Liebster Jesu, mein Verlangen, BWV 32 (Bach, Johann Sebastian)

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Synthesized/MIDI

Aria: Nun verschwinden alle Plagen (No.5)

For Trumpet and Organ (Rondeau)

 Synthesized recording
#397977 - 3.94MB - 4:18 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 10x

MP3 file (audio)
Michrond (2015/10/28)

Performers:

MIDI

Publisher Info.:

Michel Rondeau

Copyright:

Creative Commons Attribution 4.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Full Scores

 Complete score
#360451 - 29.49MB, 20 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 675x

PDF scanned by Bach Digital
Jun T (2015/1/10)

Publisher Info.:

Holograph manuscript, n.d.(ca.1726)

Copyright:

Public Domain [tag/del]

Misc. Notes:

D-B Mus. ms. Bach P 126

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 Complete Score
#00921 - 2.19MB, 28 pp. -  6.8/10 2 4 6 8 10 (6- V/V/V - 5305x

PDF scanned by Unknown
Feldmahler (2006/5/18)

BWV0032.pdf
Editor:

Wilhelm Rust (1822–1892)

Publisher Info.:

Bach-Gesellschaft Ausgabe, Band 7 (pp.53-80)
Leipzig: Breitkopf und Härtel, 1857. Plate B.W. VII.

Copyright:

Public Domain [tag/del]

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Vocal Scores

 Complete Score
#24202 - 1.50MB, 20 pp. -  6.0/10 2 4 6 8 10 (2- V/V/V - 2125x

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

PMLP03289-bwv032.pdf
Arranger:

Bernhard Todt (1822–1907), piano reduction

Language:

German

Publisher Info.:

Leipzig: Breitkopf & Härtel, n.d.(1891). Plate J.S.B. I.32

Reprinted:

New York: Edwin F. Kalmus, n.d.(after 1933). K 9317

Copyright:

Public Domain [tag/del]

Misc. Notes:

Based on Bach-Gesellschaft Ausgabe

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Arrangements and Transcriptions

Aria: Nun verschwinden alle Plagen (No.5)

For Trumpet and Organ (Rondeau)

 Complete Score, Trumpet Part
#397975 - 0.23MB, 18 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 57x

PDF typeset by arranger
Michrond (2015/10/28)

 Engraving files (Finale & XML)
#397976 - 0.25MB, ? pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 27x

ZIP typeset by arranger
Michrond (2015/10/28)

PMLP149257-BacBWV32a5ALL.pdf
Arranger:

Michel Rondeau

Publisher Info.:

Michel Rondeau

Copyright:

Creative Commons Attribution 4.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Other

 Complete Book
#120074 - 2.13MB, 103 pp. -  2.0/10 2 4 6 8 10 (1- !N/!N/!N - 276x

PDF typeset by author
Antonio Armendáriz (2011/9/6)

PMLP149257-CANTATA BWV 032 - J.S.BACH - 3ª EDICION - TEXTOS Y PARTITURAS.pdf
Editor:

Antonio Armendáriz

Language:

Spanish

Publisher Info.:

Lodosa: Antonio Armendáriz Navarro

Copyright:

Creative Commons Attribution 3.0 [tag/del]

Misc. Notes:

Extremely low-quality typesetting; please use only if language is a requirement. (If printed, the edition would also be very wasteful of paper.)
Textos explicativos de su origen y características en cuatro idiomas ( alemán , español , francés e inglés ) . Partituras de muy alta calidad , con textos en español

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General Information

Work Title Liebster Jesu, mein Verlangen (Concerto in Dialogo)
Alternative Title
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 32
Key E minor
Movements/Sections 6 movements
  1. Aria (Soprano): Liebster Jesu, mein Verlange (E minor)
  2. Recitativo (Bass): Was ists, daß du mich gesuchet? (B minor)
  3. Aria (Bass): Hier in meines Vaters Stätte (G major)
  4. Recitativo (Soprano, Bass): Ach! heiliger und großer Gott (B minor-G major)
  5. Aria Duetto (Soprano, Bass): Nun verschwinden alle Plagen (D major)
  6. Choral: Mein Gott, öffne mir die Pforten (G major)
Year/Date of Composition 1726
First Performance 1726-1-13 in Leipzig
Librettist Georg Christian Lehms (1684–1717)
Language German
Dedication 1st Sunday after Epiphany
Average Duration 24 minutes
Piece Style Baroque
Instrumentation Vocal: soprano, bass, mixed chorus (SATB)
Orchestra: oboe, strings, continuo
External Links Wikipedia article
Bach-Cantatas.com


Misc. Comments

For the first Sunday after Epiphany.
This Cantata is in the form of a dialogue between the soul (Soprano) and Jesus (Bass).

Commentary on the movements

  1. Aria (Soprano): Liebster Jesu, mein Verlange. The "most significant movement"1 in this cantata. The obbligato oboe and soprano share the thematic material, an expressive, highly ornamented melody.
  2. Recitativo (Bass): Was ists, daß du mich gesuchet? Secco recitative.
  3. Aria (Bass): Hier in meines Vaters Stätte. Obbligato violin weaves a scintillating quasi-virtuoso fabric around Jesus's words of comfort.
  4. Recitativo (Soprano, Bass): Ach! heiliger und großer Gott. A string-accompanied recitative, the first movement to explore the dialogue.
  5. Aria Duetto (Soprano, Bass): Nun verschwinden alle Plagen. A musical expression of joy.
  6. Choral: Mein Gott, öffne mir die Pforten. A plain chorale setting.

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach
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