List of works by Carl Maria von Weber

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List of Works

"J." numbers for works without opus numbers are from: Friedrich Wilhelm Jahns, Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen, 2nd edition (Berlin, 1967)

Click on the column headings to sort by opus/catalogue numbers, year, or alphabetically by title.

J.	Opus	Title	Year
J.001–6	Op.01	Fughettas (6) for piano	1798
J.007	Op.02	Variations sur un thème original (6) in C major, for piano	1800
J.008	Op.08	Peter Schmoll und seine Nachbarn, opera in 2 acts Dialogue lost. Overture revised as Grande ouverture á plusieurs instruments, J.57	1801–02
J.009–14	Op.03	Petites pièces faciles (6), for piano 4 hands	1802–03?
J.009	Op.03 No.1	Sonatina, for piano 4 hands	1802–03?
J.010	Op.03 No.2	Romance, for piano 4 hands	1802–03?
J.011	Op.03 No.3	Menuetto, for piano 4 hands	1802–03?
J.012	Op.03 No.4	Andante con Variazioni, for piano 4 hands	1802–03?
J.013	Op.03 No.5	Marcia maestoso, for piano 4 hands	1802–03?
J.014	Op.03 No.6	Rondo, for piano 4 hands	1802–03?
J.015–26	Op.04	Allemandes (12), for piano Nos.1–10 are for solo piano, and Nos.11 and 12 for piano 4 hands.	1801
J.027	—	Die Kerze ("Ungern flieht das süsse Leben"), song for voice and piano	1802
J.028	Op.71 No.4	Umsonst entsagt’ ich der lockenden Liebe, song for voice and piano	1802
J.029–34	—	Ecossaises (6), for piano	1802
J.035	Op.13 No.6	Mädchen, ach meide Männerschmeichelein, canon for 3 voices	1802
J.036	—	Ein Gärtchen und ein Häuschen drin, terzetto for soprano, tenor, and bass	1803
J.037	—	Grablied ("Leis wandeln wir, wie Geisterhauch") 1st version, for mixed chorus (1803) 2nd version, for mixed chorus and wind ensemble (1804)	1803, rev. 1804
J.038	—	Entfliehet schnell von mir, song for voice and piano	1803
J.039	—	Samori, arrangement of vocal score to the opera by G. J.Vogler	1803–04
J.040	Op.05	Variations sur l'air de ballet de "Castor et Pollux" (8), for piano Based on a theme from the opera Castor and Pollux by Johann Casper Vogler.	1804
J.041	—	Ich sah sie hingesunken, song for voice and piano	1804
—	Op.30	Lieder (6), for voice and piano See individual entries for J.42 (No.1), J.161 (No.2), J.157 (No.3), J.160 (No.4), J.159 (No.5), and J.156 (No.6).	1804–13
J.042	Op.30 No.1	Wiedersehen ("Jüngst sass ich am Grabe der Trauten allein"), song for voice and piano	1804
J.043	Op.06	Variations sur l'air de Naga de "Samori" (6), for piano (with violin and cello ad lib.) Based on Naga's air "Woher mag diess wohl kommen" from the opera Samori by Johann Casper Vogler.	1804
J.044–46	—	Rübezahl, romantic opera in 2 acts Only 3 fragments survive. Overture revised as Der Beherrscher der Geister, J.122.	1804–05
J.047	—	Romanza siciliana in G minor, for flute and orchestra	1805
J.047a	—	Kleiner Tusch, for 20 trumpets	1806
J.048	Op.66 No.3	Ich denke dein, song for voice and piano	1806
J.049	—	Variations on 'A Schüsserl und a Rein'dl' (6) in C major, for viola and orchestra First published in 1976.	1802–03?, rev. 1806
J.050	Op.19	Symphony No.1 in C major, for orchestra	1806–07, rev. 1810
J.051	—	Symphony No.2 in C major, for orchestra	1807
J.052	Op.13 No.3	Liebeszauber ("Mädel, schau mir in’s Gesicht"), song for voice and guitar	1807
J.053	Op.07	Variations sur l’air "Vien quà, Dorina bella" (7), for piano Based on a melody by Francesco Bianchi.	1807
J.056	Op.08	Grande ouverture à plusieurs instruments in E♭ major, for orchestra Revision of the overture to Peter Schmoll und seine Nachbarn, J.8.	1807
J.055	Op.09	Variations sur un thème original (7), for piano	1808
J.056	Op.12	Momento capriccioso in B♭ major, for piano	1808
—	Op.15	Lieder (6), for voice and piano See individual entries for J.73 (No.1), J.62 (No.2), J.74 (No.3), J.68 (No.4), J.67 (No.5), J.57 (No.6).	1808–09
J.057	Op.15 No.6	Er an Sie ("Ein Echo kenn' ich"), song for voice and piano	1808
J.058	Op.14	Der erste Ton, for narrator, mixed chorus, and orchestra	1808, rev. 1810
J.059	Op.21	Grande polonaise in E♭ major, for piano	1808
J.060	—	Komisches musikalisches Sendschreiben ("Theuerster Herr Kapellmeister"), for voice and continuo	1808
J.061	Op.22	Variations sur un air norvégien (9) in D minor, for violin and piano	1808?
