansons madécasses (3) | Soprano, Flute, Cello, Piano | 1925–26 | Vocal | ||
| M.78/1 |
|
Soprano, Flute, Cello, Piano | 1925–26 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.78/2 |
|
Soprano, Flute, Cello, Piano | 1925–26 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.78/3 |
|
Soprano, Flute, Cello, Piano | 1925–26 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.78 | Chansons madécasses (3) [arr.] | Voice, Piano | 1926 | Vocal | ||
| M.78/1 |
|
Voice, Piano | 1926 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.78/2 |
|
Voice, Piano | 1926 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.78/3 |
|
Voice, Piano | 1926 | Vocal | Words by Evariste-Désiré Parny de Forges | |
| M.79 | Rêves ("Un enfant court") | Voice, Piano | 1927 | Vocal | Words by Léon-Paul Fargue | |
| M.80 | Fanfare | Orchestra | 1927 | Ballet | Prelude to the ballet L'eventail de Jeanne (collaborative work with 10 other composers) | |
| M.80 | Fanfare [arr.] | Piano (4 hands) | 1927 | Keyboard | ||
| M.81 | Boléro | Orchestra | C major | 1928 | Ballet | |
| M.81 | Boléro [arr.] | Piano (4 hands) | C major | 1929 | Keyboard | |
| M.82 | Piano Concerto for the Left Hand | Piano (left hand), Orchestra | D major | 1929–30 | Concerto | |
| M.82 | Piano Concerto for the Left Hand [arr.] | 2 Pianos | D major | 1930 | Concerto | |
| M.83 | Piano Concerto | Piano, Orchestra | G major | 1929–31 | Concerto | |
| M.83 | Piano Concerto [arr.] | 2 Pianos | G major | 1932 | Concerto | |
| M.84 | Don Quichotte à Dulcinée | Baritone, Orchestra | 1932–33 | Vocal | ||
| M.84/1 |
|
Baritone, Orchestra | B♭ minor/B♭ major | 1932–33 | Vocal | Words by Paul Morand |
| M.84/2 |
|
Baritone, Orchestra | F major | 1932–33 | Vocal | Words by Paul Morand |
| M.84/3 |
|
Baritone, Orchestra | C major | 1932–33 | Vocal | Words by Paul Morand |
| M.84 | Don Quichotte à Dulcinée [arr.] | Baritone, Piano | 1932–33 | Vocal | ||
| M.84/1 |
|
Baritone, Piano | B♭ minor/B♭ major | 1932–33 | Vocal | Words by Paul Morand |
| M.84/2 |
|
Baritone, Piano | F major | 1932–33 | Vocal | Words by Paul Morand |
| M.84/3 |
|
Baritone, Piano | C major | 1932–33 | Vocal | Words by Paul Morand |
| M.85 | Morgaine | 1932 | Choral | Sketches for an unrealized oratorio-ballet for soloists, chorus and orchestra |
Arrangements, Transcriptions, Editions
Click on the column headings to sort alphabetically or by year/catalogue number.
| M | Original Author | Title | Forces | Date | Genre | Notes |
|---|---|---|---|---|---|---|
| M.A 1 | Saint-Saëns, Camille | La jeunesse d'Hercule | Piano (4 hands) | 1887 | Keyboard | Piano reduction |
| M.A 2 | Debussy, Claude | Sirènes | 2 Pianos | 1902 | Keyboard | Piano reduction of No.3 of Debussy's Nocturnes. See also M.A14/3 (below) |
| M.A 3 | Delius, Frederick | Margot la Rouge | Voices, Chorus, Piano | 1902 | Opera | Vocal score |
| M.A 14 | Debussy, Claude | Nocturnes (3) | 2 Pianos (4 hands) | 1909 | Keyboard | Piano reduction |
| M.A 14/1 | Debussy, Claude |
|
2 Pianos (4 hands) | 1909 | Keyboard | Piano reduction |
| M.A 14/2 | Debussy, Claude |
|
2 Pianos (4 hands) | 1909 | Keyboard | Piano reduction |
| M.A 14/3 | Debussy, Claude |
|
2 Pianos (4 hands) | 1909 | Keyboard | See also M.A2 (above) |
| M.A 15 | Rimsky-Korsakov, Nikolay | Antar | Orchestra | 1909 | Orchestra | Re-orchestration of extracts, including some music from Mlada and romances from Op.4 and Op.7 |
| M.A 16 | Debussy, Claude | Prélude à l'après-midi d'un faune | Piano (4 hands) | 1910 | Keyboard | Piano reduction |
| M.A 18 | Satie Erik | Prélude | Orchestra | 1910–11 | Orchestra | For le fils des étoiles. Orchestration. Lost. |
| M.A 19 | Mussorgsky, Modest | Khovanshchina | Voices, Chorus, Orchestra | 1913 | Opera | Edited and re-orchestrated (in collaboration with Igor Stravinsky) |
| M.A 20 | Chopin, Frederic | Les Sylphides | Orchestra | 1914 | Ballet | Orchestration of the following piano pieces: Prélude (Op.28/7); Nocturne (Op.32/2); Valse (Op.70/1); Mazurka (Op.33/2); Mazurka (Op.67/3); Prélude (Op.28/7); Valse (Op.64/2); Grande valse brillante (Op.18) |
| M.A 21 | Schumann, Robert | Carnaval (Op.9) | Orchestra | 1914 | Orchestra | Orchestration of piano piece |
| M.A 23 | Chabrier, Emmanuel | Menuet pompeux | Orchestra | 1917–18 | Orchestra | Orchestration of No.9 from the Pièces pittoresques for piano |
| M.A 24 | Mussorgsky, Modest | Pictures at an Exhibition(Tableaux d'une exposition) | Orchestra | 1922 | Orchestra | Orchestration of 10 pieces and 5 interludes |
| M.A 25 | Debussy, Claude | Sarabande | Orchestra | 1922 | Orchestra | Orchestration of No.2 from Pour le piano |
| M.A 26 | Debussy, Claude | Danse | Orchestra | 1922 | Orchestra | Orchestration of Tarantelle styrienne for piano |

