Les Danaïdes (Salieri, Antonio)

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Complete Opera

 Complete Score
#01712 - 27.29MB, 286 pp. -  9.2/10 2 4 6 8 10 (5) - V/V/V - 1660x

PDF scanned by Univ. North Texas
Peter (2006/10/07)

Danaides1784.pdf
Publisher Info.:

Paris: Des Lauriers, 1784

Copyright:

Public Domain [tag/del]

Misc. Notes:

First edition

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Overture

 Complete Score
#74878 - 0.43MB, 31 pp. -  9.0/10 2 4 6 8 10 (2) - !N/!N/!N - 939x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/12)

PMLP05030-Danaides.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Horn 2 has a few wrong notes at the start of the Allegro assai. These have been corrected in both the modern horn part and the archaic transposition part. Also, there are minor discrepancies in cautionary accidentals, beaming and other details of that sort, and the parts reflect the preferred version. I won't get around to correcting the full score until I finish the parts and delete all cue notes from the full score. One detail that I probably won't bother changing is the exact placement of the Allegro assai directive: technically, it doesn't begin until the second beat (or beat 3 if you beat it in 4/4 rather than 2/2) of the measure; but the conductor should hold that note for at least a whole note's worth at the Andante maestoso tempo, and perhaps even have a little breath pause before launching into the Allegro assai. Note that flutes, bassoons, trumpets, timpani, violins, violas, are give a 3-measure rest rather than a cue.

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Vocal Scores

Selections

 Air: Par les larmes dont votre fille
#177276 - 0.46MB, 3 pp. -  7.6/10 2 4 6 8 10 (5) - V/V/V - 321x

PDF scanned by US-PRV
Bassani (2012/2/10)

Publisher Info.:

Échos de France, Second volume
Paris: Durand et Schoenewerk, n.d. Plate D. & F. 401

Copyright:

Public Domain [tag/del]

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Parts

Overture

 Flute 1
#75087 - 0.10MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 208x

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Alonso del Arte (2010/8/14)

 Flute 2
#75088 - 0.10MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 120x

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Alonso del Arte (2010/8/14)

 Oboe 1
#75301 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 118x

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Alonso del Arte (2010/8/16)

 Oboe 2
#75302 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 102x

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Alonso del Arte (2010/8/16)

 Clarinet 1 (A)
#75429 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 126x

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Alonso del Arte (2010/8/17)

 Clarinet 2 (A)
#75430 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 110x

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Alonso del Arte (2010/8/17)

 Bassoon 1
#75431 - 0.11MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 111x

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Alonso del Arte (2010/8/17)

 Bassoon 2
#75507 - 0.11MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 98x

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Alonso del Arte (2010/8/18)

 Horn 1 (F)
#75730 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 119x

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Alonso del Arte (2010/8/20)

 Horn 2 (F)
#75731 - 0.09MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 103x

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Alonso del Arte (2010/8/20)

 Trumpet 1 (B)
#76040 - 0.08MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 130x

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Alonso del Arte (2010/8/22)

 Trumpet 2 (B)
#76041 - 0.08MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 99x

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Alonso del Arte (2010/8/22)

 Tenor Trombone 1
#77077 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 116x

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Alonso del Arte (2010/8/30)

 Tenor Trombone 2
#77078 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 93x

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Alonso del Arte (2010/8/30)

 Bass Trombone
#77179 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 97x

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Alonso del Arte (2010/8/31)

 Timpani
#77180 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 117x

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Alonso del Arte (2010/8/31)

 Violins I
#77181 - 0.13MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 223x

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Alonso del Arte (2010/8/31)

 Violins II
#77417 - 0.12MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 122x

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Alonso del Arte (2010/9/2)

 Violas
#78208 - 0.11MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 104x

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Alonso del Arte (2010/9/9)

 Cellos
#78781 - 0.11MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 114x

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Alonso del Arte (2010/9/15)

 Double Bass
#79203 - 0.11MB, 3 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 117x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/9/19)

PMLP05030-Danaides - I. Flute.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

Misc. Notes:

Clarinets in A rather in C in the original. This takes Clarinet 1 almost to the very top of the practical range. Horns in F and trumpets in B rather than in D for both in the original. The only real difference between the cello and double pass parts is that in the measures leading up to letter O, the cellos are given a viola cue while the double bass is given a second bassoon cue; the cellists could very well decide they'd rather listen for the second bassoon while the bassist could decide he/she'd rather listen for the violas (the difference is octave, not pitch-class).

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Archaic transpositions. Provided by request. Though if the new clarinet in C becomes popular, then it would no longer be an archaic transposition. I've heard quite a few horn players tell me that they prefer parts in the archaic transpositions, and some even say they wouldn't mind if modern tonal composers likewise used archaic transpositions. Maybe Wagner was on to something after all. I haven't heard trumpeters say the same thing, but I have nonetheless provided trumpet in D parts for this piece.

 Clarinet 1 (C)
#76043 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 44x

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Alonso del Arte (2010/8/22)

 Clarinet 2 (C)
#76044 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 36x

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Alonso del Arte (2010/8/22)

 Horn 1 (D)
#76045 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 41x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/22)

 Horn 2 (D)
#76155 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 35x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/23)

 Trumpet 1 (D)
#76179 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 39x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/23)

 Trumpet 2 (D)
#76180 - 0.11MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 37x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/23)

PMLP05030-Danaides wArchaicTransps - I. Clarinet in C.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

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And for high school orchestras. Tenor trombones written in bass clef. With this particular piece, the use of bass clef winds up being even more nonsensical than usual, especially for the first tenor trombone, which would've most likely have been an alto trombone in Salieri's day. At letter O, the practical range of the modern tenor trombone is altogether exceeded. On the other hand, Salieri certainly did not mean for a pretty chord at this point in the piece.

 Tenor Trombone 1 (bass clef)
#77079 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 46x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/30)

 Tenor Trombone 2 (bass clef)
#77080 - 0.08MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 40x

PDF typeset by Alonso del Arte
Alonso del Arte (2010/8/30)

PMLP05030-Danaides bass clef - I. Tenor Trombone.pdf
Editor:

Alonso del Arte

Publisher Info.:

Alonso del Arte

Copyright:

Creative Commons Attribution Non-commercial 3.0 [tag/del]

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General Information

Work Title Les Danaïdes
Alternative Title
Composer Salieri, Antonio
Movements/Sections 5 acts
Year/Date of Composition 1784
First Publication 1784
Librettist François Louis Gaud Lebland Du Roullet (1716–86)
Jean-Baptiste-Louis-Théodore de Tschudi (1734–84)
Ranieri de Calzabigi (1714–95)
Language French
Piece Style Classical
Instrumentation voices, orchestra
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