J.062	Op.23 No.1	Meine Farben ("Wollt ihr sie kennen?"), song for voice and piano	1808
J.063	Op.15 No.2	Klage ("Ein steter Kampf ist under Leben"), song for voice and piano	1808
J.064	Op.20	Grand potpourri in D major, for cello and orchestra	1808
J.065	—	Horch'! Leise horch', Geliebte!, serenade for voice and guitar	1809
J.066	Op.66 No.5	Die Lethe des Lebens ("Wenn, Brüder, wie wir täglich sehen"), for baritone, mixed chorus, and piano	1809
J.067	Op.15 No.5	Das Röschen ("Ich sah ein Röschen"), song for voice and piano	1809
J.068	Op.15 No.4	Was zieht zu deinem Zauberkreise, song for voice and piano	1809
J.069	—	Chorus for Franz Danzi’s Birthday, for mixed chorus Text lost.	1809
J.070	Op.23 No.2	Die Blume ("Traurig, einsam welkst du hin"), rhapsodie for voice and piano	1809)
J.071	—	Romanze der Laura (Die Ruinen) ("Süsse Ahnung dehnt den Busen"), song for voice and piano	1809
J.072	Op.13 No.4	An den Mond ("Sanftes Licht, weiche nicht"), song for voice and guitar	1809
J.073	Op.15 No.1	Meine Lieder, meine Sänge, song for voice and piano	1809
J.074	Op.15 No.3	Der kleine Fritz an seine jungen Freunde ("Ach, wenn ich nur ein Liebchen hatte"), song for voice and piano	1809
J.075	Op.37	Turandot, overture and marches for Schiller's drama Overture based on Overture chinesa, J.Anh.28.	1809
J.076	—	Piano Quartet ("Grand quatour") in B♭ major, for violin, viola, cello, and piano	1806–09
J.077	—	Was ich da thu’, das fragt Er mich?, rondo alla polacca for tenor and orchestra For the pasticcio Der Freybrief.	1809
J.078	—	Dich an dies Herz zu drücken, duet for soprano, tenor and orchestra For the pasticcio Der Freybrief.	1809
J.079	Op.35	Andante und Rondo ungarese in C minor, for viola and orchestra First published 1939. Arranged for bassoon and orchestra as Andante e Rondo ungarese, J.158.	1809
J.080	—	Trinklied ("Weil es also Gott gefügt"), for voice and piano	1809)
J.081–86	Op.10a	Pieces (6), for piano	1809
J.087	—	Silvana, romantic comic-heroic opera in 3 acts	1808–10, rev. 1812
J.088	—	Sicchè t’inganni, o Clori, canzonetta Formerly attributed to Weber, but now believed to have been composed by Franz Danzi.	1810?
J.089	—	Die Sonate soll ich spielen, canon for 3 voices	1810
J.090	—	Canons zu zwey sind nicht drey, canon for 3 voices	1810
J.091	Op.13 No.1	Die Schäferstunde (Damon und Chloe) ("Endlich hatte Damon sie gefunden"), song for voice and guitar	1810
J.092	—	Das neue Lied ("Ein neues Lied"), for voice and piano Piano part lacking.	1810
J.093	Op.16	Il momento s'avvicina ("La dolce speranza"), recitative and rondo for soprano and orchestra	1810
J.094	—	Variations in D minor, for cello and orchestra	1810
J.095	—	Leck’ mich im Angesicht, canon for 3 voices	1810
J.096	Op.13 No.2	Wiegenlied ("Schlaf, Herzenssöhnchen"), for voice and guitar	1810
J.097	Op.13 No.5	Die Zeit ("Es sitzt die Zeit in weissen Kleid"), song for voice and guitar	1810
J.098	Op.11	Piano Concerto No.1 in C major	1810
—	Op.10b	Sonates progressives (6), for violin and piano	1810
J.099	Op.10b No.1	Violin Sonata No.1 in F major	1810
J.100	Op.10b No.2	Violin Sonata No.2 in G major	1810
J.101	Op.10b No.3	Violin Sonata No.3 in D minor	1810
J.102	Op.10b No.4	Violin Sonata No.4 in E♭ major	1810
J.103	Op.10b No.5	Violin Sonata No.5 in A major	1810
J.104	Op.10b No.6	Violin Sonata No.6 in C major	1810
J.105	Op.71 No.6	Des Künstlers Abschied ("Auf die stürm’sche See hinaus"), song for voice and guitar or piano	1810
J.106	—	Abu Hassan, singspiel in 1 act	1810–11, rev. 1812–13 and 1823
J.107	Op.31 No.3	Se il mio ben, concert duet 1st version, for 2 altos and orchestra 2nd version, for 2 sopranos and piano	1811
J.108	Op.29 No.1	Ah, dove siete, canzonetta for voice and guitar or piano	1811
—	Op.29	Canzonettas (3) for voice and piano or guitar	1811
J.109	Op.26	Concertino in E♭ major, for clarinet and orchestra	1811
—	Op.25	Deutsche Lieder (5), for voice and guitar See individual entries under J.140 (No.1), J.110 (No.2), J.112 (No.3), J.137 (No.4), J.113 (No.5).	1811
J.110	Op.25 No.2	Uber die BergeÜber die Berge mit Ungestüm, song for voice and guitar For Kotzebue's drama Der arme Minnesinger. Published as No.5 of 5 Deutsche Lieder	1811
J.111	—	Rase, Sturmwind, blase, song for voice and guitar For Kotzebue's drama Der arme Minnesinger.	1811
J.112	Op.25 No.3	Lass mich schlummern, song for voice and guitar For Kotzebue's drama Der arme Minnesinger.	1811
J.113	Op.25 No.5	Umringt von mutherfülltem Heere, song for male chorus For Kotzebue's drama Der arme Minnesinger.	1811
J.114	Op.73	Clarinet Concerto No.1 in F minor	1811
J.115	—	Adagio und Rondo in F major, for harmonichord or reed organ and orchestra	1811
J.116	—	Trauer-Musik ("Hörst du der Klage dumpfen Schall"), for baritone, mixed chorus, and wind instruments	1811
J.117	Op.23 No.3	Maienblümlein ("Maienblümlein, so schön"), song for voice and guitar or piano	1811
J.118	Op.74	Clarinet Concerto No.2 in E♭ major	1811
J.119	—	Melody in F major, for solo clarinet Published with piano accompaniment by F.W. Jähns, 1872.	1811?
