Left Overs (Besset, Julian Raoul)

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 Complete Performance
#372651 - 10.38MB - 11:20 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 6x

MP3 file (audio)
Composer (2015/4/5)

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Composer

Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]

Misc. Notes:

Processed with Garritan CFX Concert Grand (Contemporary - Compact)

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Sheet Music

Scores

 early manuscript (c.1957)
#273935 - 0.66MB, 2 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 48x

PDF typeset by Jurabe
Jurabe (2013/3/20)

PMLP444984-left over.pdf
Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution-NonCommercial-NoDerivs 3.0 [tag/del]

Misc. Notes:

A work rediscovered while sorting through my music library for scanning purposes. At first, I wondered who composed it, then it dawned upon me : it must have been me, despite the stylistic discrepancies. I there and then decided to expand it, opening two apertures, one upon my earlyhood, the other upon my hoaryhood.

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 Stepping Stones (Left Overs & Follow Ups)
#273958 - 0.19MB, 19 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 76x

PDF typeset by Jurabe
Jurabe (2013/3/20)

TN-Color Design for Left Overs Stepping Stones.jpg
Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution-NonCommercial-NoDerivs 3.0 [tag/del]

Misc. Notes:

The previous version has been completely overhauled and augmented (two additional pieces).

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General Information

Work Title Left Overs
Alternative Title A Juvenilia Repository
Composer Besset, Julian Raoul
Movements/Sections 4
  1. Somersaults/Pirouettes
  2. Prelude Too is One/Prélude Deux sans Un
  3. False Starts/Faux Départs
  4. Rumor...
Year/Date of Composition 2013
Piece Style Modern
Instrumentation Piano


Misc. Comments

This page was meant to be a receptacle for abandoned or early pieces that the composer felt worthy of reconsideration. However the original design is not strictly adhered to. Lack of discipline probably. The first piece has been considerably altered, its former simple, even rudimentary, design, is quite often and unexpectedly twisted out of shape. The second is a prelude no.2, whose companion piece was deemed unworthy of a fresh consideration, hence the pun in the title. The third is a stop and go affair, at least initially, while the last has a Spanish flavor and is actually an improvisation that the composer decided to transcribe, but gave up in the middle of his task, which he found to be so overwhelmingly boring that he decided to conclude the piece compositionally.

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