J.120	Op.29 No.3	Ch'io mai vi possa, canzonetta for voice and guitar or piano	1811
J.121	Op.50	Misera me! ("Ho spavento d’ogn’aura"), scena and aria for soprano and orchestra	1811
J.122	Op.27	Der Beherrscher der Geister (The Ruler of the Spirits), overture in D minor, for orchestra Revision of the overture to Rübezahl, J.44.	1811
J.123	Op.31 No.1	Mille volte, duet for 2 sopranos and piano	1811
J.124	Op.29 No.2	Ninfe se liete, canzonetta for voice and guitar or piano	1811
J.125	Op.31 No.2	Va, ti consola, duet for 2 sopranos and piano	1811
J.126	—	Qual altro attendi ("Giusti Numi!"), scena and aria for tenor, male chorus and orchestra	1811
J.127	Op.75	Bassoon Concerto in F major	1811, rev. 1822
J.128	Op.33	Variations (7) on a theme from the opera "Silvana", for clarinet and piano See also the opera Silvana, J.87.	1811
J.129	—	Romanze (Wiedersehn) ("Um Rettung bietet ein güld’nes Geschmeide"), song for voice and piano	1812
J.130	Op.23 No.4	Sonett ("Du liebes, holdes, himmelsüsses Wesen"), song for voice and piano	1812
J.131	—	Lenz erwacht, und Nachtigallen, for 2 sopranos, 2 tenors, 2 basses, and piano Piano part lost.	1812
J.132	Op.68 No.1	Das Turnierbankett ("Füllet die Humpen, muthige Knappen"), for 2 tenors, bass, and 2 male choruses	1812
J.133	Op.23 No.6	An eine Freundin ("Zur Freude ward geboren"), for soprano, 2 tenors, bass, and piano ad lib.	1812
J.134	Op.66 No.4	Lebensansicht ("Frei und froh mit muntern Sinnen"), song for voice and piano	1812
J.135	—	Schwäbisches Tanzlied ("Geiger und Pfeiffer"), for soprano, 2 tenors, bass, and piano ad lib.	1812
J.136	Op.23 No.5	Heisse, stille Liebe schwebet, for soprano, 2 tenors, bass, and piano ad lib.	1812
J.137	Op.25 No.4	Bettlerlied ("I und mein junges Weib"), for voice and guitar or piano	1812
J.138	Op.24	Piano Sonata No.1 in C major ("Perpetuum Mobile")	1812
J.139	—	Kriegs-Eid ("Wir stehn vor Gott"), for male chorus, bassoon, 3 horns, 2 trumpets, and trombone	1812
J.140	Op.25 No.1	Liebe-Glühen ("In der Berge Riesenchatten"), song for voice and guitar or piano	1812
J.141	Op.28	Variations sur la romance "À peine au sortir" (7) on "A piene au sortir", for piano Based on a romance from the opera Joseph by Etienne Nicolas Méhul.	1812
J.142	Op.53a	Signor, se padre sei ("Chiamami ancor"), scena and aria for tenor, 2 choruses and orchestra	1812
J.143–148	—	Favorit-Walzer der Kaiserin von Frankreich Marie Louise (6) (Favourite Waltzes of the French Empress Marie Louise), for piano	1812
J.149	—	Waltz in E♭ major, for 2 clarinets, 2 bassoons, 2 horns, and trumpet	1812
J.150–153	—	Lieder (4), arrangements for wind ensemble of works by Duke Emil Leopold August of Gotha	1812
J.154	Op.36	In seiner Ordnung schafft der Herr, hymn for soprano, alto, tenor, bass, mixed chorus, and orchestra	1812
J.155	Op.32	Piano Concerto No.2 in E♭ major	1811–12
J.156	Op.30 No.6	Sind es Schmerzen, sind es Freuden, song for voice and piano	1813
J.157	Op.30 No.3	Unbefangenheit ("Frage mich immer"), song for voice and piano	1813
J.158	Op.35	Andante e Rondo ungarese in C minor, for bassoon and orchestra Arrangement of the Andante und Rondo ungarese, J.79.	1813
J.159	Op.30 No.5	Reigen ("Sagt mir an, was schmunzeit ihr"), song for voice and piano Revised as the Ecossiase, J.Anh.46.	1813
J.160	Op.30 No.4	Minnelied ("Der Holdseligen"), for voice and piano	1813
J.161	Op.30 No.2	Es stürmt auf der Flur, song for voice and piano	1813
J.162	—	Ein jeder Geck sucht zu gefallen, duet by J.Weigl, arranged for 2 sopranos and orchestra For A. Fischer’s Die Verwandlungen.	1814
J.163	—	Ihr holden Blumen, arietta for soprano and orchestra For A. Fischer’s Die Verwandlungen. Arrangement of J.Anh.96.	1814
J.164	—	Zu dem Reich der Töne schweben, canon for 4 voices	1814
J.165	Op.53b No.1 or Op.57 No.1	Lebenslied am Geburtstag ("Freunde, dass Glut liebend uns trage"), for 4 male voices and piano	1814
J.166	Op.47 No.6	Gebet um die Geliebte ("Alles in mir glühet, zu lieben!"), song for voice and piano	1814
J.167	—	Scheiden und leiden ist einerlei, canon for 4 voices	1814
—	Op.42	Leyer und Schwerdt, for male chorus	1814
J.168	Op.42 No.2	Lützow's wilde Jagd ("Was glänzt dort im Walde im Sonnenschein"), for male chorus	1814
J.169	Op.42 No.6	Schwertlied ("Du Schwert an meiner Linken"), for male chorus	1814
J.170	Op.42 No.4	Männer und Buben ("Das Volk steht auf, der Sturm bricht los!"), for male chorus	1814
J.171	Op.42 No.5	Trinklied vor der Schlacht ("Schlacht, du brichst an!"), for male chorus	1814
J.172	Op.42 No.1	Reiterlied ("Frisch auf mit raschem Flug!"), for male chorus	1814
J.173	Op.42 No.3	Gebet vor der Schlacht ("Hör uns, Allmächtiger!"), for male chorus	1814
—	Op.41	Leyer und Schwerdt, songs (4) for voice and piano	1814
J.174	Op.41 No.1	Gebet während der Schlact ("Vater, ich rufe dich!"), song for voice and piano	1814
J.175	Op.41 No.2	Abschied vom Leben ("Die Wunde brennt"), song for voice and piano	1814
J.176	Op.41 No.3	Trost ("Herz, lass dich nicht zerspalten"), song for voice and piano	1814
J.177	Op.41 No.4	Mein Vaterland ("Was ist des Sängers Vaterland?"), song for voice and piano	1814
J.178	Op.52	Ha! sollte Edmund selbst der Mörder sein? ("Lass, o lass ihn Rettung finden"), scene and aria for soprano and orchestra For the opera Héléna by Méhul.	1814?
J.179	Op.40	Variations  sur un air russe (9) ("Schöne Minka"), for piano	1814–15
J.180	—	Zu unsers Heinrich Ruhm und Preiss ("Drei Knäbchen lieblich ausstaffiret"), burleske for 3 voices	1815
J.181	Op.51	Non paventar mia vita ("Sei tu sempre il mio"), scene and aria for for soprano and orchestra	1815
J.182	Op.34	Clarinet Quintet in B♭ major	1811–15
J.183	—	Mein Weib ist capores, lied for baritone and orchestra For Der travestirte Aeneas by I. von Seyfried.	1815
J.184	—	Frau Lieserl juhe!, Tanzlied for soprano, baritone and orchestra For Der travestirte Aeneas by I. von Seyfried. Arranged for orchestra as J.185	1815
J.185	—	Deutscher ("Original-Walzer"), waltz for orchestra Arranged from Frau Lieserl juhe, J.184.	1815
J.186	—	Wer stets hinter’m Ofen kroch, for baritone, male chours, and orchestra For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.187 and J.247.	1815
J.187	—	Wie wir voll Glut uns hier zusammenfinden, for tenor and orchestra For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.247.	1815
J.188	Op.45	Concertino in E minor, for horn and orchestra	1806, rev. 1815
J.189	Op.47 No.3	Was stürmet die Haide herauf?, ballad for baritone and harp or piano For G. Reinbeck's play Gordon und Montrose.	1815
J.190	Op.44	Kampf und Sieg, cantata for soprano, alto, tenor, bass, mixed chorus, and orchestra	1815
J.191	—	Tedesco, for orchestra	1816
J.192	Op.47 No.4	Der Jüngling und die Spröde ("Weile, Kind"), song for voice and piano	1816
J.193	—	Weil Maria Töne hext, canon for 3 voices	1816
J.194	—	Ariette der Lucinde, for soprano and orchestra For F. Kauer’s Das Sternenmädchen im Maidlinger Walde.	1816
J.195	—	Ein König einst gefangen sass, romance for voice and guitar For Castelli's play "Diana von Poitiers".	1816
J.196	Op.47 No.5	Mein Verlangen ("Ach, wär' ich doch"), song for voice and piano	1816
J.197	Op.47 No.1	Die gefangenen Sänger ("Vöglein, einsam in dem Bauer"), song for voice and piano	1816
J.198	Op.47 No.2	Die freien Sänger ("Vöglein hüpfet in dem Haine"), song for voice and piano	1816
J.199	Op.39	Piano Sonata No.2 in A♭ major	1814–16
—	Op.46	Die Temperamente beim Verluste der Geliebten, songs (4) for voice and piano	1815–16
J.200	Op.46 No.1	Der Leichtmüthige ("Lust entfloh und hin ist hin"), song for voice and piano	1815–16
J.201	Op.46 No.2	Der Schwermüthige ("Sel'ge Zeiten"), song for voice and piano	1815–16
J.202	Op.46 No.3	Der Libewüthige ("Verrathen!"), song for voice and piano	1815–16
J.203	Op.46 No.4	Der Gleichmüthige ("Nun, ich bin befreit"), song for voice and piano	1815–16
J.204	Op.48	Grand duo concertante in E♭ major, for clarinet and piano	1815–16
J.205	Op.43	Bei der Musik des Prinzen Louis Ferdinand von Preussen ("Düst’re Harmonieen hör’ ich klingen"), for voice and piano	1816
J.206	Op.49	Piano Sonata No.3 in D minor	1816
J.207	Op.38	Divertimento assai facile, for guitar and piano Possibly based on the Andante, J.Anh.053	1816
—	Op.64	Volkslieder (8), for 1, 2 or 3 voices and piano See individual entries for J.234 (No.1), J.210 (No.2), J.235 (No.3), J.230 (No.4), J.255 (No.5), J.257 (No.6), J.249 (No.7), J.258 (No.8).	1818
J.208	Op.54 No.4	Abschied ("O Berlin, ich muss dich lassen"), for 2 voices and piano	1817
J.209	Op.54 No.2	Quodlibet ("So geht es in Schnützelputz-Häusel"), for 2 voices and piano	1817
J.210	Op.64 No.2	Mailed ("Tra, ri, ro! Der Sommer, der ist do!"), for 2 voices and piano	1817
J.211	Op.54 No.5	Alte Weiber (" 'S is nichts mit den alten Weibern"), song for voice and piano	1817
J.212	Op.54 No.3	Liebeslied ("Ich hab’ mir eins erwählt"), for voice and piano See also Tema variato, J.265.	1817
J.213	Op.66 No.6	Wunsch und Entsagung ("Wenn ich die Blümlein schau"), song for voice and piano	1817
J.214	—	König Yngurd, incidental music to A. Müllner's play, for mezzo-soprano and orchestra	1817
J.215	—	Von dir entfernt, Geliebter, recitative and cavatina by F. Paer, arranged for soprano and orchestra For E.-N. Méhul’s Héléna.	1817
J.216	—	Ja, ich bin entschlossen ("Lass Schmerzen, o lass Gefahren") , recitative and duet by S. Nasolini, arranged for soprano, tenor and orchestra For Méhul’s Héléna.	1817
J.217	Op.66 No.1	Das Veilchen im Thale ("Ein Veilchen blüht"), song for voice and piano	1817
J.218	Op.53b No.3 or Op.57 No.3	Zwei Kränze zum Annen-Tage ("Flüstert lieblich, Sommerlüfte"), for 4 male voices and piano	1817
J.219	Op.55	Variations sur un chant tzigane (7) on a Gypsy Song (Variationen über ein Zigeuner Lied), for piano	1817
J.220	—	Donna Diana, song for voice and 2 guitars for the play by C. A. West	1817
J.221	—	L’accoglienza, cantata for 3 sopranos, tenor, 2 basses, mixed chorus, and orchestra	1817
J.222	—	Hold ist der Cyanenkranz, lied for solo voices and mixed chorus For the play Der Weinberg an der Elbe by F. Kind.	1817
J.223	—	Leise weht es, romance for voice and guitar For the play Das Nachtlager von Granada by F. Kind.	1818
J.224	Op.75a	Missa Sancta No.1 in E♭ major ("Freischützmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra	1817–18
J.225	—	Sei gegrüsst, Frau Sonne, mir, lied for tenor and bass (with piano?) For the play Das Turnier zu Kronstein by F. J.von Holbein.	1818
J.226	—	Gloria et honore, offertory in E♭ major, for soprano, mixed chorus and orchestra For Missa Sancta No.1, J.224.	1818
J.227	—	Im Provence blüht die Liebe, dance and song for tenor, chorus and orchestra For the play Das Haus Anglade by T. Hell.	1818
J.228	Op.53b No.2 or Op.57 No.2	Schone Ahnung ist erglommen ("Frühlingslied"), for 4 male voices, and piano ad lib.	1818
J.229	Op.71 No.5	Lied der Hirtin ("Wenn die Maien grün sich kleiden"), for voice and piano	1818
J.230	Op.64 No.4	Gelahrtheit ("Ich empfinde fast"), song for voice and piano	1818
J.231	Op.54 No.7	Weine, weine nur nicht, folksong for voice and piano	1818
J.232	Op.54 No.1	Die fromme Magd ("Ein’ fromme Magd von gutem Stand"), song for voice and piano	1818
J.233	Op.54 No.6	Wenn ich ein Vöglein wär', folksong for voice and piano	1818
J.234	Op.64 No.1	Mein Schatzerl is hübsch, folksong for voice and piano	1818
J.235	Op.64 No.3	Heimlicher Liebe Pein ("Mein Schatz, der ist auf die Wanderschaft hin"), song for voice and piano	1818
—	Op.60	Pieces (8), for piano 4 hands	1818–19
J.236	Op.60 No.5	Alla Siciliana, in F major, for piano 4 hands	1818
J.237	—	Der Tod Heinrichs IV, incidental music to the play by E. Gehe, for orchestra	1818
J.238	Op.66 No.2	Rosen im Haare, song for voice and piano	1818
J.239	Op.56	Was sag ich? ("Fern von ihm"), scena and aria for soprano and orchestra For Cherubini’s Lodoïska.	1816–18?
J.240	—	Heil dir, Sappho!, for mixed chorus and wind band For the play Sappho by Grillparzer.	1818
J.241	Op.61	Natur und Liebe (Cantate zur Feyer des Augustus-Tages), for 2 sopranos, 2 tenors, 2 basses, and piano	1818
J.242	Op.60 No.4	Allegro in A minor ("All' Ongarese"), for piano 4 hands	1818
J.243	Op.71 No.2	Ein Mädchen ging die Wies’ entlang ("Bach, Echo und Kuss"), lied for voice and guitar or piano For the play Der Abend am Waldbrunnen by F. Kind.	1818
J.244	Op.58	Jubel-Cantate (zur Feier des 50 jährigen Regierungsantritts Sr. Majestät), for soprano, alto, tenor, bass, mixed chorus, and orchestra Published posthumously as Ernte-Cantate, with alternative text by A. Wendt.	1818
J.245	Op.59	Jubel-Ouvertüre in E major, for orchestra	1818
J.246	—	Lieb’ um Liebe, incidental music to the play by Rublack, for solo voices, mixed chorus, and orchestra	1818
J.247	—	God Save the King ("Den König segne Gott"), arranged for male chorus :For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.187.	1815–18?
J.248	Op.60 No.1	Moderato (Arioso) in D major, for piano 4 hands	1818
J.249	Op.64 No.7	Ei, ei, ei wie scheint der Mond so hell, for 2 tenors and bass	1818
J.250	—	In die solemnitatis, offertory in C major, for soprano, mixed chorus and orchestra For Missa Sancta No.2, J.251.	1818
J.251	Op.76	Missa Sancta No.2 in G major ("Jubelmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra	1818–19
J.252	Op.62	Rondo brillante in E♭ major ("La gaité"), for piano	1819
J.253	Op.60 No.3	Adagio in F major, for piano 4 hands	1819
J.254	Op.60 No.8	Rondo (Scherzando) in B♭ major, for piano 4 hands	1819
J.255	Op.64 No.5	Abendsegen ("Der Tag hat seinen Schmuck"), song for voice and piano	1819
J.256	Op.71 No.1	Triolett ("Keine Lust ohn’ treues Lieben!"), song for voice and piano	1819
J.257	Op.64 No.6	Liebesgruss aus der Ferne ("Sind wir gescheiden"), song for voice and piano	1819
J.258	Op.64 No.8	Herzchen, mein Schätzchen, folksong for voice and piano	1819
J.259	Op.63	Trio in G minor, for flute, cello and piano	1818–19
J.260	Op.65	Aufforderung zum Tanze (Invitation to the Dance), rondeau brillant for piano	1819
J.261	Op.68 No.5	Gute Nacht ("Bald heisst es wieder ‘Gute Nacht!’"), for 4 male voices	1819
J.262	Op.68 No.3	Freiheitslied ("Ein Kind ist uns geboren"), for 4 male voices	1819
J.263	Op.68 No.2	Ermunterung ("Ja, freue dich, so wie du bist"), for 4 male voices	1819
J.264	Op.60 No.2	Allegro (Allla militaire) in C major, for piano 4 hands	1819
J.265	Op.60 No.6	Tema variato ("Ich hab' mir Eins erwählet"), for piano 4 hands Based on theme of the Liebeslied, J.212.	1819
J.266	Op.60 No.7	Marcia funebre in G minor, for piano	1819
J.267	Op.71 No.3	Das Mädchen an das erste Schneeglöckchen ("Was bricht hervor wie Blüthen weiss"), song for voice and piano	1819
J.268	Op.72	Polacca brillante ("L'hilarité"), for piano	1819
J.269	Op.80 No.2	Sehnsucht (Weihnachtslied) ("Judäa, hochgelobtes Land"), song for voice and piano	1819
J.270	Op.80 No.3	Elfenlied ("Ich tummle mich auf der Haide"), for voice and piano	1819
J.271	—	God Save the King, arranged for mixed chorus and wind ensemble For the play Du hoher Rautenzweig. See also J.247.	1819
J.272	—	Doppel Canon à 4 für L. Spohr	1819
J.273	—	Agnus Dei, for female chorus and wind ensemble For the play Carlo by G. von Blankensee.	1820
J.274	Op.80 No.4	Schmerz ("Herz, mein Herz, ermanne dich!"), song for voice and piano	1820
J.275	Op.80 No.5	An sie ("Das war ein recht abscheuliches Gesicht"), song for voice and piano	1820
J.276	—	Der Leuchtthurm, incidental music to the play by E. von Houwald, for harp	1820
J.277	Op.77	Der Freischütz, romantic opera in 3 acts	1817–21
J.278	Op.80 No.6	Der Sänger und der Maler ("Ei, wenn ich doch ein Maler wär’ "), song for voice and piano	1820
J.279	Op.78	Preciosa, incidental music for the play by P. A. Wolff, for voice, mixed chorus and orchestra	1820–21
J.280	—	Sagt, woher stammt Liebeslust, lied for soprano, alto, female chorus, and guitar For the play Der Kaufmann von Venedig, by A. W. Schlegel.	1821
J.281	Op.80 No.1	Lied von Clotilde ("Wenn Kindlein süssen Schlummers Ruh"), for voice and piano	1821?
J.282	Op.79	Konzertstück (Concertstück) in F minor, for piano and orchestra	1821
J.283	—	Du, bekränzend uns’re Laren, cantata for 2 sopranos, tenor, bass, mixed chorus, flute, and piano	1821
J.284	Op.68 No.6	Husarenlied ("Husaren sind gar wack’re Truppen"), for 4 male voices	1821
J.285	Op.68 No.4	Schlummerlied ("Sohn der Ruhe, sinke nieder"), for 4 male voices	1822
J.286	—	Das Licht im Thale ("Der Gasthirt steht am Felsenrand"), song for voice and piano	1822?
J.287	Op.70	Piano Sonata No.4 in E minor	1819–22
J.288	—	Marcia vivace, for 10 trumpets	1822?
J.289	—	Den Sachsen-Sohn vermählet heute, incidental music to the festspiel by L. Robert, for mixed chorus and orchestra	1822
J.290	—	Wo nehm’ ich Blumen her, for soprano, tenor, bass, and piano	1823
J.291	Op.81	Euryanthe, grand romantic opera in 3 acts	1822–23, rev. 1825
J.292	—	Elle était simple et gentilette ("Te voir encore"), romance for voice and piano	1824
J.293	—	Reiterlied ("Hinaus! Hinaus zum blut’gen Strauss!"), for 4 male voices, and piano ad lib.	1825
J.294	—	Schützenweihe ("Hörnerschall! Ueberfall"), for 4 male voices, and piano ad lib.	1825
—	—	Schottische National-Gesänge (Scottish National Songs), arranged for voice, flute, violin, cello, and piano	1825
J.295	—	Soothing Shades of Gloaming, folksong arranged for voice, flute, violin, cello and piano	1825
J.296	—	The Troubadour ("Glowing with love"), folksong arranged for voice, flute, violin, cello and piano	1825
J.297	—	O Poortith Cauld, folksong arranged for voice, flute, violin, cello and piano	1825
J.298	—	Bonny Dundee ("True-hearted was he"), folksong arranged for voice, flute, violin, cello and piano	1825
J.299	—	Yes, Thou May'st Walk, folksong arranged for voice, flute, violin, cello and piano	1825
J.300	—	A Soldier Am I, folksong arranged for voice, flute, violin, cello and piano	1825
J.300a	—	Contented wi' Little, and Canty wi' Mair, folk song for voice, flute, violin, cello and piano	1825
J.301	—	John Anderson, My Jo' , folksong arranged for voice, flute, violin, cello and piano	1825
J.302	—	O My Love's Like the Red, Red Rose, folksong arranged for voice, flute, violin, cello and piano	1825
J.303	—	Robin is My Joy, folksong arranged for voice, flute, violin, cello and piano	1825
J.304	—	Whar Ha'e ye Been a' Day, folksong arranged for voice, flute, violin, cello and piano	1825
J.305	—	Olimpie, additional music for Spontini’s opera	1825
J.306	—	Oberon, romantic and fairy opera in 3 acts	1825–26
J.307	—	March in C major, for wind ensemble Revision of the March for piano duet, J.13.	1826
J.308	—	Song of Nurmahal ("From Chindara’s warbling fount I come"), for voice and piano Piano part reconstructed by Ignaz Moscheles.	1826
J.Anh.001	—	Das Waldmädchen (Das stumme Waldmädchen), romantic-comic opera in 2 acts Incomplete.	1800
J.Anh.003	—	Deo Rosa, Gottes Rose, for 4 male voices	1821
J.Anh.004	—	Fragment in E♭ major	1821
J.Anh.005	—	Die drei Pintos, comic opera in 3 acts Unfinished. Completion by Gustav Mahler published 1888.	1820–21
J.Anh.006	—	Die Macht der Liebe und des Weins, opera Lost.	1798–99
J.Anh.008	—	Missa solenne (Grosse Jugendmesse) in E♭ major, for soprano, alto, tenor, bass, mixed chorus, organ and orchestra First published 1926 in an edition by C. Schneider.	1799?, rev. 1802?
J.Anh.009	—	Vierstimmige Gesänge, for unaccompanied voices Lost.	1799
J.Anh.010	—	Canons Lost.	1799
J.Anh.011–13	—	Easy Trios (3), for violin, viola and cello Lost.	1799
J.Anh.014	—	Variations (6), for piano Lost.	1799
J.Anh.015	—	Variations (6), for piano Lost.	1799
J.Anh.016–18	—	Piano Sonatas (3) Lost.	1799
J.Anh.019	—	Variations (6), on the song "Lieber Augustin", for piano Lost.	1799
J.Anh.024–26	—	Trios (3), for violin, viola and cello Lost. Possibly the same as the 3 Easy Trios, J.Anh.11–13.	1799–1801?
J.Anh.028	—	Overture chinesa (Chinese Overture), for orchestra Lost; revised as the overture to the incidental music to Turandot, J.75.	1806
J.Anh.030	—	Antonius, burleske Lost.	1808
J.Anh.031	—	Adagio und Rondo in B♭ major ("Harmonie), for 2 clarinets, 2 bassoons, and 2 horns First published in 1973. Possibly based on the Harmonie (1806–07?).	1808
J.Anh.033	—	Der Admiral, arrangement of the vocal score to the opera by G. J.Vogler	1811
J.Anh.034	—	Variations (3), for piano Lost.	?
J.Anh.035	—	Son troppo innocente nell’arte d’amar, canzonetta for 2 tenors and baritone	1811
J.Anh.036	—	D’ogni amator la fede sempre mal sicura, canzonetta for voice and piano Lost.	1811
J.Anh.038	—	Künstlers Liebesforderung, song for voice and piano Lost.	1811
J.Anh.039	—	Adagio for oboe Lost.	1811
J.Anh.040	—	Chorus and Music for the Birthday of Jacob Herz Beer Lost.	1812
J.Anh.041	—	Waltzes and Ecossaises, for piano Lost. Weber's authorshp is doubtful	1812
J.Anh.042	—	Adagio and Variations, for cello (and piano?) Lost.	1813
J.Anh.043	—	Das österreichische Feldlager, music for the drama by H. Schmidt Lost.	1813
J.Anh.046	—	Ecossaise Arrangement of Reigen, J.159. Lost.	1813
J.Anh.047	—	Music for Clementi's Concert (1813) Lost.	?
J.Anh.048	—	Romeo und Juliette, chorus for Shakespeare's play Lost.	1813
J.Anh.049	—	Ballet Music Lost.	1814
J.Anh.050	—	Waltz, for orchestra Lost.	1814
J.Anh.051	—	Waltz in C major, for wind ensemble Lost.	1814
J.Anh.052	—	Alt-Vater, for orchestra Lost.	1814
J.Anh.053	—	Andante, for guitar and piano Lost. Possibly revised as Divetimento assai facile, J.207	1814
J.Anh.054	—	March for the Prague Schützengarde, for wind ensemble Lost.	1814
J.Anh.055	—	Leise kommt der Mond gezogen, canon for 4 voices Lost.	1814
J.Anh.058	—	Adagio for flute, viola (or cello?), and piano Lost. Possibly revised in the Trio in G minor, J.259.	1815
J.Anh.056	—	Savoy’sches Lied, for voice and piano Lost.	1815
J.Anh.057	—	Clarinet Concerto For S. Hermstedt; incomplete; lost.	1815
J.Anh.059	—	Ballet-Musik, for wind ensemble Lost.	1815
J.Anh.061	—	Arias (2) For Spontini’s La vestale, and for J.Fischer, 1816. Both lost.	1816
J.Anh.063	—	Cendrillon (Aschenbrödel), additional trumpet parts for the opéra féerie by Nicolas Isouard Lost.	1817
J.Anh.064	—	Sehnsucht und Wiederhall ("Wann stärkt wieder Klang der Lieder"), song for voice and piano Lost.	1817
J.Anh.065	—	Die Ahnfrau, music for the play by F. Grillparzer Lost.	1817
J.Anh.066	—	Das Dorf im Gebirge, chorus for J.Weigl's opera Lost.	1818
J.Anh.067–70	—	Solfeggios (4) Themes only.	1818
J.Anh.071	—	Die Zwillinge, music for the play by F. M. Klinger, for guitar Lost.	1818
J.Anh.076	—	Der Harfner ("O Harfner, wo ziehst du so fröhlich hin?"), song for voice and piano Lost.	1819
J.Anh.077	—	Les deux journées, additional trombone parts for the opera in 3 acts by Luigi Cherubini Lost.	1820
J.Anh.078	—	Wiegenlied ("Steige, sanfte Schlummer nieder"), for voice and piano Lost.	1821
J.Anh.079	—	Liebeserhöhung, song for voice and piano Lost.	1821
J.Anh.080	—	Etudes, for piano Lost.	1820–21
J.Anh.081	—	Max-Walzer in E♭ major, for piano	1825
J.Anh.083	—	Overture in E♭ major, arranged for piano Weber's authorship is doubtful.	?
J.Anh.084	—	Favourite Waltzes (12), for piano Weber's authorship is doutbful.	?
J.Anh.096	—	Ihr holden Blumen, arietta for soprano and piano For A. Fischer’s Die Verwandlungen. Lost. Also orchestrated as J.163.	1814
J.Anh.097	—	Donna Diana, incidental music Weber's authorship is doubtful.	?
J.Anh.105	Op.81	Les adieux, fantasia for piano Formerly attirbuted to Weber, but now believed to have been composed by Carl Gottlieb Reissiger	?
—	—	Adagio patetico in C♯ minor Weber's authorship is uncertain.	?
—	—	An die Hoffnung ("Hoffnungsstrahl der mich belebte"), song for voice and piano First published in 1927. Weber's authorship is doubtful.	?
—	—	Canone à 4 voci in contrapunto doppio alla ottava, in C minor Unpublished.	?
—	—	Concertino in C major, for oboe and wind ensemble Weber's authorship is doubtful.	?
—	Op.32	Divertimento for clarinet and orchestra First published in 1985. Spurious.	?
—	—	Fanchon das Leyermädchen, arrangement of the work by F.H. Himmel for 2 violins, viola, and cello Lost.	1805
—	—	Harmonia, for 10 wind instruments Lost; possibly an early version of the Adagio und Rondo, J.Anh.31.	1806–07?
—	—	Introduction, Theme and Variations, for clarinet and string quartet Formerly attributed to Weber, but now believed to have been composed by Joseph Küffner.	?
—	—	Piano Concerto Lost.	1802
—	—	Prost Neujahr!, canon for 34 solo voices and 74 trumpets New Year’s greeting for Gänsbacher.	1811
—	—	Requiem, arrangement of extracts from the work by Wolfgang Amadeus Mozart for bassoon, 2 violins, viola, and cello Lost.	1801
—	—	Strafpredigt über Französische Musik und die Übersetzungswuth	1801–02
—	—	Variations for flute and orchestra Lost.	1804–07?
—	—	Variations for violin and piano Lost. Possibly the same as the 9 Variations sur un air norvégien, J.61.	1805
—	—	Vatergruss ("Du gute, gute Mäzze")	1823
—	—	Wenn du im Arm der Liebe, canon for 3 voices First published in 1926.	1802
—	—	Wiedersehn, o Wiedersehn, cantata for soprano, 2 tenors, bass, and orchestra Unpublished. Weber's authorship is uncertain.	1796–1800?